Amazon Kindle DX D00801 User's Manual Download eBook Reader User's Manual of Amazon Kindle DX D00801 for free. KINDLE DX USER S GUIDE 4th EDITION Contents 2 Table of Contents WELCOME 11 Congratulations. DriverGuide's installer software (Windows only) simplifies the driver installation process. Netscape is a versatile, powerful and security-conscious email client that also takes care of the spam problem in an easy and effective manner.
Get the latest version of this comprehensive set of Internet tools including a browser, chat client and much more. Free download Oxford Dictionary of English, Oxford english dictionary is a popular dictionary software for pc.
See definition in Oxford Advanced Learner s Dictionary typically over the Internet: it would be wise to download we have music available for free download. For anyone who has ever spent time going back and forth from the thesaurus to the dictionary, in search of just the right word, the Oxford American. We're sorry, we couldn't find any search results for "Oxford%20Dictionary%20and%20Thesaurus". PDFpen is a powerful Mac PDF editor: add text, images, and signatures to PDFs, make corrections on a PDF, fill out PDF forms, OCR scanned pages. If you flip back through your course notes, you’ll see that last week we explored using Preview to edit and annotate images.
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In this article, we will teach you how to edit home videos on Mac with Best Video Editor for Mac in details, and you can free download and install it on your Macbook and follow us to edit videos step by step. You can either save the videos on your Macbook, or directly upload them onto YouTube, put them into portable devices, or burn them into DVDs. Read the step-by-step guide to learn how to convert VOB videos to DivX videos for video editing. I have a bunch of ripped DVD's that are in VOB file, but I need a good and free way to convert these files to something smaller but remain the quality. Now run Aneesoft Video Converter Pro and click the big button "Add File" to add VOB video files to convert to DivX videos.
Aneesoft Mac Video Converter Pro allows you to add watermark, crop video or add some special effects or add a text watermark or an image watermark by click the button 'Edit' to launch video editing window. Google Plus la red social de Google poco a poco va avanzando y ganando adeptos, esto se debe principalmente a las nuevas caracteristicas interesantes que le han ido incorporando, de las cuales hablaremos este post asi como sus ventajas. Las respuestas fueron las siguientes, pero tambien me voy a permitir complementar cada punto. Actualmente no conozco APIs que se conecten a Google+ para que podamos programar post y que se publiquen de manera automatica a una determinada hora. Tambien es mas trabajo no poder automatizar las redes sociales para los CM, yo creo que quieren consolidarse mas como red social y quieres hacer las cosas bien, considero que  Google esta apostando mucho por G+ no pueden fallar como en buzz o wave. Por todo lo anterior comentado creo que es un punto a favor de Google+ que tengamos una interaccion real con nuestra comunidad. Esta es una caracteristica muy interesante debido a que nos permite organizar a nuestros contactos en grupos o circulos, cuando queremos agregar a una persona o contacto a nuestra red, Google+ te solicita que clasifiques a dicho contacto dentro de un Circulo que puedes crear facilmente en el momento si no has creado alguno.
Ademas con esta caracteristica tenemos mas control con respecto a la privacidad, ya que podemos decidir la informacion que debe ver cada circulo. Comunidades es la mas reciente caracteristica de Google+ y su concepto es agrupar a personas con los mismos intereses en un solo lugar, por ejemplo la comunidad Social Media en Espanol.
Otro punto a favor de las comunidades es que podemos crear categorias para organizar la informacion que publicamos y sea mas facil de movernos en una comunidad y que todo tenga un orden. Tambien otra caracteristica es que todo lo que vayamos publicando en una comunidad aparece en nuestro perfil, indicando que lo hemos publicado en la comunidad. Para mas informacion sobre que es una comunidad en Google+, puedes visitar la siguiente liga: ?Que son las comunidades de google+? Hangout tambien te da la opcion de tener un chat habilitado para con las personas invitadas. Es gratis, yo por ejemplo hace mas de un mes trate te hacer una videoconferencia por Skype y no me dejo llevarla acabo porque eran mas de dos personas, si se puede pero tiene un costo adicional. Temas personalizados para cada evento: puedes escoger un tema predeterminado para la invitacion o subir alguna foto propia. Comparte fotos en tiempo real: todas las personas que asistan al evento tienen la opcion de compartir fotos en tiempo real para lo cual tienen que activar el modo fiesta.
Si tienes una cuenta de correo en Gmail es muy facil crear tu perfil en Google + y su vez si recibimos alguna notificacion por Gmail de alguna actualizacion en Google + inmediatamente podemos comentarla via email.
Creo que un beneficio que muchos dejan de fuera es la gran base de usuarios de G+, vaya todo el que tiene un Gmail. En mi opinion la estrategia que esta llevando a cabo Google de diferenciarse en lo posible de Facebook le puede dar resultados positivos.
Google debe atraer a nuevas comunidades que no esten en Facebook o que emigren de alli, y aprovechar sus recursos (gestion de circulos, eventos, quedadas, y las nuevas comunidades). Solo me queda decir que Google Plus es otra opcion con caracteristicas muy interesantes que no te dan otras redes sociales. Me parecen muy bien expuestos los puntos y concuerdo con esas ventajas porque soy un usuario recurrente de los productos de Google. Que tal Olmo, en verdad Google nos ofrece una serie de ventajas para ser mas productivos por eso me gusta usar dichas herramientas. Muchas gracias por tu visita, me da mucho gusto que te sean de gran ayuda mis post, tus palabras motivan a seguir dia a dia en este mundo del bloggin y no darme por vencido, en verdad muchas gracias por tus palabras y darte un tiempo en dejar tu comentario.
