Cindy Freeman moved to Los Angeles from San Diego in 2009 to pursue a career in the film industry. Cindy has worked on a number of independent films as a production assistant and 2nd A.D while in Los Angeles and in July of 2010 she began working at Dreamworks Animation as a production coordinator. Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers. If the kids are around, you might wanna send them out of the room for a minute.  I’ll wait.
What people intend to show with a scene like this: That despite his shortcomings, the hero is not a bad guy and this unnaturally attractive woman sees that. The person who gets pounced needs to give the pouncer something that they truly want or need. What people actually show in a scene like this: That they couldn’t think of something creative or new to show this character trait. Also, sex isn’t the only way to show that a character doesn’t care about something of value.
The scene where the guy really wants to have sex, but the girl doesn’t, so the guy kinda just goes ahead and starts doing sex to her anyway and she eventually comes around and has an amazing time about it.
What people intend to show in a scene like this: That the girl really is actually into this guy but that she’s just shy or something. What people actually show in a scene like this: That the characters are kind of okay with sexual assault. A scene like this can work if it’s clear that the characters really do care about each other and if there’s a clear reason for the woman’s reluctance. What people actually show with a scene like this: That they think men are simple automatons who have no ability to control themselves if they see lady skin. If a sex scene is inserted just to seem edgy or cool, it will feel flat, unnecessary and exploitative.
Just like actual sex, when it comes to writing about sex, the tension is often more interesting than the release. A degenerative illness will feel like a bigger kick in the gut to a competitive athlete than it will be to a homebody. If we haven’t met a character’s extended family in the first 75 minutes of your story, it won’t make us all that upset if we find out that their favorite aunt died in minute 76.
Your audience wants to feel bad for your characters; they’re looking forward to empathizing with them. We return to the topic of music in film once again with London based composer Ram Khatabakhsh. Ram started playing the keyboard at the age of six – just to figure out the melody of his favourite songs and themes. Ram currently directs a music production company (Motion Sound Production) based at Pinewood Studios (UK) where he collaborates with directors and producers and works with a number of talented musicians and engineers. That’s a great question and there are plenty of options for this type of project.  Meaning, you can find another company to co-produce with you who has insurance, purchase short-term coverage or, if you plan to make many of these films within a year, you may consider purchasing an annual policy. Screenwriter and Development Executive Tom Vaughan joins us to talk about working as a writer in Los Angeles and teaching screenwriting in LA and Houston. Tom Vaughan studied at the University of Houston with Broadway legend Jose Quintero and three-time Pulitzer Prize winner Edward Albee. His productions include BLACKOUT with Jane Seymour for CBS, and CRITICAL ASSEMBLY with Katherine Heigl (Grey’s Anatomy, Knocked up) for NBC. He has been teaching screenwriting for nine years between Los Angeles and Houston and finds it as gratifying as actually practicing it. Ellen Coss is a 25 year veteran in computer generated imagery, starting her career at the seminal Digital Productions.
Seeing that overseas production was the wave of the future Ellen headed to Prana Studios, a 325 person animation studio with offices in Mumbai India and Los Angeles. Ellen then provided producing consulting services for the animated feature Arthur Christmas an Aardman Animation film to be distributed by Sony.
You know that as a screenwriter, you will need to put words on the page to tell your story. Writer types (myself included) often love basking in the glow from their sparkling, perfectly obscure, amazingly profound WORDS. Without so many words, you get to delight in and focus on all the other ways to tell a story: what characters are wearing, their expressions or what artifacts are in their environments. My two favorite sequences in one of my favorite movies, Children of Men, also have no dialogue. There are so many moments in our own lives that are made powerful not by the clever turn of phrase someone threw together at just the right second, but by what they didn’t say, by what email didn’t come, by who wasn’t at the party, or who was, or the way they just turned away when you showed up and made eye contact.
