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A blistering version of a€?Stagger Leea€? occurs seven tracks deep into Danielle Miragliaa€™s most recent album, Box of Troubles. So it is that Danielle Miraglia puts her own stamp on a€?Stagger Lee.a€? Of course, ita€™s not her own composition, but surely a cornerstone of her repertoire.
An interview with this refreshingly affable, down-to-earth performer reveals how she became the player and writer she is today. While her musical aspirations took a back seat during her college career, there was still some dabbling. When Danielle left Emerson, she felt lost for a while, describing herself as a€?unfocused.a€? She wasna€™t able to translate a degree in writing into meaningful employment. Danielle had a fantasy about moving to Arizona and starting a whole new life out there, getting a fresh start.
Her first songs, coming off the dissolution of a relationship were (again) a€?cheesy breakup songs,a€? she said. At that point, she was a€?writing a ton,a€? and within about six months she enlarged her repertoire to six decent songs and another six months to beginning her first recording. In addition to the strong, steady thumb beat on the bass strings, Danielle also uses a hollow foot stomp, sometimes amplified.
I asked her about the guitars shea€™s favored and she mentioned that the Yamaha her boyfriend got her in high school was a nice beginnera€™s guitar (he took it back when they broke up a€” song opportunity!). Danielle feels that her first two CDs were of little consequence a€” a part of the learning process a€” and that her recording career started in earnest with the album, Nothing Romantic. In a€?You dona€™t Know Nothin,a€™a€? a reaction to some right-wing radio talk shows, Danielle flashes metaphoric sharpness.
The a€?eight oa€™clock shadowa€? then displays his own ignorance, condemning abortion rights marchers on the bara€™s television.
Although I first got cold-cocked by a€?Stagger Leea€? and a€?Loud Talkera€? from Daniellea€™s latest CD, Box of Troubles, there are other standouts. Wea€™re ecstatic that wea€™ve caught up to this supremely intelligent and talented performer. Danielle has had purists disagree with her about not following original styles note-for-note.
A video from that impromptu showcase session, taken by Dennis DaCosta, is posted on Youtube and can also be viewed on her website. So, a€?Wowa€? being the operative term, when the opportunity to feature her presented itself, we jumped at it. Layah grew up in the east end of Toronto in an area called a€?The Beaches,a€? near Lake Ontario.
This was the point at which Layah connected with long-time friend, Oliver Johnson, to handle the studio end of making the demo. As Oliver recounts it, he was lucky to have gotten supportive parents in both his father and stepdad. When he was at his fathera€™s house, theya€™d jam till the wee hours and sometimes the police would come. In order to learn musical theory, Oliver approached a guitarist, Wayne Cass, to show him what he needed to know to get into the Humber jazz program. Toward the end of his first year at Humber, he damaged his hand while moving a heavy table. At a certain point, the road started to wear Oliver down and he decided to focus on production. At this point, Layah approached Oliver to produce the demo for which shea€™d gotten a grant.
In the statement that follows, we can see the wheels turning as she weighed her options: a€?I came home knowing that I really wanted to pursue music and I made my first recording.
Layah enrolled in and completed a three year program at The Toronto School of Homeopathic Medicine and received a DSHomMed, Homeopathic Certification. While involved with her studies she was pursuing music as well, performing quite a bit with Oliver. Not strictly a purist, she believes that a mixture of alternative and traditional Western medicine, a€?the best of both worlds,a€? according to each patienta€™s needs is the best solution. For two or three years, Layah and Oliver remained friends while they played music together. Layah says that Oliver has influenced her, injecting some jazz, R & B, soul and funk, given that he had gone on tour with some of the better Canadian players in that realm. Ita€™s easy to see why The Ontario Arts Council, and the Foundation to Assist Canadian Talent on Records (FACTOR) came through with grants at critical moments. Additionally, Acoustic Live will be hosting its own annual guerrilla showcase at the Northeast Regional Folk Alliance and wea€™ll get to watch Layah and Oliver play a set in our own room. The new CD, Honey, from Layah and Oliver is just about ready for release and wea€™ve gotten to hear a few sample songs.
