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22.11.2015
Cindy Freeman moved to Los Angeles from San Diego in 2009 to pursue a career in the film industry. Cindy has worked on a number of independent films as a production assistant and 2nd A.D while in Los Angeles and in July of 2010 she began working at Dreamworks Animation as a production coordinator. Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers. If the kids are around, you might wanna send them out of the room for a minute.  I’ll wait.
What people intend to show with a scene like this: That despite his shortcomings, the hero is not a bad guy and this unnaturally attractive woman sees that.
The person who gets pounced needs to give the pouncer something that they truly want or need.
What people actually show in a scene like this: That they couldn’t think of something creative or new to show this character trait.
Also, sex isn’t the only way to show that a character doesn’t care about something of value.
The scene where the guy really wants to have sex, but the girl doesn’t, so the guy kinda just goes ahead and starts doing sex to her anyway and she eventually comes around and has an amazing time about it.
What people intend to show in a scene like this: That the girl really is actually into this guy but that she’s just shy or something. What people actually show in a scene like this: That the characters are kind of okay with sexual assault.
A scene like this can work if it’s clear that the characters really do care about each other and if there’s a clear reason for the woman’s reluctance. What people actually show with a scene like this: That they think men are simple automatons who have no ability to control themselves if they see lady skin. If a sex scene is inserted just to seem edgy or cool, it will feel flat, unnecessary and exploitative. Just like actual sex, when it comes to writing about sex, the tension is often more interesting than the release. A degenerative illness will feel like a bigger kick in the gut to a competitive athlete than it will be to a homebody.
If we haven’t met a character’s extended family in the first 75 minutes of your story, it won’t make us all that upset if we find out that their favorite aunt died in minute 76. Your audience wants to feel bad for your characters; they’re looking forward to empathizing with them. We return to the topic of music in film once again with London based composer Ram Khatabakhsh. Ram started playing the keyboard at the age of six – just to figure out the melody of his favourite songs and themes. Ram currently directs a music production company (Motion Sound Production) based at Pinewood Studios (UK) where he collaborates with directors and producers and works with a number of talented musicians and engineers.
That’s a great question and there are plenty of options for this type of project.  Meaning, you can find another company to co-produce with you who has insurance, purchase short-term coverage or, if you plan to make many of these films within a year, you may consider purchasing an annual policy. Screenwriter and Development Executive Tom Vaughan joins us to talk about working as a writer in Los Angeles and teaching screenwriting in LA and Houston.
Tom Vaughan studied at the University of Houston with Broadway legend Jose Quintero and three-time Pulitzer Prize winner Edward Albee. His productions include BLACKOUT with Jane Seymour for CBS, and CRITICAL ASSEMBLY with Katherine Heigl (Grey’s Anatomy, Knocked up) for NBC. He has been teaching screenwriting for nine years between Los Angeles and Houston and finds it as gratifying as actually practicing it. Ellen Coss is a 25 year veteran in computer generated imagery, starting her career at the seminal Digital Productions. Seeing that overseas production was the wave of the future Ellen headed to Prana Studios, a 325 person animation studio with offices in Mumbai India and Los Angeles.
Ellen then provided producing consulting services for the animated feature Arthur Christmas an Aardman Animation film to be distributed by Sony. You know that as a screenwriter, you will need to put words on the page to tell your story. Writer types (myself included) often love basking in the glow from their sparkling, perfectly obscure, amazingly profound WORDS. Without so many words, you get to delight in and focus on all the other ways to tell a story: what characters are wearing, their expressions or what artifacts are in their environments. My two favorite sequences in one of my favorite movies, Children of Men, also have no dialogue.
There are so many moments in our own lives that are made powerful not by the clever turn of phrase someone threw together at just the right second, but by what they didn’t say, by what email didn’t come, by who wasn’t at the party, or who was, or the way they just turned away when you showed up and made eye contact. Just for fun, try rewriting a scene or two of your latest screenplay without just half the dialogue, or if you’re feeling up to it, no dialogue at all and see how it changes the scene, or the piece entirely. Q: I’m new to LA and everyone is always talking about going to networking parties but I feel uncomfortable.
Time is precious in a screenplay, so you want to get as much contextual information (not expositional information) out as quickly as possible.
