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Author: admin | Category: Tattooing | 07.05.2014

Should parents force their children to believe in Santa Claus or other fictional characters? Home > Opinions > Miscellaneous > Should parents force their children to believe in Santa Claus or other fictional characters? Challenge01(Maximum 900 words)SubmitIt is very immoral It is wrong to force anyone to believe in anything if they don't want to, which is a very basic idea that many people in other parts of the world came here so they wouldn't be forced to believe in something. Reply01(Maximum 900 words)SubmitChristmas isn't about that When i was younger it was hard for me to believe in Santa Claus.
Challenge00(Maximum 900 words)SubmitNo parent has ever forced this on a child And not could they. Yes, I would like to receive occasional email offers from our affiliated websites, partners and sponsors.
Writing a letter to Santa is a time honored tradition that parents have passed down for generations as a means for their children to ask jolly ol' St. I want to get a vending machine, with fun sized candy bars, and the glass in front is a magnifying glass.
The "Christian (generic)" category includes characters who truly are generic Christians and do not belong to any specific branch or denomination of Christianity. All characters, images, comics and source material © by their respective copyright holders. Safety Psychology TerminologySome Basics on Social Psychology & RiskUnderstanding The Social Psychology of Risk – Prof Karl E.
We recently had ‘that’ conversation with our daughter who has grown to an age where it’s no longer plausible to her that some guy can make enough toys for all the kids in the world and deliver them in one night. But there is another side to the myth of Santa Claus that I think is worthy of further exploration. Like most things in life, the more critically we think about them, the more we can learn and understand. If we really care about others, whether that is our children or people we work with, we need to resist the temptation to think that we can control their every thought, their every move and prevent them from making mistakes (or experiencing harm). I thought of this as I recently watched the video below from a company that preaches Zero Harm for all of their people. While I don’t know of this company personally, and nor do I know of the person talking in the video, I can’t help but hear the non-conscious messages blasting out at me as I listen to this statement. While it is easy to jump to the conclusion that this is the perfect aspiration for an organisation to publically profess, like all decisions and judgments we make, it comes with trade-offs and associated by-products. I have struggled for a while now about why it is that as humans we find it hard to deal with the idea that harm and pain can only be negative? On the recommendation of a close friend, I’ve recently been reading a book by Elizabeth Kubler-Ross called On Grief and Grieving.
I suspect that Kubler-Ross’ book would certainly be a challenge for many who work in risk and safety and especially those who espouse ‘Zero Harm’. I remember when I first came to the wonder whether my favourite toy was chosen by my parents and not Santa, it was difficult to accept. It can be so easy to be seduced into ‘protecting’ in the name of care, but there are also trade-offs and by-products, some obvious, some not so.
Zero Harm is not a model of leadership; it is a model of ignorance, a model of control, a model of obedience and is dehumanising by restricting freedom. Otherwise, we may as well continue to think that Rudolf and his mates ate all of the carrots and milk we left at the front door when we were kids.
Rob is an experienced safety and people professional, having worked in a broad range of industries and work environments, including manufacturing, professional services (building and facilities maintenance), healthcare, transport, automotive, sales and marketing. Rob specializes in making the challenges of risk and safety more understandable in the workplace. While Rob has specialist knowledge in systems, his passion is in making systems useable for people and organizations.
The video just about sums up the approach to Zero Harm to me, lots of telling, lots of numbers and lots of graphs. I know my confirmation bias and BS detectors are on overload but I guess its hard even for Leaders to talk passionately about this stuff when deep down they despise it or are totally over it but they themselves are told they must read straight from the zero script or else. Brilliant metaphor Rob – are you saying that for years everyone at the coal face has known that Zero Harm wasn’t real but just played along with it to stay off the naughty list?
