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14.03.2014
A white paper by itself is not compelling, but a white paper, webinar and slide deck packaged together will grab your visitors'  attention. What types of existing content have you found to be useful when creating new offers for your business? The introduction of the Linnaean sexual system of plant classification in 1737 and its almost universal acceptance gave a tremendous impetus to the production of illustrated botanical books. IN the art of botanical illustration, evolution was by no means a simple and straightforward process. There are a number of other manuscript herbals in existence, illustrated with interesting figures. This work contains coloured drawings of exceptional beauty, which are smaller than those in the Vienna manuscript, but quite equally realistic. It is however with the history of botanical figures since the invention of the printing press that we are here more especially concerned. Botanical wood-engravings may be regarded as belonging to two schools, but it should be understood that the distinction between them is somewhat arbitrary and must not be pressed very far. The first school, of which we may take the cuts in the Roman edition of the ` Herbarium' of Apuleius Platonicus (?
The illustrations of the ` Herbarium' of Apuleius were copied from pre-existing manuscripts, and the age of the originals is no doubt much greater than that of the printed work. Colouring of the figures was characteristic of many of the earliest works in which wood-engraving was employed. The engravings in the ` Herbarium' of Apuleius are executed in black, in very crude outline.
The figures in the ` Herbarium' are characterised by an excellent trait, which is common to most of the older herbals, namely the habit of portraying the plant as a whole, including its roots.
We now come to a series of illustrations, which may be regarded as occupying an intermediate position between the classical tradition of the ` Herbarium' of Apuleius, and the renaissance of botanical drawing, which took place early in the sixteenth century. Das puch der natur' of Konrad von Megenberg occupies a unique position in the history of botany, for it is the first work in which a wood-cut representing plants was used with the definite intention of illustrating the text, and not merely for a decorative purpose. A wood-cut, somewhat similar in style to that just described, but more primitive, occurs in Trevisa's version of the medi?val encyclop?dia of Bartholomaeus Anglicus, which was printed by Wynkyn de Worde before the end of the fifteenth century.
The illustrations to the Latin 'Herbarius' or ` Herbarius Moguntinus,' published at Mainz in 1484 (Text-figs. A more interesting series of figures, also illustrating the text of the Latin ` Herbarius,' was published in Italy a little later. In 1485, the year following the first appearance of the Latin `Herbarius,' the very important work known as the German `Herbarius,' or ' Herbarius zu Teutsch,' made its appearance at Mainz. A pirated second edition of the `Herbarius zu Teutsch' appeared at Augsburg only a few months after the publication of the first at Mainz. In the `Ortus Sanitatis' of 1491, about two-thirds of the drawings of plants are copied from the ` Herbarius zu Teutsch.' They are often much spoiled in the process, and it is evident that the copyist frequently failed to grasp the intention of the original artist.
The use of a black background, against which the stalks and leaves form a contrast in white, which we noticed in the Book of Nature,' is carried further in the ` Ortus Sanitatis.' This is shown particularly well in the Tree of Paradise (Text-fig.
An edition of the `Ortus Sanitatis,' which was published in Venice in 151 I, is illustrated in great part with woodcuts based on the original figures. During the first three decades of the sixteenth century, the art of botanical illustration was practically in abeyance in Europe. Brunfels' illustrations represent a notable advance on any previous botanical wood-cuts, so much so, indeed, that the suddenness of the improvement seems to call for some special explanation.
The engravings in Brunfels' herbal and the fine books which succeeded it, should not be considered as if they were an isolated manifestation, but should be viewed in relation to other contemporary and even earlier plant drawings, which were not intended for book illustrations. In Italy, Leonardo da Vinci's exquisite studies of plants, of which Plate XVI I I is an example, must also have pointed the way to a better era of herbal illustration. We are thus led to the conclusion that, though the engravings in Brunfels' herbal are separated from previous botanical figures by an almost impassable gulf, they should not be regarded as a sudden and inexplicable develop-ment. The illustrations in Brunfels' herbal were engraved, and probably drawn also, by Hans Weiditz, or Guiditius, some of whose work has been ascribed to Albrecht Durer. The title ` Herbarum vivae eicones'—` Living Pictures of Plants '—indicates the most distinctive feature of the book, namely that the artist went direct to nature, instead of regarding the plant world through the eyes of previous draughtsmen. In one respect the welcome reaction from the conventional and generalised early drawings went almost too far. Our chronological survey of the chief botanical wood-cuts brings us next to those published by Egenolph in 1533, to illustrate Rhodion's ' Kreutterbuch.' These have sometimes been regarded as of considerable importance, almost comparable, in fact, with those of Brunfels.
It is interesting to notice that, as the third part of Brunfels' great work had not appeared when Egenolph's book was published, the latter must have been at a loss for figures of the plants which Brunfels had reserved for his third volume.
In the third volume of Brunfels' herbal (which appeared after his death) there is a small figure, that of Auricula muris, which differs conspicuously in style from the other engravings, and which appears to represent a case in which the tables were turned, and a figure was borrowed from Egenolph.
In his later books, Egenolph used wood-cuts pirated from those of Fuchs and Bock, which we must now consider.
In the work of Leonhard Fuchs (Frontispiece) plant drawing, as an art, may be said to have reached its culminating point. Fuchs' figures are on so large a scale that the plant frequently had to be represented as curved, in order to fit it into the folio page. Sometimes in Fuchs' figures a wonderfully decorative spirit is shown, as in the case of the Earth-nut Pea (Text-fig.
The figures here reproduced show how great a variety of subjects were successfully dealt with in Fuchs' work.
We have so far spoken, for the sake of brevity, as if Fuchs actually executed the figures himself.
The drawing and painting of flowers is sometimes dismissed almost contemptuously, as though it were a humble art in which an inferior artist, incapable of the more exacting work of drawing from the life, might be able to excel.
As far as concerns the pictures themselves, each of which is positively delineated according to the features and likeness of the living plants, we have taken peculiar care that they should be most perfect, and, moreover, we have devoted the greatest diligence to secure that every plant should be depicted with its own roots, stalks, leaves, flowers, seeds and fruits.
How dull and colourless the phrases of modern scientific writers appear, beside the hot-blooded, arrogant enthusiasm of the sixteenth century! Fuchs' wood-cuts were extensively pirated, especially those on a reduced scale, which were published in his edition of 1545. In general character, Bock's illustrations are neater and more conventional than those of Brunfels or Fuchs.
In point of time, the illustrations to the early editions of Mattioli's Commentaries on the Six Books of Dioscorides follow fairly closely on those of Fuchs, but they are extremely different in style (Text-figs. Another remarkable group of wood-engravings consists of those published by Plantin in connection with the work of the three Low Country herbalists, Dodoens, de l'Ecluse and de l'Obel. There is little to be said about de l'Obel's figures, which partook of the character of the rest of the wood-cuts for which Plantin made himself responsible. The wood-cuts illustrating the comparatively small books of de l'Ecluse are perhaps the most interesting of the figures associated with this trio of botanists. The popularity of the large collection of blocks got together by the publishing house of Plantin is shown by the frequency with which they were copied. Professor Treviranus, whose work on the use of wood-engravings as botanical illustrations is so well known, considered that some of the drawings published by Camerarius in connection with his last work (` Hortus medicus et philosophicus,' 1588) were among the best ever produced. A number of wood-blocks were cut at Lyons to illustrate d'Alechamps' great work, the ' Historia generalis plantarum,' 1586-7. Among less important botanical wood-engravings of the sixteenth century we may mention those in the works of Pierre Belon, such as `De arboribus' (1553). Some specimens of the quaint little illustrations to Castor Durante's `Herbario Nuovo' of 1585 are shown in Text-figs. The engravings in Porta's 'Phytognomonica' (1588) and in Prospero Alpino's little book on Egyptian plants (1592) are of good quality.
Passing on to the seventeenth century, we find that the ` Prodromos' of Gaspard Bauhin (162o) contains a number of original illustrations, but they are not very remarkable, and often have rather the appearance of having been drawn from pressed specimens. Parkinson's ` Paradisus Terrestris' of 1629 contains a considerable proportion of original figures, besides others borrowed from previous writers. Among still later wood-engravings, we may mention the large, rather coarse cuts in Aldrovandi's `Dendrologia' of 1667, one of which, the figure of the Orange, or Mala Aurantia Chinensia, is reproduced in Text-fig.
In the present chapter no attempt has been made to discuss the illustrations of those herbals (e.g. This brief review of the history of botanical wood-cuts leads us to the conclusion that between 1530 and 1630, that is to say during the hundred years when the herbal was at its zenith, the number of sets of wood-engravings which were pre-eminent—either on account of their intrinsic qualities, or because they were repeatedly copied from book to book—was strictly limited. At the close of the sixteenth century, wood cutting on the Continent was distinctly on the wane, and had begun to be superseded by engraving on metal. In the seventeenth century, a large number of botanical books, illustrated by means of copper-plates, were produced.
In 1615 an English edition of Crispian de Passe's work was published at Utrecht, under the title of `A Garden of Flowers.' The plates are the same as those in the original work. The purchaser of ` The Garden of Flowers' receives detailed directions for the painting of the figures, which he is expected to carry out himself.
As we have already mentioned, it is not our intention to deal with the books published in the latter part of the seventeenth century. In the plates which illustrate Blankaart's herbal, a landscape and figures are often introduced to form a back-ground, and the low horizon, to which we referred in speaking of the ` Hortus Floridus,' is a very conspicuous feature. Etching and engraving on metal are well adapted to very delicate and detailed work, but from the point of view of book-illustration, wood-engraving is generally more effective. The History of Botanical Prints  What is a Botanical Print? The first school, of which we may take the cuts in the Roman edition of the ` Herbarium’ of Apuleius Platonicus (?
The illustrations of the ` Herbarium’ of Apuleius were copied from pre-existing manuscripts, and the age of the originals is no doubt much greater than that of the printed work.
The engravings in the ` Herbarium’ of Apuleius are executed in black, in very crude outline. The figures in the ` Herbarium’ are characterised by an excellent trait, which is common to most of the older herbals, namely the habit of portraying the plant as a whole, including its roots. We now come to a series of illustrations, which may be regarded as occupying an intermediate position between the classical tradition of the ` Herbarium’ of Apuleius, and the renaissance of botanical drawing, which took place early in the sixteenth century. Das puch der natur’ of Konrad von Megenberg occupies a unique position in the history of botany, for it is the first work in which a wood-cut representing plants was used with the definite intention of illustrating the text, and not merely for a decorative purpose.
A wood-cut, somewhat similar in style to that just described, but more primitive, occurs in Trevisa’s version of the medi?val encyclop?dia of Bartholomaeus Anglicus, which was printed by Wynkyn de Worde before the end of the fifteenth century.
A more interesting series of figures, also illustrating the text of the Latin ` Herbarius,’ was published in Italy a little later. A pirated second edition of the `Herbarius zu Teutsch’ appeared at Augsburg only a few months after the publication of the first at Mainz. An edition of the `Ortus Sanitatis,’ which was published in Venice in 151 I, is illustrated in great part with woodcuts based on the original figures.
Brunfels’ illustrations represent a notable advance on any previous botanical wood-cuts, so much so, indeed, that the suddenness of the improvement seems to call for some special explanation. The engravings in Brunfels’ herbal and the fine books which succeeded it, should not be considered as if they were an isolated manifestation, but should be viewed in relation to other contemporary and even earlier plant drawings, which were not intended for book illustrations. In Italy, Leonardo da Vinci’s exquisite studies of plants, of which Plate XVI I I is an example, must also have pointed the way to a better era of herbal illustration. We are thus led to the conclusion that, though the engravings in Brunfels’ herbal are separated from previous botanical figures by an almost impassable gulf, they should not be regarded as a sudden and inexplicable develop-ment. The illustrations in Brunfels’ herbal were engraved, and probably drawn also, by Hans Weiditz, or Guiditius, some of whose work has been ascribed to Albrecht Durer.
Fuchs’ figures are on so large a scale that the plant frequently had to be represented as curved, in order to fit it into the folio page.
Sometimes in Fuchs’ figures a wonderfully decorative spirit is shown, as in the case of the Earth-nut Pea (Text-fig. In Germany and Austria today there are signs of the seriousness with which geopathic stress is taken. If you find time, this geopathic stress documentary is extremely interesting and compliments the work I have been doing over the last 12 years and 30 years my father before me with the same conclusions.
Please scroll down the articles on this page for a more scientific understanding of geopathic stress.
There is also an interesting piece of research at the end of the page about the credibility of Vega testing for geopathic stress. The most useful research document is below under the heading a€?Vienna Reporta€™ Read my summary and then either open up the original research document in German or the Poor English translation after the summary.
The first studies that proved a link between cancer and geopathic stress were carried out in the early 20th century in Austria and Germany but, so far geopathic stress has been largely ignored in the UK.
A A A  Long term exposure in combination with other types of energy such as Hartman lines, high electromagnetic fields or geological faults can give rise to optimistic abnormal cell growth and cancer. Germany has long been the seat of research in to the biological effects that pathogenic locations can have on both human and plant biochemistry. Historic roots of the investigation are built on claims that pathogenic zones exist at certain locations and that sleeping or spending long periods of time above them are linked to cancer, debilitating diseases of the central nervous system, chronic fatigue and general ill health.
The research was conducted by a team of distinguished professors, doctors, engineers, scientists and dowsers. To test this hypothesis the research team used the services of three dowsers known for there expertise in locating earth energies.
At present, these so called a€?Disturbed Zonesa€™ can only be indicated by dowsers, with its presence being then verified with scientific instrumentation. The Project a€?The project involved the testing of 24 different biological parameters involving 985 trial volunteers in 6,943 investigations using 462, 421 individual measurements. Decoder Analysis of the Total Bioelectric Status a€?This investigation was significant and was carried out on a number of patients from a country medical practice. Heart Frequency Reaction (HFR) a€?In these investigations measurements from an electrocardiogram (ECG) were used in both sitting and lying down positions.
Akrale Re-warming Time a€?The temperature measurement at the finger tips revealed that after standardized cooling on the a€?Disturbed Zonea€™ the Rewarming time is delayed significantly.
Optical Flicker Fusion Frequency a€?This test measures the psycho sensory capabilities of the person. Coordinative Vegetative Rhythm a€?Passive rhythms such as breath and pulse frequency operate in balanced Coordinative rhythms especially when at rest. Muscle Frequency Analysis a€?Significant location variations in the distribution of the muscle action frequencies were found in areas of electric muscle potential. Calcium and Potassium a€?On a€?Disturbed Zonesa€™ potassium levels increased with a rising significance and calcium increased significantly. Serotonin a€?Decreased by a factor of 6 on the a€?Disturbed Zonea€™ whilst increasing its metabolism to advance Tryptophan in compensation. The a€?Location Effecta€™ of the a€?Disturbed Zonea€™ on regulatory systems of the human organism is proved without doubt and raises the question of which substratum, subsystem or system the location dependent powers primarily attack.
The test results were lined up by Biometric Significance and are valued with the Serotonin and the Blood Corpuscle Decline Speed (BSG) in lead position. Serotonin a€?Serotonin is diminished on the a€?Disturbed Zonea€™ and its metabolism advances the tendency for Tryptophan to be increased.
