The widespread availability of HD video recording on everything from mobile phones to DSLRs has seen us capturing events in better quality than ever before. It sure is an exciting time, but the HD dream can quickly become shattered when it comes to editing your footage.
It's enough to put many people off HD video and stick with the considerably lower demands of standard definition instead. Before going any further, a quick disclaimer: this is neither a detailed review nor a group test of video editing products. I'll admit to being both perplexed and dismayed by my first attempts at editing HD footage from DSLRs. The reason modern HD footage is so hard to edit is because your computer has to decode large amounts of data that's been very highly compressed. As the former hardware columnist of UK technology magazine Personal Computer World, it's not surprising to discover my solution for sluggish performance was always to throw more physical resources at the problem.
This brute-force approach tended to solve most performance issues, but annoyingly made little difference to this particular problem. During my hardware struggles Microsoft released Windows 7 which seems to solve many of the performance issues facing Vista. So I achieved three major upgrades in one blow: I went from running Adobe CS4 under Vista 64 bit on a traditional hard disk, to Adobe CS5 running under Windows 7 64 bit on an SSD. First things first: I know I was now booting from an SSD rather than a hard disk, but Windows 7 really is inherently snappier than Vista. This was seriously impressive stuff compared to my previous installation, especially considering the CPU, chipset, memory and graphics were unchanged.
Premiere Pro CS5 has another neat trick up its sleeve: the ability to accelerate its Mercury Playback Engine using a compatible Nvidia GPU.
Adobe claims greatly accelerated previews, renders and encodes, but you'll note I was using a much older GeForce 8600 GTS. Note: the hack mentioned above involves a modification to the Windows Registry which essentially tells CS5 it can exploit a different GPU. Significant boosts in PC performance traditionally demand switching key components or even entire systems, so it's refreshing to find the heroes of this story being software upgrades.
Windows 7 provides a much snappier OS to start with that's ready for action moments after logging-in, while Adobe's 64-bit rewrite of Premiere Pro CS5 handles HD content with supreme confidence and ease. The amazing part for me was how I achieved the desired level of performance without upgrading the processor, chipset, motherboard, RAM or graphics. My core PC specification may have been considered top-of-the-range when it was built, but that was back in late 2007. With Premiere Pro CS5 you're getting an extremely sophisticated and capable video editing package that's used by many pros in the industry.
Many of you may understandably be wondering if or when the performance benefits of Premiere Pro CS5's Mercury Playback Engine will filter down into more affordable programs like Premiere Elements. The bottom line is if you're thinking of upgrading your PC to smoothly edit HD video from a DSLR or camcorder, you should consider putting some or even most of your budget aside for software. Throw yourself completely into the creative process with PowerDirector's advanced features and timeline tools.
6-track PiP effects: Create impressive animations, chroma-key effects, and masks, with up to 6 tracks of picture-in-picture objects. HD video editing : Native support for high-definition content ensures exceptional results from beginning to end. Magic Style: 12 popular themes let you automatically edit your movie, add effects, and insert a title and credits. Video freeze frame: Create dramatic shots to highlight people, objects and moments in your videos.
Better media management: Adapt the way you access photos, videos, and effects to your working style. Capture from anywhere: PowerDirector supports all kinds of content sources, including HDV camcorders, TV tuner cards, Blu-ray Discs, DVDs, webcams, CDs, and more.
7 styles: 3D, highlight, motion, cell, collage, scrapbook and normal offer cool ways to turn photos into a movie. Creative commons photos and audio: Don't limit yourself to your own photos and sound clips. Audio recording and mixing: Creating pro-like soundtracks for your videos is extremely easy with built-in tools for recording voice-overs and other sounds. Beat-detection technology: Automatically sync your photos to display to the beat of your music.
Your program is superior to others and your tech-support people is always patient and smart, keep good work.


