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A set of Georgian truetype fonts: the 4-weight GeoWWWTimes family by Gia Shervashidze, and the GeoCourier family by Anton Dumbadze, George Bagrationi, Gia Shervashidze. Graphic designer in Tbilisi, Georgia, who created a thin geometric (Latin) typeface in 2012. Besarion Gugushvili (born 1945) is a Georgian politician and a former Prime Minister of the country. Mark Leisher's creation: "ClearlyU is a set of BDF (bitmap) 12 point, 100 dpi fonts that provides glyphs that can be used for Unicode text.
Free Mac fonts in the EversonMono series for CSX, Celtic, Croatian, Cyrillic, Esperanto, Gaelic, Georgian, Greek, Icelandic, Inuktitut, Ogham, Romanian, Sami, and Turkish. The Georgian Parliament site used to have a 1.4MB font file with all major Georgian truetype fonts, ca. Georgian font contest run by "Open Society - Georgia Foundation" in the following categories: 1. Designer of many Georgian fonts (Unicode compliant): GeoTimes (1992, Monotype), Times New Roman Georgian, Arial Georgian (or Geo Arial, 1997), Courier New Georgian. Georgian graphic designer who might be involved in type (although I could not find any on the web page).
Tbilisi-based creator of some typographic posters such as one called I Love Typography (2010). Levan Bucho Butskhrikidze (Tbilisi, Georgia) created the Georgian font Bucho Mtavruli in 2013. Europe's largest independent foreign language font developer for the Macintosh, which is directed by Sebastian Kempgen from Germany. Merabi Getsadze (Merabi Studio) is the Georgian designer of GF Aisi Nuts (2014, for Georgian) and MG Canyon D1 (2014, a Latin display typeface family with snow effect). I’m a graphic designer, and I love great fonts (especially free font downloads!) ¬†How about you? If you find any fonts on our website that are not come under aforementioned types, please Report copyright violation immediately. Stanier from Essex University (UK) has created the following metafonts: ams1, cherokee, cypriote, dancers (the "Dancing Men" code of Conan Doyle), estrangelo (ancient Syriac language), georgian, goblin, iching, itgeorgian, ogham (found on ancient Irish and pictish carvings), osmanian (twentieth-century font used in Somalia), roughogham, shavian, southarabian (for various languages circa 1500BC), ugaritic (ancient cuneiform alphabet). He designed many Georgian fonts, such as Gruzinskaya obyknovennaya ("Standard Georgian"), a photocomposition typeface of Polygraphmash [this typeface was digitized in 1994 by Paratype]. Many subcategories including Party fonts, Holiday fonts, Balloons, Halloween, Christmas, screen fonts, phonetic fonts, African, Balinese, Bengali, Burmese, Cambodian, Croata-glagolitic, Cyrillic, Ethiopic, Georgian, Greek, Hebrew, Hindi, Hmong, Japanese, Javanese, Khmer, Lao, Malayan, Nepali, Nko, runes, Tamil, Vietnamese.


