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I5Webx provide Portraits , Interior wall art , Exterior wall art , Factory name board writing , Play school art , Kids room art , Canvas painting and Oil colour painting. But first, I want you to understand this: I am NOT some money-grubbing video hack recycling out-dated generic info for outrageous prices to unsuspecting would-be filmmakers. I am a passionate life-long filmmaker and educator who loves teaching and helping other filmmakers.
Film and TV projects Ia€™ve made have been screened at the Tribeca Film Festival, Slamdance, and on MTV and The Education Channel. I am currently the Production Center Manager and an adjunct professor at NYU-Tisch School of the Arts, one of the most renowned film schools in the world, where I instruct grad and undergrad students on everything from lighting to audio to camerawork and other practical production strategies for pulling off their creative vision regardless of their budget or previous experience level. Even with a family and full-time job I actively devote a huge chunk of my time to helping up and coming filmmakers. Unlike the money-grubbing video hacks peddling whack digital downloads across the Internet, I actually want you to succeed, so Ia€™m not gonna B.S. 100% real-world illustrated practical instructions on the tangible and intangible things that can help you make your film and video projects with less mistakes and better end results regardless of your budget. 296 glossy full-color pages featuring 500+ clear full-color photos and diagrams in a real soft-cover book.
This isna€™t one of those cheesy low-budget fly-by-night digital downloadsa€¦this is a glossy full-color soft-cover book, packaged with a professionally produced Bonus DVD that features a one-of-a-kind video DVD tutorial on recording better audio that has received univerSal praise for ita€™s clarity and usefulness. This entire book and DVD package has been professionally edited, designed, laid out and perfectly-bound by the worlda€™s leading publisher of technical film and TV books,Focal Press . This is a book and DVD of purely practical advice and technical instruction from the deep trenches of guerrilla filmmaking. If youa€™re busy trying to launch a film, I know that you dona€™t have the time to read between the lines, so I took more than 2 years out of my life to catalog and illustrate the filmmaking process and write The Shut Up and Shoot Documentary Guide to break down the things you most need to know.
Thata€™s just the useful information that Ia€™m providing, but even after 15 years in the game, I dona€™t know everything (far from it), so I reached out to gather more practical wisdom and advice some of the most respected, experienced and talented filmmakers and experts in the industry to ask them to fill in my blanks by giving you their candid advice in pages entitled Been There, Done That, that are dispersed throughout the book by topic. Who are just some of the diverse respected and talented filmmakers who have contributed their vast filmmaking wisdom and knowledge to this book?
John is an world-renowned animation historian and Executive Director of Animation of NYUa€™s legendary Tisch School of the Arts.
Adrian and his brother Rocco, shot their documentary, Genghis Blues, on a Hi-8 video camera in the rugged mountains of Tuva. Many of these name-brand indie filmmakers have been nominated for (and even won) Oscars and won more major awards, festivals, and accolades than I could hope to list.
In the 15+ years Ia€™ve been making film and TV, Ia€™ve wasted many precious hours (actually days) of my life reading i??between the lines of some overwhelming film book, trying to find and decipher the few kernels of real information that were actually relevant to helping me make my projecta€¦I rarely found the practical info I needed and hardly ever in a single book. In The Shut Up and Shoot Documentary Guide Ia€™ve gone through great pains to make the complicated and confusing process of filmmaking easy and clear for you to understand and more importantly, execute. Long after you begin to master the craft, the Shut Up and Shoot Documentary Guide will serve as a continual illustrated reference guide to the thousand little technical and procedural details you need to recall to pull off a film. Not only that, but this book will help you avoid the most common filmmaking mistakes and give you the technical know-how, insider tips and confidence to capture your vision regardless of your budget. In addition to that, ita€™s gotten more positive reviews and endorsements from active blog writers in and around the filmmaking community, such as Making The Movie, Irascible Ian, and The Blog Columnist.
This partial list includes some of the most prestigious names in film education on either side of the globe and they have adopted this book in the classroom for one reason and one reason only- ita€™s helping their students to make better films. I want you to take the word of the many happy customers who already own The Shut Up and Shoot Documentary Guide. This price is much lower than other filmmaking products on the market and even 20% lower than the retail price printed on the book. T-Enami.org - A Welcome, all who like old Photos of Japan !YOU ARE ONE OF OVER 100,000 VISITORS TO THIS SITE. We are seeking not only actors who have done major speaking roles, but also full production crews, from producers, directors, script and screen writers, Dpa€™s, lighting personnel, electric, set decorators, hair and make-up artist, editors, to those with experience in marketing and distribution. E- Brochures, E-Catalogs, Flash Catalogs in Chennai, India  for offshore companies looking to build impressive marketing collateral. For providing creative and conceptual advertisement solutions, we have strong team, A full fledged AD and film production experienced in advertisement and film production. Nor am I one of these guys who made a single lame little film that never saw the light of day and is now claiming to somehow be able to give you everything you need to take on Hollywood with a dollar and dream.