The research team concluded that there was no evidence to relate a€?Location Loada€™ to a specific illness but should be rather determined as a risk factor that can reinforce the effect of different pathogenic factors.
Only rudimental evidence is available today, if such zones could be measured using accepted physical apparatus.
One of the reasons why an incontrovertible physical measurement of the assumedly existing electromagnetic fields appears to be impossible at present could be that these are very variable, broad-banded and at the same time only present in very low power strengths, a€?hiddena€? in the surrounding electromagnetic noise. One can assume that there are many origins for the effects of different locations on humans, animals and plants.
Low energy, broad-banded and dynamically changing EMFs, creating resonance with structures of the human organism, may well be part of the geopathy phenomenon. In addition, the dipolar nature of H2O-molecules can also be part of the origin of such fields. Piezoelectricity is the ability of certain crystals and certain ceramic materials to generate electrical and magnetic signals in response to applied mechanical stress. Inside an ideal quartz crystal, the electrical charge of the elements silicon and oxygen cancel each other out. Another well known use of piezoelectricity is found in lighters using piezoelectric ignition: There, sudden mechanical pressure onto a synthetic quartz crystal block (containing high amounts of exactly aligned synthetic lattice crystal cells) leads to the generation of high voltage. Another aspect of the geopathy phenomenon, which appears to be largely underestimated in its importance, could be found in the presence of a€?longitudinal scalar wavesa€? (5). The existence of longitudinal wave proportions, as also present in the near field of a dipol antenna, could already be shown experimentally by Nikola Tesla (1856-1943) (16-16). Proteins and most other bio-molecules are not at all a€?nonrigida€? structures; in order to fulfill their functions, they possess the ability to dynamically change their shapes within certain limits. Huge amounts of very tiny magnetic crystals (magnetite crystals) have been found in the brain, and these could react very sensitively to the slightest changes in magnetic fields (20).
Even though in today's popular media, pseudo-scientific and quasi-medical reports on the topic of geopathy are presented to the public, no a€?peer revieweda€? medical journal indexed in MedLine had published statistically firm and sound provable evidence of geopathic effects on humans until most recently.
Our first concepts how to address the geopathy phenomenon were based on the descriptions and personal discussions with the late Otto Bergsmann (a€  2004) and Alois Stacher (medical doctors, both from Vienna, Austria) and carried out in close co-operation with Adolf Wiebecke and his team (Salzburg and Oberalm, Austria). For detection geopathic stress, we have followed the design of a randomized, double-blinded non-clinical trial (54-44), following the ethical guidelines of the expanded Helsinki Declaration (56). During the experiments, the complete GDV system was mounted on a trolley, in order to measure the effects of the two different zones in the laboratory room directly a€?on sitea€? without moving the test person to another place. To gain reliable data, we paid careful attention to a number of issues influencing stability, reproducibility and safety (24, 30, 37, 45): Throughout the whole study, the very same GDV system was used. As overlaying technical fields possibly influencing the results may have been present, we used sophisticated calibrated equipment to scan and record low and high frequency EMFs, potential acoustic noxae or vibrations during the whole study period, as well as a variety of additional physical parameters. Further analyses were carried out for complementary medical parameters included in the GDV software package. Those people who are already in the beginning stages of poor health may sense an added sensitivity for diseases of different kinds when staying longer on geopathic locations, as well as notice that healing processes may take longer than usual. As there are no reliable measuring instruments available so far, presently it makes sense to take advice from an experienced dowser.
If constructional arrangements are not possible before erecting a building or before starting a reconstruction, which is supposedly the case in most instances, there are also other practical possibilities: provided that there is a will to do so, it should be possible to move beds or desk seats, in order to get them out of interference zones. Everyone can do something to prevent negative influences by sources that cause stress: anything that lowers stress in general also helps one deal with specific stress factors, and zones, from any origin. Furthermore, many studies confirm that people who are a€?living healthilya€? a€“ who manage their weight, refrain from smoking, enjoy the outdoors, participate in sports, etc., - have stronger immune systems and feel definitely less stress than their a€?unhealthy livinga€? fellow men. For those who cannot (or do not want to) adopt many of the above mentioned choices, due to illness, age, or some other reasons, things could become more difficult. Our studies show that it does matter on which location you stay for a longer period of time. What is the relevance of our findings for hospitals, convalescent homes and rehabilitation centers? The term a€?wellnessa€?, which is composed of the ideals a€?well-beinga€? and a€?fitnessa€? as well as a€?life-stylea€? and a€?happinessa€?, to a modern point of view denotes a holistic concept of health. In a pilot study (unpublished findings), we have found indications of more aggressive behavior by children living or working on geopathic locations. Naturally, the negative effects of geopathic stress zones also have considerable commercial impact.
The follow-up costs associated with longer a€?chronica€? stays on geopathic interference zones are probably enormous: As said before, geopathy is a matter of a€?burdened work placesa€? leading to decreased ability of the employees to concentrate and to increased probability of employees' illnesses.
So far, the present scientific evidence of effects of geopathic zones on humans has been mainly found using complementary medical methods, with the exception of the GDV a€?area-of-glowa€? parameter. At the same time, we have already started experiments above different geological zones to test such key parameters contained in saliva, using biochemical assaying well accepted by orthodox medicine: various hormones, neuropeptides and immunological relevant substances are going to be tested a€?non-invasivelya€?.
The authors extend thanks for their great help in conducting the quoted research and its essential components to this manuscript.
For their innovative and far-seeing pioneering work and active scientific exchange in the field of geopathy we thank Univ.-Doz. When it comes to the topic of earth radiation, water veins and earth dislocations a€“ the so-called geological disturbances a€“ the layperson will usually associate this with hocus-pocus concepts such as a€?Dowsers,a€? often a man with large whiskers and an ironic smile. Many people do not believe the dowsera€™s tale, and associate it with occult illusion a€“ even if successes have been reported simply by moving a bed to a different area of the room. The most common reason for the prejudice of the person listening -- who generally considers himself to be moderna€?and intelligent -- is the fact that nowhere do we find soa€?many absurdities, contradictions and a€?silly thingsa€? as in this area.
Ten allegedly qualified dowsers generally come to ten different conclusions in the same apartment or building. I am sickened when I am told how people play tricks with the fears and hopes of seriously ill individuals.
I hope to make a contribution in this area so that we may have an objective discussion of this subject.
For years, sensitive electronic measuring devices have verified the old knowledge about earth radiations. You can actually measure the natural radioactive radiation from the earth, all over the globe. We are born amid these natural manifold-radiating processes and there is no doubt that they are appropriate, important, healthy, and life protecting. But there are also zones (areas) where radiation intensities are noticeably different from the norm. I might measure a level of radiation along a long-line, for example, and often the intensity will change suddenly, giving me an entirely different value. Sometimes these higher intensity zones area€?frequent and can be detected every other yarda€?or so.
It is interesting to note that gifted dowsers will show swinging of rods or pendulums exactly where you would measure these significant anomalies too.
I do not like to define, prematurely, every swing of a rod by a gifted dowser or every measured peculiarity as a a€?water veina€? or a a€?dislocation.a€? I have never dug into the ground to find the object which I assumed to be in existence while I was measuring on top of the ground. It is the task of science to connect one thing with another, and to analyze these connections.
My practical experience is sufficient for me to know that concentrations of terrestrial radiation can be measured, and the findings will show noticeable differences from natural points of reference in the natural environment. What do we really measure, with our sensitive electronic instruments, if the objects are earth radiation, geological disturbances, water veins and dislocations? I refer to my own personal experiences, with different measuring approaches, and do not pretend exclusiveness.
That means: when you are above geological disturbances you can measure the distortion of the terrestrial magnetic field, similarly to that of magnetic steel. Here the compass is not the appropriate device because the declinations are so small that they cannot generate any substantial swing. This measurement approach is not appropriate for house and bedroom examinations, however, because the artificial distortions coming from steel used in construction, materials, metal fixtures, and even the bed itself, can cause a blur in the measurement or make a reading entirely impossible. I think the argument is exaggerated; that these anomalies of terrestrial magnetic fields above geological disturbances are sufficient to cause biological problems. Conclusion: Though you can measure geological peculiarities, the application a€“ in rooms a€“ is rarely reliable.
A second peculiarity, as far as earth radiation is concerned, is that air ions often change. Ion measurements are extremely difficult and ambiguous since many factors in your house mix up the air ions even more than the terrestrial radiation is capable of. This measurement is just impossible under the influence of an electrically radiating wall, or an electrostatically loaded curtain. I have discovered that a plastic bag, within a five-yard distance of the measurement, can change the environment of the air ions more radically than what could be possible from the geological subsoil. Measurements of the VHF field strength often show a drop in the measurement curve when taken above disturbances. Within buildings, however, evaluations are almost impossible as the measurements within walls are highly unreliable.
One has to be very critical and attentive so as not to be taken in by too rash and incorrect conclusions. Many manuals say that locating geological disturbances by using the VHF field strength is childa€™s play.
The geo-rhythmogram measures the skin resistance of a person from hand to hand with simple electrodes and a fitting ohm-meter.
When the skin resistance of a test person is normal, at 40 kilo ohm (Aschoff), the values can go up to 100, 200, or even higher when you are above zones of disturbance. Even when all pre-conditions are fulfilled some problems remain: All stimuli towards the test person will be included into the measurement.
Only with enough experience can you relate anomalies of the skin resistance to geological stimuli, and totally exclude that they are not produced from radio alarms or a spring mattress.
If you can do that, then the physical measurement can be reproduced and give a reliable result.
Particularly interesting is the fifth possible approach to measuring terrestrial radiation. That means: As I measure the natural radioactive radiation with a sensitive radiometer, I will get values of 100 percent or more if the measure is above a so-called disturbance zone. Though the natural basic radioactivity of the earth has some local differences due to climate and the earth level, the base level is generally consistent. From my experience, regular and reproducible increases in radioactivity above geological stimuli areas, in the range of up to 100 percent, are profound and are significant.
If you can sleep for the next 20 years with only half the amount of radioactive disintegrations -- after a change of the bedroom position a€“ then, as a matter of caution, I see no reason to stay in the area that is doubly charged.
I think it is greatly exaggerated to speak rashly of a€?cancer zonesa€? if you are referring to terrestrial radiation and other corresponding peculiarities. According to my own personal experience, and the findings of innumerable research and test reports, the healing successes after moving the bed cannot be discounted merely as psychological reaction placebo or coincidence. During a meeting in Seattle, USA, I detected this phenomenon in a 22 floor hotel, on six different levels: in the underground garage, at the first floor near the reception, and on the roof -- always the same high values, down below and at the top, on the same premises. As you know, I have found houses in which the radioactive radiation was higher than that which could be found in playgrounds and public swimming pools near the Chernobyl accident. The reason for this is radioactive construction materials: cinders, ashes, chemical gypsum, tiles, pumice and metallurgical stones -- all sorts of possible and impossible industry waste. Additionally, certain antiques, minerals and glazes a€“ in direct range of your body a€“ can radiate so strongly that biological risks can become immense.
While visiting three patients with brain tumors, I found just beside the head of one person a very old alarm clock that was radiating radioactivity; with another, a dark green glazed image of St.
For measuring terrestrial radiation, I use my most expensive instruments: highly sensitive scintillation counters.
My experiences with measurements of radioactivity soon led to the decision to build a measuring device especially well-suited for building, biological, and geo-biological work, and one that was constructed to my own specifications. The very high sensitivity of the third prototype convinced me: more than 250 impulses per second in a normal radiation background, and more than 500 impulses per second on geologically disturbed surfaces.
Besides its extreme measuring preciseness, the scintillation counter has the particular advantage of being extremely sensitive to gamma rays. With his super-sensitive measuring device (of more than 1,000 impulses per second!), he has shown that you can find water from the ground surface - guaranteed. More than 35 years of experience makes it possible for Stangle to define, with his measurements, the exact depth, the amount a€“ to the very gallon -- the mineralization, and the temperature of the localized water. The Daimler-Benz company made five expensive unsuccessful drillings before they called Jakob Stangle with his scintillation counter. In 1972 Jakob Stangle walked through Vilsbiburg with his scintillation counter and totally confirmed the work of his sensitive predecessor by exact measurements, in two absolute blind tests.
An architect intended to buy and renovate a large villa at the Baldeney Lake in Essen, Germany. Another time, a doctor recommended to the manager of a concert agency to have her home examined by me. She also looked into the geological maps and found the disturbance was mapped by the Krefeld agency. After these results, I bought several geological maps from North Rhine Westfalia, Germany, and checked ten plotted geological disturbances with my measuring devices. DESCRIPTION: This is the largest map of its kind to have survived in tact and in good condition from such an early period of cartography. These place names are in Lincolnshire (Holdingham and Sleaford are the modern forms), and this Richard has been identified as one Richard de Bello, prebend of Lafford in Lincoln Cathedral about the year 1283, who later became an official of the Bishop of Hereford, and in 1305 was appointed prebend of Norton in Hereford Cathedral.
While the map was compiled in England, names and descriptions were written in Latin, with the Norman dialect of old French used for special entries. Here, my dear Son, my bosom is whence you took flesh Here are my breasts from which you sought a Virgina€™s milk.
The other three figures consist of a woman placing a crown on the Virgin Mary and two angels on their knees in supplication. Still within this decorative border, in the left-hand bottom corner, the Roman Emperor Caesar Augustus is enthroned and crowned with a papal triple tiara and delivers a mandate with his seal attached, to three named commissioners.
In the right-hand bottom corner an unidentified rider parades with a following forester holding a pair of greyhounds on a leash.
The geographical form and content of the Hereford map is derived from the writings of Pliny, Solinus, Augustine, Strabo, Jerome, the Antonine Itinerary, St. As is traditional with the T-O design, there is the tripartite division of the known world into three continents: Europe, Asia, and Africa. EUROPE: When we turn to this area of the Hereford map we would expect to find some evidence of more contemporary 13th century knowledge and geographic accuracy than was seen in Africa or Asia, and, to some limited extent, this theory is true. France, with the bordering regions of Holland and Belgium is called Gallia, and includes all of the land between the Rhine and the Pyrenees. Norway and Sweden are shown as a peninsula, divided by an arm of the sea, though their size and position are misrepresented. On the other side of Europe, Iceland, the Faeroes, and Ultima Tile are shown grouped together north of Norway, perhaps because the restricting circular limits of the map did not permit them to be shown at a more correct distance.
The British Isles are drawn on a larger scale than the neighboring parts of the continent, and this representation is of special interest on account of its early date. On the Hereford map, the areas retain their Latin names, Britannia insula and Hibernia, Scotia, Wallia, and Cornubia, and are neatly divided, usually by rivers, into compartments, North and South Ireland, Wales, Cornwall, England, and Scotland. THE MEDITERRANEAN: The Mediterranean, conveniently separating the three continents of Asia, Africa and Europe, teems with islands associated with legends of Greece and Rome. Mythical fire-breathing creature with wings, scales and claws; malevolent in west, benevolent in east.