When Oliver was 9, his mother married a Canadian folk artist, a childrena€™s songwriter, and he then split his time between Toronto and New Hampshire. After high school, following her year of touring and playing, the artistic and practical sides of Layah collided. We here in the Northeast can thank our lucky starsA  for a number of chances to see her live. We talked to four of the band members about their respective journeys to New York City and how they happened to come together. They'd sing standards.The family had an old phonograph, the kind that come in the cabinets.
They'd sing Beatles material, Joni Mitchell, and whatever their guitar teacher taught them, which was generally a lot of folk songs from the 60's (plus Beatles). We catch glimpses in a few places online and in an interview that Amy gave to Paste Magazine.
If he wasn't singing, his mother knew something was wrong, that he might be coming down with a cold. Alto sax giant Jackie McLean was a faculty member at Hartt and also founded the Hartford Artists Collective. We had rolled into New Bedford, Mass., for the annual Summerfest on Saturday morning, July 2nd, spit out of a twister. By Saturday, I shoulda€™ve been caught up on sleep, but struggled to find the energy for the game of musical chairs at Summerfest. Over the weekend, each of seven stages off the cobbled streets of the Whaling Museum district grew packed to overflowing. There was no mad dash for us for the first performance at the small canopied area at the National Park Garden Stage. That first act was a€?Introducing Liz Longley.a€? This proved to be a priority-changing event. I also managed to squeeze in an on-the-spot interview at a surprisingly subdued side room at the nearby, bustling Celtic Coffeehouse. Her father was a a€?really gooda€? jazz musician who played saxophone and had his own band. Exposure to chorus was minimal in grade school, but when she reached her early teens, she started singing with her dada€™s jazz group and continued until she was 18. Having begun writing on piano, Liz began performing with a friend, Sarah Zimmermann, who provided guitar backup. Additionally, Liz and Sarah performed at fundraisers, in particular a€?Relay for Life,a€? held every year to raise money for cancer research.
They also played professionally at local Pennsylvania folk landmarks Steel City (Phoenixville) and The Tin Angel (Philadelphia). After high school, Berklee College of Music in Boston was the only college Liz applied to because it offered songwriting as a major. She still performs on piano when the opportunity presents itself, and thata€™s illustrated by two slow ballads on this CD where she uses her keyboard skills. Her upcoming shows dona€™t include anything in the New York metro area, but wea€™re hoping this article will change that. The photograph we found online for our a€?Radara€? July ad showed a drop-dead beautiful face, and we wondered if there was matching talent to back it up.
High school proved to be the seeding ground for this musical maelstrom, this force of nature.
Tom Bianchi, her husband and producer on this album, uses an electric violin, a blues harp and a sinuous lead electric guitar with a wah-wah pedal to sustain the cloud of doom that hangs over this historic piece. Her family lived in Everett until she was 8, then moved to nearby Revere, where she grew up. As kids will, she and some friends tried to form a band, even though no one actually played an instrument. She took a couple of lessons from the aforementioned frienda€™s father who was going to teach her friends to play their instruments.
Using an acoustic guitar, shea€™d get together with a friend back home to play and write songs. Her first stop was the open mic at The Kendall Cafe in Cambridge (now closed), just to a€?check it out.a€? She saw people who were very advanced and some raw beginners.
However, a€?They had grit to them.a€? Although she cringes when she looks back on her early writing, she still feels that the songs werena€™t all that bad considering her level of development. She was a fan of the late Janis Joplin and would belt her songs out, Janis-style,without giving thought to vocal dynamics or microphone control. Additionally, she studied the Stefan Grossman transcriptions (written and audio) of the guitar of Mississippi John Hurt. Shea€™s been told, a€?If youa€™re not doing it exactly the way they did it, youa€™re not doing it.a€? For Danielle, ita€™s all about enjoying it and getting into the a€?feela€? of it [we agree].
Although shea€™d seen performers like Chris Smither use this sort of device, she never intended to copy it. She later got an Ovation, then a Guild and then found her first love in a Gibson [lots of blues in those Gibsons]. Thata€™s about when we made her acquaintance (as well as taking note of her impact at the 2009 Northeast Regional Folk Alliance Conference). She uses a nimble Mississippi John Hurt-style fingerpicking pattern for this philosophical gem.
