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09.02.2015
The Womble MPEG Video Wizard DVD version is strictly an MPEG editor with DVD authoring and full Dolby (AC-3) encoder support.
It includes all the features and functionality of normal video editing software but sits to one side of the mainstream of video editors because of its MPEG2 and MPEG (mp4) specialization. It is not for anyone who has a great demand for lots of special effects capabilities and video wizz-bangery (I made that word up). It is also not for anyone that deals with video files in a wide range of video formats or has a need to output their projects to a wide range of video formats. Boy, that’s a long story I have told before and I really lack the energy to type it out again! If you really want to know all the nitty gritty about those difficulties then take a look here at a blog entry I did that at least attempts to explain the problems with MPEG2 editing and MPEG4 (mp4) editing. In the early days of editing MPEG2 video files and DVD files Womble was the first movie editing software to really nail down the process of doing MPEG editing accurately and stably. As it is today Womble MPEG Video Wizard still stands head and shoulders above the the pack in dealing with these difficult and highly compressed video formats that were never designed with editing in mind. Ok let’s be honest here, Womble MPEG Video Wizard started off life as an MPEG editor created by computer geeks for computer geeks! The interface has come along way since then and although presented very nicely it is by no means the most intuitive you will ever see! The menu bar you see top right actually floats on the desktop by itself independent of the other visible parts so you can move it to where you want. The bottom line here is that any video editing software you choose will have it’s own little interface quirks that you have to get to know and Womble is no different. Frame accurate editing so that you can make precise cuts at the exact point where you want rather than where the software is capable of cutting. Womble has easily the fastest scrubbing (that means moving quickly from one point in the video to another) of any MPEG editor on the market except perhaps for the very high end video editors.
When using these sources to create a movie for DVD burning, you don’t have to wait for hours while your movie is re-encoded into something the MPEG editor can handle. Womble has full Dolby (AC-3) audio encoder support and DVD authoring with simple DVD menu creation.
It is often necessary to align clips to a specific time point, such as to a marker, to an edge of another clip on a different track, or to the edit line. Lock an entire track to prevent accidental changes to the clips on it, while working on other tracks.
There are about 40 2D transitions and 20 3D transitions which is way, way more than enough. Transitions can be dragged and dropped into the timeline and length adjusted by selecting and dragging handles that appear at the end of the transition. Additionally Womble lets you to select your preference as to what to do with the audio part of the clip that has had a transition applied.
There is a feature for saving presets of the transitions you use often so you don’t have to keep repeating the action of customizing a particular transition. Womble has a more than adequate offering of video filters including the usual Color Balance, Hue and Saturation, De-noising, Crop, Flip, Rotate and more. Filters can be easily applied to an individual clip or image file by simply dragging and dropping them on to the clip or image in the timeline. Each filter has it’s own properties box in which you can adjust the individual properties of the filter being applied.
From all of that I think you should be able to see that Womble MPEG Video Wizard is a good all round video editing software in itself. All of these points are not why anyone would purchase this piece of video editing software… you could get any of that with just about any other comparable product and probably a whole lot more. The real reason Womble MPEG Video Wizard DVD stands out is that it does all of those things exceptionally well on highly compressed MPEG2 and MPEG4 (mp4) video files.
Additionally it does all of that on the widest range of MPEG video file properties available today including high definition MPEG video files as well as non-standard MPEG video files that come from high definition TV (HDTV) capture and a host of others. If your video editing needs fall into this category then Womble MPEG Video Wizard DVD is well worth taking a look at. The best thing to do is to download the software for yourself and put it through its paces based on your needs.
If there were a lifetime achievement award for audio editing software, Sound Forge would be the favored candidate.
Unfortunately, there hasn’t been a full-fledged update since 2010, when Sound Forge Pro 10 added event-based editing, customized window layouts, and floating docks. This latest update doesn’t represent a dramatic shift in direction, but it does offer some key improvements to the interface.