Don't miss a post - enter your email address to subscribe to this blog and receive notifications of new posts by email. Odin and His Mighty Horse:Among early Germanic tribes, one of the major deities was Odin, the ruler of Asgard. When I wrote about Guy Rose back in 2007 there were only a few resources online, since then, however, much to my delight, The Athenaeum has posted has posted over 120 good-sized images of his beautiful paintings. The images posted on The Athenaeum are from the painter’s time in Giverny, where he learned about French Impressionism firsthand, as well as from California and its striking coastline. Inlay is a decorative process in which small pieces of material with differing colors are laid into carved channels in the surface of an object to create a pattern or image. Inlays are often applied in to small areas of the fingerboards of guitars, giving them that extra appeal of decoration and craftsmanship. William Laskin is a Canadian luthier (maker of stringed instruments), specializing in guitars, who goes well beyond the typical small decorative patterns normally applied to guitars several ways.
One is in the composition of his materials, which range into 9 different species of shell, 15 varieties of stone, 4 kinds of ivory and bone, and 3 types of metal. Laskin, on the other hand frequently takes the entire headstock or large portions of the fingerboard as his canvas, and the fact that he treats it as a canvas is the most unusual and interesting aspect of his inlay work. The result is a series of striking images, created with the different colors and surface characteristics of the inlay materials as his palette. Laskin often sketches his subjects from live models, and does extensive research and preliminary drawings before beginning the intense, extremely time consuming process of engraving the design and forming and setting the inlay pieces. There is a gallery of inlays on his site (click on the thumbnails for larger images), with a description of the process. Laskin resists the temptation to repeat a successful design, and each inlay image is unique.


Eustace Tilley is the name given to the foppish character drawn by art director Rea Irvin for the first cover of The New Yorker in 1925 (image above, top left). You can see the submissions to date for the 2009 contest here, the winners of the 2008 contest here, and a Flickr gallery of all 170 entries from the 2008 contest here.
I’ll write another article when the contest results are posted in February and we can all see the new round of thoroughly modern Tilleys. This depiction of the Nativity by Petrus Christus (large version here) strikes me as one of the more interesting and unusual interpretations of the event. The figures, including four seemingly disinterested onlookers behind the ruined stable wall, are dressed in contemporary Flemish costume, and are viewed against a Flemish town, albeit with domed structures from Bethlehem and set amid rolling hills that might be neither location. The event is attended by four angels, presented about one third human size, with strikingly bird-like wings, and dressed as sub-ministers of a 15th Century Northern European Mass. Petrus Christus was associated with early oil painting master Jan van Eyck, and may have succeeded him as master of his studio when he died in 1441. I had the pleasure of seeing this painting in person recently, as it is in the permanent collection of the Brandywine River Museum and currently on display as part of their Scenes of the Season exhibit (runs until January 11, 2009). Here we have Wyeth basically doing his take, as did Norman Rockwell, Haddon Sundblom and a host of others, on a version of Santa Claus as most emphatically refined by J.C.
Santa is one of the reasons kids like Christmas if you want them to enjoy their gifts they mostly will if its from Santa Claus. It's "Very Immoral?" A "Violation of Human Rights?" First of all, a parent simply tells his or her children that Santa Claus, the Easter Bunny, and the Tooth Fairy exist.
If we have religious freedom in this country, why would we force our children to believe in untrue things? Parents don't have any right to force their beliefs onto another person, whether it be their child or their friends or whatever.
But when you force them to believe the false or you will be punished with no present is immoral. Now at age 14, i believe parents and schools should show them the true meaning of Christmas.
Santa Claus is forever character that people will always remember but we should not force our kids to belive in them. We don't do "Santa" in my home, but I still think "force" is an inappropriate word to use in this question.
In practice, this includes very few characters: mainly 1st Century Christians and a few angels. The spin of “oh that’s just one of Santa’s Helpers”  that we have preached for years when asked about how there can be so many ‘Santa’s’ just no longer washes with a 12 year old who is now more capable of critically thinking and questioning. On the one hand it feels special as we become closer because we now share something that was previously a secret. While the man in the big red suit can stand for joy, happiness, hope and of course gifts for children, there are other messages in the myth of Saint Nick.