Registrate para descargar el Ebook y unirte a mi comunidad para recibir contenido exclusivo! En este Ebook te voy a compartir como he construido mi blog en WordPress, los plugin y herramientas que me han funcionado despues de probar y seguir probando hasta tener un blog profesional y optimizado.
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But don't worry, there are a couple things you can try: Double-check your spelling and try your search again Looking for a specific product name? And that cracking corn was a traditional Shenandoah expression for What does jimmy cracked corn and I. Richard Girard is an expert at installing the script and currently runs several autosurf traffic exchanges. After several years of making short films and working as an assistant director for fellow Iranian film-maker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). For a fan filmmaker, however, a computer is far more than just a piece of hardware for surfing the internet; ita€™s an all-in-one movie studio. If you want to enhance you videos in a special way, you can select the video you want to enhance and click the edit button on the toolbar. To keep your home videos more interesting, you can add transition effects to your video clips by dragging. Por ejemplo las fotos familiares solo las pueden ver un circulo especifico y no todo el mundo. Una vez que finalizado dicho evento podemos ver todas las fotos y sus comentarios en url del evento. Aprovecho para invitarte a unirte a la comunidad de Social Media en Espanol en Google+ e interactuar con un grupo de personas apasionados por temas de Social Media y todo lo relacionado a ella. You will see in detail what the internals look like and get a basic understanding of how this unit was strung together. You may notice that the file size of the installer software is much smaller than the file size of your actual driver. One popular GIF animations of forms to reorder tasks and quickly switch between the Tools menu. Try searching for the brand and category instead ("Canon printers" instead of "Pixma MX870", for example).
The film won the Camera d'Or at the 1995 Cannes Film Festival, the first major award won by an Iranian film at Cannes. Free download the iMovie to Kindle Fire converter for mac and install it in your computer.You may see the main interface. Once you have recorded some wonderful moments of your family with your camcorder, you may want to load them to computer and modify some effect. Then you will see the window below, where you can add titles, apply filter effects, adjust video brightness, saturation, etc. Additional, you can drag your favorite music to background music track to add it as your background music.
OK, we have finished editing home videos on Mac, why not try the editing method by yourself? This section provides an overview of Kindle DX and highlights a few basic features so you can start reading as quickly as possible. The reason is that first the installer setup file is downloaded, and then the installer software does the work of fetching your driver from our fastest download server. And while it’s no substitute for Adobe Acrobat Pro as a PDF document creator and editor, it has some useful talents of its own.
Then you need a tool that can create excellent home videos without any video editing experience.
By chance I found a software called Aneesoft Video Converter Pro for Mac, it is entirely designed for me, I think.
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Although his films were often banned in his own country, he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear for Best Director at the Berlin Film Festival for Offside (2006).
His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Once I show you why I so strongly recommend this software, I believe you will stand in my side! Hamid Dabashi has written, "Panahi does not do as he is told — in fact he has made a successful career in not doing as he is told." After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations from around the world, in December 2010 Panahi was sentenced to a six-year jail sentence and a 20-year ban on directing any movies, writing screenplays, giving any form of interview with Iranian or foreign media, or from leaving the country except for medical treatment or making the Hajj pilgrimage.
Effects include basic color correction and video enhancement tools, and transitions such as fade-in, fade-out, and slides. The first time you launch it, you’ll see the first page of the file (if it has multiple pages). While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary in spite of the legal ramifications of his arrest.
You can navigate through the document by scrolling down or by dragging the document’s scrollbar, but there’s an easier way to make your way through it. It was smuggled out of Iran in a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Parde) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Click it and you’ll see several options: Content Only, Thumbnails, Table of Contents, Highlights and Notes, and Contact Sheet. Panahi's new film Taxi premiered in competition at the 65th Berlin International Film Festival in February 2015. He has described his family as working class and grew up with four sisters and two brothers. Click Thumbnails to expose Preview’s sidebar, where each page of the document is represented by a small page image. Table of Contents is useful if the document has such a thing—a page (or pages) with embedded links that, when clicked, take you to related pages.


When he was ten years old he wrote his first book about a young boy who successfully cheats at his school exams, but feels guilty and eventually admits his crime. If you’ve highlighted text within the document or added text notes (both of which we’ll cover later), those alterations will appear as short text snippets within the sidebar.
His love of films began at the age of nine when Panahi's sisters would recruit him to go to see films at the local cinemas so that he could dramatically re-enact scenes and dialogue for them. His sisters were not allowed to leave their family home and Panahi often had to hide from his father at the local movie theatres. Sell unlimited number of account upgrade products with account specific features such as (Surf Ratios, Max Sites, First month bonus, Commission Levels). The Contact Sheet view places thumbnails of the document’s pages in the main window, and you can zoom in on the thumbnails to get a better idea of what they contain.
Set how many days before a user is classed as inactive (inactive members sites do not show). This led to him having to seek out showings that he knew his father would never attend and he began to frequent the Kanoon, Institute for the Intellectual Development of Children and Young Adults, which showed art-house and international films. The last three options—Continuous Scroll, Single Page, and Two Pages—govern how Preview displays pages in the main window.