Along with one-touch recording, Sony has redesigned the recording workflow to help you better manage and monitor real-time recordings. The new interoperability feature lets you edit portions of your audio in SpectraLayers Pro 2 without losing your place in Sound Forge Pro 11. The new interoperability with SpectraLayers Pro 2 also promises to up the ante for creativity. This latest version of Sound Forge Pro includes several enhancements targeted specifically to broadcasters. Of interest to both broadcasters and non-broadcasters will be the new -23 LUFS meters, which are CALM (Commercial Advertisement Loudness Mitigation Act) compliant. According to Sony Creative Software's Mike Scheibinger, the -23 LUFS meter could be very useful for avoiding the kind of severely limited and overly compressed music that we frequently hear on CDs, as well as radio. When demonstrating Sound Forge Pro 11, Scheibinger likes to run Brian Eno’s Thursday Afternoon through the -23 LUFS meters.
One of the big pluses for Sound Forge Pro has been the rich complement of extras that make it self-sufficient for many audio-editing tasks. The iZotope plugins are fully integrated into the application and are given a high-profile position within the menu system underneath the FX Favorites menu.
While they won’t show up in the plug-in chain, Sound Forge Pro 11 benefits from two post-processing iZotope technologies introduced in Sound Forge Pro 10. Though your options are limited compared to a full-fledged NLE, you can configure the status bar on the Video Preview window to show the type of media, preview frame size, and frame rate.
The application ships with MPEG-2 templates for writing HDV-compliant files at both 720p and 1080i resolutions, AVI templates using the CineForm CFHD codec for 720p and 1080i intermediate renders, and WMV templates for encoding at 720p and 1080p. If you tend to do all our audio editing in a video-centric NLE, you may be surprised by the many specialized features, toos, and settings offered by a professional-grade audio editor such as Sound Forge Pro 11. You also have the option of purchasing Sound Forge Pro 11 and SpectraLayers Pro 2 in a combined Audio Master Suite.


Having been a SF user since the Romans went walkabout and upgrading through the centuries, I stick with it.
Strangely or not and I would be really interested to know if others feel the same, I still use SF7 more than 10 because it really is much simpler to use both icon and basic necessity elements we use everyday are there. Again, I thought 10 might be better and I wanted to see if Sony learned from their 8 and fancy 9 disaster.
I have never understood why Sony don’t just rip the audio side out of Vegas (12 is superb) and give us a quick screen true multi-track in SF12? Get a heads-up on the most popular stories from StudioDaily, including videos, news, blog commentary, and more.
How valuable is your family heritage, stored in Regular8 mm and Super8 mm films, that risk to be lost, and cannot be browsed, because your projector lamp is burned?
Combining the power of the Brickfilms Recent Films Widget and the Brickfilms Search Widget into one all-powerful widget. There are plenty of good free video editing software that offer useful features as adding scrolling texts, subtitles, custom animations and similar.To help you out, I decided to provide you the list of top 8 free video editing software.
Microsoft Movie Maker is one of most popular video editing software that offers enough basic features to get the job done but stops short of the abundant options and effects found in other programs.
Avidemux is an open source video editing software that can handle many file types, fom avi and mpeg to flv. RichFLV is free video editing software that allows you to edit Flash Video Files and then export them as FLV, MP3, SWF or even Jpeg and PNG. Cinefx is an offline playback, editing, encoding, animation and visual effects tool based on the Jahshaka technology that allows you to create professional digital media on your desktop. Description: Includes step by step tutorials, hacking tips,computer hacking software and tools and how to guides . DVD fans can use this Bigasoft DVD to AVI Converter tool to convert DVD to MPG, MPEG-2, MPEG-1, AVI.
With Bigasoft DVD to AVI Converter, DVD fans enjoy DVD MOVIES on Wii, PS3, PSP, iRiver, Creative Zen, Archos, Xbox 360, Xbox etc popular players. Bigasoft DVD to AVI Converter software provides more editing functions such as automatically shutting down the computer, capturing the images in preview, clipping the movie, customizing video size, video quality, previewing the movie, so on. Subscribe to our mailing list to Get the latest software coupon to download or free giveaway software and other free stuff. H.264 etc), anyone wanting to convert MPEG to mp4, in fact just about anyone who deals with these files a lot. It is quite basic in it’s features compared to other video editing software but having said that, it is very capable at doing what it does do.
