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A setup dialog box appears the first time you start up the Music Data Management Software after installing it. The Preference command can be used to specify MIDI device and where user data should be stored. Data Type Selection BoxesUse the check boxes to select from among the displayed types of data. Memory Capacity Bar This bar shows how much Keyboard memory has been used by loading of song, rhythm, tone with waveform, drum sound with waveform, and SMF data files.
Keyboard TabUse this tab to specify whether you want to transfer data files with the Keyboard or a memory card loaded in your computer. Keyboard Toolbar This toolbar contains icons that correspond to Keyboard data file operations. Send Click this button to send the currently selected computer data file to the Keyboard, or to a memory card or a floppy diskette loaded in your computer. Save Click this button to transfer specific user data from Keyboard memory, or from a memory card or a floppy diskette loaded in your computer, and save it on your computer's hard disk. The MIDI device is software that enables the exchange of MIDI software over a COM port or USB port connection with your computer. Note that the setup dialog box appears automatically the first time you start up the Music Data Management Software after installing it. If you want to leave the MIDI device setting the way it is, click OK to close the setup dialog box without changing anything.
If you are using a commercially available MIDI interface, see its documentation for details about how to use it. If you want to leave the directory setting the way it is, click OK to close the setup dialog box without changing anything.
If you want to leave the drive setting the way it is, click OK to close the setup dialog box without changing anything. Before you can exchange data between your computer and Keyboard, you first need to read the user data and file information currently present in Keyboard memory. This item will be sent through the Global Shipping Programme and includes international tracking. For parts or not working: An item that does not function as intended or is not fully operational. By clicking Confirm bid, you are committing to buy this item from the seller if you are the winning bidder and have read and agree to the Global Shipping Programme terms and conditions - opens in a new window or tab.
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To merge the SMF, Parameters and One Touch Preset data to create an accompaniment pattern file. Before you load an SMF the lower part of the desktop (SMF Track Info) is blank, just showing the different pattern parts and their Midi channels.

These menus are where you start the pattern creation process by loading your SMF and where you finally save your an accompaniment pattern file (CKF).
Save just the Parameters of your pattern in a PRA file (If you do this you can use these Parameters as the basis for future patterns, saving some time). This function allows you to convert from the CPT or EPT format (used by models such as the CTK731, CTK811 and WK-1800) to the current CKF format. This is a useful utility that allows you to load an existing CKF (accompaniment pattern) file and separate out the SMF and Parameters (PRA) files. The Edit menu offers some shortcuts in creating the Parameters for an accompaniment pattern. You can also just copy the Tones used in the currently highlighted Element to all the other Elements. If you put the Parameters in your SMF, you'll need to click on Parameter from SMF to load them into Rhythm Converter.
When you load the SMF, if it contains Parameters Rhythm Converter will ask you whether you want to load them at that time. The desktop is divided into three main sections: The Menu Bar, The Keyboard Graphic and the Sample Panels. The file menu has five options, plus the option to exit completely from the Wave Converter.
If you are creating a Tone with Wave which is of a complex instrument such as a guitar or piano, the more waves you use at different pitches, the more accurate the sound will be.
You can select whether your finished Tone with Wave is for a 61 note keyboard or a 76 note keyboard.
The keyboard graphic shows you the area of the keyboard on which a wave will play, and the original note (pitch) of the wave. Most of the work of compiling and adapting your waves into a Tone with Wave is done using the panels immediately under the keyboard graphic. The detailed work that creating your sound is done in the lower section of the wave converter.
The color of the highlight bar is different for each wave, and the key range and original note of the wave are shown in the same color. Loop Type, Amp Envelope and Filter Envelope are all parameters which determine how the final sound plays.
The type of MIDI device available for selection depends on your computer system environment.
On the folder selection dialog box that appears, click the folder where you want user data files to be stored. By clicking Confirm bid you commit to buy this item from the seller if you are the winning bidder. Import charges previously quoted are subject to change if you increase you maximum bid amount. If the item comes direct from a manufacturer, it may be delivered in non-retail packaging, such as a plain or unprinted box or plastic bag.

After loading an SMF the lower part of the desktop will change to show where data exists on each track. It is probable that you needed to set this data in the SMF anyway so that you could hear the finished sound of the accompaniment pattern when you composed it. If you are creating an instrument sound with a very wide range such as Piano, it is important to use waves which cover the whole range of the keyboard you are working with. In the above example the different zones set are shown by the verticle dividing red lines, and the currently selected zone is highlighted with a horizontal red line just above the keys. Select which wave is being edited by clicking on the colored bar at the top of each wave panel. Note that the maximum range is the same as the maximum Midi note range (128 notes) and as shown here goes from C-1 to G9. This is very important information for Wave Converter or your final sound won't play properly. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. If you click on the different Elements down the left side (Intro 1, Intro 2, Var 1 etc) you'll see the color of the different Element buttons change, and the highlight bar over the top of the Parameters (Tone, Bank, Volume etc) change accordingly.
As it is unlikely that you would want to use all of the Parameters of a previous pattern you can load individual parts of the Parameters file. Rhythm Converter will then ask you to name and save the SMF and name and save the Parameters file. So this function saves a lot of time in letting you import that data in Rhythm Converter, and also ensures that the final accompaniment pattern will sound like your original SMF.If you use this function you will also notice that the Name, Tempo and Beat boxes change to the data in the SMF. The original pitch of the wave is indicated by the small box just under the keys, in this case showing D3. The parameters in the panel determine how the waves will play in your final Tone with Wave. For example you might not want to load the Tone selection, but you might want to use the Chord settings or Main Settings. This is useful (for example) if you want to edit the SMF data in an existing pattern, or to extract the Parameters file from an existing pattern to use in a new pattern. It is good practice to load these settings from your SMF so that the end result is the same as your original.
The first Split's starting point is fixed to C-1, But actually the 61 note a keyboard plays from C2 to C7 and the 76 note from E1 to G7.

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