A feature film I produced was covered on the front page of both The Hollywood Reporter and Variety when it took the top prize at the prestigious 2003 IFP Film Market in New York City.
As a service to the indie film community I provide tons of helpful original information in the form of a free filmmaking blog, podcast, email newsletter and Ia€™ve even donated thousands of dollars of this product to several filmmaking non-profits organizations that serve teens.
I do them because this is my art, craft, and passion and I want to share the many things Ia€™ve learned (and am still learning) and do my best to inspire you to pursue and persist at filmmaking. These are just practical straight-up answers that every filmmaker will need to know sooner or later- all explained clearly, in plain English, step-by-step. They are self-taught and challenging the traditional notion of film distribution with innovative new models.
Ita€™s an easy and humorous read and written to inspire and motivate you to pursue your vision regardless of your budget or experience level. Not only that, but there is absolutely no-risk for you whatsoever, because just like the filmmaking instruction, the guarantee is no B.S. The best part of all is everyonea€™s efforts will be seen by the professionals at Maxima Vision Films and have an opportunity of actually being contracted with this professional film company either as actor, producer, director, camera person, editor script writer or crew member! We need to put together two complete production crews to enable us to always have at least one film in pre-production, one in production and one in post year round.
So, if you want to promote your business, service or any product through the medium of Internet, a well designed website from us can boost your sales and increase you profits.
Handled lots of domestic and international brands and served with contemporary concepts with creative scripts.
And they are all giving perfectly candid, concise and practical advice on everything from funding to storytelling to ethics throughout this book.
They must be at least five minutes in length and no more than eleven minutes including credits.
Randall Maxwell, who brings his 35 years experience in Hollywood and Wilmington NC in the film industry to Nashville to direct this Nashville Operation.
A A If you are one of those individuals who already have the professional experience necessary to produce quality films and television productions, now is the time to get your working resumes to us to be considered working for our company.


If you are truly serious about filmmaking and looking for a better learning resource, therea€™s nothing more to say or to do except buy this book and Shut Up and Shoot! OTHERWISE, BEGIN SCROLLING DOWN FOR A TREASURE-TROVE OF RARE AND BEAUTIFUL PHOTOS OF OLD JAPAN. A Executive Producers, Producers, Directors as well as Film Investors from all over the world will be invited to attend this exciting 10 day extravaganza! You may want to scrawl down past the next several paragraphs, as they pertain to our professional training.
Maxwell will be deciding upon and after this illness passed we will take a look at producing these scripts into feature films or television productions. The same applies to anyone interested in securing us for any of your professional production needs. Maxwell is spending this time taking care of his wife, and not in production, he has plenty of time to read scripts. Thus, this is a wonderful time to have him take a look at your script.i»?A This page is set aside to give us an opportunity to keep our visitor abreast of what is going on with Maxima Vision Films and our film school.
ENAMI WEARING SAMURAI ARMOR, TAKING A REST BETWEEN POSES IN HIS YOKOHAMA STUDIO, CA.1898-1900. A If you feel you are in need of, or if you will just like to have professional help on your project you hope to enter into this festival Dr.
At the same time we encourage our visitor to write us anything they feel may be of interest in film and television to our community.
Not that you must come to work for us, as after training you will be more than qualified with professional training, as you will have actually worked on at least four real feature films in your chosen discipline that you can put on your resume, that you can practically chose the production company you want to work for anywhere in the US or abroad. Many of these articles are written by our own CEO who is serious about keeping our whole community up to date with any breaking news and events we may be involved with. ENAMI, OTHER WELL-KNOWN JAPANESE PHOTOGRAPHERS WHO OPERATED DURING THE MEIJI-ERA (1868-1912) ARE MENTIONED THROUGHOUT THE COMMENTS.I HOPE YOU FIND THE STORY AND DATA BOTH INTERESTING AND HELPFUL. In the event you write to us a story we find the community may want to know about we will post here on this page. FOR THOSE WHO ARE HERE PRIMARILY TO LOOK AT THE IMAGES, I HOPE THAT YOU EXPERIENCE SOME ENJOYMENT IN GAZING AT A FEW OF ENAMI'S"LOST PICTURES" OF OLD JAPAN. These stories may be of any kind pertaining to the film and television industry, from casting calls our community may want to know about, to events in the area, to a new story ideas you come up with you think might make for a good film or television production.