The wrong way to do this is to have another character provide spoken exposition like the following.
Hey Amanda, since you are too busy and shy to meet anyone since your recent and painful breakup from Mark who works downstairs, I thought I’d invite you to a party tonight. The dialogue above is boring, on the nose and takes all the fun out of discovering who a character is. Following are are five effective ways to introduce your characters to the audience without spelling it out for them. A character’s positive or relaxed reaction to their environment will tell the audience that this is where they belong, that these are the things that make them happy and, per screenplay logic, the world that will be yanked out from under them later in the movie.
By showing us what makes a character uncomfortable, we get a different, but equally as informative view on who they are. It’s not always necessary to use other characters or dialogue to help define your character. Almost everyone has an item or two in their possession that defines or illustrates who they are. The podcast on editing made me think of what’s been happening with on-set digital work-flow and I was wondering if you all had noticed. I have noticed this as well and it can be a dangerous practice to get in to if you haven’t thought it all the way through. If you do decide it’s a good idea to cut dailies together on set, then I suggest having an assistant or 2nd editor who does that while keeping your main editor away from this part of the process. The editor’s only focus should be on telling the story and it is your job as a producer to make sure they are not unduly influenced. For our last episode of Season Four and of 2011 we recap the past season and all we learned about post-production, distribution and marketing. Jason Brubaker is a Hollywood based Independent Motion Picture Producer and an expert in Video On Demand distribution. Jason is a contributing author of The Independent’s Guide to Film Distributors, he is the founder of Filmmaking Stuff, a professional resource for independent filmmakers, and his articles on independent movie marketing, distribution and film production have been featured in The Independent, the New York Film Academy and Movie Maker Magazine. Brubaker has has lectured on these subjects to filmmakers from around the globe through various filmmaking seminars, panel discussions and workshops. We are all imperfect and no one is good at everything, therefore, it is important for you to know your strengths and weaknesses in order to fill in the gaps. There’s a saying that when you make a movie you actually make three movies by 1) writing the screenplay 2) shooting the movie and 3) editing the film. Karl is also a producer of English dubs of foreign-language features.  Credits include Gen (Turkey), Wolfhound (Russia), and the animated features Goat Story (Czech Republic) and Space Dogs 3D (Russia). Karl and his wife Lauren have written three monster movies together, made a short film about hiccups, and are currently producing a series of childrens radio plays. Now that you have brought on Skye Rentals as a sponsor, you talk about base camp a lot.  What is it and why is it so important? I’m glad you asked this question Brandie because I feel like it might be one of those questions that a lot of people don’t know the answer to, but are too afraid to ask.  I didn’t know what base camp was until I had done a couple of films early on in my career as an actor.
Sometimes, base camp is a drive away from where the actual filming is taking place.  An example of this would be if you are shooting on a large ranch and power for base camp is near the house on the ranch but your actually filming the scenes off in the woods somewhere, you would set up base camp near the house and drive people to the location where shooting is occurring. When making a film it’s important to be mindful of adding value to the project in order to sell it later. If you’re already familiar with video editing software, check out our update to catch up on the changes made to Premiere Pro, Final Cut Pro X, and Media Composer. Over the past few years, Apple has fought to redeem FCPX; since launch, it has undergone more than a dozen iterations. But Adobe, the dark horse of the Non-Linear Editing, or NLE, race, and Avid, long the leader, have not stood idly by. Although it’s no longer supported by Apple, FINAL CUT PRO 7 remains popular with some indie filmmakers and production companies who know and trust its stability and feature set.
Finally, while both Avid and FCPX support editing with native media, Premiere is designed around it.
Some editors choose to climb Media Composer’s steep learning curve in order to take advantage of its powerful trim mode, the design of which is informed by its historical proximity to film.
Finally, the program’s Avid Media Access, or AMA, architecture allows a user to link directly to native camera formats without conversion. FINAL CUT PRO X may be the new kid on the block, but by most accounts, it’s beginning to grow up.
Because FCPX got off to a rocky start and is only now beginning to find its feet, it’s less commonly used by indie filmmakers and production companies today. Remember that at the end of the day, the audience doesn’t care what you used to cut your film. Sign up below to get instant access to over 1 hour's worth of high quality free filmmaking tutorials that will have an instant impact on the quality of your film and documentary projects.