The basic reason is that MPEG editing or DVD editing has it’s own set of unique characteristics that make them problematic. Not a bad idea except occasionally you forget where you put it only to find it underneath the currently opened window…a bit annoying.
It does come with a very complete .pdf help file that should get you up to pace quickly provided you read it! You can quickly find the scenes in your project that you want to keep, cut or apply effects.
Instead, your edited video will be written back to disc as fast as any disc-to-disc copy operation.
There is a reasonably good title editor for both text and graphics generation and multiple editing windows, with flexible window configuration and layout. Hardly the stuff to set the world on fire but all very usable and what it does do it does very well. It now offers one-touch recording, the ability to record multiple takes, interoperability with SpectraLayers Peo 2, and CALM-compatible metering.
There’s a new level of integration with SpectraLayers Pro (the two work almost seamlessly together now).
I’ve always liked the Sound Forge interface, but I never cared for the Texas two-step you had to perform when you clicked the Record icon. You can process the audio with a spectral edit and have the results inserted back into the Sound Forge timeline.
What’s easier now is that you can make those changes without losing your place in the workflow or your train of thought while editing. If you have vocal and instrument tracks, you could reduce (or remove) the frequency data from the instruments that matches the musical note of the singer’s voice. If you like to push the envelope when shaping your sound into a mix, you may find this to be a highly productive combination. Along with compatibility with version 2.0 BWF (Broadcast Wave Format), the application now supports loudness attributes, autofill, verification, and auto-fixing of BWF data. This will help you mix your audio to be CALM (Commercial Advertisement Loudness Mitigation Act) compliant.
Broadcasters can use the -23 LUFS meters to comply with the current FCC regulations that limit the dynamic range for audio during commercials. Sound Forge Pro 10 shipped with an impressive arsenal of effects and plugins, including the iZotope Mastering Effects Bundle 2. They remove pops and clicks, remove background noise, and reconstruct peaks damaged by clipping (it handles both analog- and digital-based clipping). The usual assortment of Sony effects and plugins is grouped together one level down, though you can select any of them and bring them forward to the first-level menus. Using it, you can change the order of the plug-ins and cycle through the plug-ins’ presets much faster than you could with previous versions of Sound Forge Pro.
The application uses iZotope 64-bit SRC (Sample Rate Conversion) when converting one sample rate to another.
The Video Preview window shows the video frame that’s associated with the play position on the audio timeline. You can have the Video Preview window adjust for the aspect ratio distortion that’s caused when displaying rectangular pixels on a computer monitor. If you tend to edit only in an NLE, you might consider that there are many specialized features in Sound Forge Pro that go far beyond what would be available in a video-centric editor. I wonder how many of us actually use 90% of whats on offer within, so the upgrade price tag is actually elitist, but that is not the reason.
Also I was keen to see what the so-called multi -track elements which Sony contently mislead us with would offer. For example, although Movie Maker includes many text motion effects for rolling credits and similar animations, there are no canned text styles to aid in the design. You can edit .FLV directly, and tons of other formats too, even Windows Media Center recordings (DVRMS files).


It has batch-processing capabilities for processing large numbers of files and can be extended with third-party video filters.VirtualDub is a software that allows you to capture and process video files.
Effect containers can be used to restrict the processing of contained video effects by shape or blending logic. The idea for Wax is to be very general purpose and flexible in video composition and effects, so that you can compose your dream video sequence with ease every time. DVD fans also rip DVD music to WAV, WMA, MP3 audio formats with Bigasoft DVD to AVI Converter. Aside from being a convenient reference point, each bookmark also represents a clip, from the bookmarked frame to the next bookmark or the end of the video file. Despite a few idiosyncrasies, Sound Forge Pro is still respected for its powerful toolset and generous selection of plug-ins.
Several additions are targeted specifically to the broadcast community, though non-broadcasters may find the new -23 LUFS meter to be valuable for other types of mixes. The main program would freeze, and you would be whisked away to a dedicated recording window.