4.A A  For bibliographical information on these and other (including lost) cartographical exemplars, see Westrem, The Hereford Map, p. 10.A A  For bibliographical information for editions and translations of the source texts, see Westrem, The Hereford Map, p. 11.A A  More detailed analysis of these data can be found in my a€?Lessons from Legends on the Hereford Mappa Mundi,a€? Hereford Mappa Mundi Conference proceedings volume being edited by Barber and Harvey (see n. 16.A A  Danubius oritur ab orientali parte Reni fluminis sub quadam ecclesia, et progressus ad orientem, .
23.A A  The a€?standarda€? Latin forms of these place-names and the modern English equivalents are those recorded in the Barrington Atlas of the Greek and Roman World, ed. From the time when it was first mentioned as being in Hereford Cathedral in 1682, until a relatively short time ago, the Hereford Mappamundi was almost entirely the preserve of antiquaries, clergymen with an interest in the middle ages and some historians of cartography.
FROM THE TIME when it was first mentioned as being in Hereford Cathedral in 1682, until a relatively short time ago, the Hereford Mappamundi was almost entirely the preserve of antiquaries, clergymen with an interest in the middle ages and some historians of cartography. Details from the Hereford map of the Blemyae and the Psilli.a€? Typical of the strange creatures or 'Wonders of the East' derived by Richard of Haldingham from classical sources and placed in Ethiopia. Equally important work was also being done on medieval and Renaissance world maps as a genre, particularly by medievalists such as Anna-Dorothee von den Brincken and Jorg-Geerd Arentzen in Germany and by Juergen Schulz, primarily an art historian, and David Woodward, a leading historian of cartography, in the United States.
The Hereford World Map is the only complete surviving English example of a type of map which was primarily a visualization of all branches of knowledge in a Christian framework and only secondly a geographical object. After the fall of the Roman empire in the 5th century, monks and scholars struggled desperately to preserve from destruction by pagan barbarians the flotsam and jetsam of classical history and learning; to consolidate them and to reconcile them with Christian teaching and biblical history.
There would have been several models to choose from, corresponding to the widely differing cartographic traditions inside the Roman Empire, but it seems that the commonest image descended from a large map of the known world that was created for a portico lining the Via Flaminia near the Capitol in Rome during Christ's lifetime.
Recent writers such as Arentzen have suggested that, simply because of their sheer availability, from an early date different versions of this map may have been used to illustrate texts by scholars such as St. Eventually some of the information from the texts became incorporated into the maps themselves, though only sparingly at first. A broad similarity in coastlines with the Hereford map is clear in the Anglo-Saxon [Cottonian] World Map, c.1000 (#210), but there are no illustrations of animals other than the lion (top left). The resulting maps ranged widely in shape and appearance, some being circular, others square.
A few maps of the inhabited world were much more detailed, though keeping to the same broad structure and symbolism. Most of these earlier maps were book illustrations, none were particularly big and the maps were always considered to need textual amplification. From about 1100, however, we know from contemporary descriptions in chronicles and from the few surviving inventories that larger world maps were produced on parchment, cloth and as wall paintings for the adornment of audience chambers in palaces and castles as well as, probably, of altars in the side chapels of religious buildings. A separate written text of an encyclopedic nature, probably written by the map's intellectual creator, however, was still intended to accompany many if not all these large maps and one may originally have accompanied the Hereford world map. These maps seem largely to have been inspired by English scholars working at home or in Europe. The most striking novelty, however, was the vastly increased number of depictions of peoples, animals, and plants of the world copied from illustrations in contemporary handbooks on wildlife, commonly called bestiaries and herbals. Mentions in contemporary records and chronicles, such as those of Matthew Paris, make it plain that these large world maps were once relatively common.
At about the same time that this map was being created, Henry III, perhaps after consultation with Gervase, who had visited him in 1229, commissioned wall maps to hang in the audience chambers of his palaces in Winchester and Westminster. The Hereford Mappamundi is the only full size survivor of these magnificent, encyclopedic English-inspired maps.
An inscription in Norman-French at the bottom left attributes the map to Richard of Haldingham and Sleaford.
The good news is that compelling offers can be created from the content that you already have.
If your products page provides high-level information, use this data as a framework for a detailed PDF about each product or service and let users download it from the related products page. You are using an outdated browser, we recommend you upgrade your browser for a better and safer experience. Benefiting from improved printing techniques, botanical depiction in the latter half of the 18th century saw the marriage of beauty and scientific accuracy. This period saw the publication of many botanical magazines modeled on the success of William Curtis's Botanical Magazine. The transfer of the artist's image to the printing plate was now achieved by mechanical processes, rather than the plate being worked on directly by the artist or craftsman. The quality of the printmaking techniques used (now associated with fine art prints) and the quality of the papers will soon make apparent to the beginning collector the reason genuine antique prints (as opposed to modern reproductions) are sought after.
We do not find, in Europe, a steady advance from early illustrations of poor quality to later ones of a finer character. The Library of the University of Leyden possesses a particularly fine example', which is ascribed to the seventh century A.D. From this epoch onwards, the history of botanical illustration is intimately bound up with the history of wood-engraving, until, at the extreme end of the sixteenth century, engraving on metal first came into use to illustrate herbals. One of these may perhaps be regarded as representing the last, decadent expression of that school of late classical art which, a thousand years earlier, had given rise to the drawings in the Vienna manuscript.
1484) as typical examples, has, as Dr Payne has pointed out, certain very well-marked characteristics. Those here reproduced are taken from a copy in the British Museum, in which the pictures were coloured, probably at the time when the book was published. In cases where uncoloured copies of such books exist, there are often blank spaces in the wood-cuts, which were left in order that certain details might afterwards be added in colour.
Figures of the animals whose bites or stings were supposed to be cured by the use of a particular herb, were often introduced into the drawing, as in the case of the Plantain (Text-fig. This came about naturally because the root was often of special value from the druggist's point of view. These include the illustrations to the ` Book of Nature,' and to the Latin and German Herbarius,' the ` Ortus Sanitatis,' and their derivatives, which were discussed in Chapters II and III. It was first printed in Augsburg in 1475, and is thus several years older than the earliest printed edition of the ` Herbarium' of Apuleius Platonicus which we have just discussed. 57) there is an attempt to represent the tuberous roots, which are indicated in solid black. As we pointed out in Chapter II, its illustrations, which are executed on a large scale, are often of remarkable beauty.
The figures, which are roughly copied from those of the original edition, are very inferior to them. They have, however, a very different appearance, since a great deal of shading is introduced, and in some cases parallel lines are laid in with considerable dexterity. The oft-repeated set of wood-cuts, ultimately derived from the ` Herbarius zu Teutsch,' were also used to illustrate Hieronymus Braunschweig's Distillation Book (Liber de arte distillandi de Simplicibus, 1500).
On taking a broader view of the subject, we find that, at the beginning of the sixteenth century, there was a marked advance in all the branches of book illustration, and not merely in the botanical side with which we are here concerned. Some of the most remarkable are those by Albrecht Durer, which were produced before the appearance of Brunfels' herbal, during the first thirty years of the sixteenth century. In his work, the artistic interest predominates over the botanical to a greater extent than is the case with D Durer's drawings. The art of naturalistic plant drawing had arrived independently at what was perhaps its high-water mark of excellence, but it is in Brunfels' great work that we find it, for the first time, applied to the illustration of a botanical book.
This characteristic is best appreciated on comparing Brunfels' figures with those of his predecessors.
Many of Brunfels' wood-cuts were done from imperfect specimens, in which, for example, the leaves had withered or had been damaged by insects.
A careful examination of these wood-engravings leads, how-ever, to the conclusion that practically all the chief figures in Egenolph's book have been copied from those of Brunfels, but on a smaller scale, and reversed.
It is true that, at a later period, when the botanical importance of the detailed structure of the flower and fruit was recognised, figures were produced which conveyed exacter and more copious information on these points than did those of Fuchs. 87) which fills the rectangular space almost in the manner of an all-over wall-paper pattern.
The falsity of this view is shown by the fact that the greatest of flower painters have generally been men who also did admirable figure work. Furthermore we have purposely and deliberately avoided the obliteration of the natural form of the plants by shadows, and other less necessary things, by which the delineators sometimes try to win artistic glory : and we have not allowed the craftsmen so to indulge their whims as to cause the drawing not to correspond accurately to the truth. The crowns of the trees are often made practically square so as to fit the block (Text-fig. In the original edition of Dodoens' herbal (` Cruydeboeck,' published by Vanderloe in 1554), more than half the illustrations were taken from Fuchs' octavo edition of 1545.
Many of these figures were taken from the herbals of Fuchs, Mattioli and Dodoens, but they were often embellished with representations of insects, and detached leaves and flowers, scattered over the block with no apparent object except to fill the space. In this book there are some graceful wood-cuts of trees, one of which is reproduced in Text-fig.
Some curious examples of the former, which will be discussed at greater length in the next chapter, are shown in Text-figs.
We might almost say that there were only five collections of wood-cuts of plants of really first-rate importance—those, namely, of Brunfels, Fuchs, Mattioli, and Plantin, with those of Gesner and Camerarius, all of which were published in the sixty years between 1530 and 1590. The earliest botanical work, in which copper-plate etchings were used as illustrations, is said to be Fabio Colonna's ` Phytobasanos' of 1592. The majority of these were published late in the century, and thus scarcely come within our purview. The artist is particularly successful with the bulbous and tuberous plants, the cultivation of which has long been such a specialty of Holland. The book is divided into four parts, appropriate to the four seasons, and each part is preceded by an encouraging verse intended to keep alive the owner's enthusiasm for his task. We may, however, for the sake of completeness, mention two or three examples in order to show the kind of work that was then being done. In the latter the lines are raised, and the method of printing is thus exactly the same as in the case of type, while in the former the process is reversed and the lines are incised. This period saw the publication of many botanical magazines modeled on the success of William Curtis’s Botanical Magazine.
The transfer of the artist’s image to the printing plate was now achieved by mechanical processes, rather than the plate being worked on directly by the artist or craftsman.


This came about naturally because the root was often of special value from the druggist’s point of view. It was first printed in Augsburg in 1475, and is thus several years older than the earliest printed edition of the ` Herbarium’ of Apuleius Platonicus which we have just discussed.
Some of the most remarkable are those by Albrecht Durer, which were produced before the appearance of Brunfels’ herbal, during the first thirty years of the sixteenth century. In his work, the artistic interest predominates over the botanical to a greater extent than is the case with D Durer’s drawings.
The art of naturalistic plant drawing had arrived independently at what was perhaps its high-water mark of excellence, but it is in Brunfels’ great work that we find it, for the first time, applied to the illustration of a botanical book. This characteristic is best appreciated on comparing Brunfels’ figures with those of his predecessors. Many of Brunfels’ wood-cuts were done from imperfect specimens, in which, for example, the leaves had withered or had been damaged by insects. A careful examination of these wood-engravings leads, how-ever, to the conclusion that practically all the chief figures in Egenolph’s book have been copied from those of Brunfels, but on a smaller scale, and reversed.
87) which fills the rectangular space almost in the manner of an all-over ” wall-paper pattern. Peck - DAVID ROBERTS, MASTER DRAFTSMAN                Some of  the most appealing views and arresting images of the Nile Valley and the Holy Land ever captured in any medium were the work of the Scottish  painter David Roberts. If you continue to stay in these areas especially during sleep, then in the long term the stresses on our bodies will emerge as more serious conditions such as, diseases of the central nervous system, Multiple Sclerosis (MS), Chronic Fatigue Syndrome (CFS), miscarriages, and cancer. Not only are the public more generally aware, but their governments funds aid and continuing research in to the matter.
Geopathic Stress is only one of them and it is becoming more difficult to gauge especially when the natural energy field is constantly changed and amplified by man-made electromagnetic fields. The phenomenon has been linked to insomnia, migraine, headaches, loss of balance, short -term memory loss, joint pain, cot death, infertility, miscarriages, Chronic Fatigue Syndrome (ME) and cancer.
It has been known for a long time that when there is flowing water under a dwelling the inhabitants always feel more tired, are prone to premature aging and have a loss of vitality than those who sleep above neutral ground. I have the original 134 page research document in German and a badly translated version in English.
These pathogenic locations defined in the report as, a€?earth radiation's evoked by a discontinuity of the normal physical parameters on the surface of the earth,a€™ and shortened to a€?Disturbed Zonesa€™ are the subject of the research. Such locations have been termed in China and many European countries as either a€?curseda€™ or a€?cancera€™ houses.
The functioning hypothesis of the research was that geophysical characteristics of the surface of the earth are not uniform and that location dependent influences exist that can have a detrimental effect on both human and plant biochemical systems. They were enlisted to independently dowse eight different locations and submit reports and diagrams of the strongest a€?Disturbed Zonesa€™ found, together with a a€?Neutral Zonea€™ at the same location to enable them to carryout double blind experiments with volunteers at each selected location. Technology does not yet exist to do this the other way round; the dowser does not yet appear to be replaceable with scientific instrumentation. However because of the high standard of the research only significant results were accepted. The stereotypical result on the a€?Disturbed Zonea€™ was deterioration of the electro-biological functioning in the sense of depression or blockage of bioelectric functions.
In the 15 minute time exposure on the a€?Disturbed Zonea€™ the results remained under the significance barrier. An apparatus able to discriminate such low energy broadband EMFs from noise apparently is not yet available. Both, technical and biological systems can be influenced by EMFs, whereby numerous questions are still open, such as the concerning limits and the nature of physical interference fields (5). As an extremely dielectric medium, water favors the formation of potential vortices, which immediately after their formation contract swiftly.
In nature, piezoelectrical dischargings can occur in some areas of geological a€?warpsa€? containing quartz sand particles, and may be another plausible cause of geopathic stress effects (14).
When a crystal lattice cell is compressed by mechanical pressure, an imbalance is the result, manifesting itself in the development of a tiny electrical voltage (Fig. In spite of the fact that scalar waves in the field theory of Maxwell are usually neglected and set to zero, numerous experiments can lead to the conclusion that they do really exist and influence the human organism (5). The presence of pure physical interactions and in addition also of a€?physiologic sensorsa€? located inside the body can be assumed. Physical resonance is defined as a synchronization of two sources which vibrate with the same pulse frequency but with contrary polarity.
Internal protein dynamics can potentially affect protein function through a variety of mechanisms, some of which are tautological or obvious in nature while others are subtle and remain to be fully explored and appreciated (18).
Black dots on magnetic resonance imaging pictures (MRI) of human brain tissue led researches to the idea that these could be magnetic particles. Evidence that these microscopically small magnetite particles would function for some kind of sensory perception in humans could not yet been confirmed.
Previously described effects and descriptions of the pioneers (1, 3 and others) in this area unfortunately arena€™t available in the standardized, scientifically acceptable nor reproducible format required for peer-reviewed medical journals, but rather as monographs. Because of the lack of a€?directa€? physical measurement techniques for the doubtlessly existing a€zenergy fieldsa€? at least partly originating in the ground, we decided to use the human body as an indicator. Being fascinated by its highly sensitive ability to detect stress effects, and also by the fact that this method is being used world-widely for manifold applications combining a€?pure physicsa€? with complimentary evaluation of apparently high accuracy, we could reproducibly show using this method that different zones above ground do exhibit different effects on the human organism.
