In this case, I deemed it best to put him on a simple set that created the right feeling, but did not tie directly to the content. Once again, the tone and feel of the song should be the driving factors in how you light your shot(s).
In this review we take a look at Ableton's book on production that's meant to help you get unstuck whenever you face an obstacle in the production process. The latest product from the makers of Ableton Live isn't an app or a new hardware controller; it's a book. Even though it's a book about electronic music production made by the company that created one of the world's most popular digital audio workstations today, it's not a how-to book on creating the perfect kick drum, or how to adjust settings on a compressor, or even how to get started with Ableton Live. Making Music isn't about the "technical" aspects of production, rather, it's about the "music" side of it.
Topics in the book are organised in sets of problems and solutions that you'll encounter at different parts of your production journey. The book is structured this way: Problems related to topics in producing music are presented (eg Procrastination and Timeboxing, Listening to Music You Hate, etc), and solutions to those problems are then given.
Reading these solutions aren't enough, though, and you are encouraged to tackle these problems through the various action steps provided. The topics in this book are divided into three parts: Problems of Beginning, which deals with roadblocks you encounter as you start to write your piece, Problems of Progressing, which are things that hinder you from getting to the end of your music producing, and Problems of Finishing, which handles topics that help you arrive at an end point for your tunes.
This is an excellent companion guide to the entire production process, and should be treated as an essential part of your collection of production books, not the end-all-be-all. While there are other books that you should be reading if you're a first timer in the production world (Dance Music Manual and The Music Producer's Survival Guide come to mind), I wouldn't hesitate to order a copy of this because many of the issues you'll be facing when you first start producing music are tackled brilliantly here, such as what to do when faced with an empty DAW screen upon first launch. Bottomline: You should have this on your home studio's bookshelf because you'll find yourself grabbing it time and time again because no matter how good you get in the production game, you're bound to get stuck at one point. Join 100,000 Digital DJ Tips members and get access to free training, our friendly forum, plus twice-weekly emails with the best of our tutorials, reviews and DJ news. And to back up that assertion, we've talked with musicians, including Cee-Lo Green, Auto-Tune the News and OK Go, and gathered together their top tips for making an eminently shareable music video.
In the past, the realm of music videos was a whole lot less democratic — but that's all changed dramatically in recent years. The folks over at MTV, who are currently working on amping up their video output, tend to agree.
In addition to wanting their music and wanting it now, fans are increasingly asking for more content from artists. While we can't tell you exactly how to make a music video go viral — marketers have been trying and failing to crack that code for a while now — we can give you some words of advice from those who've been there.
Yes, the point of having a video is to promote your song, but that doesn't mean the vid should take backseat in the artistic realm. Having a video that stands on its own, as Grannis says, can bring you new fans — you know, people who might not otherwise be into klezmer, but really dig the way those ribbon dancers you hired move.
We know you have your own sound that's, like, 50 times better than any of the garbage out there, but no one's going to listen if they don't know who you are. Translation: Just as you're not going to get a record deal after one gig, your first video may not blow up. If people can get famous off of lo-fi home recordings, you bet your bass the same is true of videos. As we stated in the introduction, the Internet has made the musical realm much more democratic. While you're out there Fellini-ing it up, remember that a good video won't save a bad song.
With technology today, making videos for your personal website or platforms such as YouTube, Vimeo, or Vine can be a great way to share your music with the world!
I have released several videos to my original songs, and want to help you create your first music video.
Once you have your ideas, this will be your visual storyboard that you should give to your videographer and actors involved in the music video. Find a videographer who has a decent camera and knows how to work with actors and musicians. Once you’ve hired your videographer, send him or her your music, lyrics, and visual storyboard ahead of time so that everyone will be prepared when it comes time to filming!
Now that you have your visual storyboard, videographer, actors, and set locations, it’s time to film! It’s important that your videographer takes multiple shots, or takes, of the scenes you are doing. Follow these steps and you’ll be able to make your own music video that showcases your work and your talent.
It's called Making Music: 74 Creative Strategies For Electronic Music Producers, and it's written by Ableton documentation head Dennis DeSantis who's an accomplished composer and sound designer himself.

