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06.03.2016
Although this is a basic training module, there are some key concepts that other experienced editors may benefit from. In Final Cut Pro a clip may be dragged directly from the browser window into the viewer window. Play Button: Pressing the play button will play a clip, and you will see the position indicator move forward.
Mark Out (O): This will mark an out point where the play head indicator is currently parked. If no IN point is present, Final Cut Pro will use the very first frame of the clip as the default IN point. After you have mastered the concept of storyboard editing, it is important to understand three-point editing within the Final Cut Pro interface. One of the many choices for editing in Final Cut Pro is the option of editing your show using three-point editing.
Notice how Final Cut Pro uses the marked sections of the a€?parasailinga€™ clip when it is edited to the timeline. Pressing the red over-write, or yellow insert button will place the clip in the viewer window based on where the position indicator is parked. Pressing the over-write button will edit 3 seconds onto the current sequence starting at the position indicator.
In this example, pay close attention to where the position indicator is parked within the timeline. It is important to note that, when using the over-write function, the duration of your sequence will not change. Pressing the insert button will edit 3 seconds onto the current sequence starting at the position indicator. If an IN point is not present in the viewer window, Final Cut Pro will use the first frame of the clip.
You can verify the amount of media left in the viewer window by looking at the duration box in the upper left corner of the viewer window.
In Final Cut Pro, the timeline window and canvas window are linked together when it comes to navigating around in the timeline.
The canvas window will always display the name of your sequence in the top portion of the window.
Final Cut Pro also allows you to manually drag clips from the viewer window into the canvas window. To make a three-point edit, simply drag the viewer window into the canvas window, and move the clip into the overwrite box. In this example, The clip in the Viewer will overwirte the 3 second area that is marked in the timeline.
Instead of having to click on individual buttons or dragging clips to the canvas window, you can use the keyboard shortcut equivalents.
The blue replace edit button will automatically fill the area from where the timeline position indicator is parked. In this example, because the audio tracks are locked, using the large delete key only lifts out the marked portion of video.
Remember, when using (shift + delete), you will always be changing the duration of the track in your sequence. To clear an IN Point: Click on the viewer window or timeline window and press (option + I). To specify a duration, you can type in the exact duration you would like in the clip duration box. To perform the fit-to-fill function, simply drag the clip from the viewer window into the canvas window, and drop it on the fit-to-fill area in the canvas. A good example of the usefulness of this feature would be when you don't have quite enough original footage.


By control clicking on a clip in the timeline window, you can change its speed directly within a sequence.
To create a freeze frame in Final Cut Pro, park on a video frame that is in the timeline window or viewer window. Final Cut Pro will automatically mark a 10 second duration of a new clip that is loaded into the viewer window.
If you want to use the freeze frame at a later time without having to create a new one, you need to drag the clip from the viewer window into the browser window.
Freeze frames, or still image files with have an ABC icon, instead of a regular clip icon to indicate a still image.
Using the match-frame command will automatically match a frame from the timeline and place it into the viewer window.
By using the match-frame feature, you will save time from having to search your browser window to access a clip that you have already used in a sequence. When using the find feature to find something in the browser window, make sure you highlight the sequence in the browser window first. If you are looking for something within a particular sequence, and you want Final Cut Pro to highlight the clip for you in the timeline, your find window will look like this. In this example, any clips that contain the name a€?beacha€™ will be highlighted in the current timeline.
Ita€™s been seven months since Apple released Final Cut Pro X amidst furor and bemusement; four months since the company released its first major update, with promised support for more pro-level features in the next year. Broadcast video monitoring comes attached with one of Applea€™s newa€”and relatively rarea€”labels, a€?Beta.a€? According to Townhill, this is partially due to the limited number of third-party partners on launch.
Three firms have been working with Apple to implement monitoring via PCI Express cards: AJA Video Systems, Blackmagic Design, and Matrox. With regard to multicam editing, Townhill noted that Apple held off on offering the feature until it could bring something new to the field. Improvements have also been made to Final Cuta€™s Chroma Key tool, which received new granular controls for complicated effects. Of course, some users are still holding steadfast for EDL exports, one of non-linear editing software's older tools. Current users can download the FCP X update from the Mac App Store for free; new users can purchase the software for $300 or take a 30-day test-drive by downloading the free trial from Applea€™s Website.
When Final Cut Pro X was first released, there were many gripes and grumbles about the application, but none so prominent as the lack of support for projects created in earlier versions of Final Cut Pro.
Developed by Intelligent Assistance president and longtime Final Cut Pro evangelist Philip Hodgetts, the app uses Applea€™s XML 1.1 API to help users transfer their Final Cut Pro 7 projects to Final Cut Pro X. The June 2011 release of Applea€™s new Final Cut Pro X set off a firestorm that reverberated across the globea€”at least in video circles. A new environment without connectivity to broadcast monitoring and networked storage, without the ability to assign audio outputs, and without the ability to open archives of previous FCP 7 projects, caused the industry to respond with shock and outrage. Enter your email address to subscribe to this blog and receive notifications of new softwares by email. In this example, Final Cut Pro shows a duration of 3 seconds has been marked in the viewer window.
In the above example, you could have clicked on the red overwrite button or pressed F10 to complete the same action. When performing a fit-to-fill command, Final Cut Pro will automatically adjust the speed of the clip in the viewer window to fit the space marked in the timeline.
That year is here, and with it, Apple brought its third major update to the platform, offering multicam editing, updates to Chroma Key, beta broadcast video monitoring, and an assortment of other improvements.
The big new features were teased last year: multicam editing and broadcast video monitoring. In addition, Final Cut Pro X will offer monitoring through the Thunderbolt port, allowing editors to check broadcast-quality video on-set through devices like AJAa€™s IoXT and a Mac laptop.


