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Actress Gianna Jun attends the cocktail reception for "Snow Flower and the Secret Fan" presented by IDG and Sponsored by Damiani, Dior and Penninsula Hotel at the Carlton Hotel on during the 64th Annual Cannes Film Festival at Palais des Festivals on May 16, 2011 in Cannes, France.
Puedes escribir una crA­tica de esta pelA­cula para que el resto de los usuarios la pueda leer. Si alguna sinopsis cuenta demasiados detalles del argumento -o para corregir errores o completar datos de la ficha- por favor mA?ndanos un mensaje. Ryan Gosling's gift of physical comedy, combined with his fantastic chemistry with Russell Crowe, makes "The Nice Guys" worth a look. Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. Laura Poitras's "Risk," on WikiLeaks, and Paul Schrader's "Dog Eat Dog," a noir, have their premieres at the 2016 Cannes Film Festival. When I began as a film critic, Jean-Luc Godard was widely thought to have reinvented the cinema with "Breathless" (1960).
The Chinese, who have been innovators in so many areas, are now revealed to have formalized the BFF relationship as long ago as 1839. Purchase Snow Flower And The Secret Fan here.*FYI I receive a small commission at no additional cost to you if you buy things from Amazon after clicking link.
I tried listening to the audiobook of this but I ultimately had to abandon it because the graphic description of the foot binding literally made me sick to my stomach.
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While the feet binding parts made me sick to my stomach, the history teacher in me was like YES! The dynamics between having many acquintances and just one close friend are examined in the dichotomy of the sworn sisters and the laotong bond.
I remember driving home listening to it and my commute is about an hour and the description of it seemed to go on for my entire commute.
I felt like I learned so much about Chinese culture, which was wonderful, but it also made me realize how little I knew to begin with.



This was a relationship that could begin with the agreement of their parents before birth, and persist independent of marriage, children or the changing fortunes of life.
In a parallel story set in modern day, Sophia (Gianna Jun) and Lily (Li Bingbing) use the concept to describe a bond that forms between them as children, becomes almost a fetish in adolescence, and then is threatened when their adult lives take different pathways. When the diviner and the matchmaker examine her feet, they decide she is destined for better things, such as a match with a laotong, old same, which is a lifetime match held above even marriage vows. Which also plays into class, as the lower classes have sworn sisters and the upper class has laotong. It is at the heart of Lisa See's period best-seller Snow Flower and the Secret Fan, and has inspired a film that carries the concept into the present day. We see for most of the novel Lily and Snow Flower have a harmonious relationship, each learning from the other. I just worried with how descriptive and drawn out it was, it seemed like that was going to be a major part of the book.
Soppy and sentimental, it evokes "Divine Secrets of the Ya-Ya Sisterhood" without improving on it. What unfolds over Snow Flower And The Secret Fan by Lisa See is a lifetime of friendship, replete with secrets, betrayals, and love. However, Snow Flower ends up really hurting Lily which then goes into how much a friendship can truly handly and endure. The story opens in modern Shanghai, where we meet Lily, an upward-bound executive, and Sophia, who has abandoned her own career path. We see in this novel that women at the time pretty much have no worth at all, they are beholden to others.
After a traffic accident, Sophia is comatose, and Lily abandons an important trip to New York to be at her bedside.
She discovers the manuscript of Sophia's novel, which involves a 19th century laotong between Snow Flower (also played by Gianna Jun) and Nina (also Li Bingbing). Then we also see how a woman’s worth is calculated in the way that she looks, in how small her golden lilies aka her feet are.
Snow Flower was subjected to the cruel practice of foot binding, which in crippling her, won her a desirable husband. Despite a class difference and Nina's Korean heritage, their families sealed the laotong pact because, apparently, their astrological signs were in such close harmony.


Director Wayne Wang and his screenwriters have invented the parallel modern story, and cut back and forth between the two. This isn't persuasive, because in the 19th century, laotong was apparently an embedded social custom and a survival tool, and in the 21st it seems--well, about as momentous as being someone's BFF. Both stories here suffer by focusing more on laotong than on the actual lives of the women, as if their bond transcended daily experience and was more like a vow taken by a nun or monk.
Men are entirely secondary, and that conspicuously includes an inexplicable character played by Hugh Jackman, who becomes Sophia's mere BF.
The film has been scored with music too sweet and saccharine, insisting on how bittersweet everything is, when in fact the storytelling seems to find it all rather lovely. Nor am I sure what parallels to draw between the two stories, other than that the earlier functions as a fiction created by Sophia to idealize her closeness to Lily. Apparently Lisa See considered it adequate on its own terms.We in the West tend to view China through eyes much influenced by art. Today's China is no more comparable to Hunan Province in 1839 as today's Texas is comparable to the time of the Alamo. By running the stories in parallel, Wang's approach causes needless interruptions in both and makes it difficult to tell two stories that are, after all, separate.
Presumably the connection is that Sophia sees her novel as representing her friendship with Lily. I am no more sure than Lily is why Sophia acted to forfeit her education and professional future. She is the film's most intriguing character, and I wanted more.I believe, however, that some audience members will admire this film specifically because of what I've referred to as soppy and sentimental. There was one detail I found fascinating: during the Hunan period, laotong pals could communicate in a written language only they understood.




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