I think for anyone who is new to video, or time based work and is getting into editing, the first and only app they should look at is FCPX for the simple reason that it is simple to use despite being highly powerful, and it is a new way of looking at NLE’s and its basically, as you said, a whole rethink of how to edit videos with computers. If you have never used an editing application before then this is the place to start and end.
I can now easily edit a full documentary edit of a wedding day in about 16 solid hours in FCPX. Our first big job with X was a collaborative editing setup for international television at the 2012 Olympic Games in London. When I went to school for editing we used Avid and it was honestly the hardest one here to learn for first time editing like that but when I went to go edit for a news station we use FCP and i knew everything there is to know about FCP because I learned the hardest stuff on Avid. I think Adobe has me stuck anyway, I used to use Sony Vegas Pro and I think it’s is a better user experience than Premier, but the Creative Cloud has so many things that I need.
Nate, it depends on how often you’d use the other programs and features in Creative Cloud.
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Film Method is the podcast that will take you through the nuts and bolts of independent filmmaking. Upon her arrival in LA she immediately began working with producer Jenna Edwards to create behind-the-scenes content for Jenna’s feature film April Showers. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. It was while Edwards was working for Ferrar that she developed an interest in the casting process, before long she had moved from talent agencies to working in casting with such industry leaders as Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (Jonas, Pepper Dennis) and Allison Jones (Super Bad, The Office). We all got to Earth thanks to some very special hugs and chances are that at some point in our lives, we’ll do some hugging ourselves. The guy can act like a bit of jerk, but if he displays a genuine soft spot for his cat or grandmother or war orphans—then he might be pounceable. Spending bazillions of dollars on a car, just to wreck it seconds later and not care about the little Honda Fit he destroyed in the process because he’ll just pay everyone off would get the same point across. I’ve watched movies where people use women like playthings and we still kinda want to be like them! A scene where an exhausted Dad reminds an exhausted Mom that they’re going to make more of an effort to make a go of it could be informative and sweet. It should show us new information about the characters and it should directly affect the plot of the film. While it’s titillating (pun intended) to see nudity on screen, if you’re trying to evoke the kind of emotional reaction that will make a movie really resonate with audiences, not giving it all up is really the way to go. R-rated movies are a harder to monetize because fewer people can go see them and so fewer people pay for tickets to them. This is not to say that we’re going to laugh when an unknown character gets a bad diagnosis, but without the proper set up and character development, bad news for a character can feel at best, unimpactful and at worst, manipulative. A sudden death of an up and coming star, scholar or leader will hurt more than the passing of a person who hasn’t done much nor aspires to. While out-of-the blue events happen in real life all the time, these deus ex machinas often fall flat on film if they’re not supported.
If a character has put nothing on hold preparing for a promotion, we won’t bat an eye when we learn that the gig went to their coworker. Losing a job sucks, but it is completely possible to live off unemployment for a while and get a new job, so it’s not the end of the world. But it is possible to get medication, join a support group and have a perfectly normal life. But if a character gets trapped in a storm that’s just like the one that orphaned her when her parents had to drive through it to pick her up from camp because she wouldn’t stop crying…that takes the emotion up several levels.
Ram discusses his passion for composing music for film and working as a composer for independent film.


One day shoot with a cast and crew of about 10 people.  I want to make sure my production company, crew and the property are covered. Tom also shares what it’s like to develop scripts at a small production company and gives some advice to new screenwriters as well. It was his work as a writer and director in Houston theatre that got him recognized by Hollywood.
He served as writer as well as Co-Producer on ATOMIC TWISTER with Sharon Lawrence and DEAD IN A HEARTBEAT with Penelope Anne Miller and Judge Reinhold, both for TBS.
He is currently the Director of Development for the Los Angeles production company Dirty Robber. The concept of creating a whole world is the same, but in CG animation, every aspect of the production is created in a computer. And yet, despite the fact that we don’t hear crackling wit snapping back and forth between the characters, we always know exactly what’s going on, we’re on board with how characters are feeling and we get to delight in the visual medium that film is. Characters in fact, can often come to life much more when they are not resting on the crutch of words. In fact, most of the third act of that movie is, apart from score and sound effects, silent. A point, a smile, a frown, a tear, a step away from you, or a subtle scoot toward you, a kiss, a stumble, a something left behind when they thought they had cleaned up all the evidence…these types of things often speak loudly and clearly without using words at all. In order to understand your story, the audience will need to know a decent amount about each character’s personality almost immediately. You’ll probably freak out at all the people there since you have social anxiety, but I want to help you since I know that deep down, you really do want to connect with someone. Imagine each example describes the first time we see a character in a movie and notice how much information you can learn without having someone directly say who the character is, what they care about or what they want. Giving these kinds of objects to characters helps define and illustrate them for audiences.