Just for fun, try rewriting a scene or two of your latest screenplay without just half the dialogue, or if you’re feeling up to it, no dialogue at all and see how it changes the scene, or the piece entirely. Q: I’m new to LA and everyone is always talking about going to networking parties but I feel uncomfortable. Time is precious in a screenplay, so you want to get as much contextual information (not expositional information) out as quickly as possible. The wrong way to do this is to have another character provide spoken exposition like the following. Hey Amanda, since you are too busy and shy to meet anyone since your recent and painful breakup from Mark who works downstairs, I thought I’d invite you to a party tonight. The dialogue above is boring, on the nose and takes all the fun out of discovering who a character is. Following are are five effective ways to introduce your characters to the audience without spelling it out for them. A character’s positive or relaxed reaction to their environment will tell the audience that this is where they belong, that these are the things that make them happy and, per screenplay logic, the world that will be yanked out from under them later in the movie. By showing us what makes a character uncomfortable, we get a different, but equally as informative view on who they are. It’s not always necessary to use other characters or dialogue to help define your character. Almost everyone has an item or two in their possession that defines or illustrates who they are. The podcast on editing made me think of what’s been happening with on-set digital work-flow and I was wondering if you all had noticed. I have noticed this as well and it can be a dangerous practice to get in to if you haven’t thought it all the way through.
If you do decide it’s a good idea to cut dailies together on set, then I suggest having an assistant or 2nd editor who does that while keeping your main editor away from this part of the process. The editor’s only focus should be on telling the story and it is your job as a producer to make sure they are not unduly influenced. For our last episode of Season Four and of 2011 we recap the past season and all we learned about post-production, distribution and marketing. Jason Brubaker is a Hollywood based Independent Motion Picture Producer and an expert in Video On Demand distribution. Jason is a contributing author of The Independent’s Guide to Film Distributors, he is the founder of Filmmaking Stuff, a professional resource for independent filmmakers, and his articles on independent movie marketing, distribution and film production have been featured in The Independent, the New York Film Academy and Movie Maker Magazine. Brubaker has has lectured on these subjects to filmmakers from around the globe through various filmmaking seminars, panel discussions and workshops.
We are all imperfect and no one is good at everything, therefore, it is important for you to know your strengths and weaknesses in order to fill in the gaps. There’s a saying that when you make a movie you actually make three movies by 1) writing the screenplay 2) shooting the movie and 3) editing the film. Karl is also a producer of English dubs of foreign-language features.  Credits include Gen (Turkey), Wolfhound (Russia), and the animated features Goat Story (Czech Republic) and Space Dogs 3D (Russia). Karl and his wife Lauren have written three monster movies together, made a short film about hiccups, and are currently producing a series of childrens radio plays. Now that you have brought on Skye Rentals as a sponsor, you talk about base camp a lot.  What is it and why is it so important? I’m glad you asked this question Brandie because I feel like it might be one of those questions that a lot of people don’t know the answer to, but are too afraid to ask.  I didn’t know what base camp was until I had done a couple of films early on in my career as an actor.
Sometimes, base camp is a drive away from where the actual filming is taking place.  An example of this would be if you are shooting on a large ranch and power for base camp is near the house on the ranch but your actually filming the scenes off in the woods somewhere, you would set up base camp near the house and drive people to the location where shooting is occurring. When making a film it’s important to be mindful of adding value to the project in order to sell it later.
Film Method is the podcast that will take you through the nuts and bolts of independent filmmaking. Upon her arrival in LA she immediately began working with producer Jenna Edwards to create behind-the-scenes content for Jenna’s feature film April Showers.
Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education.
It was while Edwards was working for Ferrar that she developed an interest in the casting process, before long she had moved from talent agencies to working in casting with such industry leaders as Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (Jonas, Pepper Dennis) and Allison Jones (Super Bad, The Office).
We all got to Earth thanks to some very special hugs and chances are that at some point in our lives, we’ll do some hugging ourselves. The guy can act like a bit of jerk, but if he displays a genuine soft spot for his cat or grandmother or war orphans—then he might be pounceable. Spending bazillions of dollars on a car, just to wreck it seconds later and not care about the little Honda Fit he destroyed in the process because he’ll just pay everyone off would get the same point across.
I’ve watched movies where people use women like playthings and we still kinda want to be like them!
A scene where an exhausted Dad reminds an exhausted Mom that they’re going to make more of an effort to make a go of it could be informative and sweet.
It should show us new information about the characters and it should directly affect the plot of the film. While it’s titillating (pun intended) to see nudity on screen, if you’re trying to evoke the kind of emotional reaction that will make a movie really resonate with audiences, not giving it all up is really the way to go. R-rated movies are a harder to monetize because fewer people can go see them and so fewer people pay for tickets to them. This is not to say that we’re going to laugh when an unknown character gets a bad diagnosis, but without the proper set up and character development, bad news for a character can feel at best, unimpactful and at worst, manipulative.
