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Author: admin | Category: Neck Tattoo Designs | 20.01.2015

In Part One of my behind the scenes look into the production of “PIMP in the SERP,” I exposed how we prepped and shot the video with no budget and only 69 minutes of access to a downtown Los Angeles skyscraper.
In Part Two, I want to walk you through the post-production workflow of how I cut, colored and accomplished the sound mix in 4 days.I would like to share 5 Adobe CS6 editing tips that will save you time, energy and hopefully a couple brain cells as we all know how strenuous and taxing low budget productions can be!
Here is a link to my Adobe CS6 Premiere Pro Template (below) that I use every time I start a new project.
Editing is a marathon, not a sprint (expect when the deadline is looming) so use the CPU in your head efficiently. On projects with gargantuan amounts of footage…the editor (or assistant) must plow through hundreds of hours and pluck out the selects.
As soon as I tried this method…I realized I was cutting faster, smarter and always had a bird’s eye view of the project. Before I jump into Tip 4…I wanted to quickly touch on the actual color grade before the VFX was added. With the addition of Dynamic Link in Adobe CS5…my days of rendering out a quicktime, importing into After Effects, rendering out another quicktime and finally importing back into Premiere…were gone forever. My workflow in Premiere was to send the entire locked sequence to After Effects using Dynamic Link.
Inside After Effects, I used Luca Visual FX to help move the cut along and emphasize visual moments in the cut based on the music and my edits.
VideoCopilot Twitch has some very nice colored-strobe light presets that I used during the chorus and at the end of the song. Lastly, I leaned on FilmConvert Pro to give the footage a film stock emulation that would further blend all my footage and VFX into one cohesive visual world. With all the color and VFX done, I saved my project in After Effects and all my work was updated and reflected immediately in Premiere. Back inside Premiere…My scratch track audio from the Canon 5Dmkii were already in my timeline.
Once the vocals were clean, I applied the Audition 20-band Graphic Equalizer to run a high and low pass cut. I saved my work in Audition and using the Export option, chose Multitrack Mixdown, Entire Session and picked the Wave PCM 48KHz, Stereo, 32-bit option…uncompressed and floating point.
Thank you so much for taking the time to read my ramblings and I hope this article was able to open your eyes up to some helpful tips and techniques. Impressed that you can handle audio and mastering as well (although with preset here ?? – looking fwd more to those posts. I hope that answered your questions and sets you in the right path for solid results in the future! Establish a connection to the website’s remote server and download the files to your computer. For instructions on setting up a local site in Dreamweaver, see Set up a local version of your site in Dreamweaver Help. There are numerous ways of connecting to a remote server; we could give 50 examples here and still not cover every permutation. Once you have all of the information you need from the server adminstrator, you’ll fill out the Site Setup dialog box in Dreamweaver. Once you’re connected, you can get (literally transfer) copies of the files that are on the web to your local computer. Doing this expands the Files panel so that you can see both the remote site and the local site simultaneously. Press the Get button and wait for the remote files to download to the local version of the site on your computer. New to Dreamweaver and still hesitant but this article when followed word by word I was able to FTP the site and down load the whole site from remote site. I need to understand how to create a test or live production area for my remote site so I don’t have to download the remote DB onto my computer – how do I set up a test server in DW that is online but not the live version? Sadly, The absence of Direct Font Selection and Font Size Pixel Adjustment either with new text or alterations is a Great Disadvantage for people to whom Style Sheet complex modification is very clumsy and time consuming. I have had it for two months and I usually just figure things out on my own but this has me, I am quite sure the program is capable of more than running me in a giant loop of identifying servers and files and then denying that they are what they are but at this point I have found it to be nothing but completely useless. I have downloaded the website locally and I’m now looking to do just small improvement, like fixing errors, maybe update some of the old technologies used, small change in the design, thing like that. I used to have an additional floating horizontal window where I would make theose changes (change links, fonts, text, etc.). I have a support ticket with ipage hosting about just how to edit wordpress sites I have on their servers.
Adobe just how does one pull a local wordpress site down off the remote server and edit the site like other sites. Which is fine but I am getting further and further away from the place where I was very excited to get the master suite. I’m trying to link a page throughout the site at top navigation button hot spot and bottom navi.