Kanoon is where he first discovered the films of Abbas Kiarostami, an Iranian filmmaker who was one of the co-founders of Kanoon's Filmmaking Department in 1969.
Update content on almost all members area pages and external pages simply copy paste save and your done. One film that had a lasting impression on Panahi was Vittorio De Sica's Bicycle Thieves (1948). When you use a scrolling control in Single Page view, you’ll jump from one page to the next; you won’t see the text from a preceding or succeeding page as you scroll up or down. Panahi has said that when he first saw this film he thought to himself "here is a film that does not lie to me." At the same time Panahi began experimenting with photography and making short films with an 8mm film camera. He also acted in one film and assisted Kanoon's library director in running a program that taught children how to operate a film camera.
Starting at the age of twelve, Panahi would work after school in order to afford to go see films. His impoverished childhood helped form his humanistic worldview that would later manifest itself in his films. At the age of twenty Panahi was conscripted into the Iranian army and served in the Iran–Iraq War, working as an army cinematographer from 1980 until 1982. But when you’re working with a PDF that contains hundreds of pages and you know approximately which page you wish to navigate to, turn to the Go to Page command found in Preview’s Go menu. In 1981 he was captured by Kurdish rebels who were fighting Iranian troops and held for 76 days. From his war experiences he made a documentary about the war that was eventually shown on TV. Speaking of long PDF files, Preview wouldn’t be much of a PDF tool if it didn’t allow you to mark your place in long documents. After completing his military service, Panahi enrolled at the College of Cinema and TV in Tehran, where he studied filmmaking and especially appreciated the works of film directors Alfred Hitchcock, Howard Hawks, Luis Bunuel, and Jean-Luc Godard.
Set surf start page (first page when members surf) View purchase history records filed by the IPN. At school he first met and befriended filmmaker Parviz Shahbazi and cinematographer Farzad Jodat, who would later shoot all of Panahi's early work. When you find a place that you’d like to mark, choose Bookmarks > Add Bookmark (Command-D).
During college he interned at the Bandar Abbass Center on the Persian Gulf Coast where he made his first short documentary films.
He also began working as an assistant director on his Professor's films before graduating in 1988.
Panahi made several short documentary films for Iranian television through the Islamic Republic of Iran Broadcasting's Channel 2.
Adding and rearranging pages One PDF problem that people often encounter involves having multiple PDFs that they’d like to combine into a single file.
Script comes preloaded with 3 account upgrades and 6 onsite advertising products members can purchase. His first short film, The Wounded Heads (Yarali Bashar), was a documentary about the illegal mourning tradition of head slashing in the Azerbaijan region of northern Iran.
In the film, Panahi documented a mourning ceremony for the third Shi'ite Imam, Imam Hossein, where people hit their heads with knives until they bled.
To combine PDF files, open one of the files, click the View menu, choose Thumbnails, and drag the other PDF file from the Finder into the Thumbnail pane where you’d like that dragged document to appear.
In 1988 Panahi filmed The Second Look (Negah-E Dovom), a behind-the-scenes documentary short on the making of Kambuzia Partovi's film Golnar. Plug Your Auto Surf Traffic Exchange into a traffic exchange network that is generating over 300,000+ page views on a daily basis. Members now have to auto surf before they can start the site approval process (you set how many pages). If you want to copy just a page or two from one PDF to another, just open each document in Preview, expose the Thumbnail views in the View menu in each window, select the pages you want to copy from one document to the other, and drag them into that other document’s Thumbnail pane. Automated Member Purchase's, When one of Your Traffic Exchange Members purchase a product threw PayPal such as an account upgrade or credit package the auto surf script will deliver the members purchase instantly making all the needed changes without the need of any input from you.
In 1992, Panahi made his first narrative short film The Friend (Doust), which was an homage to Kiarostami's first short film The Bread and Alley. Both films starred non-professional actors Ali Azizollahi and Mehdi Shahabi and won awards for Best Film, Best Screenplay, Best Cinematography, and Best Editing at Iran's National TV Festival that year. Inspired by a story of a young Luis Bunuel once contacting successful film director Jean Epstein to ask for a job in filmmaking, Panahi left a message on Abbas Kiarostami's answering machine, stating that he loved his films and asking for any job on his next film. Members earn commission on direct referral purchases and also earn on referral surfing and PTC activity! Kiarostami had seen several of Panahi's short films and in 1995 said he was "extremely gifted and can be a promising figure in our cinema's future." In 1995 Panahi made his feature film debut, The White Balloon (Badkonake sefid), produced by IRIB- Channel 2, Ferdos Films and the Farabi Cinema Foundation. New Surf Start Page Sponsor Product added where members will see the same site every time they start to surf. Initially titled Happy New Year, Panahi developed the original story with Parviz Shahbazi and attempted to get funding from IRIB's Channel 1 with the expectation that it would be a short film, but his proposal was rejected. He then showed his original treatment for the film to Kiarostami during the shooting of Through the Olive Trees. Kiarostami encouraged Panahi to make the idea into a feature and agreed to write the script. During their car rides to set while shooting, Kiarostami would dictate the film's script while Panahi taped the conversation and typed the script.