In addition to the promising data presented in numerous publications before, including our own, we are presently in the middle of an evaluation targeting a validation of GDV mean area-of-glow as a reliable measure of certain aspects of stress. All test persons had been informed about the GDV system and related safety issues, and about the fact that they may feel a slight a€?crawlinga€? in their finger tips.
In practice, to capture one a€?static GDV imagea€?, a very stable high voltage (10 kV, 1.024 Hz, square pulses) is pulsed on and off every 10 ms for a duration of 0,5 s. For each test person and test phase, 50 single static measurements were performed (each finger tip was measured 5 times for 0,5 s). Before use, the GDV camera (kept inside the laboratory at constant room temperature) was switched on at least 30 minutes prior to measurement, and careful calibrations were performed.
In addition to the calculation of descriptive data (mean, median, standard deviation etc.), we carried out Gaussian normality tests and subsequently used the paired two-sample t-test for dependent variables to determine whether there are significant differences between the 4 experimental sub-period results.
The two measurement areas in the laboratory used for the experiments turned out to be indistinguishable from the aspect of technical fields and acoustic background noise, and the field strength and loudness levels present were far below existing (safety) guidelines.
Statistical significance again was enormously high (p < 0,0001) when compared to the results on those zones without the a€?Wavea€? device (24).
In later stages, it my not be impossible though that chronic stress caused by geopathic locations may finally even forward the development of malignant disease. However, according to the Munich barn-experiments (66-68) and other independent investigations, only a low percentage of the people claiming to be successful dowsers are actually capable of making reproducible and reliable conclusions. This includes methods of stress-management and relaxation techniques, such as meditation, tai chi, guided imaginative journeying, and also certain hypnotherapeutic approaches (69-73). Para-scientific reports about sleeplessness or higher rates of occurrence of different diseases have been with us for many years.
In hospitals, observant physicians and nurses sometimes know from experience that there appear to be locations of sickbeds where, remarkably, many patients have a delayed recovery, or in especially blatant cases they may not recover at all. Wellness enhancing methods and applications aim to increase physical, psychological and spiritual well-being. Individual performance on a€?interference reduceda€? zones increases, and all sides - superintendents, managers and employees - would possibly benefit.
This can produce enormous costs for our social and health systems, and the hidden costs we can only suspect today. As preliminarily presented in this book, we have already obtained data underlining the validity of GSV as a reliable instrument for measuring stress, provided that all pre-cautions are taken into account and that well-trained and experienced persons use it. Adolf WIEBECKE (Oberalm bei Salzburg), whom we want to congratulate for his most promising invention of the a€?Wavea€? device, for the possibility of doing experimental research using his device. Seidel P, Schmidl F, Becker C, Springborn U, Biering S, Grosse V, FA¶rster T, Lorenz P, Bechstein R: Planar high-temperature superconducting dc-SQUID gradiometers for different applications.
Hong R, Zhang Y, Liu Y, Weng EQ: Effects of extremely low frequency electromagnetic fields on DNA of testicular cells and sperm chromatin structure in mice. Chen P, Yang YQ, Tao HH, Yang HC: Effects of electromagnetic fields of different frequencies on proliferation and DNA damage of gallbladder cancer cells. Nylund R, Leszczynski D: Mobile phone radiation causes changes in gene and protein expression in human endothelial cell lines and the response seems to be genome- and proteome-dependent. Grassi C, Da€™Ascenzo M, Torsello A, Martinotti G, Wolf F, Cittadini A, Azzena GB: Effects of 50 Hz electromagnetic fields on voltage-gated Ca2+ channels and their role in modulation of neuroendocrine cell proliferation and death. Hecker R: Emission elektrischer und magnetischer Signale von Gestein infolge A¤uAYerer mechanischer Belastungen. Baureus Koch CL, Sommarin M, Persson BR, Salford LG, Eberhardt JL: Interaction between weak low frequency magnetic fields and cell membranes.
Mathie A, Kennard LE, Veale EL: Neuronal ion channels and their sensitivity to extremely low frequency weak electric field effects.
Dobson P, Oa€™Keefe E: Investigations into stress and its management using the gas discharge visualization technique. Russo M, Choudhri AF, Whitworth G, Weinberg AD, Bickel W, Oz MC: Quantitative analysis of reproducible changes in high-voltage electrophotography. Bascom R, Buyantseva L, Zhegmin Q, Dolina M, Korotkov K: Gas discharge visualization (GDV)- bioelectrography. Korotkov KG, Popechitelev EP: Method for gas discharge visualization and automation of the system of realizing it in clinical practice. Treugut H, Gorner C, Ludtke R, Schmid P, Fuss R: Reliabilitat der Energetischen Terminalpunktdiagnose (ETD) nach Mandel bei Kranken. Medvedev SN, Mala€™tseva AS, Popkova AM, Serov VV, Igonina NP, Tkacheva OI, Kozin AN: Possibilities of the use of Korean acupuncture Su Jok in the clinical practice.
Kato M, Honma K, Shigemitsu T, Shiga Y: Circularly polarized 50-Hz magnetic field exposure reduces pineal gland and blood melatonin concentrations of Long-Evans rats. Burch JB, Reif JS, Yost MG: Geomagnetic disturbances are associated with reduced nocturnal excretion of a melatonin metabolite in humans. Jajte J, Zmyslony M: The role of melatonin in the molecular mechanism of weak, static and extremely low frequency (50 Hz) magnetic fields (ELF). Torpy DJ, Chrousos GP: The three-way interactions between the hypothalamic-pituitary-adrenal and gonadal axes and the immune system. This often results in the purchase of expensive screening and de-jamming devices, for which only the unreliable producer and distributor gets any profit. We all know that the earth a€“ in fact, all of life a€“ a€?radiatesa€? as a natural process.a€?There exists a strong terrestrial magnetic field, which guarantees that the top of a compass is always drawn to the north, no matter where you are in the world. It has been known for a long time that underground watercourses and geological dislocation produce spectacular radiation intensities.
Sensitive magnetometers can, however, easily make these distortions visible and can be defined as biologically effective by experts. This method is only justified when you know that artificial fields, from say a€“ magnetic steel, are not in the area. That is hardly possible because the magnetic field of some spring mattresses equals more than a hundred water veins.
The importance of these findings to the area above the disturbance is very much in dispute. The results of these unqualified statements are that credulous laymen go over their bedrooms with a 30 dollar portable radio and assume there are water veins (and other phenomena of terrestrial radiation) whenever NBC or ABC gets bad reception, or a song by Elvis is jammed by noise. The much more exact electro- geobioscopy measures the skin resistance between one hand and acupuncture points on the other hand. You should consider however, that every response of a human being to the stimuli of his environment is a specific one, ita€™s individual, and cannot be easily transferred to others. This radioactive electromagnetic radiation is considered the most penetrating, strongest and biologically most hazardous kind of all of the known radioactive rays.
But no onea€?can deny that an avoidable risk exists undera€?long-term influence, such as sleeping every nighta€?for eight hours in the same physical position, and doing that for many years. Regardless of the kind of radiation, no sensible scientist dares to contradict this opinion. For measuring construction material, I use proportional and Geiger-Muller-counter tubes, and xenon-large-area detectors. The rays are converted into light flashes, boosted as electrical impulses via a photo-multiplier and then calculated and displayed by sophisticated electronics.
Wust had already reported about measurements of gamma rays at a€?geopathic zones.a€? The scientists, physicists and doctors Williams, Weber, Cody, Lorenz and Bickel (the last one from California) had made similar successful experiments. He, more than anybody else, has shown that there is a relationship between subterraneous water sources and ionizing radioactive radiation. All bells rang when the drilling machine cut the granite crack 500 yards below a€“ out of which the curative water came. There turns out to be significant relationships between these zones and cancer patients of the town, as they were sleeping exactly above these zones. My measurement of the radioactivity, with the scintillation counter, showed a 12-yard wide disturbance that could be detected in the whole house, outside the building, and in the nearby yard.
He found there was indeed a water-bearing dislocation, which was officially plotted on two geological maps made in 1911 and in 1980.
In all cases, my scintillation counter showed, for hundreds of yards, values that were well above average. The circle of the world is set in a somewhat rectangular frame background with a pointed top, and an ornamented border of a zig-zag pattern often found in psalter-maps of the period (#223).
Show pity, as you said you would, on all Who their devotion paid to me for you made me Savioress. Olympus and such cities as Athens and Corinth; the Delphic oracle, misnamed Delos, is represented by a hideous head. James (Roxburghe Club) 1929, with representations from manuscripts in the British Library and the Bodleian Library, and a€?Marvels of the Easta€?, by R. The upper-left corner of the Hereford Map, showing north and east Asia (compare to the contents on Chart 3).
1), however, call attention to a remarkable degree of accuracy in the relationship of toponymsa€”for cities, rivers, and mountainsa€”both in EMM and in Hereford Map legends.A  On the Asia Minor littoral, for example, one passage in EMM links 39 place-names in a running series, 23 of which are found in Chart 4 (and visible, in almost exactly parallel order, on Fig.
5, above).A  Treating islands separately from the eartha€™s three a€?partsa€? follows the organizational style adopted by Isidore of Seville, Honorius Augustodunensis, and other medieval geographical authorities.
Note Lincoln on its hill and Snowdon ('Snawdon'), Caernarvon and Conway in Wales, referring to the castles Edward I was building there when the map was being created.
In England, a detailed study of its less obvious features, such as the sequences of its place names and some of its coastal outlines by G.
The Psilli reputedly tested the virtue of their wives by exposing their children to serpents.
The cumulative effect has been to enable us at last to evaluate the map in terms of its actual (largely non-geographical and not exclusively religious) purpose, the age in which it was created and in the context of the general development of European cartography.
The Old and New Testaments contained few doctrinal implications for geography, other than a bias in favor of an inhabited world consisting of three interlinked continents containing descendants of Noah's three sons. This now-lost map was referred to in some detail by a number of classical writers and it seems to have been created under the direction of Emperor Augustus's son-in-law, Vipsanius Agrippa (63-12 BC) for official purposes. As the centuries went by, more and more was included with references to places associated with events in classical history and legend (particularly fictionalized tales about Alexander the Great) and from biblical history with brief notes on and the very occasional illustration of natural history. Note also the Roman provincial boundaries, the relative accuracy of the British coastlines (lower left) and the attention paid to the Balkans and Denmark, with which Saxon England had close contacts. Some, often oriented to the north, attempted to show the whole world in zones, with the inhabited earth occupying the zone between the equator and the frozen north.
They were never intended to convey purely geographical information or to stand alone without explanatory text. Often a 'context' for them would have been provided by the other secular as well as religious surrounding decorations. For many maps continued to be used primarily for educational, including theological, purposes. They reached their fullest development in the thirteenth century when Englishmen like Roger Bacon, John of Holywood (Sacrobosco), Robert Grosseteste and Matthew Paris were playing an inordinately large part in creative geographical thinking in Europe.
In most, if not all of these maps, the strange peoples or 'Marvels of the East' are shown occupying Ethiopia on the right (southern) edge, as on the Hereford map. Exposure to light, fire, water, and religious bigotry or indifference over the centuries has, however, led to the destruction of most of them. Both are now lost but it seems quite likely that the so-called 'Psalter Map', produced in London in the early 1260s and now owned by the British Library, is a much reduced copy of the map that hung in Westminster Palace. Despite some broad similarities in arrangement and content, however, there are very considerable differences from the Ebstorf and the 'Westminster Palace' maps in details - like the precise location of wildlife, the portrayal of some coastlines and islands, or in the recent information incorporated. In today's post we will look at six ways you can use existing content to create offers that covert visitors into leads. Or take one of your most popular blog posts and expand upon it to include more in-depth analysis and research and offer if as a download on your blog. Print ads, trade show collateral and print articles are some examples of off line content that can be re-purposed for on line use.
Both black-and-white and color reproduction reached a standard that has never since been surpassed, largely owing to the skills developed by artists, engravers and printers, in response to the demands of the botanists. While allowing for great accuracy, the aesthetic appeal of the manual printmaking processes (woodcut, wood-engraving, intaglio engraving, and lithography) is lacking in these process prints. On the contrary, among the earliest extant drawings, of a definitely botanical intention, we meet with wonderfully good figures, free from such features as would be now generally regarded as archaic. During the seventeenth century, metal-engravings and wood-cuts existed side by side, but wood-engraving gradually declined, and was in great measure superseded by engraving on metal. Probably no original wood-cuts of this school were produced after the close of the fifteenth century.
The origin of wood-engraving is closely connected with the early history of playing-card manufacture. It is to be regretted that, in modern botanical drawings, the recognition of the paramount importance of the flower and fruit in classification has led to a comparative neglect of the organs of vegetation, especially those which exist underground. The single plant drawing, which illustrates it, is probably not of such great antiquity, however, as those of the ` Her-barium,' for its appearance suggests that it was probably executed from nature for this book, and not copied and recopied from one manuscript to another before it was engraved.
The figures are much better than those of the ` Herbarium' of Apuleius, but at the same time they are, as a rule, formal and conventional, and often quite unrecognisable.
Dr Payne considered some of them comparable to those of Brunfels in fidelity of drawing, though very inferior in wood-cutting.
That the conventional figures of the period did not satisfy the botanist is shown by some interesting remarks by Hieronymus at the conclusion of his work. But, in 1530, an entirely new era was inaugurated with the appearance of Brunfels' great work, the ` Herbarum viv? eicones,' in which a number of plants native to Germany, or commonly cultivated there, were drawn with a beauty and fidelity which have rarely been surpassed (Text-figs. This impetus seems to have been due to the fact that many of the best artists, above all Albrecht Durer, began at that period to draw for wood-engraving, whereas in the fifteenth century the ablest men had shown a tendency to despise the craft and to hold aloof from it.
In each of his coloured drawings of sods of turf, known as das grosse Rasenstuck, and das kleine Rasenstuck, a tangled group of growing plants is portrayed exactly as it occurred in nature, with a marvellous combination of artistic charm and scientific accuracy. It is strange to think that numerous editions of the ' Ortus Sanitatis' and similar books, with their crude and primitive wood-cuts, should have been published while such an artist as Leonardo da Vinci was at the zenith of his powers. It is true that the style of engraving is different, and that, as Hatton has pointed out, Egenolph's flowing, easy, almost brush-like line is very distinct from that of Weiditz. Nevertheless, at least in the opinion of the present writer, the illustrations to Fuchs' herbals (` De historia stirpium,' 1542, and ` New Kreziterbuch,' 1543) represent the high-water mark of that type of botanical drawing which seeks to express the .
30, 31, 32, 58, 69, 70, 86, 87, 88) do not give an entirely just idea of their beauty, since the line employed in the original is so thin that it is ill-adapted to the reduction necessary here. It must not be forgotten, when discussing wood-cuts, that the artist, who drew upon the block for the engraver, was working under peculiar conditions.
