Panasonic has introduced its new range of 4K cameras, studio cameras and switchers in Europe for the first time.
The Panasonic stand at IBC in Amsterdam featured the company’s newly launched 4K studio camera, the AK-UC3000. The company also showcased the AW-SF100 auto tracking software, which works alongside Panasonic’s PTZ cameras to smoothly track movements on a live production, without the need for extra hardware, such as infrared sensors. It features focus-assist, flash band compensation and skew readout support functions within the conventional model such as DRS and CineGamma. The AK-UB300, is a 4K box camera aimed at productions that require high image quality such as sports, remote studios and live concerts.
The camera is compatible with current Panasonic indoor and outdoor pan-tilt systems and, using IP live remote monitoring, up to 10 cameras to be both viewed and controlled simultaneously from a web browser.
The Panasonic 4K system was demonstrated on a 4K ready OB truck on the Syntex stand (D46) in Hall 10 at IBC.
Introducing the AJ-PX5000G, the first P2 HD camcorder with native AVC-ULTRA recording and built-in microP2 card slots. Sony is pleased to introduce the HDC-2400L HD portable and studio configurable camera system. One of the more interesting features at this year’s Broadcast Video Expo in London, England this year was the Blackmagic powered off-the-shelf three camera 4K studio video production setup that’s based around Blackmagic kit technology. The relatively compact unit, which contains a wide assortment of camera and editing equipment that just a year ago would have cost several tens of thousands of dollars can now be bought for the remarkably light price of just $30,800 USD or ?20,000.
When you consider the amount of equipment and capacity featured in this kit, this price tag is quite remarkable. In effect, the Holdan kit is showing us just how far along the rapid progress of the price and performance curve of professional 4K video production systems has moved.
While small, consumer grade 4K video camera equipment is getting cheaper all the time, professional grade rigs have typically remained expensive and many of the best 4K pro video cameras on sale even now still cost well above 15 to 20,000 dollars.
The Holdan Blackmagic kit is working to change that tendency and it really makes a solid attempt at doing so.
With this massively equipped kit, just about the only thing that isn’t included is the live film crew.


The overall result here is a 4K video unit that’s not only highly capable for almost any situation but also extremely portable for widespread field use. Furthermore, the studio suite that comes with this package is connected to the three Blackmagic cameras through three 300 foot fiber optic cables that allow two way video and high degrees of on-shoot flexibility. Even better still, the entire unit can be set up by a professional crew in just a few minutes. Canon’s new multi-purpose camera employs an enhanced version of the 35mm full-frame CMOS sensor for Full HD video use that was originally developed by the Company in 2013.
The ME20F-SH camera’s CMOS sensor has pixels measuring 19 ?m square, which is more than 5.5 times the surface area of the pixels on the CMOS sensor featured in select top-of-the-line interchangeable lens cameras4.
The professional multi-purpose video camera employs the same EF mount (Cinema Lock type) as Canon’s SLR cameras and Cinema EOS System-series of professional digital cameras, allowing users to make use of the Company’s extensive lineup of interchangeable EF lenses.
HOMEPRODUCTSDIGITAL COMPACT CAMERASDigital SLRDigital CompactMirrorlessPRINTERS & FACSIMILESINKJETPROFESSIONAL PHOTO PRINTERSINGLE FUNCTION INKJETALL-IN-ONE INKJETALL-IN-ONE WITH FAXLASER BEAM PRINTERMULTI FUNCTION LASER PRINTERSSINGLE FUNCTION LASER PRINTERSFACSIMILELASER FAXCOMPACT PHOTOLARGE FORMAT PRINTERSDIGITAL COPIERDIGITAL CAMCORDERCONSUMER CAMCORDERSPROFESSIONAL CAMCORDERCINEMA EOSCINEMA EOS CAMERASCINEMA LENSESSCANNERSPROJECTORSCOMMUNICATION CAMERASPRODUCTION PRINTING SYSTEMDOCUMENT READERCONSUMABLESWHAT'S NEWNOTICESCUSTOMER CAREABOUT USCOMPANY PROFILECAREERSCORPORATE OFFICESCORP.
Auto Lighting Optimizer – automatically set in Basic Zone modes and manually, via custom function in Creative Zone modes. Shooting experience is improved through an enhanced shockless gain (-3dB to 36dB) and easy-matrix adjustment.
It that has a low-light noise reduction function, that utilises high sensitivty mode, and a newly developed haze reduction function. The 3U size compact switcher is equipped with numerous inputs and outputs for great system integration - a total of 32 SDI and two DVI inputs plus 16 SDI outputs in total. The model promises solid support for studio sub-control rooms and OB vans, where live images are often handled in a rushed environment. The system integrated the AK-UC3000 4K studio camera, the AG-DVX200 4K ENG camera, as well as the AW-UE70 PTZ and AV-HS6000 control panel. Just a year or two ago, a single professional video production camera from Blackmagic or RED would have cost as much as this entire package, which comes with three cameras. Holdan has really put together a serious professional video production package and done so using some hardware from well-known brands in the video production industry.
Its compact, modular body design allows easy custom configurations for diverse usage scenarios.


Furthermore, the sensor’s pixels and readout circuitry make use of Canon proprietary technologies to achieve both reduced noise and exceptionally high sensitivity on subjects with a minimum illumination of less than 0.0005 lux. By letting users select the ideal lens based on their shooting or application requirements, taking into consideration such factors as angle of view and level of brightness, this multi-purpose camera facilitates a wide spectrum of imaging possibilities. The AJ-PX5000G features wireless and wired connectability with Wi-Fi, USB and Gigabit Ethernet, including wireless control of key camera functions from a smart phone*1. The company has taken a 19” inch rack and made it into a kit that’s fully equipped to be a full-blown portable ultra HD production unit. It provides recording capabilities in both 1080 and 720, a signal-to-noise ratio of 59 dB and sensitivity of F11 at 59.94 Hz (F12 at 50 Hz). With the ability to capture color video in extreme low-light conditions and its simplistic and versatile design, the ME-20F-SH Multi-purpose Camera can be easily incorporated into existing infrastructures and systems to provide high-quality video capture even where subjects might not be seen with the naked eye.
While capturing video in extreme low-light conditions often requires the use of infrared illumination (a technique that only yields video in black and white), the ME20F-SH video camera achieves impressive high-sensitivity performance enabling the capture of color Full HD video with reduced noise in low-light conditions without the need for infrared illumination. This multi-purpose camera allows users to discern subjects under even some of the dimmest lighting conditions, such as environments lit by artificial illumination or under a moonless night sky.
By allowing users to operate the camera or change settings from a remote location, the camera facilitates video capture from inaccessible locations as well as fixed-point surveillance.
Camera control is centralized in this single unit, right along with signal switching and routing, recording, monitoring and crew communications as well. Furthermore, similar to Canon’s Cinema EOS System of professional digital cinematography cameras, the ME20F-SH camera includes Canon Log and Wide DR, which make possible a wide dynamic range, delivering high-image-quality video results across a range of illumination environments, from low- to brightly lit conditions. The Canon ME20F-SH multi-purpose camera is expected to be available in December 2015 at a suggested retail price of $30,000. For ultra high-end mastering and mezzanine workflows, Class 200 will produce visually lossless compression, ideal for migrating current HD tape masters to a file-based format without degradation, and with a far smaller file size than many platform-specific mezzanine formats.



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