While casting the film, Panahi traveled throughout Iran in order to include all of the diverse ethnicities of his country as characters in the film. He found lead actress Aida Mohammadkhani at the first school that he visited and immediately cast her as Razieh, but auditioned 2,600 young boys for the role of Razieh's brother Ali before settling on Mohsen Kalifi. He cast non-professionals in most of the supporting roles, including a real fish seller he found in the Rasht market and a college student to portray the young soldier. Please Feel Free to Contact Us with any Questions or Concerns You may Have Please Note Your purchase is an instant download. The download location of the Auto Surf Script will be sent to the email address used when making the purchase.
In the film Razieh, a strong-willed little girl in Tehran, wants to buy a lucky goldfish for the upcoming Iranian New Year celebration, but struggles to get and hold on to the 500-toman banknote needed to purchase the fish.
Earnings Disclaimer EVERY EFFORT HAS BEEN MADE TO ACCURATELY REPRESENT THIS PRODUCT (Auto surf Script AND ITS POTENTIAL. Panahi worked closely with Mohammadkhani, gaining her trust and acting out each scene for her to mimic while still adding her own personality to the performance.
THERE IS NO GUARANTEE THAT YOU WILL EARN ANY MONEY USING THE TECHNIQUES AND IDEAS PROVIDED WITH THIS WEBSITE. Panahi was most concerned about Mohammadkhani being able to cry on cue, so he would have her stare at him off camera while he started to cry, causing her to cry. EARNING POTENTIAL IS ENTIRELY DEPENDENT ON THE PERSON USING THE INFORMATION INCLUDED TO THIS PAGE, THE IDEAS AND THE TECHNIQUES. Because of this the film had low attendance on its initial run in Iranian theatres, with only 130,000 tickets sold.
YOUR LEVEL OF SUCCESS IN ATTAINING THE RESULTS CLAIMED IN THIS PAGE DEPENDS ON THE TIME YOU DEVOTE TO THE IDEAS AND TECHNIQUES MENTIONED, YOUR FINANCES, KNOWLEDGE AND VARIOUS SKILLS.
It went on to win four prizes in Iran at the Isfhan Film Festival for Children and Young Adults and at the Fajr International Film Festival. SINCE THESE FACTORS DIFFER ACCORDING TO INDIVIDUALS, WE CANNOT GUARANTEE YOUR SUCCESS OR INCOME LEVEL.
For several years after its release, Kanoon's Channel 2 would broadcast the film every year on New Year's Day. Outside of Iran The White Balloon received excellent reviews and was shown at the 1995 Cannes Film Festival, where it won the Camera d'Or.
MATERIALS IN THIS PAGE MAY CONTAIN INFORMATION THAT INCLUDES FORWARD-LOOKING STATEMENTS THAT GIVE OUR EXPECTATIONS OR FORECASTS OF FUTURE EVENTS.
It also won the Golden Award of the Governor of Tokyo for Best Film and the Bronze Dragon for Best Film of Young Cinema at the 1995 Tokyo International Film Festival, the International Jury Award at the 1995 Sao Paulo International Film Festival and the Best Film Award at the 1996 Cinefest Sudbury International Film Festival.
YOU CAN IDENTIFY THESE STATEMENTS BY THE FACT THAT THEY DO NOT RELATE STRICTLY TO HISTORICAL OR CURRENT FACTS.
It was Iran's official submission for Best Foreign Language Film at the 68th Academy Awards; however, the Iranian government asked the Academy to withdraw the film after Iran's relations with the US began to deteriorate.
THEY USE WORDS SUCH AS ANTICIPATE, ESTIMATE, EXPECT, PROJECT, INTEND, PLAN, BELIEVE, AND OTHER WORDS AND TERMS OF SIMILAR MEANING IN CONNECTION WITH A DESCRIPTION OF POTENTIAL EARNINGS OR FINANCIAL PERFORMANCE.
The Academy refused to withdraw the film, which was not nominated, and Panahi was forbidden by the Iranian government to travel to the Sundance Film Festival or to participate in phone interviews with US reporters to promote the film. ANY AND ALL FORWARD LOOKING STATEMENTS HERE OR ON ANY OF OUR SALES MATERIAL ARE INTENDED TO EXPRESS OUR OPINION OF EARNINGS POTENTIAL. MANY FACTORS WILL BE IMPORTANT IN DETERMINING YOUR ACTUAL RESULTS AND NO GUARANTEES ARE MADE THAT YOU WILL ACHIEVE RESULTS SIMILAR TO OURS OR ANYBODY ELSE'S, IN FACT NO GUARANTEES ARE MADE THAT YOU WILL ACHIEVE ANY RESULTS FROM OUR IDEAS AND TECHNIQUES IN OUR MATERIAL. Initially Panahi was going to direct Kiarostami's script for Willow and Wind, but he decided to pursue his own work instead. Software Disclaimer The software is distributed 'as is' and with no warranties of any kind, whether express or implied, including and without limitation, any warranty of merchantability or fitness for a particular purpose. Panahi was inspired to make the film when while attending the 1996 Pusan International Film Festival in South Korea he noticed a young girl sitting alone on a park bench staring blankly into space, and realized that he had seen this same thing countless times in Iran and never paid attention to it. He has stated that he "choose a precocious child and placed her in a situation where she is left to her own devices.
In no event shall any individual, company or organization involved in any way in the development, sale or distribution of this software be liable for any damages whatsoever relating to the use, misuse, or inability to use this software (including, without limitation, damages for loss of profits, business interruption, loss of information, or any other loss).