2014 by Dmitry Goloub, the Moscow-based codesigner with Lucas Perdidaão of the free grid-based art deco typeface Bobber (2012, in ai format) and of Alpine (2014).
He created a few experimental Latin & Georgian typefaces, such as Eye of Chaos (2011) and Lynekuns (2009).
GNU FreeFont is a free family of scalable outline fonts, suitable for general use on computers and for desktop publishing.
With over 1600 glyphs, it covers Basic Latin, More Latin, Extended Latin B, Extended Latin A, Greek and Coptic, Cyrillic, Katakana, Hangul, Georgian, Bopomofo, Even More Latin. They’re pretty ugly to my eyes, go against most typography rules, and are a bit trite at this point. Paratype also published Dumbadze Display (1994) Dede Ena (1994), Shemokmedi (1994, based on a metal design of Dumbadze), Muki Groteski (1994, based on a metal design of Dumbadze), Geo Courier (1997), PT Kolheti (1994) and Literaturuli (1994). The page was maintained by Temuri Imnaishvili: Academiury-ITV, Balavery-ITV, Chveulebrivy-ITV, Dumbadze-ITV, Gogebashvili-ITV, Gorda-ITV, Gremy-ITV, Grotesky-ITV, Kolkhety-ITV, Literaturuly-ITV, Pakizy-ITV, Sakatrvelo-ITV, Shemokhmedy-ITV, Shesha-ITV.
Created by Mark Williamson, it covers Armenian, Cherokee, Coptic (Bohairic subset), Cypriot Syllabary, Cyrillic (Russian and other Slavic languages), Deseret, Georgian (Asomtavruli and Nuskhuri but no Mkhedruli), Glagolitic, Gothic, Greek (including Coptic characters), Hebrew, Latin, Limbu, Linear B (partial coverage of ideograms and syllabary), Old Italic, Old Persian cuneiform, Osmanya, Phoenician, Shavian, Syloti Nagri (no conjuncts), Tai Le (no combining tone marks), Thaana, Tifinagh, Ugaritic, Vietnamese.
Since 2014, Akaki is a Masters level student of Communication Design at Trier University of Applied Sciences (Trier, Germany). Typefaces from 2013 include Bolognese Sans, Moor (multilined art deco family), Bobber Script, and Bread & Milk Sans.
It consists of almost 7,615 glyphs.As of 2014, 188 languages care covered, inclufing Afrikaans, Arabic, Archaic Greek Letters, Armenian, Baltic, Basic Cyrillic, Basic Greek, Basic Latin, Bengali, Catalan, Central European, Cherokee, Devanagari, Dutch, Euro, Farsi, Georgian, Gujarati, Hanuno'o, Hebrew, Igbo Onwu, IPA, Kannada, Kazakh, Lao, Malayalam, Myanmar, New Tai Lue, N'Ko, Ogham, Oriya, Pashto, Pinyin, Polytonic Greek, Romanian, Runic, Sindhi, Syriac, Tai Le, Tai Tham (Lanna), Telugu, Thaana, Thai, Tibetan, Turkish, Uighur, Unified Canadian Aboriginal Syllabics, Urdu, Vietnamese, Western European. During his studies, he completed an internship at Monotype (Bad Homburg, Germany), where he worked on Georgian versions of various Monotype typefaces such as Helvetica and Meta. Genplan (2013) is a great free layered inline typeface for Latin and Cyrillic that is based on 1930s Soviet poster types. Also called the "Free UCS Outline Fonts", this project is part of the larger Free Software Foundation.
Names of some fonts: Breitkopf Fraktur, Campus Sans, CampusRoman Pro, CampusSans Block, Dareios, Faktor, Glagol Pro, Inessa, Konkret, Kronstadt, Marib, Method, Moskva Pro, Parmenides, Retrograd, Tafelkreide, Tatlin, Trubetzkoy.
Mark Williamson also designed a free fonts for Osmanya, Ugaritic and Shavian called Andagii (2003).
The original head honcho was Primoz Peterlin, the coordinator at the Institute of Biophysics of the University of Ljubljana, Slovenia.
Yannis Haralambous and John Plaice are the authors of Omega typesetting system, which is an extension of TeX.


Ardent is an attempt to prove that the bizarre Cyrillic letterforms of 20s are still decent for use in modern design, even in Latin script. In Omega all characters and pointers into data-structures are 16-bit wide, instead of 8-bit, thereby eliminating many of the trivial limitations of TeX. Omega also allows multiple input and output character sets, and uses programmable filters to translate from one encoding to another, to perform contextual analysis, etc. Internally, Omega uses the universal 16-bit Unicode standard character set, based on ISO-10646. These improvements not only make it a lot easier for TeX users to cope with multiple or complex languages, like Arabic, Indic, Khmer, Chinese, Japanese or Korean, in one document, but will also form the basis for future developments in other areas, such as native color support and hypertext features. Fonts for UT1 (omlgc family) and UT2 (omah family) are under development: these fonts are in PostScript format and visually close to Times and Helvetica font families.
Ryu at the University of Texas at Dallas is the author of Txfonts, a set of mathematical symbols designed to accompany text typeset in Times or its variants. In the documentation, Young adresses the design of mathematical symbols: "The Adobe Times fonts are thicker than the CM fonts.
The font files were written in custom file format, while tools for conversion into Metafont and PostScript Type 1 were also supplied. But Freefont has dropped Oriya because of the absence of font features neccessary for display of text in Oriya. It was originally included in GNU Freefont, but supoort for Telugu was later dropped altogether from the GNU Freefont project. Later, Anshuman Pandey from Washington University in Seattle, took over the maintenance of font. Manfred Kudlek, Olaf Kummer, and Jochen Metzinger from the Theoretical Foundations of Computer Science, University of Hamburg, prepared a set of Ethiopic metafonts. Starting in mid-1990s, Gia Shervashidze designed many Unicode-compliant Georgian fonts: Times New Roman Georgian, Arial Georgian, Courier New Georgian.



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