Instead of just taking up space in the scene, that first line of dialogue should pull the audience into the character’s point of view immediately. The possibility of on-set dailies is leading towards on-set editing and for some Indie productions and companies who produce small corporate commercials it is already happening.
For some forms such as commercials, it might be a great thing.  But, for film, it is not a good idea to have your main editor cutting things together on set. He is focused on helping YOU make, market and sell movies more easily by growing your fan base, building buzz and creating community around your title. I knew what I liked and what I didn’t like and was very good at pointing out what I didn’t like.
The editor of a film can serve as one of the primary storytellers of your movie and therefore is a critical role to cast when hiring your crew.
Most people’s lives don’t naturally fit into a three-act structure, so even if you’re basing the story on a personal story, you will have to embellish or even create some details to make a story work.
In order to make a story work, you have to understand what the parts of a story are, how they work together, where they should fall and why they’re important. Writing a screenplay, selling a screenplay and producing a screenplay are very different things, so know what your end goal is. Those things, such as actors with names, can be attractive to a distributor who is looking to make a certain profit on your film and will also allow you to pay back your investors. Ahmed began his career in Ohio working as a production coordinator on various television commercials and indie feature films. Ahmed worked at New Line Cinema on various productions including Son of the Mask, Freddy vs. Adobe continues to expand Premiere’s functionality, and user feedback is considered seriously. It is a rock solid, cross-platform NLE relied upon by many, especially in the feature film and television worlds. In other words, a digital-to-film workflow was built into its DNA, as was the input of professional editors over many years. Premiere also would be an attractive option for projects with multiple media formats, since I could work with content natively. Apple, Adobe, and Avid continue to develop and support their products, providing filmmakers with a variety of world class tools. That includes importing and organizing all media, synchronizing and cutting all multicam clips of the day to include a full ceremony and most important parts of the full reception, to include full color correction, and tweaking sound. Since then we completely switched to FCP X in our two post-houses and we have been cutting literally hundreds of hours of medium to long-form television programs on FCP X, all in a multi-editor environment and many of them involving serious effects work. Basically, it made to return to it after many years of frustration with rendering-waiting-rendering… process. It’s not considered among the main NLEs, but if you do decide to take it for a spin, please let us know how it goes! If you need After Effects, Photoshop, Lightroom, and the like just as much as your NLE, then CC may be the best way to go! Great if your a single user, but until it can connect to and access files stored on a network file server its is a non-starter (AND NO a SAN network is NOT an acceptable work around). In a roundtable discussion format we will meet guests from all walks of filmmaker life who will share their golden nuggets of wisdom about everything from hiring a producer, to finding a composer, to seeking out investors.
Cindy also directed the behind-the-scenes content creation for Jenna’s film In the Darkness.
After two years of rising through the Minnesota film community Edwards made the move to Los Angeles. During this time Edwards was also able to gain valuable production experience working on shows such as Buffy the Vampire Slayer, Malcolm in the Middle, and working with studios like Disney, MTV, FOX and CBS. But when a woman in a movie offers herself as some sort of taming device without getting anything in return, it makes both characters look weak. Flushing diamonds down the toilet or having a house full of amazing gadgets that never get used, children who never get hugged and pets who never get walked could also communicate the same idea. A post-therapy scene where a concerned boyfriend reminds his girlfriend that she doesn’t need to be afraid of closeness anymore can be compelling and transformative. It should motivate character to new action and they should be changed, if even slightly, by having experienced that scene. Enter a scene (pun intended) just before or just after the act and you’ve got a lot more to work with in terms of exploring character, defining relationships and maintaining momentum. The bad news should feel specific—like something that we definitely don’t want to happen to THIS person. An agoraphobe forced to relocate because a tornado destroyed his house will invoke more of a reaction than the same situation happening to an executive who’s never at home anyway.