THOSE THAT LIVE FOR DISCOVERING NEW DATA AND CONNECTING THE DOTS WILL NO DOUBT FIND SOME EYE-OPENING REVELATIONS HERE.A OF COURSE, WE ALL LOVE KIMBEI KUSAKABE AND THE REST OF THOSE ILLUSTRIOUS JAPANESE PIONEERS OF PHOTOGRAPHY WHO GOT THEIR START LONG BEFORE ENAMI OPENED HIS OWN MEIJI-ERA STUDIO. You may choose the discipline of acting, producing, directing, script & screen writing, editing, business of film making, basic film production, camera operator, director of photography, animation, any discipline within the collaborative art of film making.
THEIR BEST WORK IS ENOUGH TO TAKE YOUR BREATH AWAY.HOWEVER, ENAMI ALSO HAD HIS FANS AND FRIENDS, BOTH AS A PERSON AND AS A PHOTOGRAPHER. This is a two year certificate program with the top 50% of our graduating class being offered a two year paid internship with our production company, giving you a working resume in your chosen discipline where you can continue working for Maxima Vision Films or choose practically any other production company within the US or abroad. Randall Maxwell of Maxima Vision Films takes some of the backdrop of that particular White House, fictionalizes the story, orchestrates some look-a-likes and dramatizes a womana€™s lust for power who is willing to do whatever it takes to become the first lady president of the United States, including assassination, sex, love or war. AS YOU SCROLL DOWN THESE PAGES, FOR A FEW MOMENTS YOU MAY STEP INTO ENAMI'S SHOES, AND TAKE A PEAK THROUGH HIS LENS.A LIKE SO MANY OTHERS --- SOME NOW FAMOUS, BUT MOST BEING FORGOTTEN --- ENAMI DEDICATED HIS LIFE TO CAPTURING, AS BOTH ART AND DOCUMENT,A WORLD THAT WAS QUICKLY VANISHING BEFORE HIS EYES. Please readOur most pressing news as of September 2015, something I hope all readers might read before searching other pages on this site.
These workshops also get you working immediately with our professionals who are making movies each and every day. AS THIS SITE IS A PERSONAL HOMAGE TO ENAMI, YOU WILL FIND SOME AMATEUR ELEMENTS, AND THE OCCASIONAL PITFALL.
These workshops can be either taken over weekends, camps, taken one day a week at 3 hour classes, or two days at 1 hour and half, both of which you will also be involved in a three hour workshop on the weekend at our production facilities. AT ALL TIMES, PLEASE "EAT THE MEAT, AND SPIT OUT THE BONES" WHILE DIGGING FOR VISUAL TREASURE.DISCOVERING THE OCCASIONAL GEM OF A PICTURE, OR ODD BIT OF INFORMATION, WILL HOPEFULLY MAKE THE SCROLLING WELL WORTH IT.
If you are an aspiring actor, you need to at the very least know how to prepare for a casting interview, as you only have one shot in this business to get it right!A Do you know how much work goes into the production of a film or television production? This is an absolute in this business & like preparing you for a casting interview, these are all a part and included in any of our camps, workshops and classes.If you are an aspiring actor?
Remember, a demo reel is just what the name implies, it is a demo of your acting abilities. When three unlikely but well-intentioned groups of mighty people join forces to battle the demon, they face challenges within and without. Their variegated backgrounds, including slavery, military, and commoners, must be overlooked if they are to stop Man Burnera€™s evil quest. Now, all the services offered at our other production facilities will be available to serve Tennessee. The powerful and precious Atma stones must be kept secret if the world is to be saved.Will Man Burner be able to succeed on his quest to find the Atma stones? At your own school or church, we can even make available a after school program for the cost of basically any other after school program, but you are learning what you are passionate about, making movies. The general wording seen above was fairly common to all photographic self-promotion during the Meiji-era, and actually contains less specifics than some of his studio ads which he placed in various guide books of the time. Each of these programs will ultimately produce a short student film that you may use on your resume for your chosen discipline, entered into competition with other Christian schools and churches in our upcoming 2015 film festival. OGAWA, who was actually a year younger than Enami, was still his "elder" in terms of experience. This delay is expected to last a couple of months, postponing production of every film by a couple of months.The reason for this suspension is due largely to the fact of us not yet having our film school, which is attached to our production company at the point where our investment group had wanted it by summer of 2013. We are not interested in the number of times you have had an extra spot in a film, or even a speaking role in a student film at some film school. Another large factor is not finding a large enough pool of talent here locally who have enough professional film experience or training to allow us to completely cast four feature films per year, let alone finding enough professionally experienced crew.Thus, one of the things we are now awaiting is hiring a casting director in Hollywood to cast any remaining major speaking roles for each film we have been unable to cast thus far. At present we have two major investment groups, one of which has already committed funding four feature films or television productions every year over the next five years. A Ask any professional in the film or television industry how difficult it is to obtain the funding for a feature film or television production.
