Create video with still images,app to edit multiple videos for instagram,youtube le marketing tribal,social media and business courses - For Begninners

28.03.2016
Hopefully, this high school student resume example will help you better understand what the resume should look like (for high school students) and where the various sections of the resume should be placed. This resume guideline is provided to help high school students, particularly juniors and seniors as they prepare to enter the workforce.
Having a well-written resume is important even if you do not have a lot of work-related experience. Always present yourself and your qualifications in the best possible way to prospective employers. We have been discussing where polar bears live and how they travel during our polar ice simulation. I provided a variety of textures and the polar bear for scale, but added no direction or ideas as to how the materials should be used. In Greek Mythology, the Centaurs are a wild and barbaric race of creatures — half man, and half horse. Next, purchase, download and open up the image of the body builder holding the chains (Strength).
Choose the Magic Wand Tool (W) and click in the black area to load a selection on the background. Now, you may notice that some areas that were masked out are either cutting into the image a bit or have been exempt from the layer mask. Pay special to attention to the top of the figure’s head where some of his hair was chopped off from the Magic Wand masking in the previous step.
From here, we are going to purchase, download and open up the image of the Horse stock image and essentially repeat the previous steps to remove the background from the image.
Then, with the Magic Wand Tool (W), select the white background area around the horse, and press Delete to remove it. Once you have removed the background from the image of the horse, drag it over to our main Photoshop document. At this point, we have our background image, the upper body, and the horse image (that will eventually be the lower half of the centaur).
Next, we are going to add a layer mask to both the horse layer and the layer with the body builder. After adding the layer masks on both of the layers, choose the Brush Tool (B), reduce the Opacity option to about 30% in the Options Bar, and change the brush tip to a soft brush. Ensure that your Foreground color is still black and then begin brushing out the horse’s head and the top of the body. Switch over to the layer mask on the body builder layer and, with the same brush, begin to mask out some of his waistline so that it will blend into the horse. Switch to the Gradient Tool (G) and change the options of the tool to a radial gradient that fades from a solid white color to transparent (this can all be done in the Options Bar). On the layer just above the background layer, click and drag outwards to create a small- to medium-sized white gradient. Repeat the process above for the part of the chain that sticks out at the bottom part of the arm; remove this area as well. This may take a few tries, and you should definitely change the size of the brush tip and sample multiple times, but it really works well for not only removing or covering certain parts of an image, but also for adding onto images.
You don’t have to get every section exact as we can always use the Brush Tool to fix this later. I have found in my own experience that in order to get the most convincing effect, it can be helpful to zoom in closely and sample from a section that is close to the area you want to cover. You may notice that when doing this, you might go outside of the lines or the boundaries of the arm, which is okay. Next, create a new layer above the chain layer and, with the Gradient Tool (G) selected, change the settings to a radial gradient that fades from solid white to transparent.
Now we are going to find a good image of some curved horns; like the ones we would see on a ram.
We may need to apply some further transformations to the horns in order to make them blend with our composition, so it will help if we have the right and left horns on their own layers. Now that we have a general idea of the size and placement of the horns, we are going to apply a mask to both the left and right horns. Up to this point, we have been mainly focused on just getting all of the separate pieces into the composition. We will add a Levels adjustment layer on top of the Poseidon Temple background layer by clicking on the Create new fill or adjustment layer at the bottom of the Layers Panel and then choosing Levels. We don’t want the image to be completely desaturated, but it was feeling a bit too bright before.
Create a new layer at the top of the Layers Panel and, with the Paint Bucket Tool (G), fill the layer with a dark brown color (#4c3423).


