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Author: admin | Category: Neck Tattoo Designs | 28.02.2015

Polynesian tattoos are an ancient art that has been receiving a lot of attention in modern times. The people of the Polynesian islands have evolved their own distinct culture over hundreds, even thousands of years. Polynesia is a group of islands spread over the Pacific Ocean (over 1000; Polynesia is the Greek word for many islands). Hawaii: Hawaiian tattoo designs are distinct from other Polynesian tattoos in that sense that they have a more personal meaning. Samoa: Samoan tattoos are generally very large and denote the social status and rank of the man or woman who wears it. French Polynesia (Tahiti): traditionally, only people of a high social ranking had tattoos.
The Marquesa Islands: a group of islands in French Polynesia with a deeply rooted tattoo tradition.
Traditional New Zealand death rituals use expression and creativity as a cathartic means to get through the grieving process while memorializing a loved one. The Maori people of New Zealand had a very rigid social structure, and moko became a way for them to differentiate families.
As expected, the tattooing method was not easy: moko designs were incised into a person’s skin and filled with pigment in a process that could take days. After the death of a loved one, the Maori would plan a three day Tangihanga (funeral) filled with friends and family.
There was “moko kuri,” a design of three lines latticed across the face, as well as others representing gods relevant to the family or individual. This entry was posted in Cultural Perspectives and tagged Funeral Traditions, Maori, Maori death ritual, Maori people, Maori rituals, Maori tattoo, Moko, New Zealand, New Zealand funeral, Polynesian Culture, ta moko, Tangihanga.


Il tema principale del disegno è il guerriero, il combattente, con caratteristiche principali forza, determinazione, valore, tenacia.
Nella testa dello squalo martello una croce marchesiana indica equilibrio e armonia; nel corpo e di fianco mani e occhi di tiki proteggono da quel lato. Nel bracciale una linea di punte di lancia è affiancata da due motivi simili ma ribaltati. Una seconda fila di punte di lancia andando verso destra circorscrive ed isola avversari e difficoltà.
THE POLYNESIAN TATTOO HANDBOOKfinalmente IL libro per capire e creare i tatuaggi polinesiani! Though few of us who are not from the Polynesian islands would be willing to undergo the painful and lengthy procedure that real Polynesian tattoos necessitate, we might well be attracted to elements of the traditional tribal designs and wish to incorporate them into our own tattoos – using modern methods (most of us anyway).
Though there are many islands in this area, the people all came from a common homeland – though no one is exactly sure where this might have been, or when they came or how.
Women and men had a combination of bold lines and dots on their forehead, from one ear to the other. On Samoa the art of tattooing stayed alive throughout history, where in other parts of Polynesia, tattoos disappeared after missionaries banned them.
They cover almost half of a man’s body, starting from just under the ribcage, and continuing down to the ankles. The people of the Marquesa islands were the most heavily tattooed of all the Polynesian tribes. For example, practically all of these people practice the art of tattooing, and they do so in startlingly similar ways.
The tattoo process was very painful and a lot of perseverance was needed to endure the long tattoo sessions.


By looking at a tattoo, insiders get to know the social status and rank of the tattooed person. Remarkably, “the designs healed with the grooves intact rather than keloiding or healing smooth as the skin usually does when it is cut this way,” says PBS.
In this traditional Maori funeral ceremony, the loved one lies inside a sacred structure known as a marae while others pay their respects. Whatever the design, the ceremony presented a way to memorialize the life of a loved one through a shared ritual—a bonding experience that allowed for the Maori to reflect on how someone ought to be represented in an art that is, literally and figuratively, so close to the heart. I ALSO ASK TO PLEASE RESPECT THE WEARERS OF THESE TATTOOS IN THE PHOTOS AND DO NOT DIRECTLY COPY THEM AS EACH TATTOO DESIGN IS PERSONAL TO THE WEARER.
But at its 1250 CE roots, the traditional designs were meant to distinguish between tribes and, most importantly, to memorialize the death of a loved one.
It was also during this time that men and women would begin “haehae” (mourning) through the tattooing process. Because they had no written language, tattoos were used to depict social status, family history and spirituality. Temples were the home of those large wooden Tiki statues, who have tattoo patterns on the hands and the face.



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