I wanted to throw these masks away." The film stars Mina Mohammadkhani, the sister of Aida Mohammadkhani. In the film Mohammadkhani could be said to play two characters: the role of a little girl named Baharan and then herself as the film shifts into a documentary mode. Panahi reported casting her after having detected " a feeling of emptiness within her, and a determination to prove herself to the world." It received the Golden Leopard Award at the Locarno Film Festival, the Special Jury Award and Best Director Award at the 1998 Singapore International Film Festival, the Golden Tulip Award at the 1998 Istanbul Film Festival, the FIPRESCI Prize and the Eisenstein Magical Crystal and Cash Award at the 1998 Riga International Film Festival, and Bunuel's Golden Era Award at the Royal Archive Film Festival in Belgium.
In 2000 Panahi made The Circle, produced by Jafar Panahi Film Productions and Mikado-Lumiere&Co. Although Panahi claimed that he was not a political filmmaker, his third feature was a major departure from his first two works about children and is critical of the treatment of women under Iran's Islamist regime. Panahi has stated that "I started my career making children’s films, and while doing that I had no problems with censors.
As soon as I started making feature films, it all started and I had problems," but that "in my first films, I worked with children and young people, but I began to think of the limitations facing these girls once they grow up. In order to visualize these limitations and to have this constraint better projected visually, I went to a social class, which has more limitations to areas that are more underprivileged, so that this idea could come out ever stronger." He had to wait an entire year to get an official shooting permit. As usual Panahi used non-professional actors, with the exceptions of Fatemeh Naghavi and Fereshteh Sadre Orafaiy.
He saw the lead actress, Nargess Mamizadeh, in a park one day and immediately offered her the role. The film opens with one long, handheld shot that lasts over three minutes and took 13 attempts to achieve. Panahi adopted a different camera style to depicit each of the four main protagonists' lives.
The third woman's story is told at night in darker outside outside, and the camera is static with pans and tight close ups. For the last, least optimistic woman both the camera and the woman are completely immobile and very little sound is used.
Panahi submitted the film to the Venice Film Festival without getting a permit from the Ministry of Culture and Islamic Guidance. At the festival it won the Golden Lion, the FIPRESCI prize, the UNICEF prize, the Ecumenical Special Mention, the Sergio Trazzati Award and Mamizadeh won the Italian Film Journalist's Award for Best Actress.


The Ministry of Culture and Guidance issued a permit for the film a few days before its screening at the festival, although they already knew that it had been submitted illegally.
Panahi was worried that the Ministry would "confiscate and mutilate" all copies of the film, so he made multiple copies and hid them all over Iran.
Irans's Cinema Deputy Mohammad-Hassan Pezeshk said that The Circle was banned because it had "such a completely dark and humiliating perspective." It was later withdrawn by Iranian authorities from the Fajr International Film Festival for being "offensive to Muslim women". The film went on to win the FIPRESCI Film of the Year Award at the San Sebastian International Film Festival, appeared on Top 10 lists of critics worldwide and won the Best Film Award at the Montevideo International Film Festival and the Freedom of Expression Award from the National Board of Review. Those who are making their first films are forced to do whatever they are told; they allow the censors to mutilate their films. If we do not stand up to the censors the conditions will be worse for the young filmmakers. This would mean that this cinema would not continue; it would be suppressed and end with the few people who make films now.
If we don’t resist, the path will be blocked for the new filmmaker and therefore in the eyes of the next generation we will be responsible. There is no other way." —Jafar Panahi Panahi directed Crimson Gold in 2003, produced by Jafar Panahi Productions. The film depicts an impoverished pizza delivery man's failed attempt to rob a jewelry store and the events that drove him to his crime. The story is based on real events that Panahi first heard about when Kiarostami told him the story while they were stuck in a traffic jam on their way to one of Kiarostami's photographic exhibits. Panahi was extremely moved by the story and Kiarostami agreed to write the script for him to direct.
Panahi submitted the film to the Cannes Film Festival without being granted a permit from the Ministry of Culture and Islamic Guidance.
Panahi had applied for the permit but the Ministry demanded several cuts be made to the film.
It later won the Golden Hugo Award for Best Film at the Chicago International Film Festival. In the film, a group of young Iranian girls disguise themselves as boys to sneak into Azadi Stadium to watch the World Cup qualifying football playoff game between Iran and Bahrain. Since the 1979 Islamic Revolution women have been banned from attending football matches in Iran on grounds of rowdy and aggressive language, lewd behavior, and seeing men in shorts and short sleeve shirts. At one point Mahmoud Ahmadinejad had wanted to repeal the law but was overruled by the ulema. Panahi has stated "I use the football game as a metaphor to show the discrimination against women on a larger scale. This is what I am trying to change in Iranian society." The film was inspired by an incident several years earlier when Panahi's daughter was refused entry to a football stadium but ended up sneaking into the stadium anyway.
Knowing that the film would be controversial, Panahi and his crew submitted a fake script about some young men who go to a football match to Iranian authorities in order to get permission to make the film.
However before they began shooting the Ministry of Guidance, which issues licenses for films to be shown publicly, told Panahi in advance that because of his past films they would not issue Offside a license until he re-edited his previous films. Not wanting to miss the World Cup tournament, Panahi ignored the Ministry and began shooting the film.