From here, we want to make a few passes in the lighter areas to further enhance the brightness in these areas — particularly the horns, face, and some of the areas of the chest and arms.
Now that we have set up the layer (along with our brush), we just want to make a few passes on the lighter parts of the Centaur, the chain, and the horns to make the image pop just a little bit more. Create another new layer above the horns and, with the Gradient Tool (G) selected, pick a solid white and change the settings of the gradient so that it is set to Radial and fades from solid to transparent. To add some final details, I have decided to slightly darken the right side of the background so as to help direct the viewer over towards the Centaur and then to the light source. Lastly, download and install the Birds Flying Brushes and add a new layer just above the background image of Poseidon. Save your Photoshop document and take a few moments to admire the nice work that we have done together! Purchase and download the Poseidon Temple – side image and drag it onto the canvas of our new document. We want to remove the background here, so the quickest way of doing this would be to add a layer mask. Keep the selection active, switch over to the Paint Bucket Tool (G), set your Foreground color to black, and then click anywhere in the selection area to mask out the background. To fix this, we are going to select the Brush Tool (B), call up the Brushes Panel (F5 or Window > Brushes) and pick a small, hard, round brush. Also, the inside of the chain links require a bit of special attention, as we will need to brush inside of the black areas in order to remove the color here and reveal the background.
First, double-click the image, which will open up the New Layer window; just press OK in the New Layer window to unlock the Background layer. For some of the finer selections just underneath his hand, we will want a hard edge — so switch to a brush with 100% Hardness. Select the image layer containing the Poseidon Temple image and then click on the Add new fill or adjustment layer icon from the bottom of the Layers Panel. Once the dropdown appears, choose Apply Mask, and then repeat that for the lower body to apply the mask to that layer as well.
The size of the chain is okay, but we want to do a Free Transform so that we can flip the chain vertically and position it so that it appears to be coming from the top of the Centaur’s hand. Change the Blend Mode of this layer to Overlay and place it to the left of the Centaur using the Move Tool (V) so that it makes a light in the sky of the background.
Right-click somewhere inside the path, and when you are prompted with the dropdown menu, choose Make Selection and hit OK in the dialog window that appears. For now, we just want to focus on removing the chain links from this part of the Centaur’s arm. Essentially, what we are going to do to fix this is to grab the Pen Tool (P) once again and make a path following the lines of the arm (above and below) and selecting the area we want to remove.
I have found an image on iStockPhotos that I think will work nicely, but you don’t necessarily have to use the same one, as there are many good resources for stock photos that will cost you very little, if anything (check out Wikimedia Commons, for example). If you are using a different image, then you will have to judge the size according to the object you are placing them onto.
Lower the opacity of these layers so that you can see the head underneath, and then begin brushing out some of the extraneous areas with a hard, round, black brush.
I feel pretty good about the way it is looking so far, and from here we will spend a little more time making the design feel unified in terms of the colors, highlights, and shadows. We want to try and create an overall mood or atmosphere to the image and that mood wasn’t really being conveyed as well as it could be prior to some of these adjustment layers.
Choose the Burn Tool and, in the Options Bar, set it to Midtones and for the Exposure we want to set it to 50%. Using the Burn Tool, begin to brush in the darker shadows of the Centaur as well as on the horns.
Click and hold down on the Burn Tool icon in the Tools Panel to reveal the Dodge Tool icon, and then click on the Dodge Tool icon to switch over to it.
Next, switch over to the Brush Tool (B) and make sure that the color is set to solid white and the Opacity is low — around 20-30% should be good. You will notice the difference as you go along and you can adjust the opacity, if you wish, in order to get the best result.
With a solid black color selected, paint in a few flying birds to the background that will be flying off into the distance.
He's a graduate of the New England Institute of Art in Boston and has over 4 years of professional and freelance work experience.
You did a great job of blending the man and the horse together but I think there are too many clouds covering up the image. I wanted to make the upper body look really muscular and can see how it looks out of proportion.


In this tutorial, we will create one of these mythological creatures by blending several images together and adding some dramatic lighting and depth to the scene.
To do this, click on the Add layer mask icon at the bottom of the Layers Panel (shown below). Click-and-hold on one of the four transform controls at the corners of the transform box and, while holding down Shift, drag it outwards so that it is approximately the same size as the image below.
Then, change the Opacity of your brush back up to 100% and brush out the area under his hand so that you are left with a nice, clean outline and a torso that fades into the lower body of the horse.
After this, slide the middle slider of the histogram so that it will be set to a value of 0.81. Hold down Shift and drag one of the four corners inwards to slightly reduce the size of the Centaur. Brush out the parts of the chain that are currently in front of the hand so that it will look like the forefinger and thumb are actually in front of the chain. Switch to the Pen Tool (P) and zoom in closely on the extended arm where the chain wraps around. After selecting your sample point, click onto a segment of the chain to cover it with the skin sample.
Continue this process, working with the Clone Stamp Tool, sampling and covering up various segments. Once you close the path, right-click on it and choose Make Selection (as we did earlier), before deleting the area under the selection. There are several ways of doing this, but I like to use the layer mask technique so I have both the left and right horns isolated (as shown below). In this case, we just want to get a rough idea of where the horns will be so we are reducing the size and nudging the right and left ones into a general position that feels right.
This adjustment will affect only the layers beneath it, which at this point, is only the background image. Next, lower the Opacity of this layer to 78% and then use the Move Tool (V) to position it similarly to the following image. We simply want to enhance the lights and darks here, first focusing on the shadows in a subtle manner. Once you have done that, change the settings in the Options Bar to Highlights and set the Exposure to 30%.
In the image below, I have used red circles to indicate the points where I have placed several of these gradients.
To do this, I simply added a black linear gradient coming down from the top right of the image and reduced the layer’s opacity. We prepared individual stock photos for photo manipulation using various isolation techniques. He's been featured in Advanced Photoshop Magazine and The Art of Fashion Art Exhibit and Artists In The Station Art Exhibit.
Grab your shield and prepare to do battle as we set out to encounter one of the greatest beasts ever known! Before accepting the changes, flip the Centaur and the Adjustment Layer horizontally (right-click inside the transform box, choose Flip Horizontal from the menu that appears) so that they are facing the opposite way. On the new duplicated layer, begin to trace the contour of the arm and complete the selection by joining the two terminal anchor points.
This should leave you with a nice, clean outline, as if the chain was never even there to begin with!
Notice in the image that follows how the shadows have been darkened, and in doing so, we will make the scene a bit more dramatic by adding this contrast. The size of the brush will vary depending on how large or small your composition is, but for the size I am working on, I will be using a Master Diameter of 200px.
We used some quick masking techniques to make sure that our photo blending is as seamless as possible.
This way, we can have the figure matching the direction of the light source in the background.
With did all that and a bunch of other stuff that I hope you can use in your own photo manipulation projects.



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