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T-Enami.org - A Welcome, all who like old Photos of Japan !YOU ARE ONE OF OVER 100,000 VISITORS TO THIS SITE. With an attractive interface, a multitude of video effects and the ability to upload directly to Facebook, Vimeo, Box and YouTube, Pinnacle Studio has long been a favorite in video editing.
Packed with more than 670 transitions and effects, 46 text options and 34 templates for disc menus, AVS is surprisingly simple to use and customize.
Editing videos is quick and easy, and AVS supports multiple formats, such as HD, MPEG, AVI, WMV, QuickTime, Adobe Flash, mobile video, Real Networks and WebM files, among others. Users also have the ability to share video with Vimeo, meaning your masterpieces are just a click away from a massive online audience. Apple’s revamped video editing software boasts speedier performance, a friendlier interface, auditions for alternate clips, good organization tools, powerful new multicam support and support for both Thunderbolt and studio-monitor output. For Mac users who want a simple video editing software without the bells and whistles, there’s iMovie 11. While it may not have the latest and greatest features, iMovie packs all of the basics in an easy-to-master interface for a relatively cheap price. Despite being the cheapest option on this list, Corel Video Studio Pro X6 is simple to use without sacrificing power.
The software supports 4K Ultra HD video and is the only available option for creating HTML5 interactive web movies. For an option that falls in the middle of the price range, CyberLink has one of the most impressive arsenals of tools -- and it's still easy to use. Magix Movie Edit Pro Plus is one of the lease expensive platforms on this list, and for the social butterfly, it might be one of the best options. As the industry leader in video editing, Adobe Premiere Pro CC comes with a redesigned timeline and Paste Effects, which allows you to copy and paste the effects you need from one clip to another, making your editing faster and more efficient.
3D capabilities help Sony's consumer-grade video editing software to stand out, and the precise editing and solid rendering speed make this an excellent option for consumers. Other features include YouTube sharing, DVD and Blu-Ray compatibilities, and an excellent Picture in Picture preview. Avid Media Composer's latest version comes with a wealth of new and improved features, such as accelerated high-res-to-HD workflows and automated media management to handle background media tasks while you focus on your creative vision.
In fact, with a decent camera and good editing software, you can create something that looks a lot more like a Hollywood blockbuster than your childhood home videos. As with any software, it's best to consider which features you'll need before you make a purchase.
You'll also want to consider which video formats you'll be shooting in, and therefore what the software's formatting capabilities are.
Our picks for the best video editing software on the market are in the gallery above, from beginners' options such as iMovie to the creative powerhouse that is the Adobe Suite. Editor's note: The original article has been updated to reflect a more comprehensive list of software platforms.
While it is one of the more expensive options in this list, and it doesn’t have 4K UHD support, Pinnacle serves as a nice middle-ground option for those who aren’t slackers in the video editing department, but who haven’t reached pro status just yet.
Version 11 of Adobe Premiere Elements comes with new effects, such as cinematic FilmLooks, slow motion and speeding up.


While you can’t import projects from previous Final Cut versions without a third-party plugin, this new software is a consumer-friendly upgrade to a pro-level Mac editor. Easy drag-and-drop functionality makes cropping and adding music a breeze, and previewing the resulting video in real time makes it easy to ensure that you got the right shot. Features such as motion tracking for moving effects, even better stop motion controls, an enhanced screen capture utility and a subtitle editor with voice detection make this a low-risk purchase for amateur videographers who still want quality. The recently revamped interface is intuitive, and the features are “content aware,” meaning that they analyze raw footage for things such as shakiness, lighting and faces to create a better final cut. With direct upload capabilities to Facebook, YouTube, and Vimeo, its stunning interface, movie trailer templates and multicam editing capabilities can make even amateurs YouTube famous.
There's a trimmer that can be confusing, no 4K support and too many licensing prompts, which can be a drag. Other new features include new sync settings, the ability to browse through your projects to find and combine clips faster, closed captioning features and improved multicam editing. The interface feels a little outdated, and definitely seems like a watered-down version of Sony's Pro software, as opposed to a product developed with the consumer's needs in mind.
The $999 price tag is steep for amateurs, but worth it if you're looking for a professional-grade software.
Once only a task for professionals, editing raw footage has become as simple as dragging and dropping, and many of the features that used to come only with high-end software are now available in even the most basic programs. Small business owners or designers who want to create videos for professional use will have very different needs than consumers editing their home videos. In the past, you only needed to worry about saving your videos to a DVD or a highly compressed video file, but the rise of Vimeo and YouTube has resulted in new sharing options. Powered by its own proprietary technology, Mashable is the go-to source for tech, digital culture and entertainment content for its dedicated and influential audience around the globe. Elements takes the best features of Adobe’s professional version of the software, Premiere Pro, and makes them simplified and user friendly. And as part of the Creative Cloud, it’s backed by the Adobe Creative Suite, integrated with Behance and can be synced across multiple workstations. As the editing software of choice for summer blockbusters like Star Trek and The Great Gatsby, Avid Media Composer 7 can handle any editing challenge with ease. Be realistic about what you'll use, so you don't end up paying for software you don't need.
If you're looking to share your videos to your social network, make sure that your software is capable of doing so. By using software like Edraw you create diagrams for human resources management, staff organization, office administration, management structures and family tree. It will help you visualize and structure information, add illustrations and drawings to your documents and make all this fast and easy. OTHERWISE, BEGIN SCROLLING DOWN FOR A TREASURE-TROVE OF RARE AND BEAUTIFUL PHOTOS OF OLD JAPAN. ENAMI WEARING SAMURAI ARMOR, TAKING A REST BETWEEN POSES IN HIS YOKOHAMA STUDIO, CA.1898-1900. ENAMI, OTHER WELL-KNOWN JAPANESE PHOTOGRAPHERS WHO OPERATED DURING THE MEIJI-ERA (1868-1912) ARE MENTIONED THROUGHOUT THE COMMENTS.I HOPE YOU FIND THE STORY AND DATA BOTH INTERESTING AND HELPFUL.