As usual, Panahi cast non-professional actors for the film, and the group of young girls in the lead roles were mostly university students that Panahi found through friends who all were passionate fans of football.
The film was shot in 39 days and in order to move unnoticed through large crowds Panahi used digital video for the first time so as to have a smaller, more inconspicuous camera.
Panahi also officially listed his Assistant Director as the Director of the film so as to not attract the attention of the Ministry of Guidance or the Disciplinary Forces of Tehran, but towards the end of the films shooting a newspaper article about the making of the film listed Panahi as the director and both organizations attempted to shut the film down and confiscate the footage. Only a sequence that takes place on a bus remained to be filmed so Panahi was able to continue filming without being caught.
The film premiered in competition at the 2006 Berlin Film Festival, where Panahi was awarded with the Silver Bear Jury Grand Prix.
Panahi had already set up distribution for the film all over Iran and the film was predicted to break all box office records. Two days after being banned and twenty days before the World Cup championship game, pirated DVD copies of the film became available all over Iran.
Panahi has stated that of his films Offside is "probably the one that people have seen the most" in Iran. In 2010 he made the short film The Accordion, which was commissioned for the THEN AND NOW Beyond Borders and Differences series of short film by Art for The World. Panahi has referred to the situation in Iran as "the dark ages for filmmaking in Iran" and that he was "presenting the future with something to see, a document of what life was like at that time." On 15 April 2001 Panahi stopped over in JFK International Airport in New York City flew en route from Hong Kong to Buenos Aires where he was to participate in a film festival. He was immediately detained by police officers who wanted to fingerprint and photograph him; Panahi refused both requests on the grounds that he was not a criminal. After being handcuffed and detained at the airport until the next morning, he was finally allowed to make a phone call to his friend Professor Jamsheed Akrami.
In 2003, Panahi was arrested and interrogated for four hours by the Information Ministry in Iran, but was eventually released after being encouraged to move out of Iran.
On 30 July 2009, Mojtaba Saminejad, an Iranian blogger and human rights activist writing from inside Iran, reported that Panahi was arrested at the cemetery in Tehran where mourners had gathered near the grave of Neda Agha-Soltan. He was able to get contact friends in the film industry, both in Iran and internationally, and the Iranian government was pressured to release him by filmmakers and the news media.
In September 2009, Panahi travelled to Montreal to act as the Head of the Jury at the 2009 Montreal World Film Festival.
At the festival Panahi convinced the entire jury to wear green scarves during the opening and closing ceremonies in solidarity with the Green Movement in Iran. He also openly supported and appeared in photographs with Iranian Green Movement protesters at the festival.
In February 2010, his request to travel to the 60th Berlin Film Festival to participate in the panel discussion on "Iranian Cinema: Present and Future. He was taken from his home along with his wife Tahereh Saidi, daughter Solmaz Panahi, and 15 of his friends by plain-clothes officers to Evin Prison. Most were released 48 hours later, Mohammad Rasoulof and Mehdi Pourmoussa on 17 March 2010, but Panahi remained in section 209 inside Evin Prison. On April 14, 2010, Iran's Ministry of Culture and Islamic Guidance said that Panahi was arrested because he "tried to make a documentary about the unrest that followed the disputed 2009 re-election of President Mahmoud Ahmadinejad."[ On 18 May, Panahi sent a message to Abbas Baktiari, director of the Pouya Cultural Center, an Iranian-French cultural organization in Paris, stating that he was being mistreated in prison and his family threatened and as a result had begun a hunger strike.
On 20 December 2010, Panahi, after being convicted for "assembly and colluding with the intention to commit crimes against the country’s national security and propaganda against the Islamic Republic," the Islamic Revolutionary Court sentenced Panahi to six years imprisonment and a 20-year ban on making or directing any movies, writing screenplays, giving any form of interview with Iranian or foreign media as well as leaving the country except for Hajj holy pilgrimage to Mecca or medical treatment.
Panahi's colleague, Mohammad Rasoulof also received six years imprisonment but was later reduced to one year on appeal. The following people and organizations called for his release: Filmmakers Ken Loach, the Dardenne brothers, Jon Jost, Walter Salles, Olivier Assayas, Tony Gatlif, Abbas Kiarostami, Kiomars Pourahmad, Bahram Bayzai, Asghar Farhadi, Nasser Taghvai, Kamran Shirdel, and Tahmineh Milani, actors Brian Cox, and Mehdi Hashemi, actresses Fatemeh Motamed-Aria and Golshifteh Farahani, and Juliette Binoche, Film critics Roger Ebert, Amy Taubin, David Denby, Kenneth Turan, David Ansen, Jonathan Rosenbaum, and Jean-Michel Frodon, Federation of European Film Directors, European Film Academy, Asia Pacific Screen Awards, Network for the Promotion of Asian Cinema, Berlin Film Festival, Karlovy Vary International Film Festival, International Film Festival Rotterdam, Febiofest, National Society of Film Critics, Toronto Film Critics Association and Turkish Cinema Council. France's Ministry of Foreign Affairs and minister of culture and communications Frederic Mitterrand, German foreign minister Guido Westerwelle, Government of Canada, Finnish Green MP Rosa Merilainen and Human Rights Watch have condemned the arrest. On 8 March 2010, a group of well-known Iranian producers, directors and actors visited Panahi's family to show their support and call for his immediate release. American film directors Paul Thomas Anderson, Joel & Ethan Coen, Francis Ford Coppola, Jonathan Demme, Robert De Niro, Curtis Hanson, Jim Jarmusch, Ang Lee, Richard Linklater, Terrence Malick, Michael Moore, Robert Redford, Martin Scorsese, James Schamus, Paul Schrader, Steven Soderbergh, Steven Spielberg, Oliver Stone, and Frederick Wiseman signed a letter on 30 April 2010 urging Panahi's release.