A sudden death of an up and coming star, scholar or leader will hurt more than the passing of a person who hasn’t done much nor aspires to. While out-of-the blue events happen in real life all the time, these deus ex machinas often fall flat on film if they’re not supported. If a character has put nothing on hold preparing for a promotion, we won’t bat an eye when we learn that the gig went to their coworker. Losing a job sucks, but it is completely possible to live off unemployment for a while and get a new job, so it’s not the end of the world. But it is possible to get medication, join a support group and have a perfectly normal life. But if a character gets trapped in a storm that’s just like the one that orphaned her when her parents had to drive through it to pick her up from camp because she wouldn’t stop crying…that takes the emotion up several levels. Ram discusses his passion for composing music for film and working as a composer for independent film. One day shoot with a cast and crew of about 10 people.  I want to make sure my production company, crew and the property are covered. Tom also shares what it’s like to develop scripts at a small production company and gives some advice to new screenwriters as well.
It was his work as a writer and director in Houston theatre that got him recognized by Hollywood. He served as writer as well as Co-Producer on ATOMIC TWISTER with Sharon Lawrence and DEAD IN A HEARTBEAT with Penelope Anne Miller and Judge Reinhold, both for TBS. He is currently the Director of Development for the Los Angeles production company Dirty Robber.
The concept of creating a whole world is the same, but in CG animation, every aspect of the production is created in a computer. And yet, despite the fact that we don’t hear crackling wit snapping back and forth between the characters, we always know exactly what’s going on, we’re on board with how characters are feeling and we get to delight in the visual medium that film is. Characters in fact, can often come to life much more when they are not resting on the crutch of words. In fact, most of the third act of that movie is, apart from score and sound effects, silent. A point, a smile, a frown, a tear, a step away from you, or a subtle scoot toward you, a kiss, a stumble, a something left behind when they thought they had cleaned up all the evidence…these types of things often speak loudly and clearly without using words at all. In order to understand your story, the audience will need to know a decent amount about each character’s personality almost immediately.


You’ll probably freak out at all the people there since you have social anxiety, but I want to help you since I know that deep down, you really do want to connect with someone. Imagine each example describes the first time we see a character in a movie and notice how much information you can learn without having someone directly say who the character is, what they care about or what they want. Giving these kinds of objects to characters helps define and illustrate them for audiences. Instead of just taking up space in the scene, that first line of dialogue should pull the audience into the character’s point of view immediately. The possibility of on-set dailies is leading towards on-set editing and for some Indie productions and companies who produce small corporate commercials it is already happening. For some forms such as commercials, it might be a great thing.  But, for film, it is not a good idea to have your main editor cutting things together on set. He is focused on helping YOU make, market and sell movies more easily by growing your fan base, building buzz and creating community around your title. I knew what I liked and what I didn’t like and was very good at pointing out what I didn’t like.
The editor of a film can serve as one of the primary storytellers of your movie and therefore is a critical role to cast when hiring your crew.
Most people’s lives don’t naturally fit into a three-act structure, so even if you’re basing the story on a personal story, you will have to embellish or even create some details to make a story work.
In order to make a story work, you have to understand what the parts of a story are, how they work together, where they should fall and why they’re important. Writing a screenplay, selling a screenplay and producing a screenplay are very different things, so know what your end goal is.
Those things, such as actors with names, can be attractive to a distributor who is looking to make a certain profit on your film and will also allow you to pay back your investors. Ahmed began his career in Ohio working as a production coordinator on various television commercials and indie feature films. Ahmed worked at New Line Cinema on various productions including Son of the Mask, Freddy vs.
In a roundtable discussion format we will meet guests from all walks of filmmaker life who will share their golden nuggets of wisdom about everything from hiring a producer, to finding a composer, to seeking out investors. Cindy also directed the behind-the-scenes content creation for Jenna’s film In the Darkness. After two years of rising through the Minnesota film community Edwards made the move to Los Angeles. During this time Edwards was also able to gain valuable production experience working on shows such as Buffy the Vampire Slayer, Malcolm in the Middle, and working with studios like Disney, MTV, FOX and CBS.
But when a woman in a movie offers herself as some sort of taming device without getting anything in return, it makes both characters look weak. Flushing diamonds down the toilet or having a house full of amazing gadgets that never get used, children who never get hugged and pets who never get walked could also communicate the same idea. A post-therapy scene where a concerned boyfriend reminds his girlfriend that she doesn’t need to be afraid of closeness anymore can be compelling and transformative.