FOR THOSE WHO ARE HERE PRIMARILY TO LOOK AT THE IMAGES, I HOPE THAT YOU EXPERIENCE SOME ENJOYMENT IN GAZING AT A FEW OF ENAMI'S"LOST PICTURES" OF OLD JAPAN.
THOSE THAT LIVE FOR DISCOVERING NEW DATA AND CONNECTING THE DOTS WILL NO DOUBT FIND SOME EYE-OPENING REVELATIONS HERE.A OF COURSE, WE ALL LOVE KIMBEI KUSAKABE AND THE REST OF THOSE ILLUSTRIOUS JAPANESE PIONEERS OF PHOTOGRAPHY WHO GOT THEIR START LONG BEFORE ENAMI OPENED HIS OWN MEIJI-ERA STUDIO. THEIR BEST WORK IS ENOUGH TO TAKE YOUR BREATH AWAY.HOWEVER, ENAMI ALSO HAD HIS FANS AND FRIENDS, BOTH AS A PERSON AND AS A PHOTOGRAPHER. AS YOU SCROLL DOWN THESE PAGES, FOR A FEW MOMENTS YOU MAY STEP INTO ENAMI'S SHOES, AND TAKE A PEAK THROUGH HIS LENS.A LIKE SO MANY OTHERS --- SOME NOW FAMOUS, BUT MOST BEING FORGOTTEN --- ENAMI DEDICATED HIS LIFE TO CAPTURING, AS BOTH ART AND DOCUMENT,A WORLD THAT WAS QUICKLY VANISHING BEFORE HIS EYES. AS THIS SITE IS A PERSONAL HOMAGE TO ENAMI, YOU WILL FIND SOME AMATEUR ELEMENTS, AND THE OCCASIONAL PITFALL. AT ALL TIMES, PLEASE "EAT THE MEAT, AND SPIT OUT THE BONES" WHILE DIGGING FOR VISUAL TREASURE.DISCOVERING THE OCCASIONAL GEM OF A PICTURE, OR ODD BIT OF INFORMATION, WILL HOPEFULLY MAKE THE SCROLLING WELL WORTH IT. The general wording seen above was fairly common to all photographic self-promotion during the Meiji-era, and actually contains less specifics than some of his studio ads which he placed in various guide books of the time. OGAWA, who was actually a year younger than Enami, was still his "elder" in terms of experience.
It was photographed by Enami's friendly competitor and neighbor Kozaburo Tamamura, whose studio was located at No.2 Benten Street.
It would be built in 1894 just down the street on the right hand side, and appear in endless views and postcards as the most recognizable landmark of Benten Street. Other images of Enami's studio -- both interior and exterior views -- are shown farther down on this page.A  While offering many of the same services and productions as his contemporaries, he also engaged in other activities that made him unique. Further, while no photographer did "everything", Enami worked and published in more processes and formats than any other Japanese photographer of his time. A He was one of only a few photographers born during Japan's old Edo-Bakumatsu period, who went on to photograph right through to the Showa period of Emperor Hirohito.Enami was also one of the few to experience, and then successfully outgrow his roots as a traditional maker of the classic, large-format "Yokohama Shashin" albums. While successfully embracing the smaller stereoview and lantern slide formats, he added to that a portfolio of Taisho-era "street photography" that maintained his own unique and artistic content.
Enami and Kimbei Kusakabe are now the only two Japanese photographers known to have a surviving list of their commercial 2-D images.
While Enami's 2-D portfolio contained a sprinkling of older, public domain images, his 3-D images and slides made from them were wholly his own.A THE 3-D CATALOG "S 26. Girls Looking at Pictures" A Maiko and two Geisha Looking at Stereoviews in Enami's Yokohama Studio. One of over 1000 cataloged 3-D images of old Japan.A THE "CATALOG OF COLORED LANTERN SLIDES AND STEREOSCOPIC VIEWS"A  Not surprisingly, Enami matched his older Catalog of Meiji-era Prints with a separately published catalog of his classic STEREOVIEWS. In the case of the 3-D Catalog, the lantern-slides were all made directly from one half of the stereoview negatives. The Cover and two sample pages of the Stereoview Catalog are shown just below in the Enami Activity List numbers (6) and (9). ENAMI'S ACTIVITIES and CONTRIBUTIONS TO THE WORLD OF JAPANESE PHOTOGRAPHYA A  For the moment, based on a wide range of primary sources, it is now clear that T.



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