30) is realised in a way that brings home to us the intrinsic beauty of this somewhat prosaic subject. He employed two draughtsmen, Heinrich Fullmaurer, who drew the plants from nature, and Albrecht Meyer, who copied the drawings on to the wood, and also an engraver, Veit Rudolf Speckle, who actually cut the blocks. Fantin-Latour is a striking modern instance, and one has but to glance at the studies of Leonardo da Vinci (e.g. Vitus Rudolphus Specklin, by far the best engraver of Strasburg, has admirably copied the wonderful industry of the draughtsmen, and has with such excellent craft expressed in his engraving the features of each drawing, that he seems to have contended with the draughtsman for glory and victory. 55, Hieronymus Bock [or Tragus] undoubtedly made use of them in the second edition of his `Kreuter Buch' (1546) which was the next important, illustrated botanical work to appear after Fuchs' herbal. Details such as the veins and hairs of the leaves are often elaborately worked out, while shading is much used, a considerable mastery of parallel lines being shown.
Daydon Jackson has pointed out that the wood-cut of the Clematis, which first appeared in Dodoens' ` Pemptades' of 1583, reappears, either in identical form, or more or less accurately copied, in works by de l'Obel, de l'Ecluse, Gerard, Parkinson, Jean Bauhin, Chabr?us and Petiver. 92, Gesner's drawings were not published during his lifetime, but some of them were eventually produced by Camerarius, with the addition of figures of his own, to illustrate his ` Epitome Matthioli' of 1586 (Text-figs. 109 and i 1o, and the Glasswort, one of the best wood-cuts among the latter, is reproduced in Text-fig. They are poor in quality, and the innovation of representing a number of species in one large wood-cut is not very successful. In the majority of such cases, the source of the figures has already been indicated in Chapter IV. The wood-blocks of the two botanists last mentioned cannot be considered apart from one another ; from the scientific point of view they show a marked advance, in the introduction of enlarged sketches of the flowers and fruit, in addition to the habit drawings.
Plate X I X is a characteristic example, but only part of the original picture is here re-produced. The stanza at the beginning of the last section seems to show some anxiety on the part of the author, lest the reader should have begun to weary over the lengthy occupation of colouring the plates.
Paolo Boccone's Icones et Descriptiones' of 1674 was illustrated with copper-plates, some of which were remarkably subtle and delicate, while others were rather carelessly executed. As a result, there is a harmony about a book illustrated with wood-cuts which cannot, in the nature of things, be attained, when such different processes as printing from raised type, and from incised metal, are brought together in the same volume. The single plant drawing, which illustrates it, is probably not of such great antiquity, however, as those of the ` Her-barium,’ for its appearance suggests that it was probably executed from nature for this book, and not copied and recopied from one manuscript to another before it was engraved. The figures are much better than those of the ` Herbarium’ of Apuleius, but at the same time they are, as a rule, formal and conventional, and often quite unrecognisable. 8o), for instance, is lamentably inferior to that in the `Herbarius zu Teutsch’ (Text-fig. It is true that the style of engraving is different, and that, as Hatton has pointed out, Egenolph’s flowing, easy, almost brush-like line is very distinct from that of Weiditz.
Although his drawings and paintings were created in the early nineteenth century they have been the subject of a relatively recent intense revival of interest; through the various methods of mass reproduction in the past few years they have become more widely known and consequently more popular than ever before. While we are asleep our body should be resting so it can repair body cells, fight infections and absorb nutrients from food.
In some schools children are moved at frequent intervals to avoid possible harmful effects. If geopathic stress is suspected, it makes sense to move away from the source or to think about dealing with the threat. Women are more likely to be at risk from geopathic stress because their hormonal systems are more susceptible.
While water running beneath a domestic dwelling should be avoided, a stream situated nearby and open to the sky will favourably discharge its negative energies harmlessly into the atmosphere. The aim of the report is to establish whether these a€?Disturbed Sitesa€™ can produce statistically significant results to support the high degree of topicality the phenomenon is having in both main stream and alternative medical practices.
A number of these were rejected when illnesses (circulation interference and infections) were discovered.
Three silver electrodes were used placed on the forehead, palms and soles; a microprocessor based unit automatically produced the results.
All measured parameters gave reference to location dependence with the integral rake size for Systolic ventricle work showing significantly different behaviour. It was thought however, that if the experiment allowed further time exposure the investigation may have achieved a significant result. The Biometric analysis showed that on the a€?Indifferent Zonea€™ the pulse-breath quotient remained in balance but was significantly affected on the a€?Disturbed Zonea€™. One of the main functions of Serotonin is to act as a neurotransmitter in the parasympathetic system which controls energy provision. Gernot PAUSER: University Clinic for Anesthesiology, Perioperative Medicine and General Intensive Care, Landeskrankenhaus Salzburg, University Clinics of the Paracelsus Private Medical University, Salzburg Federal Clinics (SALK), Salzburg, Austria. A recent technological innovation can now aid us in this quest, allowing a sophisticated physical measurability of deviations of the earth's magnetic field: the SQUIDa€“technology.
In addition to the discussed weak, broadband transversal electromagnetic and magnetic fields assumed to be originated in the ground, other forms of a€?energiesa€? might exist, such as the often controversially discussed longitudinal scalar waves (5). There is growing experimental evidence that EMFs - at least those of technical origin a€“ can have significant effects on cells and the entire organism. If you turn a water molecule with its electric charge distribution, then from the moving charge a magnetic field results.
The effect was already discovered in 1824 by David Brewster and then experimentally elaborated by Pierre and Jacques Curie in 1880. According to Professor Konstantin Meyl (Furtwangen University, Germany), to a measurement technician scalar waves experimentally manifest as (antenna-)noise, a mixture of frequencies and wavelengths.
However, an extensive discussion of the origin and effects of radioactivity from the ground would go far beyond the scope of this manuscript. In the case of resonance, information is being exchanged, energies are transmitted and, in fact, a component of balance between the sources is being formed (from personal communication, A.
Certain processes of proteins as parts of their 3-D conformation have the ability to oscillate or rotate. From post mortem brains, magnetite crystals of a size of 50 nm could be isolated, and their magnetic field could be measured. However, speculations are that the presence of magnetite crystals in brain might be understood as proof of a a€?submerged magnetic sensora€?, similar to that of carrier pigeons or whales, theoretically easing human orientation and direction a€“ thus a kind of a€?relict of evolutiona€?. Nevertheless, this doesna€™t lower their importance and relevance: Those pioneers in research on the geopathy phenomenon neither had the scientific-medical verifiability methods that are available today, nor was the time mature for such publications in the kind of medical journals we know today. In our first approaches, we utilized methods from complementary medicine (bio-resonance, kinesiology, heart-rate variability, etc.). Petersburg, Russia), as used in that work, delivers a number of sensitive and reproducible parameters (25-46). Although not yet completed, our tests appear to show that this is indeed the case: Parallel measurements of the diurnal time courses of GDV mean area of glow and of biochemical parameters collected from saliva (50-53) indicate that the diurnal curve progressions of GDV image areas and the levels of immunoglobulin A (IgA) go parallel, whilst another accepted parameter of stress, saliva alpha-amylase, progresses just the opposite to IgA and GDV. Fifty-two voluntary test persons were measured at two locations, one of which has been identified by a group of six distinguished dowsers as being a a€?geopathic zonea€? and the other a a€?neutral zonea€?.
The electric field produces a visible gas discharge glow around the fingertip (Kirlian image), and such corona discharges have been recorded from each of the 10 fingertips of the test person repeatedly.
In addition, we have recorded dynamic GDV images from both ring fingers, repeated 3 times during each test period. Each test person was asked to thoroughly wash their hands using a pH neutral laboratory soap (without re-fattening properties), followed by wiping the fingertips with alcohol.
From the results of our studies it can be concluded that geopathic zones do cause stress in nearly all of the persons tested.
Such zones might cause distress (a€?malignant stressa€?) even when present for a short time, but there are also reports that (not scientifically proven) energetically stimulating zones (a€?positive energy zonesa€?) might exist, often also referred to as a€?power placesa€?. During the planning stage in construction of new buildings, the geopathy phenomenon should be taken into account, so as to consciously design and construct buildings and rooms in a manner that, in areas where people will stay for longer periods of time, geopathic exposure should be as low as possible. Therefore it makes sense to consult with a competent building environment engineer who has experience, skill and expertise in these matters. Interestingly, these positive lifestyle choices may also show up indirectly and in the subconscious: even technically derived EMFs seem to have much less of a negative effect with people who prefer such an a€?awarea€? way of life. It is clear that the accumulation of different factors stress can have strong effects on humans, animals and even plants. One of the tests, taken in a care center for children displaying behavioral problems, additionally showed, among other changes, that the incidence of bedwetting [nocturnal enuresis] definitely decreased when the a€?Wavea€? was present, and that the learning ability and the quality of sleep changed for the better (unpublished findings). A serious athlete who doesna€™t sleep well before a competition is far from being as able-bodied as someone who has had a€?a good night's resta€?. When individuals feel better, they will perform better, and be healthier and happier at work too a€“ facts that would also have economic consequences. Parameters measured in saliva in parallel to GDV, such as IgA, alpha-amylase and cortisol, appear to change in level in direct relationship to the GDV mean area of glow. From an extended vortex and field theory to a technical, biological and historical use of longitudinal waves. Their findings usually provide shockingly different interpretations of the biological effects of natural conditions.
Once I move past this zone, the striking radiation intensity can decrease, giving me a a€?normala€™ value again. In all three cases, the radioactivity coming from these items were several times higher than the law allows for workers in nuclear power plants a€“ and for a short period of time only. Some of the well- known mineral waters exist only because he found their origin deep in the earth. They found water, which had the prophesied 17 degree hardness, and which flowed abundantly. In Phrygia there is born an animal called bonnacon; it has a bulla€™s head, horsea€™s mane and curling horns, when chased it discharges dung over an extent of three acres which burns whatever it touches. India also has the largest elephants, whose teeth are supposed to be of ivory; the Indians use them in war with turrets (howdahs) set on them. The linx sees through walls and produces a black stonea€” a valuable carbuncle in its secret parts. A tiger when it sees its cub has been stolen chases the thief at full speed; the thief in full flight on a fast horse drops a mirror in the track of the tiger and so escapes unharmed. Agriophani Ethiopes eat only the flesh of panthers and lions they have a king with only one eye in his forehead. Men with doga€™s heads in Norway; perhaps heads protected with furs made them resemble dogs. Essendones live in Scythia it is their custom to carry out the funeral of their parents with singing and collecting a company of friends to devour the actual corpses with their teeth and make a banquet mingled with the flesh of animals counting it more glorious to be consumed by them than by worms. Solinus: they occupy the source of the Ganges and live only on the scent of apples of the forest if they should perceive any smell they die instantly. Himantopodes; they creep with crawling legs rather than walk they try to proceed by sliding rather than by taking steps.
The Monocoli in India are one-legged and swift when they want to be protected from the heat of the sun they are shaded by the size of their foot. Flint, a€?The Hereford Map:A  Its Author(s), Two Scenes and a Border,a€? Transactions of the Royal Historical Society, 6th ser.
Nevertheless, it placed a somewhat misleading emphasis on the map's geographical 'inaccuracies', its depiction of fabulous creatures and supposedly religious purpose, all clothed in what for the layman must have seemed an air of wildly esoteric learning and near-impenetrable medieval mystery.
Recent research suggests this is a reference to African traders in medicinal drugs who visited ancient Rome.
Today, with the map in the headlines of the popular press, it may be time to give a brief resume of what is currently known about it and to attempt to explain some of its more important features in the light of recent research.
In the eyes of some (but by no means all) theologians, a fourth inhabited continent, the Antipodes, would implicitly have denied the descent of mankind from Noah, and the depiction of such a continent was deemed to be heretical by them. It was based on survey and on military itineraries and reflected the political and administrative realities of the time.
Where space allowed, reference was also made to important contemporary towns, regions, and geographical features such as freshly-opened mountain passes.
Most of the maps, however, like the Hereford Mappamundi, depicted only that part of the world that was known in classical times to be inhabited and they were oriented with east at the top.
Traces of the maps' classical origins could regularly be seen in, for instance, the continued depiction of the provincial boundaries of the Roman Empire (which are partly visible on the Hereford map) and for many centuries by the island of Delos which had been sacred to the early Greeks being the centre of the inhabited world. They and the texts that they adorned continued to be copied by hand until late in the 15th century and are to be found in early printed books. God dominates the world and the 'Marvels of the East' occupy the lower right edge of the map, as they do on the Hereford map.
Together they would have provided a propaganda backdrop for the public appearances of the ruler, ruling body, noble or cleric who had commissioned them, and some may have been able to stand alone as visual histories. The Hereford map, as an inscription at the lower left corner tells us, was certainly intended for use as a visual encyclopedia, to be 'heard, read and seen' by onlookers.
Because of the maps' size, they were able to include far more information and illustration than their predecessors.
More space was also found for current political references and information derived from contemporary military, religious and commercial itineraries. Today, the earliest survivor, dating from the beginning of the thirteenth century, is a badly damaged example now in Vercelli Cathedral, probably having been brought to Italy in about 1219 by a papal legate returning from England. We know from Matthew Paris that the Westminster map was copied by others, and it is likely to have had a lasting influence even though the original was destroyed in 1265.
A Latin legend in the bottom right corner of the Hereford map refers to the 5th century Christian propagandist Orosius as the main source for the map, but as we have already seen, it incorporates information from numerous ancient and thirteenth century sources and adds its own interpretations of them. The map is an outstanding example of a map type that had evolved over the preceding eight centuries. The development of lithography in the early 1800s allowed many botanical artists to produce their own plates, which played no small role in this artistic burgeoning. With every print in a collection there is the pleasure of establishing the name and origin of the plant, the artist and printmaker, the type of printing technique and the purpose of the publication.
The finest period of plant illustration was during the sixteenth century, when wood-engraving was at its zenith.
In the second phase, on the other hand, which culminated, artistically, if not scientifically, in the sixteenth century, we find a renaissance of the art, due to a more direct study of nature. Playing-cards were at first coloured by means of stencil plates, and the same method, very naturally, came to be employed in connection with the wood-blocks used for book illustration.
Brown appears to have been used for the animals, roots and flowers, and green for the leaves.
In this figure the cross-hatching of white lines on black—the simplest possible device from the point of view of the wood-engraveris employed with good effect.
The illustration in question is a full-page wood-cut, showing a number of plants, growing in situ (Plate III).
65) is remarkable for its rhizome, on which the scars of the leaf bases are faithfully represented.
They are distinctly more realistic than even those of the Venetian edition of the Latin ` Herbarius,' to which we have just referred. He tells the reader that he must attend to the text rather than the figures, for the figures are nothing more than a feast for the eyes, and for the information of those who cannot read or write. If internal evidence alone were available, it might plausibly be maintained that the engravings in the ' Ortus Sanitatis' and the drawings of Leonardo da Vinci were centuries apart. 66), for example, contrasts notably with that of the same subject from the Venetian ` Herbarius' (Text-fig.