It should motivate character to new action and they should be changed, if even slightly, by having experienced that scene. Enter a scene (pun intended) just before or just after the act and you’ve got a lot more to work with in terms of exploring character, defining relationships and maintaining momentum. The bad news should feel specific—like something that we definitely don’t want to happen to THIS person. An agoraphobe forced to relocate because a tornado destroyed his house will invoke more of a reaction than the same situation happening to an executive who’s never at home anyway. If we’ve never spent time at a character’s summer home, it’ll barely register when that summer home is wiped out by a late season storm. However, if the loss of a job means that a character has to move back home with their millionaire, superstar sibling and their controlling parents who never supported them in the first place, that character’s in a much more painful situation. However, if the illness is brought on by the unregulated drug the new patient invented and rushed to market…that really hits home for that person. He continued to play on his keyboard as a hobby after school hours and learned to play his favourite songs by ear. His feature film debut was UNSTOPPABLE, starring Wesley Snipes.  He just completed his directorial debut, PLAYING HOUSE, based on a script written with Kristy Dobkin.
They talk, Talk TALK their way through three acts, telling you not just the plot points you need to know, but also how untouchably brilliant the writer behind that masterpiece is. Actions, in turn, get to be much more definite, clear and decisive when you don’t have someone in the shot narrating what we’re seeing anyway. If you haven’t seen it, it’s amazingly powerful and nothing any character could say would do those moments justice.
Editor Karl Hirsch joins us to talk about workflow, the technical aspects of editing, and collaboration.
He has guest-lectured at Scottsdale Community College in Arizona, Film Independent in Los Angeles, and has spoken on film festival panels in Victoria BC, Austin, and Phoenix. Sure, there are some prodigies who can whip out a perfectly formed first draft, but most professional writers will spend months or even years on a script before they plug every plot hole, smooth every character arc and crystallize every line. Even if you are writing a story based on your life or the life of someone you know, you will need to give your character their own existence. Writing a screenplay is difficult work, but the good news is that lots of people have done it before you.
Producer’s Rep Noor Ahmed joins us to give tips on how to increase the value of your project and on working with the MPAA. Before leaving for Los Angeles, he worked on the indie feature Blue Car which premiered at the Sundance film festival and was released by Miramax.
Our award-winning, festival loving horror short MASSACRE AT FEMUR CREEK is now available for purchase on DVD for a great low price. Season One will focus on the development phase of making a movie starting with the seeds of inspiration and writing a script or finding material with a particular audience in mind.
It was while Cindy was working with Jenna that she was inspired to create the Film Method podcast.
But there’s a way to do it so that it makes sense and there’s a way to do it that is creepy, alienating and ineffective.
But in movies like that that work, those characters usually balance out their misogyny with many other likeable traits. That sequence, however, falls into the “we know this couple is really trying to work on their relationship” category. These things are real bummers, but that doesn’t mean they’re going to have the impact you want them to in your script. By age of 11, he was attending private piano and music lessons and exploring multiple musical genres.
Join us as we speak to animation producer, Ellen Coss about her experience in the world of CG art and animation. Because I knew my weaknesses, I was able to find producers who were strong in the area of script notes. They shouldn’t do, feel, think or say things simply because you do, feel, think or say those things. Car designers need to understand engine mechanics so they make sure there’s room for one in their latest concept vehicle.
If you want to sell your screenplay, finishing the script is only about 50% of the work—because next you’ll have to make and nurture the connections that will lead to a sale.
There are plenty of blogs and websites (like this one) that can give you good, solid advice.
But considering it's an homage to 80's slasher movies, we are proud to announce the film will also be getting a release on VHS format, which is the perfect way to commemorate our little film.
But jerky powerful people also do lots of other things that show that they’re unempathetic. Also, yes, there are some filmmakers who tend to be pretty exploitative when it comes to this sort of thing, and if you are Michael Bay, then what on earth are you doing reading this blog? However, films are not real life and on screen, a guy who coerces sex out of a woman comes across as a creep. If all the woman needed to do was flash some flesh to get whatever McGuffin she’s after, then why are we watching an entire movie? First, I think the boobs in that movie are totally unnecessary, but here’s why they’re not a total turn off. It is necessary for less-than-ideal things to happen to your characters, but not all downer events are created equal. Most recently they wrote HALLELUJAH together for acclaimed Japanese director Kazuika Kiriya (Casshern, Goemon). Through surrounding myself with others who had that skill set, I was able to learn and develop my own skills at giving script notes.
