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Author: admin | 17.10.2014 | Category: Ringing In The Ears Causes

Ear and Eye protection is a must when training, we have a great selection of shooting glasses, ear plugs, noise canceling ear muffs and more. Proudly serving Northeast Ohio and the communities of Lyndhurst, Mayfield, Cleveland, Akron, Canton, Parma, Mentor, and Euclid. ADAM Audio has been around since 1999 making rather expensive monitors for studio applications.
Things seem to be changing though, as lately the brand has launched several more affordable models—the A3X and the ARTist 3 both go for less than a grand per pair, bringing the ADAM heritage to a whole new segment of listeners.
One of they key ingredients is ADAM's proprietary X-ART tweeter which is described as an evolution of the Heil Air Motion Transformer. Aside from that slight change compared to the more ambitious ADAM models, all the expected features of a studio monitor are on display here.
In my review of the Emotiva Airmotiv 5, I mention them pushing the upper limits of what we might reasonably call "desktop speakers".
If you are going to have a desktop wall of fame section, then I would like to request review of the Magnepan Mini's. The F7 is probably the one I'd go with if I had a large, open desk with no worries about spacing. I've even had them in my living room next to my full-sized floor standing home theater speakers, from a well known reputable brand, costing 5 times more than the A7X's, and the A7X's rival their sound - better in some areas, close in other areas. Unfortunately I lost my job around the same time and even at 25% off (for demos) - $7500 - I couldn't swing them. I'd love a scaled-down Adam Column, maybe an Artist 8 that included the AMT midrange but a much smaller form factor and lower power than the $10K Column Mk3.
I noticed the Airmotiv line got a facelift - odd that the 4 and 5 models did, but not the 6.
I've been searhing around now for about 8 months for a pair for really good computer speakers.
If you choose a consumer oriented model like the B&W MM-1, Paradigm Millenia, or UFi UCube, you tend to get a more sleek appearance and maybe some extra options (like USB input).
This is a triple win here , none of you lads seem to be Shills for any manufacturer which translates to integrety , us consumers are the winners , thank you .
Somehow , the manufacturers haven't be able to land you lads in their boat , thanks for trying to be clear and accurate , the three of you are both a treasure and breath of fresh air , I love reading your stuff . Today , I am a manufacturer but as a consumer I'll buy all ya all a beer to keep you in our boat .
I think the ADAMs are slightly better overall, but it's true that the Emos seem a little more "visceral" down low.
The PC 320 is developed with the world champion Counter Strike team mTw to deliver both superior stereo sound and wearing comfort for those long gaming sessions. SUPERB SENNHEISER STEREO SOUND Sennheiser quality speakers deliver pure sound from games, movies and voice chat.
NOISE CANCELING CLARITY The pro noise canceling microphone reduces ambient noise for crystal-clear conversations with teammates. SOFT-PADDED COMFORT CircleFlex ear cups ensure the ear pads rotate and adjust automatically to the user.
INTUITIVE DESIGN The volume control disintegrated in the right ear cup for quick access.
Visit a pro-audio site like the aptly-named Gearslutz and you'll most certainly see ADAM come up often as a recommended brand, along with other monitoring heavyweights like Genelec and Neumann (formerly Klein and Hummel).