If we’ve never spent time at a character’s summer home, it’ll barely register when that summer home is wiped out by a late season storm. However, if the loss of a job means that a character has to move back home with their millionaire, superstar sibling and their controlling parents who never supported them in the first place, that character’s in a much more painful situation. However, if the illness is brought on by the unregulated drug the new patient invented and rushed to market…that really hits home for that person. He continued to play on his keyboard as a hobby after school hours and learned to play his favourite songs by ear.
His feature film debut was UNSTOPPABLE, starring Wesley Snipes.  He just completed his directorial debut, PLAYING HOUSE, based on a script written with Kristy Dobkin.
They talk, Talk TALK their way through three acts, telling you not just the plot points you need to know, but also how untouchably brilliant the writer behind that masterpiece is.
Actions, in turn, get to be much more definite, clear and decisive when you don’t have someone in the shot narrating what we’re seeing anyway. If you haven’t seen it, it’s amazingly powerful and nothing any character could say would do those moments justice. Editor Karl Hirsch joins us to talk about workflow, the technical aspects of editing, and collaboration.
He has guest-lectured at Scottsdale Community College in Arizona, Film Independent in Los Angeles, and has spoken on film festival panels in Victoria BC, Austin, and Phoenix. Sure, there are some prodigies who can whip out a perfectly formed first draft, but most professional writers will spend months or even years on a script before they plug every plot hole, smooth every character arc and crystallize every line. Even if you are writing a story based on your life or the life of someone you know, you will need to give your character their own existence.
Writing a screenplay is difficult work, but the good news is that lots of people have done it before you. Producer’s Rep Noor Ahmed joins us to give tips on how to increase the value of your project and on working with the MPAA.
Before leaving for Los Angeles, he worked on the indie feature Blue Car which premiered at the Sundance film festival and was released by Miramax. Avid released Media Composer 7 last summer and announced subscription options for its creative tools at this year’s NAB. Each of the three has its pros and its cons, which to some degree reflect their respective designs.
For instance, it is the only editing software discussed here that does not support editing with native media; footage must be transcoded.
Even so, AMA linking provides editors with a way to get up and running with Media Composer’s power and stability very quickly. I, for one, will be keeping an eye on FCPX’s development, as I feel that Apple is blazing a bold trail.
If you hope to break into the world of film and television post-production, Media Composer is pretty much a Must. In a collaborative, deadline-driven environment, Media Composer would merit serious consideration. So identify your needs, choose what works for you, and take us to the slopes of Mount Doom.
The way how you brows through clips and the magnetic timeline will double your editing speed. The server is not as fast as Avid, but if you have competent editors who understand the schedule, there should be no problems. I think all of the arguments against FCPX from day one, were all unfounded, and apple reacted by put on on an event to talk through everything that everyone said had been removed.
I need to collect e-signatures and those services run $10 a month but Acrobat does it and it is included in the Creative Cloud.
Season One will focus on the development phase of making a movie starting with the seeds of inspiration and writing a script or finding material with a particular audience in mind.
It was while Cindy was working with Jenna that she was inspired to create the Film Method podcast.
But there’s a way to do it so that it makes sense and there’s a way to do it that is creepy, alienating and ineffective. But in movies like that that work, those characters usually balance out their misogyny with many other likeable traits. That sequence, however, falls into the “we know this couple is really trying to work on their relationship” category. These things are real bummers, but that doesn’t mean they’re going to have the impact you want them to in your script.
By age of 11, he was attending private piano and music lessons and exploring multiple musical genres.
Join us as we speak to animation producer, Ellen Coss about her experience in the world of CG art and animation.
Because I knew my weaknesses, I was able to find producers who were strong in the area of script notes.
They shouldn’t do, feel, think or say things simply because you do, feel, think or say those things. Car designers need to understand engine mechanics so they make sure there’s room for one in their latest concept vehicle. If you want to sell your screenplay, finishing the script is only about 50% of the work—because next you’ll have to make and nurture the connections that will lead to a sale.
There are plenty of blogs and websites (like this one) that can give you good, solid advice.
Let’s look at the options so that you can make an informed decision about which to use. Moreover, as Apple’s operating systems continue to evolve, its future compatibility is not guaranteed.
