Editing hair online,family tattoo heart,happy easter quotes on pinterest - Step 2

Author: admin | Category: Harley Tattoos | 27.04.2015

In Photoshop CS3, Adobe introduced the Refine Edge command, offering us a first glimpse of how much easier it could be to select hair, fur and other fine details in an image. I'm going to begin by drawing a fairly rough selection outline around the woman in the photo. With the Polygonal Lasso Tool in hand, I'll begin by clicking around the woman's arm and shoulder in the bottom center area of the photo to lay down points for my selection outline. As I move up into the woman's hair, I'll again stay close to the edge but I'll make sure to avoid any areas where the gray background is showing through her hair. Keeping the selection outline away from areas where the background is showing through the hair. With my initial selection in place, before I do anything else, I'll make sure I have the correct layer selected in the Layers panel.
If you click either on the thumbnail or on the small arrow to the right of the thumbnail, you'll open a list of the different view modes you can choose from. This mode shows the current selection as it actually appears in front of the other layer(s) in the document, which can be very useful when compositing images since it makes it easy to judge the result. I purposely skipped over the first two view modes - Marching Ants and Overlay - because neither of them is all that useful.
The purpose of these different view modes is to make it easier for us to judge our selection as we're refining it. If you prefer to select your view modes from the list rather than with keyboard shortcuts, make sure you double-click on the name of the mode.
Directly below the View Mode option in the Refine Edge dialog box is a section called Edge Detection. As you drag the slider, you'll see some of the hair that was outside of your initial selection beginning to appear.
If we look in my document window, we can see the radius as that visible zone between the two areas of solid black. Increasing the Radius value has allowed me to fit more of the woman's hair into the zone that Photoshop is analyzing, which is great, except that at the same time, it's not so great because it's causing potential problems in other areas.
With Smart Radius enabled, Photoshop looks more closely along the edge of the initial selection and tries to tighten up the radius size wherever possible. With Smart Radius turned on, Photoshop can adjust the width of the radius in different areas.
Once we've done all we can with the Radius slider and the Smart Radius option, we can then manually refine our radius using a couple of brushes that come with the Refine Edge command. The names can be a bit confusing, so you may find it helpful to think of the Refine Radius Tool as the Add to Radius brush and the Erase Refinements Tool as the Subtract from Radius brush. By default, the Refine Radius Tool is already selected for us because that's the one we use the most, so there's no need to actually select it from the list. Before I try to add more of the woman's hair to my selection, I'm first going to use the Erase Refinements Tool to remove the unwanted radius area from the bottom of my image.
To add more of the woman's hair, I just need to paint with the Refine Radius Tool over the area where her hair should be. I'll click on the view mode thumbnail at the top of the dialog box, then I'll double-click on Reveal Layer at the bottom of the list to select it.
Now that I know where to paint, I'll press the letter L on my keyboard to switch back to the On Layers view mode, then I'll begin painting with the Refine Radius Tool to reveal more of the woman's hair. When you release your mouse button, the original image disappears and we see the result, with more of the hair added to the selection. More of the woman's hair now appears in front of the new background after painting with the Refine Radius Tool.
Below the Edge Detection options in the Refine Edge dialog box are the Adjust Edge options - Smooth, Feather, Contrast, and Shift Edge. Now that we're done selecting the hair, we need to output our selection, and the best way to do that is to have Photoshop convert our selection into a layer mask so that we're not actually deleting any pixels from the original image. Since we focused so much on selecting the hair in the image, there may be some other parts of the selection that need a bit of cleaning up. Lest you think that vintage Hollywood waves were the dominant beauty trend of Oscars night, let us present you with our favorite fad of the show: long, blonde hair -- on men.