Regarded from the point of view of decorative book illustration, the beautiful drawings of the period under consideration sometimes failed to reach the standard set by earlier work. If the drawings have any fault, it is perhaps to be found in the somewhat blank and unfinished look, occasionally produced when unshaded outline drawings are used on so large a scale. It was impossible for him to be unmindful of the boundaries of the block, when these took the form, as it were, of miniature precipices under his hand.
Fuchs evidently delighted to honour his colleagues, for at the end of the book there are portraits of all three at work (Text-fig. An examination of the wood-cuts in Bock's herbal seems, however, to show that his illustrations have more claim to originality than is often supposed.
The figures in earlier works, such as the ` Ortus Sanitatis,' are recalled in Kandel's dis-regard of the proportion between the size of the tree, and that of the leaves and fruits. 41, 42, 93, 94), but in some later editions, notably that which appeared at Venice in 1565, there are large illustrations which are reproduced on a reduced scale in Text-figs. After this, Plantin took over the publication of Dodoens' books, and in his final collected works (` Stirpium historie pemptades sex,' 1583) the majority of the illustrations were original, and were carried out under the author's eye (Text-figs. The actual blocks themselves appear to have been used for the last time when Johnson's edition of Gerard's herbal made its final appearance in London in 1636. Treviranus pointed out that one of their great merits lay in the selection of good, typical specimens as models. 51, appears also in the illustrations of a book on Simples, by Joannes Mesua, published in Venice in 1581.
Plantin's set included those blocks which were engraved for the herbals of de I'Obel, de l'Ecluse, and the later works of Dodoens. In 1611 Paul Renaulme's 'Specimen Historia Plantarum' was published in Paris, but though this work was illustrated with good copper-plates, the effect was somewhat spoilt by the transparency of the paper. The soil on which the plants grow is often shown, and the horizon is placed very low, so that they stand up against the sky. Among slightly later works, we may refer to a quaint little Dutch herbal by Stephen Blankaart, and to the ' Paradisus Batavus' of Paul Hermann, both of which belong to the last decade of the century. As showing the complete revolution in the style of plant illustration in two hundred years, it is interesting to compare this drawing with that of the same subject in the German 'Herbarius' of 1485 (Text-fig. They are distinctly more realistic than even those of the Venetian edition of the Latin ` Herbarius,’ to which we have just referred. 66), for example, contrasts notably with that of the same subject from the Venetian ` Herbarius’ (Text-fig.
The lithographs based on Roberts’ drawings have been reproduced for a popular market in a wide range of media from elaborately illustrated books to posters, calendars and postcards.
However, if we sleep in an area affected by geopathic stress, our body has to use all its energy just to keep its vital organs going.
Reports from other countries such as Switzerland, France, the Netherlands, Belgium and Scandinavia indicate that they too have been taking notice. Geopathic stress - or harmful earth rays - is natural radiation that rises up through the earth and is distorted by weak electromagnetic fields created by underground streams, certain mineral concentrations and fault lines. Foresight, the pre-conception care organisation, even suggests that couples trying for a baby should get their homes checked for geopathic stress and ensure that electrical equipment is not located under their beds as this can cause electromagnetic stress and deplete the immune system.a€?For many of us who fall sick and seek the help of a doctor a few minutes is spent discussing symptoms and lifestyle quickly followed by the doctor scribbling on a proscription pad.
In order to rule out possible influences of man made electromagnetic or microwave disturbances at each location an independent report from an electromechanical engineer was requested for each chosen site. Other participants were also used from the Outpatients Department for Physical Therapy in the Rehabilitation Centre, Grobming and from the Surgery of Dr. This deterioration of the HFR was thought to be due to a€?Location loada€™ from the a€?Disturbed Zonea€™. Hacker: Head, IGGMB - Research Institute for Frontier Questions of Medicine and Biotechnology, Landeskrankenhaus Salzburg, University Clinics of the Paracelsus Private Medical University, Salzburg Federal Clinics (SALK), Salzburg, Austria. In recent years, the expressions a€?geopathic stressa€? and a€?geopathic interference zonesa€? have been accepted internationally to describe the phenomenon. At present, for most aspects contained herein, only hypotheses can be formed - and there are many of them.
With Super-Conducting Quantum Interference Devices (SQUID), it is possible to quantify variations of one ten billionth [American English] of the earth's magnetic field. Certain ions and metals moved by water can a€“ depending on concentration, composition and flow rate a€“ can indeed lead to geoelectricity.
If thus in a pipe a hydrodynamic flow vortex is produced, an electric and a magnetic vortex, the potential vortex and the eddy current, are the result (5). Although also present in tourmaline, topaz, cane sugar and Rochelle salt (sodium potassium tartrate tetrahydrate), the effect became particularly known for quartz. Vice versa, quartz can be triggered to oscillate by applying a voltage to it (a€?quartz oscillator crystala€?; in use for example in crystal controlled clocks). In the case of plasma waves, they are charged particles, and in the case of sound waves, they are air particles.
Inside our body, there are the a€?intrinsica€? (internal) structures and molecules of the organism, which are either a€?resonatinga€? because of their physical nature (as with stringed instruments: compare the vibration of the string alone versus string with resonator sound box), or create a certain frequency themselves. Such only a few nanometers sized processes have been discussed as possible sites of resonance induced by external EMFs, acting as a€?protein-antennasa€? (19). The research was done in a special laboratory room that was completely shielded from the natural magnetic field of the earth by tons of steel.
But, if it would really be a relict, those particles would not exist in such a high quantity anymore.
Nonetheless, what these people achieved, and their courage, as well as of the publishers who rightly published their works, deserve high credits.
Although successful in some areas addressed, the effects found had not the high statistical significance required, and the methodology used was not a generally accepted one, guaranteeing medical relevance and reproducibility. For us, the mean a€?area-of-glowa€? was the best possible means for sensitively indicate stress. In other words, a higher GDV mean area of glow value corresponds to a higher IgA level (to be understood as an sign for lower stress or relaxation), and a lower GDV mean area of glow value can be understood as an indication for higher levels of alpha-amylase, i.e.


In the specific setup for the static GDV images used in our study, the overall GDV image area values calculated are to be understood as mean values of 50 single finger GDV images in total, per test period. A number of further statistical analyses were performed, also including distribution-independent tests.
Such areas have been dowsed within some churches and other buildings constructed centuries or often thousands of years ago. Mental components are just as important: the more someone lives consciously, and even optimistically, in a state of positive thought, the less external stress factors can influence the person somatically. Possibilities to minimize the effects of geopathy on our organism in general have already been discussed above.
Thus, for this practical reason it may be worth considering installing a device that has a balancing effect here. The results of our research are of great relevance for a€?wellness-centersa€? too: sustainable success in relaxation and stress management methods is essentially dependent upon the particular location of sleeping and of therapy beds. The number of staff on sick leave will probably decrease in the long run, when all employees work at geopathically (and otherwise also) more balanced work places. Soon, we shall have completed those experiments testing a number of test persons sufficiently high for good-practice statistical examination. Petersburg Division of the Russian Ministry of Culture, State Editing and Publishing Unit a€?Kulturaa€™, Petersburg, pp 58a€“83 (1999).
After hundreds of tests, I can say: With special ion meters (electronic instruments that measure the number of small ions in the air) you can detect increased measurement values above the area of a disturbance a€“ particularly in the range of positive air ions. My electro-geobioscopic measurements use test devices that are well tested in medicine: Aschoff, MORA, and Vega.
From its literal meaning in Greek it also signifies the plant ox-tongue, so called from its shape and roughness of its leaves. Conventionally holds a mirror in one hand, combing lovely hair with the other According to myth created by Ea, Babylonian water god. The large city at the top edge is Babylon (its description is the map's longest legend [A§181).
12-30.A  The conservator Christopher Clarkson drew my attention to the gouge in the Mapa€™s former frame. Talbert (Princeton: Princeton University Press, 2000), which I employ throughout my book, but with the caution that in dealing with the manuscript culture of medieval Europe, it is misleading and anachronistic to speak of a€?standarda€? or a€?correcta€? spellings, especially of geographical words. Casual visitors to the dark aisle where it hung could see only a dark, dirty image which they were encouraged to view in a pious, but also rather condescending manner.
Crone of the Royal Geographical Society, revealed that despite the antiquity of many of the map's sources much was almost contemporary with the map's creation and was secular.
Much of the text that follows is an amplification of information panels and leaflets prepared for the British Library's current display of the map. Most medieval mapmakers seem to have accepted this constraint, but world maps showing four continents are not uncommon: notably the world maps created by Beatus of Liebana (#207) in the late 8th century to illustrate his Commentary on the Apocalypse of St. It may have incorporated information from an earlier survey commissioned by Julius Caesar and, to judge from some early references, it may originally have shown four continents.
These texts owed much to classical writers, particularly Pliny the Elder (23-79), who himself derived much of his information from still earlier writers such as the fifth century BC Greek historian Herodotus. As befitted the encyclopedic texts that they illustrated, the maps became visual encyclopedias of human and divine knowledge and not mere geographical maps. Many were purely schematic and symbolic, showing a T, representing the Mediterranean, the Don and the Nile, surrounded by an 0, for the great ocean encircling the world, sometimes with a fourth continent being added. It was only from about 1120 that Jerusalem took Oclos' place as the focal point of the map, as it does on the Hereford Mappamundi. They retained and expanded the geographical and historical elements of the older maps - coastlines, layout and place names on the maps frequently reveal their ancestry - but to them they added several novel features. Inscriptions of varying lengths amplified the pictures and sometimes contained references to their sources. Much better preserved, until its destruction in 1943, was the famous Ebstorf world map of about 1235.
It is difficult to account otherwise for the striking similarities in detailed arrangement and content between the Psalter world map, the recently discovered 'Duchy of Cornwall' fragment (probably commissioned in about 1285 by a cousin of Edward I for his foundation, Ashridge College in Hertfordshire) and the Aslake world map fragments of about 1360. In many of its details it particularly resembles the Anglo-Saxon World Map of about 1000 and the twelfth century Henry of Mainz world map in Corpus Christi College, Cambridge.
Practically every print will have a fascinating story attached to it, and the pleasure is of course in discovering these stories, while admiring the beauty of the object. They show no sign of having been drawn directly from nature, but look as if they were founded on previous work. Sometimes the essential character of the plant is seized, but the way in which it is expressed is curiously lacking in a sense of proportion, as in the case of Dracontea (Plate X V I), one of the Arum family. 3), in which the leaves are represented as if they had no organic continuity with the stem. These drawings are more ambitious than those in the original German issue, and, on the whole, the results are more naturalistic. There is often a tendency, in the later work, to make the figures occupy the space in a more decorative fashion ; for instance, where the stalk in the original drawing is simply cut across obliquely at the base, we find in the ` Ortus Sanitatis' that its pointed end is continued into a conventional flourish (cf. In some cases there seems to have been an attempt at the convention, used so successfully by the Japanese, of darkening the underside of the leaf, but, sometimes, in the same figure, certain leaves are treated in this way, and others not. It is interesting to recall that the date 1530 is often taken, in the study of other arts (e.g. Killermann has been at pains to identify the genus and species of almost every plant represented, and has described the drawings as das erste Denkmal der Pflanzenukologie. The artist's ambition was evidently limited to representing the specimen he had before him, whether it was typical or not. The very strong, black, velvety line of many of the fifteenth century wood-engravings, and the occasional use of solid black backgrounds (cf.
88) the fruit and a dissection of the inflorescence are represented, so that, botanically, the drawing reaches a high level.
Plate XVII) to feel that the finest plant drawings can only be produced by a master hand, capable of achieving success on more ambitious lines. Some of the drawings suggest that they may have been done from dried plants, and in others the treatment is over-crowded. These figures are very much more botanical than those of any previous author ; in fact—as Hatton has pointed out in ` The Craftsman's Plant-Book '—they are beginning to become too botanical for the artist ! In certain other wood-cuts in d'Alechamps' herbal, solid black is used in an effective fashion. 55 shows a twig of Barberry, which is but a single item in one of these large illustrations.
The details of the flowers and fruit are often shown separately, the figures, in this respect, being comparable with those of Gesner and Camerarius, though, owing to their small size, they do not convey so much botanical information. Two years later appeared the `Hortus Eystettensis,' by Basil Besler, an apothecary of Nuremberg.
This convention seems to have been characteristic, not only of the plant drawings of the Dutch artists, but also of their landscapes. The latter, which is an Elzevir with very good copper-plates, was published after the author's death, and dedicated, by his widow, to Henry Compton, Bishop of London. The artist’s ambition was evidently limited to representing the specimen he had before him, whether it was typical or not. His views of the exotic Near East have become the standard by which the nineteenth century condition of the monuments and landscape has been judged. As a result our immune system becomes weakened, which means it has difficulty in absorbing nutrients or fighting off infections as efficiently as it should. Claims and counter claims abound regarding devises to achieve this, leaving the public in total confusion. The wave lengths of the disturbed natural radiation can seriously affect our health, causing cancer, Chronic Fatigue Syndrome (ME) infertility and miscarriage. It may surprise you therefore, that in many European countries, Germany and Austria in particular, one ofA  the first questions the doctor may ask is about theA  location of your bed and how long have you been sleeping there.
Most explanations tried concentrate on the existence of natural electromagnetic fields (EMFs) present at particular locations, a€?interferinga€? with the organisms.
Overlapping, or a a€?build upa€? of resonance effects are also part of the geopathic phenomenon. With a proportion of 12 % of the upper eartha€™s crust, quartz is the most frequent mineral after feldspar.
In the case of resonance, both sources attract each other, which can be explained and calculated by the occurrence of field changes during that process (5).
When experimentally irradiated by EMFs of frequencies in between about 1-2 GHz, they displayed a changing of conformation, respectively changing in their manner of oscillation, even when only very low field strengths had been applied (19).
Magnetic particles in the brain could turn out to be one of the reasons why dowsing can work. Furthermore, one can acquire a€?corona diagramsa€? in the manner of complementary medicine from the individual allocation of the a€?coronaa€? gas discharge from the different fingertips, following the principles of the energya€“meridian theory and of acupuncture. The exact test design, as well as the way how dowsers independently labeled the different zones in the laboratory test room, have been described in detail (24). The glass plate surface of the GDV camera was cleaned using alcohol frequently, and it was taken care that none of the test persons had wet hands.
The corona diagrams directed into a weakening of the energies of the immune system and the pineal organ (which might be understood as an indication of possible changes of the melatonin production) (compare to: 57-60), the cardiovascular and the urinary system in many of the test persons. The a€?Wavea€? device investigated in our study could therefore, by its balancing effect, not only aid in lowering of stress, but also be understood as a tool for disease prevention. Concerning the a€?Wavea€? device especially interesting is the fact, that it substantially reduces stress in people on a€?neutral zonesa€? too, a finding which indicates that there is no real a€?neutral zonea€? existing.
In the following, we will briefly show what addressing geopathy do affect health care facilities, public places, and economy. By inference, if these results are applied to public facilities in general, the a€?Wavea€? could probably have a number of desirable effects in schools, offices, banks, supermarkets, etc.
Contrarily, at a€?highly burdeneda€? workplaces, performance will decrease, discontentment grows, and the vulnerability to diseases and the resulting rise of employees' illnesses will be greater.