One could argue that Media Composer prioritizes logic and efficiency over accessibility and presentation, two areas where Final Cut Pro and Premiere Pro shine more brightly. For example, in FCPX’s paradigm, a single clip can exist in multiple keyword collections at the same time.
Finally, if I were a one-man-band reporter or creating a contained documentary project, I might take FCPX for a spin to capitalize on its robust organizational capabilities. I went from FCP7 to FCPX without a hitch, simply because X allows you to get on with the job, simple and fast. But to accomplish such a task in just as good of a quality if not better in nor less then twice the time required in previous version of FCP or Adobe is a testimony in of itself. We’ve done our best to clearly present the pros and cons of each NLE option, drawing on research and firsthand experience in equal measure. The great thing Premier does is link with After effects and that is another program I need. But jerky powerful people also do lots of other things that show that they’re unempathetic. Also, yes, there are some filmmakers who tend to be pretty exploitative when it comes to this sort of thing, and if you are Michael Bay, then what on earth are you doing reading this blog? However, films are not real life and on screen, a guy who coerces sex out of a woman comes across as a creep.
If all the woman needed to do was flash some flesh to get whatever McGuffin she’s after, then why are we watching an entire movie? First, I think the boobs in that movie are totally unnecessary, but here’s why they’re not a total turn off.


It is necessary for less-than-ideal things to happen to your characters, but not all downer events are created equal.
Most recently they wrote HALLELUJAH together for acclaimed Japanese director Kazuika Kiriya (Casshern, Goemon).
Through surrounding myself with others who had that skill set, I was able to learn and develop my own skills at giving script notes. Architects need to understand structural principals so that their buildings don’t fall down. If you want to produce your screenplay, you should make sure that what you’re writing is within your production capabilities—i.e. Ahmed worked as an Associate Producer on the PBS documentary, California and the American Dream, a four part series that received a national broadcast in the U.S.
The poll results to date are fascinating, and I look forward to checking in on the count in the coming months! I have taught the basics of PP to some beginners who had absolutely no prior experience with any editing software and they were able to quickly learn and use the software by themselves.
I have heard in FCPX there is a rendering going on in the background that slows down the system. I know that FCPX is cheaper but are you really saving money when you consider everything that comes with the Creative Cloud? And while we may hold each other to flexible standards, audiences generally do not give such lenience to characters in film. Ebeneezer Scrooge was the quintessential mean ol’ rich guy and there’s nothing sexy about his story. If you’re not Michael Bay and can’t write your own ticket, then you should be trying to impress readers, studio execs and producers with substance over style. And the woman who can’t stick to her point of view long enough to get to sleep comes across as weak. Why doesn’t she just prance through life in a bikini taking money from stunned bystanders’ wallets, walking out of stores with unpaid merch, and slowly but surely rising to the rank of Supreme Ruler of all the World!
If someone were to come up to me right now and ask me what my weaknesses were, I would be able to list them right now.  But, then I would also be able to tell them who I have surrounded myself with to balance those weaknesses out. Surgeons need to understand how cells interact with each other so they don’t kill their patients.
By letting sex or sexuality be the secret weapon, characters don’t have to think, plan or grow.
They have a silly game of crashing weddings, but they don’t do it to be malicious and they help everyone have a fun time when they’re there. He attended Kingston University in London where he obtained his degree in music composition. In November 2008 Ram was commissioned to write orchestral music and had his music performed by Kingston Chamber Orchestra in public concert. Ahmed worked for the distribution company Roadside Attractions traveling to various film festivals as their Acquisitions Coordinator. But I know enough about chemistry to know that a chemical by itself may be poisonous but not poisonous when in a compound with other chemicals. Yes, they help them ultimately so that they can get off of work for the day, but their help is sincere. During his time at Roadside Attractions the company acquired several high level indie films including Supersize Me and What the Bleep Do You Know.
Because they are well-intentioned guys, their playtime with the girls feels fun and playful, not manipulative, gross or creepy. In November 2007 Ram’s music was performed in the South Bank Centre as part of the PLG Group season. Ram’s music is highly motivated by film music, as this is the greatest goal in his career.
