After the conversion is completed, it's time for you to import MOV files into Adobe Premiere for further editing. To learn more information of review, tricks of playing and editing Sony AVCHD on various portable devices and editing software, please click Aunsoft Sony Camcorder Column. Corel VideoStudio isn't the most sophisticated video-editing software around, but it could never be accused of being light on features. The previous version's handling of QuickTime AVC footage, such as from Canon compact and SLR cameras, was particularly poor, intermittently struggling to play a single stream.
Sadly, we didn't notice any discernible improvement to the responsiveness of the interface.
Corel lists a "sleek new look for the user interface" among its new features, but we struggled to spot the difference between X6 and X7.
Clicking the Share tab reveals export options, and these have been tidied up with individual buttons for the available export formats.
There's an option to match export settings to the imported footage, but it isn't clearly signposted, and wasn't available for 24fps, 30fps or 60fps footage. VideoStudio Pro X7 is available for ?50 exc VAT, but VideoStudio Ultimate X7 is the better deal at ?67, since it comes with seven third-party plugins.
There's a huge amount on offer here, and much of it is excellent, but VideoStudio's core editing tools continue to let it down.
The performance improvements make this a worthwhile upgrade for existing users, but they don't give VideoStudio an advantage over its competitors.
Aey iieo?aiey iieiiai ainooia ei anai ?acaaeai naeoa i?ieaeoa ianei?io? i?ioaao?o ?aaeno?aoee ia naeoa. Grass Valley Edius v6 — I?ia?aiiiia iaania?aiea EDIUS 6.5 i?aanoaaeyao niaie i?ioanneiiaeuiia ?aoaiea aey iaeeiaeiiai aeaaiiiioa?a, o?aineyoee e ia?aaioee oeo?iaiai iaoa?eaea. VideoStudio is now available as a 64-bit application, a move that has really paid off for other video editors.


A project based on the same footage took 6mins 6secs to render to 1080p MPEG4 in X6, and 3mins 12secs in X7 – almost twice as fast. Navigating the timeline and editing clips often resulted in a delay of around a second while the software performed the requested action. The Capture, Edit and Share tabs are redesigned, but while they look a little neater, there's less room available on the screen for the various panels.
It's almost entirely template-driven, with the user picking a theme, importing media, adding a few captions and exporting.
Caanu aey naay, au nii?aoa iaeoe iiiai eioa?aniuo e iieaciuo iaei?ae, oae iiiiaa?ueo a iaoae ?ecie. EDIUS 6.5 i?aaeaaaao aunieo? nei?inou ?aaaeoe?iaaiey a ni?aoaiee n aeaeinou? e yooaeoeaiinou?. It can also create stop-motion animations, animate graphics to track subjects around the frame, capture the Windows desktop as a video file, turn drawings into animated sketches, edit subtitles and export to the web in HTML5 format.
By contrast, Sony Movie Studio Platinum 13 managed five streams of our test EOS 70D footage.
There were waits of up to three seconds between hitting play and playback commencing, making it tricky to fine-tune edits. It looks friendlier than the old dropdown list, but it carries over the same patchy support for frame rates.
It's frustrating that the pop-up controls must be closed in order to preview the effect, but considering that the standalone version of Mercalli costs $179 (around ?107), it seems churlish to complain. Some of these plugins will be too complex for casual users, but it all supports the general feeling of getting plenty of bang for your buck.
Most templates work better for photo slideshows than for videos, but projects can be sent to VideoStudio for further editing. EDIUS 6.5 ?aaioaao a ?a?eia ?aaeuiiai a?aiaie e iicaieyao ia?aaaouaaou e?aua ni?aoaiey SD e HD aeaaieiioaioa.


X7 managed seven streams, a welcome improvement that brings it roughly in line with its competitors. Meanwhile, a simple AVCHD-based project was only marginally faster than X6 to export, down from 1min 29secs to 1min 24secs. Having set the region to UK during installation, the software offered various 25fps but no 30fps profiles, and 24fps and 50fps options were woefully under-represented. There are a few idiosyncrasies to the interface, too: for example, hitting the spacebar usually commences playback, but in some cases it toggles a checkbox on and off.
Effects editors appear in pop-up windows, whereupon the preview fails to display media on other tracks. EDIUS 6.5 iaeaaaao aiiieieoaeuiie iiaaa??eie i?iene-?aai?aai i?ioanna, eiaao aicii?iinou yenii?oa a oi?iaoa MXF e inouanoaeyao ?aaioo n DV e HDV ono?ienoaaie. Grass Valley Edius v6 — Whether you are working with standard definition or high definition video, Grass Valley EDIUS Pro NLE software frees you from the limitations of conventional editing systems.
If you need support for higher-end video equipment and formats such as Panasonic DVCPRO® 50, DVCPRO HD, DVCPRO P2, VariCam®, and Sony XDCAM™, Grass Valley EDIUS Broadcast NLE software is the perfect match. Whether hes editing a wedding video or training a young editor to cut news packages for the evening news, veteran editor Phil Hinkle brings the same level of enthusiasm and skill to his job. Click "Editor" button and the editor interface will come out with some editing options as shown below.
Go to "Effect" section and tick the checkbox of "Deinterlacing", interlacing effects can be eliminated perfectly.




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