As mentioned, we are as committed to quality product, films that will help to shape our culture positively, as we are to hiring as much local talents as possible. This is an all out effort to raise the bar in this region of professionally trained actors as well as crew. We are absolutely committed to producing such quality that in the near future that anyone who has any interest in producing a redemptive story idea, there is only one logical solution as to what company one is to come to for producing such a product, and that is Maxima Vision Films. At this summer feature filmA  consortium; Whether you are an aspiring producer, director, script writer, editor, animator, actor, cinematographer, or just want to learn the ins and outs of the film making industry, you may begin as early as the summer of 2013 building your working resume by participation in our Summer Feature Film Consortium!
No one in Nashville is even producing a film per year, let alone cranking out four feature films or television productions each and every year, not until now. We feel after viewing how serious we are about those talents we hire above, you will realize how serious we are in producing for you the most professional production money can buy.


Well, we have serious investors who share our same passions who are willing to put their money where their mouths are.
Let us commit ourselves then together to perfecting our craft of film making and television production by committing to professional training and stop spending money with so-called agencies who are simply in business to sell schools and photos, but have no real connections to even consider making even a feature film. A A Come now to get involved in our celebration of our opening up our home office in Nashville, Tennessee.
It is a very sad thing that so many have been lured into such scams and have been taken advantage of, but now it is time for change and a part of this change is a must, raising the bar of excellence. It was photographed by Enami's friendly competitor and neighbor Kozaburo Tamamura, whose studio was located at No.2 Benten Street. Get involved now with a company who is committed to harnessing the power of the mediums of film and television to help shape our culture positively verses negatively, as Hollywood has for decades. It is now time for us to show our investors that we are willing to invest in our future so that very soon they will allow us the opportunity that all of us can make a very good living doing what each of us love doing and that we are extremely passionate about.A This film school has always been and will continue to be always a very specialA  part of our production company and our plans for the future as a means of keeping well trained professionals continuing to come on board with our production offices, from professionally trained actors to crew. This keeps fresh ideas coming through the doors, but more importantly it allows us to always know we have the most highly skilled actors and crew that money can buy. It would be built in 1894 just down the street on the right hand side, and appear in endless views and postcards as the most recognizable landmark of Benten Street. Our investment group has always made the film school a stipulation on their investing in our feature films and will continue to do so. Other images of Enami's studio -- both interior and exterior views -- are shown farther down on this page.A  While offering many of the same services and productions as his contemporaries, he also engaged in other activities that made him unique.
A One of the biggest concerns of our investment group is to keep from happening here what happened in Louisiana, where their film makers were at least diligent in getting their law makers to raise the incentives to entice major film production companies like Maxima to come into their state to produce films in their state. They were able to do this by quoting statistics which prove, when major film production companies come into your state and begin producing motion pictures, they bring with them literally millions of dollars into the local economy. Further, while no photographer did "everything", Enami worked and published in more processes and formats than any other Japanese photographer of his time. In Louisiana, they experienced tremendous success in enticing these companies into their state.A Unfortunately, these companies came by the droves, however, once there they found there was not enough professionally trained talent already there to produce the number of films they wanted to produce, causing them to have to hire the bulk of their needed talent out of state.
A He was one of only a few photographers born during Japan's old Edo-Bakumatsu period, who went on to photograph right through to the Showa period of Emperor Hirohito.Enami was also one of the few to experience, and then successfully outgrow his roots as a traditional maker of the classic, large-format "Yokohama Shashin" albums. Because these incentives are based on hiring local talent, these companies when they were forced to hire outside of state talent, they lost their incentives.
While successfully embracing the smaller stereoview and lantern slide formats, he added to that a portfolio of Taisho-era "street photography" that maintained his own unique and artistic content. Louisiana has since worked diligently trying to get professional instructors in their public schools and universities to train up a workforce of professionally trained film and television professionals to salvage what they can of the professional production companies who have remained and tried working with them.A At Maxima Vision Films, we have experienced the same thing in this region as far as finding sufficient professionally trained talent to do here what we had planned to do in this region.