Architects need to understand structural principals so that their buildings don’t fall down.
If you want to produce your screenplay, you should make sure that what you’re writing is within your production capabilities—i.e. Ahmed worked as an Associate Producer on the PBS documentary, California and the American Dream, a four part series that received a national broadcast in the U.S. And while we may hold each other to flexible standards, audiences generally do not give such lenience to characters in film. Ebeneezer Scrooge was the quintessential mean ol’ rich guy and there’s nothing sexy about his story.
If you’re not Michael Bay and can’t write your own ticket, then you should be trying to impress readers, studio execs and producers with substance over style.
And the woman who can’t stick to her point of view long enough to get to sleep comes across as weak. Why doesn’t she just prance through life in a bikini taking money from stunned bystanders’ wallets, walking out of stores with unpaid merch, and slowly but surely rising to the rank of Supreme Ruler of all the World! If someone were to come up to me right now and ask me what my weaknesses were, I would be able to list them right now.  But, then I would also be able to tell them who I have surrounded myself with to balance those weaknesses out.
Surgeons need to understand how cells interact with each other so they don’t kill their patients.
By letting sex or sexuality be the secret weapon, characters don’t have to think, plan or grow. They have a silly game of crashing weddings, but they don’t do it to be malicious and they help everyone have a fun time when they’re there.
He attended Kingston University in London where he obtained his degree in music composition. In November 2008 Ram was commissioned to write orchestral music and had his music performed by Kingston Chamber Orchestra in public concert.
Ahmed worked for the distribution company Roadside Attractions traveling to various film festivals as their Acquisitions Coordinator. Yes, they help them ultimately so that they can get off of work for the day, but their help is sincere.
During his time at Roadside Attractions the company acquired several high level indie films including Supersize Me and What the Bleep Do You Know. Because they are well-intentioned guys, their playtime with the girls feels fun and playful, not manipulative, gross or creepy. In November 2007 Ram’s music was performed in the South Bank Centre as part of the PLG Group season. We are incredibly proud of the film and are hoping it will match (if not surpass) the success of its predecessor, the mutiple-award winning ARCHON DEFENDER. Ram’s music is highly motivated by film music, as this is the greatest goal in his career.
Ahmed left Roadside Attractions to join Reder & Feig where he worked with the firm as a paralegal on films including, Brick, Thank You for Smoking, La Misma Luna, Southland Tales, and other indie features (full list on IMDb) before becoming the firms in-house Producer Rep.
The official DVD artwork is below, along with some of the links where you can either rent or purchase the film.
He has been working as a freelance composer for several feature film projects and has written music for number of online advertisements and commercials and short films. It's been a while but we've returned with plenty of activity over the last few months and a big apology to our fans for our tardiness in updating the website since the summer.
This will change in the coming months as we have a few new projects in release and upcoming projects that will surely generate much buzz as we aim to unleash them onto the unsuspecting world. Producer Morgan Muscat supplied us with this cool picture of his trek through Cinema 1 at Burlington Mall and the discovery of ARCHON sitting within some pretty good company. The first official trailer from our latest short film, MASSACRE AT FEMUR CREEK, has been unveiled online via writer-director Kyle Hytonen's You Tube channel. We are excited to be collaborating with award-winning filmmaker Kyle Hytonen and his A Henry Krinkle Production company on this fun little short film.


Enjoy the picture below of actor John Migloire in character as The Shape and keep checking back for more updates on the film's completion and release date. Filming has commenced in Hamilton, Ontario and Burlington, Ontario under the direction of Hytonen and starring John Migliore and Heather Dicke. Recently, the film launched a campaign on Indiegogo to raise $1100 and wound up (to date) collecting a surprising $2414. Check out the teaser poster below and visit the Indiegogo campaign for more info about the film.
As we continue to develop short and feature films, as well as promote our new demo reel feature, we are hard at work promoting local artists and community events. Such is the case with the upcoming June 8th Car-Free street festival happening on Palladium Way in Alton Village.
We are proud to be a part of this amazing community event and are happy to finally unveil our freshly completed new video to help raise awareness of said event. We were approached a few weeks back to create this video by local artists and have done so using footage from last year's event.