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This is a really powerful video editing software, it's a little more complicated, if you do like video editing, you will like it.
Although Studio HD does clearly stated that it supports both NTSC & PAL formats, the Pinnacle forum has many complaints about generating video for 50 fps. Another possibility is to download the trial version of Cineform’s NeoScene to convert the video either from 50 fps or to 50 fps. One other thing — since you are using the trial version, there is a note in the Avid Knowledge base that the trial version may not be enabled for Pal. Thanks for those links – it looks like I might be swimming against the tide trying to get this to work. Still…the quality turns out to be crap when i’m uploading it on youtube, does somebody have any tips on what I should do? The Pinnacle Studio 14 has no problem to import the videos …I am a old Studio 9 user and I am happy with Studio 14 so far. The major underlying problem, with the 7D at least, and Pinnacle is that Pinnacle sees my video clips as interlaced and not progressive. I have the perfect article for you – Canon 7D Tips – What should my first lens be? It will take Stereo 3D pair or side-by-side split image and let you spatially align and or shift frames. DSLRs in particular have proven a revelation in movie capture: what they lack in video ergonomics and ease of focusing is more than made up for in flexibility and sheer quality. Files which smoothly play back on the cameras which captured them can see even the fastest computers grind to a halt. But don't be disheartened: I went through exactly the same journey and finally discovered a configuration which could edit even the toughest HD content with relative ease. I'm simply sharing the one solution which worked for me personally under Microsoft Windows. I had a pretty decent PC running Adobe Premiere Pro CS4 under Windows Vista 64 bit on a 3GHz Quad Core CPU with 8GB RAM. It seemed no amount of hardware tweaks or upgrades to a half-decent base system would make a significant difference to HD video editing, leading me to conclude the main problem wasn't with the hardware, but the software. Later Adobe released Creative Suite 5 (CS5), which included a brand new 64-bit version of Premiere Pro, claiming significantly improved performance and greater compatibility with DSLR video files. Note: I was using 64-bit versions of Windows Vista and 7 in order to support more than 4GB RAM, but it's also necessary for running Premiere Pro CS5 which is only available in 64 bit.
Previously I had to wait several minutes after booting Vista for its various caching to complete before it became usable, but now Windows 7 was ready for action almost immediately after logging-in. The interface of Premiere Pro CS5 may be essentially unchanged from its predecessor but under the hood it's a completely different beast. Running the OS and application from an SSD certainly made everything feel snappier at startup, but the major difference in editing performance was down to software alone: the switch from CS4 under Vista to CS5 under Windows 7.
These include numerous expensive Quadro CX boards along with the more mainstream GeForce GTX 470 and GTX 285. I'd originally planned on doing a before and after comparison with one of the compatible cards (or a more affordable one 'hacked' to work with CS5), but the fact was I was already satisfied by the performance of my existing setup as it stood. Editing H.264 video with Adobe Premiere Pro CS4 under Windows Vista was an infuriating task which has been revolutionised with CS5 under Windows 7.
In almost two decades of writing about computers, I can't think of a bigger boost in performance between consecutive versions of software.
Sure I may have switched the boot hard disk for an SSD which resulted in snappier startups, but this made little impact on the improved editing performance which was simply down to better software.
In PC terms, that's almost prehistoric now and reassuringly proves even systems which are several years old are perfectly capable of smoothly editing HD video with the right software. I realise Premiere Pro CS5 carries what seems like a high price tag, but remember it allowed me to achieve the results I was after without any hardware upgrades. You can also make considerable savings by going for one of Adobe's Creative Suite bundles if you're interested in other applications like Photoshop CS5. I can't say for certain, but since the Mercury Playback Engine requires a 64-bit operating system, not to mention a high-end GPU to further accelerate its performance, it seems unlikely we'll find it deployed in the mainstream Elements version for some time. So long as you've got a quad-core CPU with 8GB RAM, your hardware will already be good enough. Select from our library of PiP graphics, or import a photo to create your own animated overlays. Particle effects, alpha-blended PiPs, and slick transitions are inserted according to the style of your selected theme.


Include menu navigation that gives the option to play all scenes or make a scene selection.
You can imprint subtitles directly on your video to appear like captions, or set them as a selectable feature on your output DVDs. Support for Blu-ray Discs gives you even greater capacity for your high-definition videos.
HD video editing software PowerDirector now lets you directly import photos from Flickraā€˛? and audio from Freesound. You can also adjust the audio levels of individual project resources item by item, including those on your video, PiP, music and voice tracks. I would like to burn the 5D MII HD mov file on a DVD so that I could share the video to audience, who just has the DVD player but would like to see HD movie.
This problem is bad enough that I am now looking at other packages because the output produced by Pinnacle’s product is questionable when it comes to this interlacing artifact problem.
I checked the videos files in several other applications (Sony Vegas for one) and they see it as progressive. This forces Pinnacle to re-render the entire clip and the edge that was jaggy will no longer appear that way in the output.
Another option would be to convert the videos to some other format outside of Pinnacle be fore using it so that Pinnacle sees them as progressive.
I will hopefully soon post some screen shots of exactly what I am referring to, and maybe even some clips (though its hard to share those on the web without compression and downsizing hiding the artifacts). Indeed many professional film and television producers are adopting DSLRs for a variety of tasks from backup cameras to primary capture devices.
There are of course many other video editing programs available, not to mention alternative platforms, most notably the Apple Mac. It was a fairly modern and respectable configuration, but one which became intolerably slow when fed 1080p footage from DSLRs. I decided to kill two birds with one stone and delayed my Windows 7 upgrade for the arrival of Adobe CS5. Native 64 bit code allows the application to access all your memory, while the new Mercury Playback Engine really does seem to eat HD content for breakfast. I understand the hardware acceleration really comes into its own when editing projects with multiple streams or pro formats higher than 1080p (such as 4k or uncompressed), but for my projects involving one or two H.264 1080p streams, it honestly wasn't necessary. Many people wouldn't think twice about spending the same or even more on upgrading their hardware to achieve a desired level of performance - and while that process may benefit other applications, it also involves far greater upheaval than simply inserting a series of discs, and in this instance it still wouldn't have delivered as good an experience for HD editing.
Indeed for much the same price of Premiere Pro CS5 and Photoshop CS5 bought separately, you could buy CS5 Production Premium which includes both heavyweights along with After Effects, Illustrator, Flash, Soundbooth, On Location and Encore. Sure if you're buying a brand new system, then by all means go for the latest parts, but I'd strongly recommend not doing so at the cost of compromising on the right software.
You can move buttons, include animated chapter thumbnails, even import images as backgrounds. PowerDirector adds the final pro touch to your discs with its built-in authoring tools for Blu-ray Discs and DVDs. Creative Commons licenses allow you to use other people's work for free as long as you follow the wishes of the artist, such as provide attribution or use it for non-commercial projects. You can see this by hovering your mouse over the timeline or just going back into that dialog box. In this article I'll share my tips on the configuration which now allows me to easily edit HD video from the latest DSLRs or camcorders - and using hardware from late 2007. I won't be writing about these here, but hope to try out and compare HD video editing on modern Macs in a future article.
Once CS5 was available I took the opportunity to install both it and Windows 7 on a new Solid State Drive, SSD. Finally, if you already own a previous version, there's upgrade deals available, while those in education can enjoy significant discount.
Premiere Pro CS5 running on a good PC will thrash lesser software running on a state-of-the-art model, and could end up costing you less overall too.
In the meantime, anyone who has recommendations on editing HD video on Macs or alternative PC platforms, please tell us all about them in our forum thread which accompanies this article; conversely, feel free to ask any questions concerning this article in the same thread.



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