The petition ends with "Like artists everywhere, Iran’s filmmakers should be celebrated, not censored, repressed, and imprisoned." He was named a member of the jury at the 2010 Cannes Film Festival, but because of his imprisonment he could not attend, and his chair was symbolically kept empty.
On 23 December 2010, Amnesty International announced that it was mobilizing an online petition spearheaded by Paul Haggis and Nazanin Boniadi and signed by Sean Penn, Martin Scorsese, Harvey Weinstein and others to protest the jail sentence of Panahi.
Cine Foundation International, a "non-profit film company and human rights NGO aiming to 'empower open consciousness through cinema'" announced on 3 January 2011 that they are launching a campaign of protest films and public actions calling for the release of Panahi.
Participating filmmakers may act anonymously or through pseudonyms since voicing their stories can be dangerous. The films, which will address themes of nation, identity, self, spiritual culture, censorship and imprisonment, will be aimed for public, web and various exhibition media".
Later in January, CFI deployed a video protest mechanism called White Meadows (named for the Mohammad Rasoulof film, The White Meadows, which was edited by Panahi) and developed by Ericson deJesus (of Yahoo! The video mechanism "allow(s) anyone in the world to record a short video statement about Panahi and Rasoulof. There will be an ESCAPE button at top, allowing quick exit for those in countries where recording a statement would be dangerous.
The video statements will be recorded as mp4s, giving them maximum transmedia capacity, which essentially makes them broadcastable from any device that can show video". Users can also use the mechanism to comment on how they would "like to see as an international response by the film industry", comment on the state of human rights in general, or to "report a human rights abuse to the world". In his March 2011 greetings to the Iranian people on the occasion of the Iranian New Year, U.S. President Barack Obama cited Panahi as an example of the oppressive regime that currently controls the country of Iran.
In April 2011 Time Magazine named Panahi number 3 in their list of the Top 10 Persecuted Artists who have challenged authority. In Spring 2011, Boston's American Repertory Theater and System of a Down's Serj Tankian dedicated their production of Prometheus Bound to Panahi and seven other activists, stating in program notes that "by singing the story of Prometheus, the God who defied the tyrant Zeus by giving the human race both fire and art, this production hopes to give a voice to those currently being silenced or endangered by modern-day oppressors". On 26 October 2012, Panahi was announced as a co-winner of the Sakharov Prize of the European Parliament. European Parliament President Martin Schulz called the pair "a woman and a man who have not been bowed by fear and intimidation and who have decided to put the fate of their country before their own". In March 2013, Columbia University professor Hamid Dabashi wrote an article that was highly critical of Panahi and his decision to continue making films, and partially blames Panahi for the "tragic endings of Iranian cinema".
Dabashi had previous written extensively about and praised Panahi during the director's early career.
Dabashi called Panahi's two post-arrest films "self-indulgent vagaries farthest removed from" his previous films and wrote that Panahi "should have heeded the vicious sentence and stayed away from his camera for a while and not indulge, for precisely the selfsame social punch that have made his best films knife-sharp precise has now dulled the wit of the filmmaker that was once able to put it to such magnificent use." In June 2013 Panahi was invited to join The Academy of Motion Picture Arts and Sciences. In August 2013, shortly after the election of Iranian President Hassan Rouhani, several well known political prisoners were released.
One such prisoner was Panahi's Sakharov Prize co-winner Nasrin Sotoudeh, whose release prompted European Parliament President Martin Schulz to say "We are eagerly waiting to welcome her in Strasbourg together with her Sakharov Prize co-winner, film director Jafar Panahi." A few days earlier the famed House of Cinema, Iran’s largest professional guild for filmmakers, was re-opened after have been deemed illegal in January 2012. In the middle of the controversy and court appeal, Panahi broke the ban imposed on him from making films and made the documentary feature This Is Not a Film (2011) in collaboration with Iranian filmmaker Mojtaba Mirtahmasb. It was shot in four days over a ten-day period in March 2011 and its title was inspired by Rene Magritte's painting The Treachery of Images. In the film, Panahi sits in his apartment making phone calls about his court case, watching TV news stories, interacting with his neighbors, talking about his past films and describing scenes from the film that he had begun shooting when he was arrested (much as he had described scenes from films to his sisters as a child). Ten days before the opening of the 2011 Cannes Film Festival, This Is Not a Film was announced as a surprise entry into the festival. In December 2012 it was shortlisted as one of 15 films eligible for Best Documentary Feature at the 85th Academy Awards. In October 2012, Kiarostami told a journalist that Panahi had completed a new film which he predicted would be screened in film festivals. In January 2013 the Berlin Film Festival announced that it would premiere Closed Curtain (Parde) at its 2013 festival. He was awarded the grant at the 8th annual Asia Pacific Screen Awards in Brisbane, Australia. This challenging drama is drawn from real life, and brings home the plight of people with disabilities in Iran. This film will be directed by Jafar’s son, Panah, who is an emerging director of distinction and shares his father’s humanist concerns."[111] Panahi's style is often described as an Iranian form of neorealism. Stephen Teo writes that "Panahi's films redefine the humanitarian themes of contemporary Iranian cinema, firstly, by treating the problems of women in modern Iran, and secondly, by depicting human characters as 'non-specific persons'—more like figures who nevertheless remain full-blooded characters, holding on to the viewer's attention and gripping the senses.