When we think about some of the social psychological lessons of the semiotic of Santa Claus, he may not just be the nice guy he’s made out to be. If we truly care for others, like so many in risk and safety profess they do, shouldn’t our focus be on freedom rather than obedience and control? The message that is crying out to me is something along the lines of; “if any of the 6000 of you think for a minute that you can have an injury and the associated freedom to live your life as you wish to, you just don’t belong here, so don’t even think about it. There can be no freedom when the goal is perfection and where the aim is to oppress and restrain, not live and to ‘be’. When our goal is for no harm, no risk and where mistakes are tolerated, this also means that there is stifled learning, reduced freedom and suppressed thinking. I suspect from my discussions with many in risk and safety, that I am not alone in this struggle.
This is a book that can help with an understanding of what it means to suffer and grieve as a human. If we believe that harm and pain can only be bad, perhaps we have restricted our view too much? I was in a state of, “hhmm if I speak up, it will upset my parents, but at the same time, it also seems like such a silly idea, but… maybe it is true?”. Now that we are a little older, more mature and wiser, perhaps it’s time to get on with things and accept it for the myth that it is.
Just like Santa being used to blackmail kids to behave, the fear of being injured also conjures obedience and subsequently an obeyience culture.
He is a passionate leader who enjoys supporting people and organizations through periods of change.
He uses his substantial skills and formal training in leadership, social psychology of risk and coaching to help organizations understand how to better manage people, risk and performance.
In many ways, Rob is a translator; he interprets the complex language of processes, regulations and legislation into meaningful and practical tasks. Once the Yule season rolls around, you can't shake a sprig of mistletoe without seeing images of a chubby man in a red suit.
A number of similarities exist between some of Odin's escapades and those of the figure who would become Santa Claus. Leyendecker; and some of his numerous Saturday Evening Post covers which captured the essence of the year into the theme surrounding the baby. It is also a common practice to use other materials, notably shells, particularly when inlay is applied to wooden musical instruments.
There is a video on his site called The Guitar is My Canvas, but I was unable to see it as it requires RealPlayer. His range of subjects includes musicians, animals, film noir scenes and artists, like the portrait of Dalí above, as well as references to art styles like the design inspired by Japanese woodblock prints, also shown above.
The character has returned for a reprise on the anniversary issue each year and has essentially become the magazine’s mascot.
To enter, you sign up, confirm your registration and then upload your image(s) as a jpg, png or non-animated gif file, ideally 465×633 (must be in vertical orientation).
The entries must be received by midnight Eastern Time on January 15, 2009, and the winners will be announced on February 2, 2009.


The arch portrays a series of Biblical events, including stories from Genesis, and places the current event in the context of fall and redemption. There is discussion, however, about whether he was actually Van Eyck’s student, as he shows as much influence from painters like Robert Campin and Rogier van der Weyden.
Also you can tell your kids" Santa's watching be good!" They will tend to grow up to be good kids.
Just because you are allowed to believe in whatever you want to and practice what you believe in does not mean that you can violate the rights of another person in the process of practicing your beliefs.
Christmas is all about the birth of Jesus and feeling of giving, now a days I see children spoiled and crying about presents they didn't get. Fantsie story only stays in kids minds till they are younger, as they start maturing it fade away.
This is kind of ridiculous to suggest that parents in some way force their children to believe in Santa. It’s that time of the year where you can’t take a trip to the shopping centre (mall) without the sounds of carols and other Christmas songs dominating the airwaves. Of course, she has probably not believed in the myth of Santa Claus for some years now, but playing along with a myth for a while is part of the deal, right?