Both of those models are highly regarded, but still potentially out of reach for some folks—especially those of us who allocate the lion's share of our budgets to the headphone side of things.
The most obvious sign of cost cutting is the relatively plain enclosure, free of the beautiful piano black finish of the ARTist series. The X-ART tweeter gets paired with a 5" woofer of hybrid design, using a glass fibre cone with paper backing for added rigidity. Each side gets rear-panel RCA and XLR inputs, a level adjustment knob, and some very helpful tone controls.
I use them on my desk for music, guitar playback (via a Kemper Profiling Amp and Roland Octa-Capture) and PC games. But the fact that they're even comparable to a speaker costing 5 times as much and multiple times the volume and weight is astounding. I own a pair of airmotiv5s -- I use them in my small living room setup currently (with a Definitive Technology (RIP) 10" sealed subwoofer). Now I'm looking in the $3K to $4K range and wanting to move the airmotiv5s back to my desk.
The list of speakers designed to go right up near the wall, instead of sticking way out into the room, is very small. Emotiva has taken some elements from the Stealth series and incorporated them into the 4s and 5s. Generally speaking, that term gets you built in amplification and a mostly neutral sound signature.
While their simple active monitors are stunningly good, their top of the line DSP active series are state of the art in music reproduction.
In the meantime I have had 4 different models, and growing up every year and ended up having the 6280A at my table. Grandberg, I'd be interested in your thoughts on comparing the Airmotiv "5s" to the Adams as well. Open-acoustic design keeps your head cool for hours while patented Sennheiser ear pads adjust automatically to your head.
In recent years the company has ventured into "home audio" (read: passive speakers) but even the most affordable of those is priced in the multi-thousand-dollar range. Still, it's not ugly by any means, with a nice textured finish and some angular touches on the front panel to keep it from being completely boxy.
Onboard bi-amplification treats each driver with 25W RMS, making for a healthy 100W total for a pair of F5s.
I've said it before but it bears repeating—active designs can do far more with far less, resulting in big wins in performance and affordability.
I bought them for my living room and I just can't wipe the silly grin off my face, they are SPECTACULARLY good! I also had the pleasure of auditioning a set of Adam Column Mk3 Actives in my home for about a month last year. But I'm so sold on active amplification and the active crossover (not to mention the neat things you can do with a really flexible digital crossover like time domain stuff), as well as with planar (AMT, ribbon, ortho, or electrostatic) extending down below the customary 2500 or 2800 that most of these AMT tweeter speakers (smaller Adams, GoldenEar, MartinLogan Motion series, Unity The Rock, Emotiva, etc.) do (the Column Mk3 Actives have an AMT midrange that crosses down at 800 Hz). I'm satisfied with my Sjofn HiFi (the clue) but I keep a short list of speakers with similar requirements in case I ever upgrade. For 15 years I was  an rabid audiophile who spent 10s of thousands on equipment such as Thiel, Classe, Audible Illusions, Sim Audio etc etc etc. This 3-way system, with 10 Inch bass, coaxial mid-high speaker, with digital input, DSP with GLM auto calibration sounds terrific and does sound very, very far from too cold.


In fact the sound is so inviting it's almost "warm" while at the same time EVERY nuance in the recording can be heard. You can look for actual brick and mortar stores in your area but I'm not sure how likely that would be. Aside from that it doesn't seem to cut any corners, and compared to similar priced competitors it looks fairly classy. I found the latter particularly helpful when placing the speakers in a less than ideal environment.
Still, the popular Audioengine 5+ is nearly identical in size, so I figure there must be a good amount of potential customers out there whose desks these won't overwhelm. These were *fantastic.* The detail, the ambience, the tightness of the bass, and the customizability of the sound were all stunning.
Anxious to see what the Janszen zA1.1s are like and if he offers an Active design (though they'd be over my price range anyway).
The JansZen is now on my list - along with the Von Schweikert VR-22 and the Larsen Model 6. I've been thinking of getting a pair of speakers for near-field use, and the F5 seems to be a better option due to the front bass port.
I like the look of the Adams F5, A3X but I'm worried about the "Studio Monitor" bit, since I won't be mixing.
Not only did I own very good equipment but, I've auditioned virtually ALL the very best and most expensive gear available.
The coaxial system gave me a fantastic sound stage and localisation and the 10 Inch bass extends to 22 Hz without any audible limitaion (in near field). But more than mere looks, the F5 is packed with time-tested and studio-approved technology that most in this price range can't match. The front mounted ports are advantageous in a desktop situation as compared to most competitors with rear porting, but some users may still not have enough breathing room during placement. If we are to have any hope of a semi-full-range response, a 5" woofer is usually the minimum we can get away with, and designs with 5" drivers don't get much smaller than this anyway.
They have no idea what sort of speaker they might end up being paired with, so they effectively need to be ready for extreme cases—even if all they ever end up driving is a very simple load.
It is their custom to use class AB amplification for the X-ART tweeter since it extends up to 50kHz and therefore doesn't play nice with class D amplification.
I wouldn't mind having even more precise controls, but that's probably asking too much from the most affordable model in the entire stable.
It could then be designed with those specific characteristics in mind, being robust enough to do the job without any overkill. Specific amps for each driver, compartmentalized for maximum efficiency into those specific loads.
A better way of doing business, one that sadly doesn't seem to be wanted in the high-end space, for whatever reason. Still, we can take full advantage of these benefits in our desktop systems, as that seems to be the one place a consumer has plenty of choice in this category.



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