You can drag and drop events along the timeline, rearrange their order, and even lock down event markers, region markers, and envelope points within individual clips. However, it’s extremely complicated to use, especially with larger files, where you have the added difficulty of finding the exact portion of the audio you would like to edit. And you can pass markers and regions back and forth between the two applications, along with the selected audio. The result could lift the singer above the band without your having to globally alter the track. Non-broadcasters may find the meters to be relevant for other types of mixes, because the standard is more than just a peak level. That package consists of Mastering EQ, Mastering Reverb, Mastering Limiter, Mastering Stereo Imager, Mastering Harmonic Exciter, and Multiband Compressor.
For owners of previous versions of Sound Forge, the decision isn’t as straightforward. You can’t adjust volume levels at specific locations in the timeline but only a track at a time. You can slice and dice video, change the audio, change the delay of audio in a video, and append video to video. VirtualDub is mainly geared toward processing AVI files, although it can read (not write) MPEG-1 and also handle sets of BMP images.
Other features include custom video export size, number of tracks and sub-composites limited only by available memory, custom speed and direction change for video and audio, optional super-sampled compositing during export for better quality rotation and zoom, and the capability to slave effect and compositing controls to audio wave forms.
And the collection of plug-ins has expanded to include new iZotope tools for vocal enhancement and audio restoration. Located just above the edit view of the waveform, it gives you a better sense of where you are in the file.
If you’re working on an hour-long audio file, SpectraLayers Pro can have a difficult time handling it without becoming bogged down. For example, where the singer’s note is 440 Hz (middle C), you could diminish the instruments that are also playing at 440 Hz, in order to give the voice more presence.
It’s almost counter-intuitive, because the concepts and toolset can be difficult to grasp.
All the previous iZotope effects are included in Sound Forge Pro 11, along with four additions: Nectar Elements and three new repair-and-restoration tools. And you can further enhance the vocals by altering the pitch, performing a de-essing, and reducing room noise. And Movie Maker 2 has no built-in DVD– or Video CD–authoring capabilities.Other weaknesses include awkward trimming controls that make performing precise edits difficult, and a general lack of configurability. And at the other extreme, a complete overhaul of the program might scare away the loyal user base. With this latest version, you’re able to stay put on the main screen, with everything being handled within the same workspace. You could use this feature to assemble alternate takes for a project or to create different audio CD layouts. Sound Forge Pro 11 makes the process easier by letting you preselect a portion of the file before you send it to SpectraLayers Pro 2. In addition, you can use SpectraLayers Pro 2 to transfer the spectral qualities from one audio source to another.
Fortunately, the documentation has significantly improved since the original SpectraLayers Pro was released in 2012.
Sound Forge Pro 11 uses iZotope MBIT+ dither to help you achieve better results when converting from 24-bit to 16-bit.
On the other hand, it would be a big step up from earlier versions, given the steady accumulation of new features and interface tweaks. Finally, Sony offers trial versions you can download for both Sound Forge Pro 11 and SpectraLayers Pro 2. However, the VST compatibility is so much smoother, if not a bit old fashioned; but it is good! For example, you can’t set levels on filters like blur, pixelate, and other special effects.
You choose Edit in SpectraLayers Pro from the Tools pull-down menu, and any audio you’ve selected will automatically appear in SpectraLayers Pro 2.
You might apply the spectral signature of the singer onto the spectral signature of the band to have the instruments seem to sing the melody. In the meantime, if you look over at the left of the integrated meter, you can see the short-term and the momentary peaks. According to iZotope, the algorithms are designed specifically for music, as opposed to test tones.
Otherwise the new features, again, are simply pathetic in comparison to what they could have and should have done in so many years.
Aim the cursor at the overview waveform, press the left mouse button, and slide the cursor left or right to navigate to any place in the file.
Make your changes there, and when you close SpectraLayers, the audio will be placed back into the Sound Forge timeline along your spectral edits. Our website has thoroughly tested other product 8mm2avi 1.4, written the review and uploaded installation file (3202K) to our fast server.



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