Like the best Iranian directors who have won acclaim on the world stage, Panahi evokes humanitarianism in an unsentimental, realistic fashion, without necessarily overriding political and social messages. So powerful is this sensibility that we seem to have no other mode of looking at Iranian cinema other than to equate it with a universal concept of humanitarianism." Panahi says that his style can be described as "humanitarian events interpreted in a poetic and artistic way".
He says "In a world where films are made with millions of dollars, we made a film about a little girl who wants to buy a fish for less than a dollar [The White Balloon]—this is what we're trying to show." Panahi has stated that "in all of my films, you never see an evil character, male or female. Dabashi goes on to state that "violence in Panahi's cinema is like a phantom: you see through it, but it lacks a source or physical presence—who has perpetrated it is made intentionally amorphous.
Panah Panahi attended the University of Tehran and in 2009 made his first short film, The First Film,[118] which was screened at the 2009 Montreal World Film Festival.[119] His daughter Solmaz studied theater in Tehran. Features Year Title Original Title Cast Notes 1995 The White Balloon Badkonake Sefid Aida Mohammadkhani, Mohsen Kafili, Fereshteh Sadre Orafaiy co-written with Abbas Kiarostami 1997 The Mirror Ayneh Mina Mohammadkhani, Kazem Mojdehi, Naser Omuni, Jafar Panahi 2000 The Circle Dayereh Nargess Mamizadeh, Fereshteh Sadre Orafaiy, Fatemeh Naghavi, Mojgan Faramarzi co-written with Kambuzia Partovi, banned in Iran before release 2003 Crimson Gold Talaye Sorkh Hossain Emadeddin, Kamyar Sheisi, Azita Rayeji co-written by Abbas Kiarostami, banned in Iran before release 2006 Offside Shima Mobarak-Shahi, Safar Samandar, Shayesteh Irani, Ayda Sadeqi, Golnaz Farmani co-written by Shadmehr Rastin, banned in Iran before release 2011 This Is Not a Film In film nist Jafar Panahi, Mojtaba Mirtahmasb co-directed by Mojtaba Mirtahmasb, made illegally 2013 Closed Curtain Parde Kambuzia Partovi, Maryam Moqadam, Jafar Panahi co-directed by Kambuzia Partovi, made illegally 2015 Taxi Jafar Panahi made illegally Short Films Year Title Original Title Notes 1988 The Wounded Heads Yarali Bashlar documentary 1991 Kish documentary 1992 The Friend Doust The Last Exam Akharin Emtehan 1993 A Second Look Negah-E Dovom documentary 1997 Ardekoul documentary 2007 Untying the Knot part of the omnibus film Persian Carpet (Farsh-e Irani) 2010 The Accordion part of the THEN AND NOW Beyond Borders and Differences film series for Art for The World Other work Year Title Position Director 1991 The Fish Assistant director Kambuzia Partovi 1994 Through the Olive Trees Assistant director, actor Abbas Kiarostami 1997 Traveler from the South Editor Parviz Shahbazi 2005 Verdict Editor Masud Kimiai Border Cafe Editor Kambuzia Partovi 2009 The White Meadows Editor Mohammad Rasoulof Awards Year Organization Award Film 1995 Cannes Film Festival Prix de la Camera d'Or The White Balloon 1997 Locarno International Film Festival Golden Leopard The Mirror 2000 Venice International Film Festival Golden Lion The Circle 2003 Cannes Film Festival Prix du Jury – Un Certain Regard Crimson Gold[120] 2006 Berlin Film Festival Silver Bear - Jury Grand Prix Offside 2007 Valdivia International Film Festival Pudu Award for his life-time artistic accomplishments 2007 HIVOS HIVOS Cinema Unlimited Award 2011 Cannes Film Festival Carrosse d'Or This Is Not a Film 2011 Passion For Freedom London Festival Special Jury Prize This Is Not a Film 2012 The European Parliament Sakharov Prize 2013 Berlin International Film Festival Silver Bear for Screenwriting Closed Curtain 2014 Motion Picture Association Academy Film Fund grant Flower 2015 65th Berlin International Film Festival Golden Bear Taxi Awards Year Festival Role 2001 Karlovy Vary International Film Festival Jury member 2007 International Eurasia Film Festival Jury member 2007 International Film Festival of Kerala Chair of the Jury 2008 Rotterdam Film Festival President of the Jury 2009 Montreal World Film Festival President of the Jury Cinema of Iran Intellectual Movements in Iran Donmez-Colin, Gonul.
Cinemas of the other: a personal journey with filmmakers from the Middle East and Central Asia. Dabashi, Hamid, Masters & Masterpieces of Iranian Cinema, Mage Publishers (15 May 2007) ISBN 0-934211-85-X Stone, Judy.




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