I managed to get the correct link from the top navi in the index page but don’t seem to be able to accomplish this throughout the site html pages. This is the place on your computer where you’ll store the local versions of the web site’s HTML files.
Maybe you can try updating dreamweaver to a later version and see if this version will reflect the changes that you see on the remote site.
Over at Creative Cow, Andrew Devis has been hard at work creating a slew of videos for his ongoing series of Adobe Premiere Pro CS6 tutorials. The Save and Load buttons in the Project Settings dialog box let you save all project settings into a file and later load them into any project.
Saving a- project saves your editing decisions, references to source files, and the most recent arrangement of the program’s windows. Motion Picture Experts Group (MPEG) is a file format that compresses video files effectively but is not as standardized as QuickTime or AVI.
Streaming video resembles conventional television in that video is sent to you frame-by-frame, without downloading a large file to your hard drive. I’ve been using Adobe Creative Suite almost exclusively for the past several years and will focus on how I use Adobe Premiere, After Effects and Audition to speed up my workflow and get high quality results in the shortest time possible.
The time you spend up front will be paid back tenfold once you are buried deep in the edit. By stacking 2 timelines on top of each other…an editor can now access an entire reel of selects in chronological order (or whatever order desired) and instantly drop them into the active timeline below.
By keeping the selects timeline (top) zoomed out…I could keep track of how much footage I had seen and what was left to preview.
In my article on Shane Hurlbut’s Blog (and the most viewed article of all time on his site!), I go into depth of how I color correct inside Premiere. I always copy and paste the entire edit onto a higher video level in Premiere before I dynamic link.
I only had 38 minutes of total raw footage between the 2 cameras during our 69 minutes of security guard escorted shooting (see Part 1).
I then dropped in the ADR vocals that both Peter and AnnMarie recorded in my studio the day before.


Because I had slid and slipped the video to match audio earlier…mouths and lips were all in sync and my rappers were locked into the beat. Just like the final video footage was crafted to feel as if it existed in one world…the same strategy was used on the audio. Because the audio file was the same length (thanks to dynamic link) it was as easy as plopping the track under the existing audio and then muting the temp dialog and unmixed music track.
Please feel free to share any tips you have used or experiences with the software that I utilized in “PIMP in the SERP!” Leave me a comment below!
In answer to adjusting audio clips with more sensitivity, there are 2 things I can suggest to make it easier. I love the idea of the pancake timeline but I dont understand how you can keep sync for a music video. The Pancake Timeline is best used to build the rough cut and get all the shots you want into the Main timeline. The remote site is the place out on the web where the website you need to edit is currently living. The idea is to transfer a copy of the files from the remote site to the local version of the site (on your computer). You will likely need to work with a server administrator or an ISP (Internet Service Provider) to create a successful connection. The remote site appears on the left side of the Expanded Files panel; your local site files appear on the right. Usually, if you need to get an entire site, you select the directory that holds all of the site files.
You can then repost the new versions of the files back to the server, or you can set up another remote site in relation to this same local directory, and post the edited files to a different server entirely.
However even with phpmyadmin installed locally just getting the remote site into dreamweaver and editing it doesn’t seem to work. I can’t believe I didn’t know about the Expand to Show Local and Remote Sites button!
Now I have a new MacBook Pro and the Adobe Dreamweaver CS6 package uploaded, and though it appears to be connected with my site via FTP and creates a lot of activity when I ask to synch or get-and-put new files, nothing happens to the live site. I too had a lot of problems doing that and that’s why I appreciate people like you in bringing clarity in what seems to be a daunting task starting out in DW.
The videos cover a multitude of topics like the basic interface, using the various editing tools, transitions, effects, titles, and most recently color correction and grading. For example, after completing a television program, you can load a different project settings file that prepares the same program for Web video. This creates a backup copy of the settings in case someone accidentally alters the current project settings. The version generally used for Internet and CD-ROM is MPEG-1, which provides picture quality nearly comparable to VHS. Streaming video export is not built into Premiere, but Premiere-compatible plug-in modules are available from other companies or may be included in some video-card bundles.