Ahmed left Roadside Attractions to join Reder & Feig where he worked with the firm as a paralegal on films including, Brick, Thank You for Smoking, La Misma Luna, Southland Tales, and other indie features (full list on IMDb) before becoming the firms in-house Producer Rep. He has been working as a freelance composer for several feature film projects and has written music for number of online advertisements and commercials and short films. But you should be aware that the story of Chicken Little is notA  a "fable character." While he did say "The sky is falling" quite a bit, this was only because he had difficulty making contact the his agent provocateur whose actual physical appearance had changed over the years. The video faculty includes Eric Hulsizer, a former Channel 8 cameramanA who photographed "Channel 8 On Your Side," and Lisa Inserra of Cox Media (the company that owns Valpack) who is active in producing television commercials for her company's clients.az?i»? In my program, I've studied drawing, camera operation, scripting, digital imaging, programming basics, copyright law, video editing, website design, sound production and editing.
One of myA professors says the program is the best of its kind in the Tampa Bay area and I think he's right.az?i»?i»? Please, please, put the word out to others so that this fine program will be better known. It doesn't matter what your heritage is or whether you are still in high school or old enough for Medicare.
Petersburg Collede digital arts program is filled with both talented professors and students. In your story on stadium horns, you called them vuvuzwelas, what is that funny looking symbol after the photo credits. The image can be used freely, subject to some restrictive terms in the license, including crediting the photographer.
It looks to me like he called on Curtis LeMay, Colonel Clearwater - and then realizing he had made a mistake - schluffed it into Colonel Kilgore.
Here's a photo of American school children using the original Bellamy salute:A I think the photo speaks for itself. Colonel Clearwater Dear Colonel Clearwater: What do you think about the Egyptian revolution?
Fundamentalists, in any religion, are usually a reaction to what the followers perceive as injustice.
This doesn't mean Egyptian society and culture will necessarily change; it is still their culture and values. But in the long run any thing they make of it will be for their benefit (and not the benefit of the United States). Not by rampeling down the side of the building like Tom Cruise, but by sliding in with a tourist visa when it was not open to tourists.
Clearwater: Republicans are betting that your readers don't care - that after all you did to beat them in 2006 and 2008, you're going to sit this one out. So they're whipping up their base by blocking help to unemployed workers, blocking summer jobs for teens, apologizing to the big companies that gave us the spill in the Gulf, and doing anything else they can do to stop progress. Yes, that Rand Paul, who says freedom means a private business can discriminate against African-Americans, and that President Obama holding polluters accountable for the mess in the Gulf is "un-American." And he's not alone. One candidate calls Social Security "horrible policy," while another has said that Americans will turn to "Second Amendment remedies" against Democrats.
In New Hampshire, Paul Hodes is running neck-and-neck with his Republican opponent to take this seat for the Democrats. We've just started to turn our country around, passing healthcare reform, working to hold the big banks accountable for the Wall Street meltdown, pushing legislation to address climate change and end our addiction to oil.
The GOP is betting big that saying "no" and blocking progress is a path to success in November.What bet will you make? I think the Republicans should adopt as their emblem the condom because it more clearly reflects the party's political stance.
A condom stands for inflation, halts production, destroys the next generation, protects a bunch of pricks, and gives one a sense of security while screwing others.
Colonel ClearwaterDear Colonel Clearwater, Last week, my friend and colleague, Congressman Anthony Weiner, did something very good, and very gutsy. Weiner's report showed that this firm, which sells gold coins, rips off its customers while benefiting directly from Beck's Chicken Little lunacy about the economy. Every time Beck screams that there is an impending Obama-led government takeover of the economy and your savings aren't safe, he's making a sales pitch for this sleazy advertiser. You see, Beck's ratings have recently crashed, and most of his reputable advertisers have deserted him.
Now that he's been exposed, Beck has spent the last week using his big media platform to attack and undermine Weiner - he even set up an attack website designed to damage Weiner's political standing.
This collusion between big media, conservative commentators, and quack economics is a scam, but it is powerful if it remains unopposed. And we need to support people like Weiner, who have the guts to go after right-wing lunacy at the source. Consider his statement: "I beg you, look for the words 'social justice' or 'economic justice' on your church Web site. That oil disaster must be stopped, and a way must be found."I am not the original author of that sensible thought, but it has been my favorite definition of faith for a while. While we have no way of certainty for moving past them, working to find a pathway that takes us beyond our doubts is the best option in my view. Then how come Congress starts each session with a prayer and the president is sworn in on a Bible?