As such, the companya€™s iteration of this tool offers a full 64 slots for source video, none of which need to share resolution, codecs, or framerate to cooperate.
This allows editors to stay in-program when attempting to key out tricky blue- or green-screen compositions, rather than banish them out to Motion or another external compositing program. When asked about the likelihood of supporting the older EDL standard in a future update, however, Townhill noted that the format was originally designed to work for a single track of video, and while Apple appreciated its long history, the companya€™s focus is now on XML. Due to the large structural changes present in Applea€™s newest version of its professional non-linear editing software, a€?getting a perfect translation was going to be impossible,a€? according to Apple senior director of applications marketing, Richard Townhill. The app is available on the Mac App Store for $10; if this motivates you to give Final Cut Pro X a try, you can download a 30-day free trial from Applea€™s Website. The hotly anticipated new version of Apple's flagship video software was unexpectedly accompanied by the immediate removal of the previous versiona€”Final Cut Pro 7a€”along with the company's Final Cut Server and Final Cut Express apps, from retail distribution. Applea€™s competitors meanwhile, rejoiced in vitriolic glee at the prospect of gaining back years of market share they had lost as a result of the FCPa€™s dominance. Apple sent its product managers out into the editing community to reassure video pros that it and FCP X were indeed committed to supporting the product's working professional base, and that Apple would soon restore multicam editing, broadcast monitoring and output, the ability to assign audio tracks in a specific order, and the ability to import and export to and from their favorite third-party applications for audio, color correction, and finishinga€”as well as connect to Xsan or other networked storage volumes. We give you the scoop on what's new, what's best and how to make the most out of the products you love.
29 Sep 2014 There is no doubt that Sony Vegas is one of best video editing software in the world.
By parking the position indicator at the tail of a clip in the timeline, you can easily add additional clips by using the over-write function.
To organize the footage, users can add new camera angle metadata onto sources; in addition, syncing content no longer relies solely on timecode. Additionally, users can now re-link media and import layered PSD files, along with several other smaller improvements to the app. In that vein, video software developer Intelligent Assistance has released an XML-based tool that allows users to convert their Final Cut Studio sequences into Final Cut Pro X projects; it too was made available Tuesday on the Mac App Store, for $10. That alone had longtime users jumping ship from the only nonlinear video editor many of them had ever used.
To longtime videographers who had built careers around Final Cut workflows, the new FCP X lacked the pro-level power features they considered essential. It's easy for beginners to get started, but is also advanced slum village fantastic vol 2 24 May 2014 Vegas Pro 13 adds DVD and Blu-ray authoring, as well as some video and audio plug-ins.
Instead, clips can be synced using data and time, or Applea€™s new Audio Analysis featurea€”unique to FCP Xa€”which automatically matches scratch audio waveforms from simultaneous set footage.
28 May 2014 Sony Vegas Pro 13 is a Non Linear Editing system from the folks at Sony Creative To test this, I imported both a music video I edited in Premiere Pro CS6, One concern with any modern day editor is that of performance.
11 Jul 2014 All of the products in the Vegas software family make it easy to GPU acceleration streamlines the video editing experience in Vegas Po 11 by 4 Jun 2012 I am a PC user and use Sony Vegas Pro.
I do not like Adobe Premier or Avid which work on Windows and Buy SONY Vegas Pro 12 Audio & Video Editing Software with fast shipping and top-rated customer service. Sony Vegas Pro dominates the space between basic video-editing software like Windows Movie Maker and professional applications like Adobe Premiere.
Sony The Movie Studio Platinum software itself gives you full support for HD and even stereoscopic 3D video files, plus it. Sony Vegas Pro Production Assistant 2 1 Apr 2012 Now Sony has released Vegas Pro 11, with full-up GPU acceleration for video processing, effects, and rendering, for speed ups across editing, Sony Vegas Pro 9 is a very popular audio as well as video editing software. 13 Apr 2014 By Sony Creative Software Vegas Pro Connect solves the collaboration challenge on video productions.



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