I don’t want to be cooped up in my edit cave too long…there is a world out there that I would like to see while the sun is still up! The 7 Master Bins cover the basic categories needed to organize any project while editing in Adobe CS6.Things are no doubt about to get clutter crazy…so why not give yourself a fighting chance early. I recently was excited as shit to watch Oscar Winners: Kirk Baxter and Angus Wall utilize the same method. To accomplish this layout…first open both timelines by clicking on them in the Project Panel.
Mentally, for an editor, this allows you to keep a frame of reference to the sheer volume of footage. This allows me to keep the initial shots separate and as reference, if I need to revisit or make adjustments later.
Due to this fact…I choose to manipulate the footage and give it an active visual palette of streaks, flares, sprocket slips and light strobes.
I had busted out my ancient and indestructible Shure SM58 vocal microphone and recorded onto my Tascam DR40 (portable digital recorder). The next step was to go again use dynamic link and this time open all the audio inside Adobe Audition.
That’s a conservative range and usually gets rid of any objectionable frequencies while not affecting the human voice. I remember seeing that in some training I watched on FXPHD but I definitely need to utilize more. Once my shots are all in…I can use waveforms from audio to slip and slide the shots to the final audio mix. I will notate in the name of the file that it has 2 takes inside it and just use a keyboard shortcut to move forward to the next marker to access it. If you can’t connect successfully, you need to keep adjusting the settings in the Site Setup dialog box until you establish a connection. After a few minutes on who I am I was denied support because I am trying the product and not a paying subscriber. I just installed dreamweaver cs5 because my old dreamweaver 8 no longer works on this computer.
I need some close coaching, I think, and I need it fast because I have to remove a page on behalf of someone else asap.
Now my Mysql Connections that originally worked in CS6 no longer hook up, and Dreamweaver has created a new Connections folder outside of public_html.
Premiere comes equipped with settings files preset for typical programs, which you can adapt and save for your own projects. Streaming video on the Web is-constrained by the limited bandwidth (56 Kbps or less) of most consumer modems. Consider using high-quality cross-platform codec’s (transponders) such as QuickTime Motion JPEG A or B, or the Animation codec.
A bin full of similarly named text-based shots will overload your coconut almost immediately.
His energy level is off the charts and his brain worked at hyper-speed during the 5-month post run. You can now, with a glance, know you’ve seen 50% of all the selects…and step outside for an Irish coffee and an e-cig. I prefer to do critical color correction in Davinci Resolve but because of the time constraints and the ample options in Premiere…I stayed all Adobe on this. This feature alone propels my workflow into overdrive with maximum time-saving and harnessing of the powerful entity that is After Effects. Premiere is powerful and responsive and allows me to cut almost any format on the planet in real-time thanks to the Mercury playback engine and the appropriate CUDA card…but After Effects gives me even more options as it is specifically designed for VFX and complicated compositions.
I went with a hyper-saturated color grade before I overlaid the Luca Visual FX…and I found that it blended together nicely and felt like it lived in the same world. It treats the skin-tones wonderfully and gets rid of the Canon h.264 red color that is often too harsh. The rappers listened to the final music track through Sony MDR-7506 headphones and recorded the lyrics line by line until I was happy with their rap-ostitude and performances.


I am usually dealing with a dozen or more audio tracks in most projects…so it was a real treat to look down at the timeline and see only 3 tracks. I am not ashamed to say, that I dug into one of the numerous Izotope Ozone presets and chose…the Hip Hop Master setting. Then you can make your audio edits accurately up to the sample level, like you can in Audition. The options of markers of the audio clip itself makes only for very sharp adjustments and changes are all to steep. These tips are timely as I’m getting organized and familiar with Premier workflow before jumping in. This allows me to keep the initial shots separate and as reference, if I need to revisit or make adjustments later”. Before you can edit the site, however, you need to connect to the appropriate remote server so that you can access the files. Redefined new site in manage files, defined a new local root folder, got the entire site from the remote files that showed in my remote panel and all images are broken. Often as I change a file on my local site and upload it to the remote site, the changes do not appear on my website.