This hair trend was brought to our attention when the Oscar for Best Sound Editing, an oft-overlooked honor, was awarded to not one, but two films.
We didn't think much of the look until the second winner, Per Hallberg of "Skyfall," collected his award with very similarly flowing, bleached-out hair. I’ve read a number picture editing change hair color free of places to see a professional as to stuff. If there's one thing every Photoshop user wants to know, it's how to select someone's hair in a photo.In earlier versions of Photoshop, selecting hair was the kind of thing that separated the pros from everyone else, requiring advanced knowledge of color channels, confusing commands like Calculations and Apply Image, fancy blending options, and even painting individual strands of hair into the image by hand! But in Photoshop CS5, Adobe gave the Refine Edge command a major overhaul, with enough improvements and new features to make selecting hair in a photo easy enough for anyone to do! If we look in my Layers panel, we see that I have another photo sitting on a layer below the original photo.
Your selection may be appearing in front of a white background as mine is, or it may be in front of a solid black background. I currently have the On White mode chosen, which is why my selection is appearing against a white background. White represents the area that's currently selected, while black represents the area not currently selected.
In my case, since I have a second photo on a layer below the main image, we can see the second photo behind my selection. The Marching Ants mode will show the standard selection outline, while the Overlay mode will display the non-selected area as a translucent red overlay similar to how the selection would appear in Quick Mask mode. With some images, the selection may be easier to see against white, others against black, and so on.
I'm using the On Layers view mode to make it easier to see the hair as it will actually appear in front of my background image. The way the Refine Edge command works is that it looks around the edge of our initial selection to decide what else needs to be included in the selection, and the Radius value controls how far away from our initial selection edge that Photoshop will look. The solid black represents areas that Photoshop is ignoring as it looks for additional pixels to add to our selection (with the On White view mode, the areas being ignored appear in white, not black). In other words, with my image, the edge along the woman's arm and shoulder is smooth, so Photoshop will (hopefully, anyway) reduce the width of the radius in that area while still leaving a wider radius for the hair. Depending on your image and the type of edge you're working with, Smart Radius can help or it can make things worse. Keep in mind as you use these tools that unlike Photoshop's other selection tools, we're not adding to, or subtracting from, the actual selection itself with these tools. It's a bit hard to see in the screenshot, but a small minus sign (-) appears in the center of the brush cursor when the Erase Refinements Tool is active (a plus sign (+) appears when the Refine Radius Tool is active). But how do I know where to paint when I can't actually see the rest of her hair because it's not currently part of the selection? Just like any of Photoshop's other brushes, we can change the size of both the Refine Radius Tool and the Erase Refinements Tool directly from the keyboard.
All four of these options are set to 0 by default and when using the Refine Edge command for selecting hair, it's usually best to leave at least the first three options (Smooth, Feather and Contrast) set to 0. Dragging the slider to the right of center will expand your selection edges outward, which may help to add more hair to the selection, while dragging the slider to the left of center will contract the selection edges inward, tightening up the selection.
We're seeing a lot of fringing around the hair, which is remaining color from the original background. If we look in my Layers panel, we see that Photoshop has made a copy of my original image and converted my selection into a layer mask on the new layer. That's how to select hair in a photo using the powerful Refine Edge command in Photoshop CS5!
It didn't hurt that Hallberg's co-editor Karen Baker Landers sported yet another sandy coif.
While we figure this out, check out the blonde, long styles in question and tell us if you're into the look. It’s photoshop change hair change your haircolor on a photo color ironic that one of the new facts.
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Photoshop's standard Lasso Tool will work fine, and the Polygonal Lasso Tool will work even better because it's faster and easier to use. Or, you may still be seeing the standard "marching ants" selection outline, or several other possible views.
Often, we'll need to jump between view modes as we're working, which is why you may have noticed that each of the view modes in the list has a letter to the right of its name. If you look to the right of the View Mode preview thumbnail at the top of the dialog box, you'll see an option called Show Radius which by default is turned off.
A general guideline with Smart Radius is that it tends to help with selections that contain different types of edges, as in my case here.
If you click and hold on the brush icon, a menu will appear where you can select the brush you need. It would be helpful if there was some way to temporarily view the entire original image so I can see exactly where I should be painting.
Pressing the left bracket key ( [ ) will make the brush smaller, while the right bracket key ( ] ) will make it larger. The Smooth option is used for smoothing out jagged selection edges, but it usually causes problems when selecting hair.
If neither direction helps to improve your results, simply drag the slider back to center.
We can remove the fringing using the Decontaminate Colors option, found in the Output section at the bottom of the dialog box.
As you drag the slider further to the right, Photoshop removes the fringing by physically changing the color of the pixels around the hair so that they match the color of the hair itself rather than the original background color.
Oh, and of course there was Claudio Miranda who accepted the Best Cinematography award for "Life of Pi" with his own eye-catching platinum 'do.
It all depends on which View Mode is currently selected at the top of the Refine Edge dialog box.
The letter is the keyboard shortcut for quickly switching between view modes, and they're handy to know. I still have a wide radius around the hair, but the radius along the arm and shoulder is much more narrow. If, on the other hand, you're only selecting hair and nothing else, or only selecting smooth edges and nothing else, you'll probably find that you're better off leaving Smart Radius disabled. In other words, you'll never need to select either tool from the dialog box, so you can safely forget all about that brush icon. Thankfully, another of the Refine Edge view modes - Reveal Layer - let's us do exactly that! The Feather option will blur the selection edge which just makes things look soft, blurry and unprofessional. Ottosson from "Zero Dark Thirty," rocking a slicked-back head of luscious strawberry blonde locks.
For example, you can switch to the On White mode by pressing the letter W on your keyboard, the On Black mode by pressing the letter B, the On Layers mode by pressing the letter L, and so on. Of course, it's easy to select it and then decide if things look better or worse, but don't think you need to use the option just because it's there and it has "Smart" in the name.
And the Contrast option will attempt to sharpen up selection edges by boosting contrast, again not something that usually works well with hair. Stuff is actually matter whether you read what I had little involvement with the development of stuff you need for stuff essential keys to stuff. If we set the Radius value to, say, 50 pixels, Photoshop will look 50 pixels in either direction of our initial selection edge to determine if there's anything else within this area that should be included in our selection.



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Comments

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