Photoshop CS has long been regarded as the world’s best photo editing software, and the yardstick for all other photo editors. And as more and more of us shoot RAW files, the quality of the RAW conversion process and the tools you can bring to bear become ever more important. Even though Photoshop might still be the best photo editing software, an image editor in itself may not be enough for the things we want to do with our photos today. So we’ve rounded up eight different image editing tools to cover all these different jobs, from regular photo editors to image cataloguing specialists like Lightroom and all-out RAW converters like DxO Optics Pro. What’s becoming increasingly obvious, though, is that one program alone may not be enough, and you may find you need to use two, or maybe even three, to get all the features you need.
For example, Photoshop is brilliant at image editing, but offers no tools at all for organising, searching and collating your photos. You can use Adobe Bridge, but that’s really just a file browsing tool, and relies on users creating a rigid folder-based filing system. The larger your image collections become, and the more you want to find, use and share your photos in different ways, the more difficult it becomes to use folders alone.
Lightroom tackles the complex image management jobs that Photoshop is not designed for and makes light work of day to day enhancements and RAW files, while Photoshop takes care of the advanced image editing tasks that Lightroom can’t do.
It’s no accident that Adobe is bundling both together in its current subscription-based Creative Cloud Photography plan.
Photoshop Elements is a more complete package, coming with its own Organizer app to look after your photo collection.
It does have limitations for more advanced work, and while once it cost a fraction of the price you paid for Photoshop, the gap is now effectively very narrow indeed. Cyberlink PhotoDirector 6 offers many of the same tools but with a more amateur-orientated twist, while Capture One Pro 8 is bearing down on Lightroom from the professional end of the market, with its own image cataloguing tools and a highly competitive set of RAW image adjustments. It’s actually very interesting to compare the results from these different RAW conversion tools. Adobe Camera Raw, as used by Photoshop and Lightroom, is by far the best-known and most widely-used RAW converter. DxO Optics Pro takes RAW conversion quality to the extreme, using lab-developed camera and lens profiles and constantly-developing raw conversion technology to deliver results you may not have realised your camera is capable of.
Digital imaging is going through some exciting times, with higher-resolution sensors, sophisticated software lens corrections and advances in RAW data conversion and noise reduction. Both have proved highly popular with PC owners looking for lower-cost photo editing solutions, but times are changing. And let’s not leave Photoshop Elements out of this either, because it’s another very traditional application in its approach.
So, which photo editing software is ahead of the curve, and which is just trading on past glories? I agree with you Hugh, have just upgraded to PP suite 9 – still have so much to learn and practice in it and loving it so far.


This is a review of competing software, of course they aren’t going to include older versions.
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Facebook Discussions on Sale Editing Ur Responsive Sites Program Html Business Websitemaker Buy Drag And Drop How Designs Kitchen Layout Tool RoomJoin the discussion on this Sale Editing Ur Responsive Sites Program Html Business Websitemaker Buy Drag And Drop How Designs Kitchen Layout Tool Room using your faceb??k account below. This is a sleek-looking 2560×1440 display, and as it’s from Samsung’s Series 9 range you anticipate getting excellent picture quality (which you do). The monitor features hardware-based calibration, and you can easily adjust colour settings. As such, despite the panel’s capabilities, it feels like you’re getting style over substance. Another tilting, swivelling 27-inch IPS display, the VP2772 has lovely colours and a 2560×1440 WQHD resolution (four times as many pixels as standard HD video) with pre-set colour calibration. The menu system was rather utilitarian, but almost everything else about this display was highly likeable. HDMI plus dual DisplayPort connectors are incorporated for daisy-chaining with other devices, while there are four sets of USB ports (including four USB 3.0s). If light sweeps across your room as time goes on, you’re not seeing the same result from the same image from one minute to the next. A monitor will only perform to its spec in a black room with no ambient light and a work light carefully placed – AND NEVER MOVED.
I have a hard time believing that they couldn’t find a single acceptable 4K monitor for the list. It’s always the poor bums that bitch about apple products as if they are being held at gun point to buy them.
Maybe one of you who commented on this article know enough to help me make a good purchasing decision.
I am a data analyst by day, but I enjoy photography and do some photo editing, but my passion is helping people with picking paint colors for their homes. The Apple display is good for kids doing YouTube videos or family photo albums, but is unacceptable for any kind of professional work. In production editing rooms the lights are almost completely off, Very very dim, just so you can see where you are going. Dell Ultrasharps have typically been excellent for a mid-range display, calibrate well and I have had great printed results from them. Photoshop has long been the benchmark against which other image editing programs are judged. Photographers don’t just need image-manipulation tools any more, they also need programs that can organise, search and share an ever-growing library of photos. But it is designed for amateurs and enthusiasts in a way that’s very obvious and sometimes a little irritating.


Been using it after PS, LR and DxO, not mentioning some lesser, non dedicated solutions like ZPS and I am very impressed.
It has all the features you tested (image management, edits, RAW module…) and it would be interesting too see the comparison to other programs as well. The Apple display has an awful reputation with professional (high-end commercial) photographers and retouchers. I would suggest doing a bit more research into real monitors that have True 10bit displays, offer 700:1 contrast ratio, and offer factory calibration with probes and calibration software (suggested ad ons). I found many useful info in it that helped me complete my post on the best photo editing monitors. So, here we put Photoshop CC and seven popular alternatives head-to-head to find out which is the best photo editing software, offering photographers the most complete package of features and ease of use along with value for money. Best RAW software I ever used, with great output, retaining high level of detail, very fast on my computer and developing beautifully detailed, clean and colourful photos with a few keystrokes.
You may say that these are not listed in any order of greatness but position one is a clear-cut endorsement. If those compromises are constant, fixed, the results can be refined to optimum, eventually. IPS panels have been around long before led backlighting (the backlighting method used to illuminate the pixels the panel is made up of) was ever used. Calibration is possible to get fairly accurate colours but I didn’t need to do any when I sent my pictures via email to a professional printer. If it only had direct filesystem approach instead of catalogue, I would praise it with heavenly blessings.
I used to buy CS, but when I did the math and knowing that you either fall behind several generations of upgrade every couple years, I think you actually come out ahead by going with CC.
It is most probably the best solution on the market and even if rather pricey, it was the money well spent. I understand the aversion to the idea of “renting” a software on demand, but I have old licenses I never use, so what use are they? But my files will open long after my software is paid for and when Adobe raise the rent , and they will at some point, I will not be affected. From what little I know about Adobe, Let’s say that they go out of business tomorrow or they sell the company to another provider.



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