However, the key frame-based compression that makes MPEG popular for delivery of final video makes it unsuitable for high-quality editing. First, if I share the project with assistants, it’s easier to confirm the right bin or location is being used. Specific selects are usually called star or circle takes (“good” takes as noted by the script supervisor) and all these shots together are used to build the rough cut.
Using Fast Color Corrector…levels and saturation were the only effects I needed to primary color grade my cut and get it ready for the VFX. I know there are a lot of options for visual FX…but every post house and student utilizes After Effects before anything else. To hear the diabolical internet-themed rap lyrics in my quiet studio, as they focused on nailing the vibe, was a treat all by itself. The pancake and thumbnail posters were revelatory to me and give me confidence before tackling the project. How if I just got all the images from my remote server- so they are there- and just downloaded same to my local root folder can the images not show in design view? When I check the file on my local-host it shows the change but there is no changes on my site. For example, you can set Premiere to save a new archive of your project every 15 minutes, producing a series of files that represent the state of your project at each interval. MPEG export is not built into Premiere, but Premiere-compatible plug-in modules are available from other companies or may be included in some video-card bundles.
Every clip, sequence, cut, file has a number attached to it so that keeps things consistent. Scanning a full bin of text upon text will fatigue you if not in minutes, than most assuredly by lunchtime.
As an example…“The Social Network” had 324 hours of footage and 281 hours of selects. The only other manipulation of the original footage was the blowing up several shots by 50%. It is the common ground that allows you to even share projects between PC and Mac platforms with no problem.
This preset emulates the EQ settings of popular rap songs and raises the overall perceived volume while not allowing any clipping. Site shows fine on the web but design view- even preview in browser or live view shows text only and no images.
In this way, automatic archiving can serve as an alternate form of the Undo command, depending on how much the project changed between each save.
One of the biggest time-sucks is hunting down one rogue file that is hidden amongst dozens, if not hundreds of multi media files with different extensions and version numbers.
Second, and more importantly, you can rearrange the bins in the order of your preference without relying on alphabetical order.
With Thumbnail mode, I could easily spot the scene and series of shots he requested and jump on the last one for playback. You can playback the Selects timeline in the program panel or hit the “match frame” keyboard shortcut and play it back in the source panel. This is usually more than h.264 8-bit can handle…but when used on close-ups and short edits it held up fine to my eyes.
I spoke about my experience with After Effects in the 20th anniversary event last month and my article can be found here(if I’m not boring you yet!).
Because project files are quite small compared to source video files, archiving many iterations of a project consumes relatively little disk space. Your eyes will bleed and your brain will turn mushy after one too many “needle-in-the-haystack” endless searches. I had previously been in List mode and I would have to playback a shot to make sure it was the right one.
After Effects is a very stable platform and the option for both its built-in effects and 3rd party options are staggering.
Additionally, I believe your set up for Audition may be combined and saved as a preset for future projects of a similar nature.
Archived files are saved in the Project-Archives folder inside the Adobe Premiere 5.0 folder. Usually the default image will give you enough visual reference to see what you need…but it’s nice to have the capability to be more specific if needed. Another very nice feature of this edit workflow is that the shots you pull from the Selects (top) timeline remain in their original position and are duplicated into the Main (bottom) timeline. The site was created when I was just learning so the directory is a mess but too late to fix.
Izotope Ozone 5 – masteringFirst, I used the Izotope RX plug-in to denoise the vocals. By switching to Thumbnail mode, I could visually spot the take on my monitor without previewing it on the big screen.
Due to the quick turnaround of 4 days…I chose Izotope RX even though Audition CS6 has equally impressive and thorough noise reduction capabilities. Day 2 of the edit was all of a sudden smoother than butter…he got his shots instantly and we had more time to talk about his hero, Davy Crockett…and Woodford Reserve Bourbon.
The latest incarnation is leaps and bounds better and has a cleaner interface than the previous version. I will have to run them head to head at some point…but I was more familiar with Izotope RX and cranked it out in short order. If you pay attention…there is some form (actor or image) of Davy Crockett in every one of David Zucker’s films.




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