Ursula DEMARMELS-HACKER, for her love and support, and for abandoning many evenings and weekends of togetherness to find time for investigation and creation of this manuscript.
Crone points out that this reference has special significance because Augustus had also entrusted his son-in-law, M.
Sometimes identified with Sirens, the mythical enchantresses along coasts of the Mediterranean, who lured sailors to destruction by their singing. Amazon means a€?without a breast,a€? according to tradition these women removed the right breast to use the bow. At the right edge, a looping line shows the route of the wandering Israelites in their Exodus from Egypt; it crosses the Jordan to the left of a naked woman who looks over her shoulder at the sinking cities of Sodom and Gomorrah in the Dead Sea (she is Lot's wife, turned into a pillar of salt [A§254]. 400), a text that was often attended during the Middle Ages by diagrammatic a€?mapsa€? illustrating the concept.A  See also David Woodward.
Others delved into the question of its authorship, which had previously been assumed to be obvious from the wording on the map itself.
The medievalized depiction on the bottom left corner of the Hereford world map of 'Caesar Augustus' commissioning a survey of the world from three surveyors representing the three corners of the world may be based on a muddled - and religiously acceptable - memory of these classical events. Even though the inscriptions on the maps gradually became more and more garbled and the information more and more embellished, distorted, and misunderstood, they nevertheless retained their tenuous links with ancient learning. More than simple geographical shorthand, such maps were also meant to symbolize the crucifixion, the descent of man from Noah's three sons and the ultimate triumph of Christianity. Palestine itself was usually enlarged far beyond what, on a modern map, would have been its actual proportions. A note on one of the most famous of them, the Ebstorf, says that it could be used for route planning. Although the maps were still dominated by biblical and classical history and legend, most other information seems to have been acceptable and was accommodated within the traditional framework. Far larger than the Hereford Word Map and much more colorful, it was probably created under the guidance of the itinerant English lawyer, teacher and diplomat, Gervase of Tilbury. In transmission some facts and text became garbled and some inscriptions are gobbled gook or wrong. It dates back to the end of the fifth, or the beginning of the sixth century of the Christian era. They have a decorative rather than a naturalistic appearance ; it seems, indeed, as if the principle of decorative symmetry controlled the artist almost against his will. For instance, in the first cut labelled Vettonia, each of the lanceolate leaves is outlined continuously on the one side, but with a broken line on the other. Ranunculus acris, the Meadow Buttercup, Viola odorata, the Sweet Violet, and Convallaria majalis, the Lily-of-the-Valley) are distinctly recognisable.
Some of the figures are wonderfully charming, and in their decorative effect recall the plant designs so often used in the Middle Ages to enrich the borders of illuminated manuscripts. The fern called Capillus Veneris, which is probably in-tended for the Maidenhair, is represented hanging from rocks over water, just as it does in Devonshire caves to-day (Text-fig.
In some of the genre pictures, Noah's Ark trees are introduced, with crowns consisting entirely of parallel horizontal lines, decreasing in length from below upwards, so as to give a triangular form. In 1526, Durer carried out a beautiful series of plant drawings, among the most famous of which are those of the Columbine, and the Greater Celandine. In the former the artist has caught the exact look of the leaves and stalks, buoyed up by the water. The notion had not then been grasped that the ideal botanical drawing avoids the peculiarities of any individual specimen, and seeks to portray the characters really typical of the species. It may be that Fuchs had in mind the possibility that the purchaser might wish to colour the work, and to fill in a certain amount of detail for himself. It is not surprising, under these circumstances, that the artist who drew upon the block should often seem to have been obsessed by its rectangularity, and should have accommodated his drawing to its form in a way that was unnecessary and far from realistic, though sometimes very decorative. Fuchs' wood-cuts are nearly all original, but that of the White Waterlily appears to have been founded upon Brunfels' figure.
But, in spite of these defects, they form a markedly individual contribution, which is of great importance in the history of botanical illustration. These wood-cuts resemble the smaller ones in character, but are more decorative in effect, and often remarkably fine. A few (namely those marked in the Pemptades, Ex Codice Caesareo ) are copied from Juliana Anicia's manuscript of Dioscorides to which we have more than once referred. Camerarius often gives detailed analyses of the flowers and fruit on an enlarged scale (Text-fig. In a later book of Colonna's, the ` Ekphrasis,' analyses of the floral parts are given in even greater detail than in the `Phytobasanos.' Colonna expressly mentions that he used wild plants as models wherever possible, because cultivation is apt to produce alterations in the form. In the paintings of Cuyp and Paul Potter, the sky-line is sometimes so low that it is seen between the legs of the cows and horses. It must be confessed that the fifteenth-century wood-cut, though far less detailed and painstaking, seizes the general character of the plant in a way that the seventeenth-century copper-plate somewhat misses. In some of the genre pictures, Noah’s Ark trees are introduced, with crowns consisting entirely of parallel horizontal lines, decreasing in length from below upwards, so as to give a triangular form. Today it is common to find popular publications of Roberts’ works with elaborate descriptive text in as many as five languages in the book shops and even on the news stands of Cairo and Jerusalem.
From an incredible range of gadgets offered there are many tales about their ineffectiveness or of making the receiver feel much worse. These questions are routinely asked not only by several thousand doctors, but also many cancer specialist hospitals will recommend a Geopathic Surveyor or Geobiologist as they are often called to investigate your home before deciding on a course of therapy or reaching for the prescription pad. It was reckoned with over 95 a€“ percentile certainty that there is a location influence on the governing system of the circulation.
Many a€?specialistsa€? presume that the origin to be in the ground a€“ below the earth surface. Furthermore, technically generated EMFs are present on every place on earth; their likely influence on our health is presently the subject of intensive worldwide research. Whittaker already in 1904 showed mathematically that the known and accepted Laplace Wave Equation of the year 1787, besides indicating transversal electro-magnetic waves, also describes longitudinal scalar waves (15). The magnetite-particles could also be visualized and further analyzed using a high-definition transmission electron microscope.
In any case, magnetite crystals in the brain could possibly be a hint to explain how (certain qualities of) geopathic zones may affect the body: Magnetite reacts more than one million times stronger to an external magnetic field than every other biological material. Using that particular aspect, we were able to indicate which organ systems of the body might be affected by geopathic stress. A third marker, saliva cortisol, although displaying its very own rhythmicity, also appears to fit into the concept that GDV could be reliably used for biophysical stress measurement (Hacker and Augner, unpublished results).
Altogether, more than 137,000 individual fingertip GDV corona images were captured, interpreted by means of computer-aided image analysis and analyzed in detail using bio-statistics.
For further calculations and analyses, the GDV Meridian Analysis and the GDV Diagram software (both with version no.
The latter device had been mounted or de-mounted in another room at an upper floor, and neither the test persons nor the examiners could see if the device was present or not. The test persons were advised to keep their fingers still and relaxed during measurements and not to apply undue pressure when putting their fingers onto the glass plate at an angle of approximately 30-degrees to the instrument axis (28).
If present for a prolonged time, however, eustress may soon turn to distress and thereby suppress the immune system.
We would therefore suggest using a terminology towards a a€?more geopathica€? and a€?geologically more neutrala€? zone in this context. Johanns-Hospital, so far, more than 50 a€?Wavea€? devices have been installed to harmonize critical locations - especially in the intensive care unit and in the entire surgical ward), and at other major hospitals (e.g. Thus, especially in already existing establishments, the purposeful placement of a€?Wavea€? devices can be of great benefit. The aggregate economic success of a company or institution can very well be in the balance; responsible (and visionary) managers should take heed of the results of our studies in their plans and act accordingly. Petersburg Division of Russian Ministry of Culture, State Editing and Publishing nit, a€?Kulturaa€™, pp 84a€“108 (1999).
The circle one-third of the way from the bottom is Jerusalem, the Map's central point, with a crucifixion scene above it ([A§387-89]). Its images and decoration have been examined from a stylistic standpoint by Nigel Morgan and put into the context of their time, while the late Wilma George examined the animals in the light of her own zoological knowledge [2] The chance discoveries of fragments of other English medieval world maps in recent years [3] have expanded the context within which the Hereford World Map can be examined, and the Royal Academy exhibition, 'The Age of Chivalry' of 1987 enabled the map to be displayed in the company of other non-cartographic artifacts of its own time. Generally, though, it was not difficult to adapt surviving copies of existing, secular world maps to suit the purposes of Christian writers from the 5th century onwards. This was in order to match its historical importance and to accommodate all the information that had to be conveyed.
Christ would, for instance, be shown dominating the world, or the world might even be depicted as the actual body of Christ. The world was shown as the body of Christ and much space was devoted to the political situation in northern Germany: an area of particular concern to the Duke who may have commissioned it. It is illustrated with brush drawings on a large scale, which in many cases are notably naturalistic, and often quite modern in appearance (Plates I, II, XV). These drawings are somewhat of the nature of diagrams by a draughtsman who generalized his know-ledge of the object. It has been suggested that the illustrations in the ` Herbarium' are possibly not wood-engravings, but rude cuts in metal, excavated after the manner of a wood-block.
It is noticeable that, in two cases in which a rosette of radical leaves is represented, the centre of the rosette is filled in in black, upon which the leaf-stalks appear in white. We may, I think, safely conclude that the draughtsman knew quite well that he was not representing the plant as it was, and that he intentionally gave a conventional rendering, which did not profess to be more than an indication of certain distinctive features of the plant. The former is reproduced on a small scale in Plate XVI I ; it is scarcely possible to imagine a more perfect habit drawing of a plant.
Throughout the work, the drawing seems to be of a slightly higher quality than the actual engraving; the lines are, to use the technical term, occasion-ally somewhat rotten or even broken. 81) give a great sense of richness, especially in combination with the black letter type, with which they harmonise so admirably. The existing copies of this and other old herbals often have the figures painted, generally in a distressingly crude and heavy fashion. This is exemplified in the figure of the Earth-nut Pea, to which we have just referred and also in Text-figs.
Whereas in the work of Brunfels and Fuchs, the beautiful line of a single stalk is often the key-note of the whole drawing, in the work of Mattioli, the eye most frequently finds its satisfaction in the rich massing of foliage, fruit and flowers, suggestive of southern luxuriance. Some are also borrowed from the works of de l'Ecluse and de l'Obel, since Plantin was publisher to all three botanists, and the wood-blocks engraved for them were regarded as, to some extent, forming a common stock. Trew published a collection of Gesner's drawings, many of which had never been seen before ; but even then, it proved impossible to separate the work of the two botanists with any completeness, since Gesner's drawings and blocks had passed through the hands of Camerarius, who had incorporated his own with them.
1o1, which is also interesting since two of the leaves bear the initials M and H, which were possibly those of the artist.
The decorative border, surrounding each of the figures reproduced, was not printed from the copper. In the succeeding year, 1614, a book was published which has been described, probably with justice, as containing some of the best copper-plate figures of plants ever produced. This treatment was no doubt suggested by life in a flat country, but it was carried to such an extreme that the artist's eye-level must have been almost on the ground ! It has been suggested that the illustrations in the ` Herbarium’ are possibly not wood-engravings, but rude cuts in metal, excavated after the manner of a wood-block. These publications are certainly more compelling and presumably more attractive to the tourist than any comparable collection of modern photographs. There are many products on the market that claim to cure some or all geopathic zones of its noxious energy. However, if we sleep in an area affected by geopathic stress, our body has to use all ita€™s energy just to keepA  vital organs going. The search, using both dowsing methods to locate geopathic energies and scientific instruments to detect man made electromagnetic energies willA  determine whether your illness is linked to geopathic stress electromagnetic stress or both. Frequencies in between about 0,1 Hz up to the GHz-range are being suggested in public literature. The most exciting result of those experiments was that, most of the regions of the brain appear to contain about five million biogenous a€?single-domaina€? magnetite crystals per gram wet weight on average, and the meninges (pia and dura mater) contain even more than 100 million. Recently, in the Annals of the New York Academy of Sciences, an article describes possible roles that magnetic ferrous amalgamations could play in neurological disease (21). The accordant calculations and projections were done interactively using specific software for analysis, based on the energy-emission-analysis according to Mandel (47-48), the Su-Jok-System of acupuncture (49) and clinical data of thousands of test persons from the St.
In order to minimize chronobiologic influences to a sensible degree, the experiments were carried out only in forenoons, and also in that respect, phase randomization in time was an important prerequisite (24). As already stated above, technical fields and noxae [nocent influences] of different kinds are present everywhere on earth. In the workplace and in the home: this is only part of the whole picture, because a€?ready to goa€? or rested and productive employers and employees should also be able to benefit at peace and harmony at home.
Carte marine et portulan au XIIe siA?cle:A  Le Liber de existencia riveriarum et forma maris nostri Mediterranei.
The amount of space dedicated to the other parts of the world varied according to their traditional historical or biblical importance and the preoccupations of the author of the text that the map illustrated. The general habit of the plant is admirably expressed, and occasionally, as in the case of the Bean (Plate XV), the characters of the flowers and seed-vessels are well indicated. In Dr Payne's own words, Such figures, passing through the hands of a hundred copyists, became more and more conventional, till they reached their last and most degraded form in the rude cuts of the Roman Herbarium, which represent not the infancy, but the old age of art. Another delightful wood-cut, almost in the Japanese style, is that of an Iris growing at the margin of a stream, from which a graceful bird is drinking. This attitude of the artist to his work, which is so different from that of the scientific draughtsman of the present day, is seen with great clearness in many of the drawings in medi?val manuscripts. Among the original figures many, as we have already indicated, represent purely mythical subjects. A page bearing such illustrations is often more satisfying to the eye than one in which the desire to express the subtleties of plant form, in realistic fashion, has led to the use of a more delicate line.
89) show that the talents of the artists whom he employed were not confined to plant drawing, but were also strong in the direction of vigorous and able portraiture. 27), here reproduced, are markedly different from those of Fuchs, although, in the case of the first, Fuchs' wood-cut may have been used to some extent.
Many of his figures would require little modification to form the basis of a tapestry pattern.
In fact it is often difficult to decide to which author any given figure originally belonged. A few wood-cuts however, which appeared as an appendix to Simler's Life of Gesner, are undoubtedly Gesner's own work.
This was the ` Hortus Floridus' of Crispian de Passe, a member of a famous family of engravers.
Most of these claims are quite dubious and do not stand up to the most rudimental scientific testing.
As a result our immune system becomes weakened, which means it doesna€™t absorb nutrients or fight off infections effectively. If so, you will be advised how to avoid or eliminate these harmful energies from your home so you stand a better chance of responding to any treatment given. In our following attempts at explanation, we will concentrate on natural sources possibly originating from the a€?grounda€?, i.e. As we could show, the a€?Wavea€? device in fact can help, and its exceptional promise as a preventive measure is of great interest. Gerfried BRANDSTETTER (manager of the science department of the Salzburg federal government); Landeshauptfrau Mag. Behind the blue band of the river is a grim array of grotesque figures to indicate the existence of primitive peoples. There may be significance in the soulless mermaid placed in the map close to the unattainable Holy Land, or she may be a possible temptation to sea-faring pilgrims. Phillott, wrote that it shows a a€?rejection of all that savoured of scientific geography, .