When I speak of this region, I am speaking of the region of Tennessee, Arkansas, Oklahoma and Louisiana. We have two investment groups, one of which has already committed to funding four feature films or television productions per year over the next five years here in this region with Maxima. We want to shoot films that matter, films which can help to shape our culture positively as opposed to negatively.
These films will be marketed directly to the Christian community, which when one considers 70% of the USA population are professed Christian, this is an enormous market. We are certain if we can keep our production cost down under a million dollars the odds are in our favor of at least breaking even if not making a few dollars, especially considering telling stories that matter.
If we can keep our films under $500,000 the odds go up even further, and we know one film in 6-7 will make a substantial return.
Our main goal though is telling stories that matter, that might help shape our culture positively, and we can all make a decent living while doing what we are all passionate about doing. A To accomplish all of this though, we are going to have to raise the bar here in this Texas region as far as talent goes.
We are diligently seeking those individuals who have a real passion for film making and television productions, who are driven by this passion to do whatever it takes to one day be able to make a living in a industry that chances are very bleak in anyone getting to a point of making a living.
However, one thing is for certain, to have any chance at all, the more one is willing to do in the industry, whether it be sweeping the floors, taking coffee to the director, or being the lead role, or simply investment of time, energy, and money to keep perfecting their craft, all tends to lead to work, which gives us more exposure, that in turn leads to more work, etc, etc, etca€¦ A The point is this; we have investors, which is something, if not the one and only thing which keeps most from doing what they truly want to do in this industry!
Enami and Kimbei Kusakabe are now the only two Japanese photographers known to have a surviving list of their commercial 2-D images. These investors are seeking individuals like yourself who are like minded, those who have a real passion for film making and television productions, but who are also just as passionate about telling stores that matter. However, the real key is finding these like minded individuals who take this business very serious, as serious as our investors take it, those who are willing to invest into their own future, so as to help them to perfect their individual craft so that they are the very best they can become, so that as a collaborative art form we are able as a group of individuals creating a quality product. While Enami's 2-D portfolio contained a sprinkling of older, public domain images, his 3-D images and slides made from them were wholly his own.A THE 3-D CATALOG "S 26.
Girls Looking at Pictures" A Maiko and two Geisha Looking at Stereoviews in Enami's Yokohama Studio. One of over 1000 cataloged 3-D images of old Japan.A THE "CATALOG OF COLORED LANTERN SLIDES AND STEREOSCOPIC VIEWS"A  Not surprisingly, Enami matched his older Catalog of Meiji-era Prints with a separately published catalog of his classic STEREOVIEWS.
In the case of the 3-D Catalog, the lantern-slides were all made directly from one half of the stereoview negatives.
The Cover and two sample pages of the Stereoview Catalog are shown just below in the Enami Activity List numbers (6) and (9). After he began his own recovery, he helped set up centers to help other addicts."I abandoned my old life to serve the Lord Jesus Christ," he said. One twin struggles with an addition to prescription drugs, while the other battles doctors whose prescription anti-psychotics are driving her sister to madness and death.a€?One is what I call a€?preachya€™ and more for the church community and affirming faith,a€? Maxwell said. ENAMI'S ACTIVITIES and CONTRIBUTIONS TO THE WORLD OF JAPANESE PHOTOGRAPHYA A  For the moment, based on a wide range of primary sources, it is now clear that T. With the first type of film we will focus on films which are considered preachy and on the nose which will be marketed directly to the Christian community.
The second types of films we will focus on are those designed to reach the un-churched with a message of hope for a hurting world, a film with at least a redemptive message. This investment group is especially interested in getting involved with projects where the project owner has some sort of invested interest in the project themselves or have some avenue to put together a split funded project somehow, thus splitting the risk as well.A A Thus, this investment group funded many trips around the country for Dr. Maxwell to travel and meet with other investment individuals, companies and groups who had expressed interest in partnerships with the films we were already in pre-production stage which were our films a€?Rachela€™s Gracea€? and a€?Sister Surrendereda€?, both of which had an estimated production budget of around $300,000.
We had felt with partnering with others who could double the production budget we could add at least some actors with much experience as well as other talents.
Unfortunately, at this point, though we met many such investment groups who had expressed interest in split funding our film projects, most simply had projects themselves who they wanted our investment group to invest in their film projects and did not show us even any interest what so ever in split funding our film projects after our investment group paid travel and lodging expenses for Dr Maxwell to meet with these people. A With this being said, this has been a very expensive summer for our investment group in trying to put together split funded film projects.



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