Enjoy the world exclusive premiere of the promotional video by visiting this link or check it out via our WELCOME page. We are excited to formally announce thatA Moonlit Road Entertainment has the privilege of being among the many talented artists and vendors at the Ward 6, North Burlington festival.
The event will be held on Palladium Way, between Walkera€™s and Appleby Lines, in Alton Village. Please feel free to visit the Ward 6 Car-Free Street Festival page on Facebook for more information about the event.
Our tiny horror-film noir short film THE DEVIL WALKS AMONG YOU recently added another festival date to its successful roster, this time for the 2014 edition of the Sudden Impulse Film Festival in Toronto, Ontario, Canada. We are excited to promote our award-winning title yet again and hope that people turn out to support great independent films such as this one. The screening happens on Saturday May 10th at the Big Picture Cinema on Gerard Street East at 8:30pm.
Not only are we focused on inspired filmmaking and photography opportunities, we are how branching out into offering services for Demo Reels. We understand just how important a demo reel is to emerging and talented filmmakers and actors, so we are offering top-notch, professional service along with affordable prices to help showcase what you have to offer the world. If you are looking to have us create your demo reel or are merely wanting to browse around, we invite you to check out our newly added DEMO REELS page where you can look into our rates and what we can offer you. With ARCHON DEFENDER currently in distribution around the world, distirbution plans ramping up for ORIGIN: A CALL TO MINDS and production underway onA COLD DARK MIRRORA along with a slew of short film projects in development, we trust that 2014 will be our busiest year yet. And we hope for your continued support as we grow and expand into different areas, which will be announced soon. From all of us at Moonlit Road Entertainment, we welcome 2014 and wish you all a very Happy New Year. Also, Morgan was featured in the 2013 edition of the Burlington community guide, which he also spoke about his humbling beginnings as a student filmmaker and to where he is today. The article and photo are available only in print, but a photograph has been made available below. The film gets an exclusive digital engagement with Google Play starting tomorrow, October 1, 2013. Since 2008, the film has been turning heads and it has been nominated and has won several awards for is achievement in special effects and production design.
Congratulations to the directors and cast who combined to make a special type of film that continues to wow audiences. Dates and specifics will be released as soon as they are available.A September 25, 2013 - Hamilton Film Festival selects ARCHON DEFENDER and ORIGINA The city of Hamilton appears to have taken a liking to Moonlit Road Entertainment productions. Both films will screen as a double bill during the festival, which runs from November 4th to the 10th at the Staircase Theatre (27 Dundurn St. While ARCHON has had a fairly successful festival run over the years leading up to its upcoming DVD release, ORIGIN: A CALL TO MINDS will be making its exclusive world premiere during the festival. Just yesterday, the film screened at the 2013 Hamilton Music and Film Festival at the Factory Media Centre (227 James Street North in Hamilton). Earlier in the month (on September 13th), the film was selected to screen at the 2013 Supercrawl event held in Hamilton.
Expect more festival announcements in the next little while.A A August 28, 2013 - Pre-order ARCHON DEFENDER on DVD now at Amazon!!! Here is your exclusive first look at a pair of colourful teaser posters for our upcoming animated feature film COLD DARK MIRROR, currently in production under the direction of David Krupicz.The film is expected to continue production throughout 2013 and the early part of 2014, with a release expected for later next year. 2013 - THE DEVIL WALKS AMONG YOU is an Official Selection at HMFF 2013!More great news for our horror film noir hybrid THE DEVIL WALKS AMONG YOU. The award-winning short has become an Official Selection at the 2013 Hamilton Music and Film Festival, taking place in Hamilton, Ontario, Canada on September 22nd. This will mark the third time that the film has screened in Hamilton as part of the film festival circuit, following the 2012 edition of the Hamilton Film Festival as well as earlier this year as part of the Little Nightmares Canadian Horror Shorts Festival. We announced earlier this year that ARCHON DEFENDER, our first animated feature film, is scheduled to premiere on DVD and VOD during the fourth quarter of 2013. Today comes word that the film will indeed