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As useful as the Dodge and Burn tools are, however, they both suffer from a serious problem. The real reason why we brought up the New Layer dialog box is for the option at the very bottom, Mode. I cover the Overlay blend mode in much more detail in our Five Essential Blend Modes For Photo Editing tutorial, but briefly, the Overlay blend mode is part of the Contrast group of blend modes and is often used to quickly boost the overall contrast in an image. With the blend mode now set to Overlay in the dialog box, you'll see a new option directly below it, Fill with Overlay-neutral color (50% gray).
Click inside the checkbox to select the "Fill with Overlay-neutral color (50% gray) option. I said a moment ago that when a layer is set to the Overlay blend mode, any areas of the layer that are 50% gray become transparent, and if we look at our image in the document window, even though the "Dodge and Burn" layer is filled with solid gray, which would normally mean that our document window is filled with gray, all we see is our original photo.
We're going to lighten and darken different areas of the image simply by painting over them with either black or white. I'm going to begin by lightening the couple, which means I'll need to paint over them with white, which means I need to set my Foreground color to white, since the Brush Tool paints with whatever color the Foreground color is currently set to. The best way to work with this technique is to gradually build up the amount of lightening and darkening that's being applied, since even a subtle amount can sometimes be enough. With your Brush Tool selected, white as your Foreground color and the opacity of your brush lowered, simply paint over any areas in your photo that need to be lightened.
I want to brighten the couple in my photo, so I'm going to paint over them with a medium size, soft edge brush. With your Foreground color now set to black, paint over any areas in the photo that need to be darkened.


If you accidentally paint over areas you didn't mean to and want to set those areas back to 50% gray, simply click on the Foreground color swatch in the Tools palette, which will bring up Photoshop's Color Picker.
Enter a value of 128 for the R, G and B values in the Color Picker to select the 50% gray color.
Click OK to exit out of the Color Picker, then simply paint over those areas in the image to set them back to the original 50% gray. MelAus PartnersPLUGINS FOR PHOTOSHOP CS6 MACCompelling freeware plug in to your preferences menuwhen we . Any4u Mac DVD Creator, a professional application for burning all kinds’ videos and movies into a blank disc, helps you overcome all difficulties on making DVD. The main products are audio editing, video editing, audio and videoconversion tools, as well as DVD authoring and backup tools, and screen recording tools, and more. Any4u will do our utmost to make it easy for people to enjoy the happiness brought about by the audio and video.
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It may be hard to believe these days, but there was a time not so long ago when cameras were not digital, and photo developing was done in a lab, not on your computer. This gives us a chance to name the layer, and it also allows us to change a couple of important options. Any areas on the layer that are lighter than 50% gray (meaning the shade of gray directly between black and white) are used to lighten the image, while areas darker than 50% gray darken the image. Areas we paint over with white will be lightened, while areas we paint over with black will be darkened. If you're following along with your image, press the letter D on your keyboard which resets the Foreground and Background colors to their defaults.
The effect will be subtle at first due to the low brush opacity, but if you need more lightening in certain areas, just paint over them a few times to build up the effect, making sure to release your mouse button in between paint strokes. Again, each time you paint over the same area, you'll increase the amount of darkening that's applied. We've successfully adjusted the exposure levels in different areas of the photo by manually painting over them with black or white, giving us results very similar to what we could have achieved with Photoshop's Dodge and Burn tools, without touching a single pixel in our original image!


That's how to dodge and burn images non-destructively using the Overlay blend mode in Photoshop!
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Digital cameras and Photoshop may have brought the world of photo editing out of the darkroom and into your living room (or wherever your computer happens to be), but many of Photoshop's tools and features have their roots in traditional film development. The Dodge and Burn tools in Photoshop are the digital versions of these techniques and are often used to either lighten underexposed areas of a photo or darken overexposed areas. The best way to work in Photoshop is to keep your original pixel information intact so you always have the original photo to fall back on. If we look in our Layers palette now, we can see that we have a new layer named "Dodge and Burn" sitting above the photo on the Background layer. Make sure you have the Brush Tool selected, then go up to the Options Bar at the top of the screen and lower the Opacity option down to somewhere between 10-20%.
You can change the size of your brush by pressing the left bracket key to make the brush smaller or the right bracket key to make it larger. You'll want to use a soft edge brush, and you can make the brush edges softer by holding down the Shift key and pressing the left bracket key a few times. Fortunately, Adobe has given us numerous ways to work non-destructively on our images, and in this photo editing tutorial, we're going to look at one of them.
We'll look at a great technique for selectively controlling the exposure in a photo by lightening and darkening specific areas, giving us results very similar to what we could achieve with the Dodge and Burn tools but without harming a single pixel in the image.



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