At the same time, it’s a little sad because there is less fantasy and innocence and a sign that she is growing up and asking more questions and exploring things for herself, she is becoming more independent. There is so much we can learn from the unconscious messages that a ‘father figure’ dressed in a red suit and who demands obedience must do to children. Perhaps our hanging onto this belief is no different to a child who knows that Santa can’t be true, but believing and continuing with the myth is easier than facing reality? It can be like that feeling of ‘mental gymnastics’ that we feel when something challenges a belief that we have held for a long time, and we can see a point with it, but it’s a real struggle to let go of what we have believed for so long, and we don’t want to upset those who espouse the myth. Believing in Santa Claus at age 41 just doesn’t make sense to me anymore, ditto with the mythology of ‘Zero Harm’. It’s a difficult tension we face in risk and safety, accepting that someone may be harmed while on the way to freedom, doesn’t seem to roll comfortably off the tongue, but we must explore this further. Rob builds relationships and "scaffolds" people development and change so that organizations can achieve the meaningful goals they set for themselves. Rob uses his knowledge of social psychology to help people and organizations filter the many pressures they are made anxious about by regulators and various media. Santa Claus is everywhere, and although he's traditionally associated with the Christmas holiday, his origins can be traced back to a blend of early an Christian bishop (and later saint) mixed with Norse mythology. Odin was often depicted as leading a hunting party through the skies, during which he rode his eight-legged horse, Sleipnir.
After they grow up they will automatically know that characters like santa claus are fictional. It’s also that time of the year where Children may start to ask questions and challenge ideas and beliefs they have held throughout their formative years. How many parents use ‘the big fella’ as a way to effectively blackmail kids into behaving with threats such as “if you don’t clean your room (insert any other chore here), then Santa won’t come to you”.
While pain can hurt, whether that is for ourselves, or others, it can also help us learn, and build resilyence and understanding. He is able to bring the many complexities of systems demands down to earth to a relevant and practical level. I have seen more passion discussing the general ledger at Board meetings than was displayed in this video. In the 13th-century Poetic Edda, Sleipnir is described as being able to leap great distances, which some scholars have compared to the legends of Santa's reindeer. I do agree about the character and how fun it is for children, it gets them in the spirit, but they need to learn that their parents work really hard to get them those presents.
If this is trying to get at the idea of parents forcing their children to believe in god and jesus then no .
I certainly feel less in control and my parenting style must move to one based much more on faith, trust and support if I want my daughter to grow up and learn things for herself. Nicholas, a 4th-century Christian bishop from Lycia (now in Turkey), the figure is also strongly influenced by early Norse religion. According to Wikipedia, it doesn't harm children to have believed in Santa Claus or the Easter Bunny or the Tooth Fairy.Now, if this is really about religion, it could also be argued that forcing children to be atheists or agnostics would be immoral because if God did exist, they'd be missing out.
For some, the end goal for being obedient is gifts from Santa Claus, not caring and sharing with others. Aurizon is the new branding for Queensland Rail and I believe they have charged down the path of Zero Harm with gay abandon! But either way, a parent has a right to instruct his or her children in a certain religion or irreligion, and in free countries the children always have the right to leave that religion or irreligion when he or she becomes an adult.
Real people, even if they identify their religion simply as "Christian" can (if pressed) identify which "type" of Christian they are.
Even the most inattentive Christian knows whether or not they are a Catholic, whether or not they are Eastern Orthdox, whether or not they are a Quaker, etc. In several Germanic countries, this practice survived despite the adoption of Christianity.
Christians who are not Catholic or Orthodox, or belong to any other identifiable branch of Christianity are classified by religious scholars, demographers and this website as Protestants.
Characters who are identifiably Christian but can't be classified further due to lack of information are listed in the "Christian (denomination unknown)" category. Nicholas -- only nowadays, we hang stockings rather than leaving boots by the chimney!Santa Comes to the New World:When Dutch settlers arrived in New Amsterdam, they brought with them their practice of leaving shoes out for St.
Nicholas was written about by author Washington Irving around 1809, it was about 15 years later that the figure of Santa as we know it today was introduced.



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