premiere this fall and in the United States on October 22nd.A Furthermore, we are excited to bring you the exclusive world premiere of the DVD cover art for the film, to be distributed by Ytinifni Films. Morgan was one of eleven people nominated, which ranged from enviromental, community, heritage as well as senior, junior and citizen of the year. This marks Morgan's second award win for his contributions to the community as a filmmaker, following his 2010 MARTY Award win for Emerging Media Arts. Below is a photograph of the Burlington's Best Award and Certificate presented to Morgan Muscat last week as well as the Burlington Post photograph from the event, printed in Wednesday May 15th's edition.A May 16, 2013 - More THE DEVIL WALKS AMONG YOU and SEVERANCE Movie Reviews!!!The reviews continue to trickle in for Moonlit Road Entertainment productions. The first is a positively glowing one from Bleeding Dead Film Reviews for THE DEVIL WALKS AMONG YOU, which once again praises the performances of stars Robert Nolan and Sandra da Costa, as well as the production design and direction. Andrews will be among the guests lined up to heavily promote some top notch Canadian content. The festival takes place between May 31st and June 2nd at the Best Western Hotel (173 - Sunrise Highway, Rockville Centre, NY 11570). April 19, 2013 - Morgan Muscat featured in Mississauga magazine MISSISSAUGA ARTSThe promotion continues for busy producer-writer Morgan Muscat, who is now featured in the Spring edition of MISSISSAUGA ARTS, a magazine published quarterly that recognizes talents who have contributed to the arts in Mississauga. Morgan is featured on Page 4 as part of the 2013 MARTY Award nominees and again on Page 15, which is the press release about his involvement in the upcoming June 27th Media Arts Mash Up. The cover page for MISSISSAUGA ARTS is below, pick up your copy at the Mississauga Arts Council office.April 17, 2013 - THE DEVIL WALKS AMONG YOU movie review!A positive, spoiler-free review of THE DEVIL WALKS AMONG YOU from Horror Movie Diary has made it online and it rocks. The reviewer praises actor Robert Nolan's performances as Devil, as well as goes on to say that the film itself is "hellishly great" and supported by a great cast.
The ever busy producer will be on hand discussing his past films as well as current productions including the soon-to-be-released ORIGIN: A CALL TO MINDS and the currently in development COLD DARK MIRROR. Additionally, the filmmaker will be screening a never-before-seen 10 minute clip from ORIGIN as well as discuss the making of the film. The event will be held at the Art Gallery of Mississauga (300 City Centre Drive) and will begin at 7:00pm.
Just today, Mike Haberfelner over at the website Search My Trash recently conducted two interviews, one with CDM producer Morgan Muscat and the other with David Krupicz himself about the making of the film. Click below to check out the interviews where both filmmakers talk about CDM, as well as other upcoming projects from Moonlit Road Entertainment and Original Sine Productions. Additionally, an article conducted by Mississauga journalist Louise Peacock for the Film Annex website made it online today.
That article, entitled "Glimpse in the Mirror", features an on-set journal and behind-the-scenes photos of the cast and crew in action. Click on the respective links below to check out the interviews.A Morgan Muscat "Cold Dark Mirror" Interview (Search My Trash - Mike Haberfelner) David T. Today we are proud to report that Morgan has once again been nominated, this time for a 2013 Burlington's Best award nomination, which honours citizen in Burlington who have contributed to the arts within the city.
Morgan is proud to call Burlington is new home town and is honoured that he and his work has been recognized by the community collectively. Today we are proud to announce the cast for our upcoming sci-fi animated epic COLD DARK MIRROR, which is being produced by Morgan Muscat and will once again be directed by David T. The cast includes Sandra da Costa (Sick), Caleigh Le Grand (Inspiration), Daniel Wyse (Origin: A Call to Minds), Morgan Muscat (Archon Defender), Paul Nicholls (A Cry in the Dark), Ryan Barrett (Neverlost), Astrida Auza (Sick), Christopher Lee Grant (Dead Genesis), Neil Green (Black Eve) and Laura Collu (Severance). COLD DARK MIRROR follows young Witch-Hunter Lydia (Sandra DaCosta), who stumbles upon the dark secret of the Unseen World; a shadow world of dreams and nightmares which lies just beyond the mirror's edge. A dark and ancient power, the Time Shadow (Neil Green), seeks entry into the corporeal world, a power some on the Alchemic Council are in league with, and whose existence they seek to keep secret above all else.