Think of it as a reference whenever you're stuck in a creative rut as you go through process of writing music regardless of what software or synths you're using.
This is what makes the book so powerful: You're not just going through pages and pages of theoretical suggestions, you're actually going through plans of action that give you real world results. All in all, this book has got you covered from starting your song all the way to ending it.
If you're a DJ looking to get started in music production, you'll find a lot of information here on how to get on with it, but don't expect to find any DAW-specific tips like how to use a drum machine, or how to mix and master dance music, or how to play the piano (although there's a portion about chord structure and intervals). This isn't the holy grail that'll catapult you to the top of the Beatport charts (or any chart, for that matter), but this is one of those books that'll really help you approach your process differently by helping you think about other ways to go about it.
You'll also get weekly news and offer emails and exclusive access to members-only DJ training. That is why a great music video can be such an effective way to garner new fans and keep those you already have loyal. Read on for tips and tricks from a cadre of musicians who have seen their vids blow up like oh-so many pyrotechnics.
One way to cut through the cacophony of voices on the web is to pay homage to a known entity by covering one of their jams. Powered by its own proprietary technology, Mashable is the go-to source for tech, digital culture and entertainment content for its dedicated and influential audience around the globe. There are many acting websites online (and even Craigslist) where you can advertise for people to act in your music video. He or she should also film you singing the entire song, so that you will have enough footage to use. Enjoy live interaction and real-time performance with friendly teachers in a fun group setting. For me, that meant old wood to suggest the look of a rustic barn or the stage in a honky tonk. Shot three was from the same position, but I zoomed in a tad more and panned and tilted the camera as I shot to add movement.
As the book states in the introduction, there are already a ton of titles on these topics, and this book assumes that you at least have a very basic understanding of how DAWs work. The web has opened up a tour bus-full of opportunities for bands hoping to get their music out there via the cinematic medium. Bands like Pomplamoose have seen great success with this tactic, as have PS22, a chorus of kids from New York. That experience of loss in relationships overall," says Cee-Lo Green, whose song "F**k You" went hugely viral this summer and fall.
That's part of the reason why Holy F**k's song, "Red Lights," spread around the web so quickly.
You may want to select a place where you can shoot for free, such as your neighborhood street, the subway, parks, or a church. Some people prefer to shoot all in one day, while others may want to break it up over time. It’s best to have your song playing near you while you’re shooting the scene, either on your iPhone or on a set of speakers.
Most music videos are between two to five minutes long, and you will need a lot of footage to choose from for your video. Since Someday Soon is a thoughtful song about hope and regret, I felt it that needed a careful combination of light and shadow. You don’t need a lot of fancy tools to light well.
No matter how well you shoot and edit the video, if the audio is bad you have wasted your video efforts.
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You can also recruit family and friends — you may be surprised how many of your friends will want to participate! You can often find film students and videographers who are just starting out and may even volunteer their services to build their portfolio. You can also reach out to local businesses and offer them promotion and advertising in your video. You may want to ask your videographer for a rough draft of the video, and also ask him or her what a realistic timeframe is for the completed video.
Many of the fundamental presuppositions of production, like composition, continuity, and shooting steady may be tossed out the window in favor of artistic impression that actually prefers things like out-of-focus footage, jump cuts and match frames.
Light it RightWe have preached many messages from Videomaker’s pulpit about the importance of lighting; how it is the number one most important factor in image quality and the biggest difference between professional and amateur video. I lit CW with just two lights: a large, soft key light positioned close to him just off screen camera left, and a strong, hard, undiffused backlight positioned high behind him on the same side as the key to add a distinct white rim to his head, arm and shoulder (this light is visible in the side shots in the video). I’ve filmed many scenes of my videos for free at local restaurants, bars, music stores, and schools to help advertise their company, and they love it!

But don’t be deceived; music videos may bend the rules, but making a good one is anything but easy.
Shots five and six were shot handheld, one with Carl Wayne looking at the lens no matter where I went, and the other with him singing to a photo on the wall so he would not follow the camera with his eyes. Fortunately, there are some time tested tips that will help set you up for success on the set and in the edit bay. These two shots were bonus for me, so I shot more aggressively and took some chances with shifting focus and snap zooms. These six shots took less than an hour to shoot and gave me all the footage I needed.
Here are 5 top tips to try next time you set out to shoot a music video, whether you’re producing for a professional recording artist, a local garage band, or as a spoof for your company party. My pallet set was unimpressive under the overhead fluorescent lights, but it took on a rich look when I hit it diagonally with a single light draped in an amber gel. 3. Get ready to rock it out. Music Video Genre - A Wide and Varied FieldThere are many kinds of music videos, ranging from real-time single-shot home video lip syncs to big buck mini movies. Evoke a Powerful PerformanceThe artist’s ability to perform the song well for the camera makes all the difference. For the purpose of this article, I will share tips based on a simple, but professional, artist-performance based country music video that I recently produced for Nashville artist Carl Wayne Meekins’ song Someday Soon.
Artists who do not have experience shooting music videos can have a hard time lip syncing, even if they are used to performing on stage. Master the Art of the Edit The first step in editing your music video is to lay out and line up your takes on different tracks of your timeline. The video is comprised exclusively of the artist performing for the camera on a simple set I built myself.
Combat this by encouraging them to practice performing the song at home in advance of the shoot. Fortunately, most musicians are natural performers, and have no problem performing their songs with feeling. One of the secrets is to not merely move one’s mouth, but to sing aloud in full voice and actually perform the song along with the track. With your tracks synced and stacked, you can mute the reference audio associated with the video you shot, and edit to the master audio track. If they play a musical instrument, as Carl Wayne did, have them play through the song as they sing.
As long as they are performing with proper passion, you won’t need to over-coach their movement or body position. That’s probably not because you miss-synced your tracks, but because the artist may have been trailing or leading the vocal track at certain points. Once you have done a solid rough cut, go back over the clips and nudge them one way or the other to get your sync tight.  For the Someday Soon video, I had six options to choose from at each edit point. A big part of your job is to produce a video that presents the song properly.  Another important recommendation is to avoid a literal shot-by-shot depiction of exactly what’s being said in the lyrics. So if a song says, “I kissed my kids and grabbed my hat and ran to catch the train,” it can actually be detrimental to try to literally show it all. Shoot SmartWhen it’s time to shoot, play the music track aloud over a sound system on the set. Sometimes it’s better to let the words do the work and leave some of those details to the viewer’s imagination. Yes, the images you shoot should support and showcase the song, but avoid the urge to use the lyrics as a shot list. The artist needs to hear the song clearly, and you want to record the audio in-camera with the video so you can use it as a reference track. Once you know the song well, and have set some B-roll boundaries, you can select your setting.
Before my shoot, I added a series of four beeps at the head of the song so Carl Wayne could anticipate the start of the music. Select a SettingThe setting refers to the location or locations where you will shoot your artist for the video. Once you start rolling, roll through the entire song without stopping, even if there is a momentary flub. Editing is about having options, so shooting to edit is about gathering enough footage to give yourself flexibility in post. Even mistakes and outtakes can play into your edit.
The song may clearly lend itself to being shot on a football field, or in a factory, or on a couch in a livingroom. You want to select a place that acts as a suitable backdrop for the artist, not one that competes for attention. Carl Wayne’s Someday Soon is a story song about the thoughts and intentions that people have.

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