Because of this, space devoted to the author or patron's homeland was often much exaggerated when judged by modern standards, as in the case of England, Wales and Ireland on the Hereford Mappa Mundi. Crone demonstrated, the Hereford also contains sequences of the more important place names along some major thirteenth century commercial and pilgrimage routes. Uncouth as they are, we may regard them with some respect, both as being the images of flowers that bloomed many centuries ago, and also as the last ripple of the receding tide of Classical Art. For instance, a plant such as the Houseleek may be represented growing on the roof of a house—the plant being about three times the size of the building.
However, the primary object of the herbal illustrations was, after all, a scientific and not a decorative one, and, from this point of view, the gain in realism more than compensates for the loss in the harmonious balance of black and white. In the octavo edition of Fuchs' herbal published in 1545, small versions of the large wood-cuts appeared. The writer has been told by an artist accustomed, in former years, to draw upon the wood for the engraver, that to avoid a rectangular effect required a distinct effort of will.
The artist employed by Bock, as he himself tells us, was David Kandel, a young lad, the son of a burgher of Strasburg. This difficulty is enhanced by the fact that some were actually made for one and then used for another, before the work for which they had been originally destined was published. 100) in which the seedling of the Rose of Jericho is drawn side by side with the mature plant, and another (Text-fig. Like Parkinson's 'Paradisus Terrestris,' into which some of the figures are copied, it is more of the nature of a garden book than a herbal. In the octavo edition of Fuchs’ herbal published in 1545, small versions of the large wood-cuts appeared.
With the eye of a romantic and the hand of a master draughtsman he combined the natural beauties of exotic places with the awesome character of ancient remains and ruins.
Fortunately there are now a growing number of dowsers that are equipped with scientific monitoring instruments that can test such claims.
To locate geopathic stress dowsers visit land, offices and homes where theyA  seekA  the location of underground streams, geological faults or the eartha€™s natural grid lines. On a world map, though, as opposed to the strip itinerary maps produced by Matthew Paris in about 1250, the route planning could only have been very approximate and very much incidental to the main purposes.
No one would imagine that the artist was under the delusion that these proportions held good in nature.
I t is perhaps invidious to draw distinctions between the work of Fuchs and that of Brunfels, since they are both of such exquisite quality. At the present day, when photographic methods of reproduction are almost exclusively used, the artist is no longer oppressively conscious of the exact outline of the space which his figure will occupy. The little house was merely introduced in order to convey graphic information as to the habitat of the plant concerned, and the scale on which it was depicted was simply a matter of convenience. However, merely as an expression of personal opinion, the present writer must confess to feeling that there is a finer sense of power and freedom of handling about the illustrations in Fuchs' herbal than those of Brunfels. For instance, the picture of an Oak tree includes, appropriately enough, a swine-herd with his swine, the Chestnut tree gives occasion for a hedgehog (Text-fig. However, merely as an expression of personal opinion, the present writer must confess to feeling that there is a finer sense of power and freedom of handling about the illustrations in Fuchs’ herbal than those of Brunfels. However, for thousands of years people from all over the world have been finding underground water for wells and mineral deposits to mine by dowsing methods. 14), which may have resulted from the survey of the provinces ascribed by tradition to Julius Caesar.
In the Hereford map they could revel in this pictorial description of the outside world, which taught natural history, classical legends, explained the winds and reinforced their religious beliefs. 92) and, in another case, a monkey and several rabbits are introduced, one of the latter holding a shield bearing the artist's initials. The abortive Eastern campaign of Bonaparte and his invasion of Egypt and the Holy Land at the beginning of the century had a number of lasting effects, not the least of which was that it set the stage for a large-scale influx of travelers and adventurers, literally following in the footsteps of the French revolutionary army.
Remember ita€™s the energy from the water and other artefacts that they first respond to as it rises from deep beneath the ground to the surface.
It would be as absurd to quarrel with the illustrations we have just described, on account of their lack of proportion, as to condemn grand opera because, in real life, men and women do not converse in song. The first quarter of the nineteenth century saw more general interest and ready access to that part of the world, the arrival of more foreign travelers and adventurers from Europe than ever before, and the collection of Egyptian antiquities and artifacts on a unprecedented scale. The idea of naturalistic drawings, in which the size of the parts should be shown in their true relations, was of comparatively late growth. 29), is a highly imaginative production which clearly shows that neither the artist nor the author had ever seen the plant in question.
Graphic representations of the sites and remains in the Nile valley and the Levant were in great demand.
The two upright fingers branching up from the Mediterranean are the Aegean and the Black Sea with the Golden Fleece at its extremity. The market had been fueled a few decades earlier by the appearance of the popular engravings of Vivant Denon and the other French artists who illustrated the multi volumed Description de l’Egypt.
An accomplished and imaginative painter like David Roberts was perfectly suited to satisfy the public demand while he could also take pride in his high degree of accuracy and the fact that he was the first English artist to illustrate the remains of ancient Egypt.Luxor Temple            Roberts’ early career was not particularly unusual for his time. He was born in 1796, the son of a shoemaker and was apprenticed to an ornamental house painter named Bengo at an early age.
When he completed his apprenticeship he soon found his real vocation as a theatrical scene painter, an occupation in which he quickly developed a high level of skill. For a time he toured with a traveling theatrical group in Scotland and the North of England and even appeared on stage in minor roles. In 1822, when his growing reputation had spread, he emigrated from Scotland to London at the age of 26. He was soon employed at most of the fashionable theatres of the time including the Old Vic and Drury Lane. Among his theatrical accomplishments that have been noted he was responsible for the sets for the first London performance of Mozart’s Abduction from the Seraglio at Convent Garden. Roberts was at the top of his craft, a rapid worker who was very much in demand for his abilities and his speed of execution. He had, however, artistic aspirations beyond that of a theatrical scene painter, so he soon began to work at the serious aspects of the "fine" arts.
In 1824 he exhibited paintings at the British Institute and at the opening exhibition of the Society of British Artists, of which he was a founding member.
A View of Rouen Cathedral attracted a good deal of attention but he was not elected an Associate of the Royal Academy until 1838. Roberts became a full Royal Academician two years later, signaling his complete acceptance by other professionals as an artist to be recognized. He attained a wide popularity in England and on the continent and one mark of distinction was that he continued to be an exhibitor at the Royal Academy every year from 1840 to 1864.  His recognition and statue was such that he was appointed one of the commissioners for the Royal Exhibition of 1851.
He received commissions for paintings directly from a variety of people ranging from Queen Victoria to Charles Dickens (who also happened to be his friend).    In 1838, the year of his elevation to the rank of ARA (Associate of the Royal Academy), he made his epochal trip to the Near East on a journey which lasted eleven months. He spent considerable time in Cairo on three visits, evidenced by the number of detailed renderings of mosques, tombs and other architecture as well as the many scenes of daily life. He traveled the whole length of Egypt and farther south into Nubia than most people during his time. Alexandria, however, is represented by only a few compositions and the other monuments of the Delta not at all, in contrast to the lavish treatment accorded to the sites of Upper Egypt, especially in the Luxor area.  When Roberts returned to England from Egypt, Nubia, Palestine and Syria, he brought back with him an estimated 272 detailed drawings as well as books filled with other, mainly smaller, sketches. With the help of his friend and fellow artist, the talented lithographer, Louis Haghe, Roberts turned much of this material into 247 plates for publication. The mathematics of this project are simple, Roberts made almost 300 drawings in eleven months, approximately 330 days,  plus a panorama of Cairo and three full sketch books, a massive output for any draughtsman.
When a reasonable amount of time is deducted for the vagaries of travel in remote countries in the early nineteenth century, indisposition or illness, as well as the preparation necessary for the actual work of recording the monuments, it almost defies the imagination to explain Roberts’ enormous productivity. The distinct possibility of illness, and the routine delays, dangers, and other diversions associated with travel in the Middle East in the 1830s undoubtedly served to complicate matters.                 The Valley of the Kings         Since most of Roberts' published lithographs as well as his oils and watercolors of Egypt are rich in the minute details of architecture and landscape (complete with some readable hieroglyphic inscriptions) they are obviously based on careful and direct observation. There are few recognizable errors in the reproduction of the ancient monuments but some of these seem to be the result of artistic choice.
A few random examples of deviation from reality will serve to suggest the artistic license Roberts employed. In one well known composition the orientation of the monuments suggests that the sun is rising (or setting) in the south, obviously positioned for dramatic effect.
The drama is heightened by the inclusion of the less obvious vignette of a group of nomad bedowin struggling to save their black tent blown by the desert winds.
In another lithograph the entrance to the Great Pyramid appears on the south, rather than the north side of the structure. One view of the Amun Temple at Karnak from the east includes the distant Nile at two different, disconnected, levels in the background.
However, the ability of an artist to be so precise in the delineation of the details of ruins and their settings, while maintaining such a level of rapid execution, might suggest the use of some mechanical drawing aid. The immediate possibility that suggests itself is the use of an optical instrument such as the camera lucida, a device particularly suited to the reproduction of complex architectural subjects and scenery, and one recently invented, or at least perfected, in Robert’s time. In its least complicated manifestation it is little more than a piece of glass held at a fixed angle below the eye. The image of the subject is seen on the angled glass, but it is drawn on the paper below, in effect a tracing of an illusion.
With the simplest version of the camera lucida the drawing is reversed, seen in a mirror image.
The more developed form of the camera lucida employs a prism that serves to right the image and correct the reversal. It is entirely possible that Roberts employed the former, simpler, version because he was preparing his elaborate drawings for lithography, but use of the latter would have been equally possible.            The camera lucida was invented, or at least brought to its final practical form, by William Hyde Wollaston, the eminent nineteenth century English scientist. He was granted a patent in 1806 for "An instrument whereby any person may draw in perspective, or may Copy or Reduce any Print or Drawing".
It was so-named on an analogy with the camera obscura, known and used by artists for centuries.
Whereas the camera obscura, or "dark chamber” is descriptive of the device it names, "camera lucida" is something of a misnomer because a confined space is not part of the necessary attributes of the device. The noted artists who are known to have employed the camera lucida as an aid included painters and draughtsmen as diverse as the French academician  Adolph Bougoreau, or the English landscape painters, Edward Lear, John Sell Cotman and Frederick Catherwood.  Catherwood, incidentally, another artist who worked in the Middle East, actually makes a good comparison because, like Roberts, he is best known today for his somewhat romantic views of archaeological remains. His records of the early cultures of Central and South America are better known today than his views of the Middle East which predated them. In any case, the use of an optical aid greatly facilitated Catherwood”s field work which was often accomplished under difficult conditions. James, in his recent book on artist-travelers, Egypt Revealed, documents the use of the device by a number of early students of Egyptology including Robert Hay and George Alexander Hoskins, so it was certainly not unknown in Egypt as a field aid in the time of David Roberts. David Hockney, the contemporary English artist, has recently advanced the provocative theory that the instrument or some variation of it was known and used by painters as early as the Renaissance. He argues that it did not really fall out of general use until the development of photography was well advanced.Karnak(The Nile at the left and far right are not on the same level)            The argument against Roberts' use of the camera lucida is essentially based on lack of evidence to the contrary.
Katharine Sim, who wrote what is probably the most complete biography of Roberts, said  “…there has never been any mention of his using binoculars, or a camera lucida…” Sim was so puzzled by the seeming accuracy of Roberts’ vision that she consulted an ophthalmic optician for an opinion. He agreed that the ability to capture vivid and accurate detail in a brief exposure was very rare. The attempt to explain Roberts' work as enabled or facilitated by a device like the camera lucida must rest on three considerations: 1) The lithographs often have the appearance of a traced drawing.
This in itself is admittedly not a particularly conclusive argument and is based on a subjective esthetic judgment. One might argue that this is possibly attributable to the translation of Robert's original work to the medium of lithography by another hand. 2) The sheer number of works produced by Roberts on his Middle Eastern trip, when measured against the available time for work in the field, suggests that few, if  any, draughtsmen or artists could have produced such quantity while maintaining the high quality, accuracy, and attention to extremely complex detail.
3) The recognition that there exists in some of the lithographs a certain degree of visual distortion possibly the result of the use of a device incorporating a lens or necessitating a fixed viewpoint. One view of the Great Sphinx at Giza has the head tilted upward at a remarkable angle with an effect almost suggesting a “fish-eye” lens.            Aside from the question of the use of the Camera Lucida an analysis of many of Roberts' prints leads to a fair indication of his working methods and sequence of composition. It is evident after inspection of the lithographs that Roberts combined overall views of the monuments and the landscape with separately prepared sketches of the picturesque local inhabitants in a regular manner that becomes a hallmark of his characteristic style. His standard formula or working method consisted of the representation of the carefully delineated monument or locale first, with the secondary insertion of “set-groups” of people and animals, probably derived from the smaller sketches in his notebooks. These additions of local color were regularly used to provide a focus of interest in the composition as well as serve to increase the sense of scale. There is a clarity in his line drawing that is instantly appealing and visually satisfying.
Even when he intentionally distorted the arrangement of a ruined monument or changed the physical orientation for artistic effect, his skillful hand and his careful attention to detail still created a vivid record of the antiquities as they were at the mid-nineteenth century. Roberts’ contemporary, the famous art critic, John Ruskin, singled out Roberts as the “only one professedly architectural draughtsman of note” among English painters in his time.
He further described Roberts' work as “dependant on no unintelligible, lines or blots, or substitute types,” suggesting the accuracy of Roberts' renderings. Ruskin was generally full of praise for Roberts and only regretted that he had not made full effect of the uses of color in his larger paintings in oil.Abu Simbel            The images that David Roberts made of the monuments of Egypt and the Holy Land endure as a lasting record of the state of things as they appeared in the 1830s. Compared to the pioneer photographs of the mid-nineteenth century they are so fresh and revealing today that one has to recall that they were created more than a century and a half ago.
They provided generations of “armchair” travelers  with a vicarious experience and they continue to whet our appetites for the reality. The color is not always accurate in many of them but this is in part due to some variation in the hand coloring process in the original published lithographs as well as the reproduction technique used. BENSON IN EGYPT EGYPT IN TIN PAN ALLEY IMAGES OF CLEOPATRA IN FILM LESSONS FROM HISTORY MARGARET BENSON PAPYRUS OF NES MIN THE RAPE OF LUXOR SONNINI DAVID ROBERTS, MASTER DRAFTSMAN                Some of  the most appealing views and arresting images of the Nile Valley and the Holy Land ever captured in any medium were the work of the Scottish  painter David Roberts. One might argue that this is possibly attributable to the translation of Robert's original work to the medium of lithography by another hand. PeckThe Ramesseum   This article originally appeared in KMT: A Modern Journal of Ancient Egypt, Vol.
Since this article was written the author has re-examined many of the Roberts Egyptian scenes with an idea of determining how much the use of human figures was included to establish scale. It has become apparent that Roberts, in his inclusion of human images, constantly reduced their size in proportion to their context with the consequent effect of making buildings and monuments appear larger than actuality. In some case, such as Abu Simbel, and the Temple of Dandur, this has made the monument appear much more imposing than it is in reality. Copyright 2009 William H.



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