Together with her Cat Familiar Callista (Caleigh La Grand), Lydia must face the Shadow Council, and avenge the death of her mentor, the Maegis Acheroni»?.A A In addition to the casting announcement, we are also today releasing the first couple of production stills from COLD DARK MIRROR. New Moonlit Road business cards!A Earlier this year we reported that ARCHON DEFENDER would be getting a DVD and VOD release later this year. In addition to the Facebook group released a few months ago, you can now follow ARCHON DEFENDER on Twitter for all the most up-to-date information surrounding the film. Simply click on the links above to visit the respective pages.A In other news, we are proud to report that for the first time in five years we have new business cards that are hot off the presses and about ready for distribution to the masses. Our multiple award-winning short film is now an Official Selection at the 3rd Macabre Faire Film Festival in Long Island, New York, honouring films within the genres of Horror, Thrillers, Suspense and Sci-Fi. While there are no concrete showtimes or dates as of yet, please feel free to visit the festival's Facebook page, which will make a more formal announcement closer to the festival date this summer. As we keep you in anticipation with our casting, we are proud to present the first official production still from the film. We now have a Facebook group were you will be able to keep up to date on the developments of our films as they move through production. Please note that press releases and latest news will appear on here first, and then make their way onto our new Facebook group. Keep it here, there's lots happening.A March 6, 2013 - Morgan Muscat 2013 MARTY Award nomination and interviews Having stepped back to focus on his family last year, Moonlit Road Entertainment founder Morgan Muscat is gearing up for what is looking like a very busy year ahead. The talented writer-producer is releasing the animated feature ORIGIN: A CALL TO MINDS as well as producing a new animated film (COLD DARK MIRROR), which starts production this month. Amidst all that, Morgan is seeking funding for his long awaited Stephen King adaptation SUFFER THE LITTLE CHILDREN as well as developing some other short film projects.
In the meantime, we would like to congratulate Morgan and his fourth MARTY award nomination since 2009, this one for Established Media Arts for the 2013 awards ceremony. More information about the MARTYs can be found by visiting the Mississauga Arts Council link. We would also like to congratulate SEVERANCE crew members David O'Hearn and Alvin Campana for their MARTY nominations also; David is nominated for Established Performing Arts while Alvin is in the running for Established Media Arts. In the interview, he speaks about his early career as a filmmaker to some of his recent producing projects, specifically SEVERANCE and THE DEVIL WALKS AMONG YOU. The episode aired on Rogers TV at the end of February.A February 25, 2013 - THE DEVIL WALKS AMONG YOU gets another Hamilton screening!!!We are proud to report that THE DEVIL WALKS AMONG YOU will once again be gracing screens in Hamilton, as it is an Official Selection at the 2013 Little Nightmares Canadian Horror Shorts Festival. COLD DARK MIRROR is slated to go into production in the next few weeks and is tentatively set for release in late 2014.
A dark and ancient power, the Time Shadow, seeks entry into the corporeal world, a power some on the Alchemic Council are in league with, and whose existence they seek to keep secret above all else. Together with her Cat Familiar Callista, Lydia must face the Shadow Council, and avenge the death of her mentor, the Maegis Acheron.i»?January 27, 2013 - ARCHON DEFENDER signed to US Distribution dealBig news to start the new year off. ARCHON DEFENDER, our 2009 multiple award-winning animated feature film (written and directed by David T. Krupicz and produced by Morgan Muscat) has been signed to a US distribution deal with Ytinifni Pictures.
The deal will provide North American DVD and US Video on Demand (VOD) distribution in late 2013. While an official date has yet to be announced, expect the film to be released sometime in the fourth quarter. The film follows the path of a young woman, Colette, as she seeks her way through adversity to redemption, as the world she once knew is torn apart by war and tyranny. The first official trailer from our latest short film, MASSACRE AT FEMUR CREEK, has been unveiled online via writer-director Kyle Hytonen's You Tube channel. Enjoy the picture below of actor John Migloire in character as The Shape and keep checking back for more updates on the film's completion and release date. We were approached a few weeks back to create this video by local artists and have done so using footage from last year's event.



Best selling business software
The movies game make your own movie


Comments to «Editing photo online free special effects»

  1. ADORE_MY_LIFE Says:
    Out of it you believe you are) is paying a fee to the bank that waves and.
  2. Killer_girl Says:
    Various editing tools and alternatives to assist across a wide variety of ad formats and format utilized to make.
  3. Ella115 Says:
    Videos) it really is simple to put been unlikely.
  4. SeVa Says:
    Video recording tool that let's.