Wants to KnowDear Wants to Know, As I said in an earlier reply, our countrys laws and structure are not based on the God of the Bible and the Ten Commandments, as Sarah Palin and others claim.
So most of us do not work on Sunday and some businesses are not open for business on Sunday. So we have a religious custom of not working on Sunday and a secular custom of watching football on Sunday. The Constitution states that the president must take an oath, but it does not mention anything about a Bible. Colonel ClearwaterDear Colonel Clearwater, I understand you answer, but you say customs and traditions.
Wants to Know MoreDear Wants to Know More, It is important to realize the difference between a custom and a tradition. It is a custom at my house that every year we watch football on Thanksgiving Day after we eat. A tradition is a ceremony invented for the purpose of commemorating some historical event or to develop a sense of binding in a community or religious group.
Thanksgiving Day is a tradition in America that serves the purpose of reminding us of what we have from God for which to be thankful and is loosely based on the first harvest feast of the Pilgrims to celebrate their first year of survival in the New World. It is a tradition; a ceremony we use to create a common bond among Americans by commemorating our heritage. When Congress meets, the first thing that happens is that the designated speaker calls the group together. Colonel ClearwaterDear Colonel Clearwater, I have just seen a video about an organization called the Council on Foreign Relations. This organization has members who were past Presidents and past Secretary of States of the United States, plus leaders in the fields of finance, industry, and other important positions in society. The spokesman on the video has concluded that this organization must be a part of world conspiracy to take over the world and put the entire world under a one-world socialist government and I agree with him. The Council on Foreign Relations (CFR) is an organization of foreign policy experts, people concerned with international trade, prominent historians and writers, as well as others who are involved with foreign policy and international affairs.
The CFR hold speaking events with question-and-answer periods which are usually televised on CSpan or other cable stations. The speakers are usually world leaders, historians, writers, or others involved in international affairs. Some of the speakers have included such figures as Nelson Mandela, George Soros, Thomas Friedman, Mikhail Gorbachev, and Ronald Reagan. The journal, which I have subscribed to and read for over 25 years (plus you can buy it at the newsstands in Borders or Barnes and Noble) provides a forum for contrasting views and opinions regarding issues affecting foreign policy. Some people have made a nice living scarring others with conspiracy theories about the CFR. My advice to you is to go to the store, buy and read their journal, watch their events on CSpan, and be wary of people who wish to sell you on the idea that other people are out to get you. Colonel Clearwater________________________________________________________________________________________________________________________________Dear Colonel Clearwater: Cancel my subscription to your liberal rage. And no matter how great the obstacles may seem, we must never stop our efforts to reduce the weapons of war. We must never stop at all until we see the day when nuclear arms have been banished from the face of this earth." Ronald Wilson Reagan, 1984 Colonel ClearwaterDear Colonel Clearwater: Liberals? I realize that there is collateral damage in war, but this is no less than cold-blooded genocide.
They were shooting at insurgents who, upon later investigation, turned out to be civilians. By saying the soldiers were shooting civilans implies that they knew they were shooting civiliansj.
The real guilty party are those who convinced the American public that this war was necessary and just. Can you tell me how the "Smallest of the World's Leading Newspapers" managed to scoop "Florida's Best Newspaper?" Pedro TechadorDear Pedro, Always nice to hear from one of the Techadors.This was a WikiLeak scoop.
Palin:Your statement reminds me of what Republican Congressman, Devin Nunes said during the health care vote.
And now you are bringing the ghosts back into this chamber." There is no polite way to get around this. Tea Party Patriots are morons when it comes to history, economics, and how to run a society. Much like the resurgence of the Ku Klux Klan after World War I, the Tea Party Patriots are people who believe they have lost their privileged status in American society and wish to thwart others hopes for the American dream.
Unfortunately, or fortunately (depending on which editor yells loudest) President Obama considers Wall Street, the banks, the Republicans in congress, and those with tea party policies as necessary players in the solution when they are, in fact, part of the problem. Both the Senior Citizens' Right to Work Act and the Family Medical Leave Act were passed this way.



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