Tongue-in-cheek, she asks for a drum machine, and, in a reference to Robert Johnson, Tell me where the roads cross, Ia€™m ready to sell my soul.
Ita€™s a plus that finding out how good a writer she is now reinforces our first impression of a highly energetic blues artist. During the 2009 Northeast Regional Folk Alliance Conference, he said, a€?Youa€™ve got to head over to the DJsa€™ afternoon meeting.
He played Bruce Cockburn, Joni Mitchell, Dire Straits, The Pointer Sisters, Bruce Springsteen, The Beach Boys, Cyndi Lauper, Kate Bush a€¦ I never did any rebelling against my parentsa€™ choice of music. The question concerning what direction to take with her life still hung in the air and she appears to have approached it with a calm deliberation in incremental stages. Although music was primarily a hobby, he had an array of musical instruments in the living room, including a drum kit.
Hea€™d jam with friends at his dada€™s all summer and then spend the school year with his mother and stepdad in Toronto. Hea€™s still amazed at the way his father would cajole the officers, claiming the sound wasna€™t all that bad. He never really studied a€¦ until he went to Humber College in Toronto, which has a program similar to Berklee College of Music in Boston. Cass was a€?a great guitar player and a great teacher,a€? a favorite that Oliver would watch play in clubs.
He found a partner and opened up a studio that, today, works predominately on television projects.
She got the grant for her first demo and began recording, but decided that she wanted to pursue a degree in homeopathy as well. In addition, some readers might remember the Dove Self Esteem Funda€™s 2006 a€?True Colorsa€? TV Campaign.
Each time Layah had any doubts about music as a chosen path, every time she needed it, a grant would come through.
Layah had to put the guitar aside and let Oliver provide the instrumental accompaniment solo.
When I touched on this, Oliver demurred, saying that Layah had brought her own wide range of influences for him to have had all that much effect on her sense of style.
Layah and Oliver will be playing Music on 4 in Manhattan on November 18th and Our Times Coffeehouse on Long Island on November 19th. Theya€™ll also play a formal Tricentric showcase and numerous other showcases (see the performance list below).
Layah will always have a keen ear for the vagaries of love and relationships, but she has her eye on the fate of humankind as well.
During the 2009 Northeast Regional Folk Alliance Conference, he said, a€?Youa€™ve got to head over to the DJsa€™A  afternoon meeting. TheA  question concerning what direction to take with her life still hung in the air and she appears to have approached it with a calm deliberation in incremental stages. Hea€™d jam with friends at his dada€™s all summer andA  then spend the school year with his mother and stepdad in Toronto. He never really studiedA  a€¦ until he went to Humber College in Toronto, which has a program similar to Berklee College of Music in Boston. Her soaring, pitch-perfect vocals and melodic sense are mesmerizing.A  Then, therea€™s the writing. Layah and Oliver will be playing Music on 4 in Manhattan on November 18th and Our Times Coffeehouse on Long Island onA  November 19th. Occasionally they'd work out more modern material on the guitar but, for the most part, it was a lot of early 60's folk. She played drums, bass and electric guitar.She did gigs in Sydney after leaving high school, singing in jazz bands. When he got into jazz, he became self-conscious, because it felt out of place to sing the Neil Young or Stevie Wonder songs that he liked.


A steady stream of jazz virtuosos came to play with Jackie and Tony stayed around to play, learn and grow.
It went without saying that they bonded through of their immense talent and their respective mastery of their instruments. Glenn Patscha's keyboard work on the older house upright piano could be simply gentle or richly intricate Following jazz saxophonist John Ellis, he'd climb the keyboard up a mountain of emotion, unleashing jazz runs worthy of any club in the city claiming that genre. It went without saying that they bonded through of their immense talentA  and their respective mastery of their instruments. Wednesday night, finish the July issue, then get two hours of sleep; Thursday, pedal-to-the-metal from NYC to Fall River, Mass.
Newly appointed chair police at the main Custom House stage prevented attendees from saving seats for hours at a time. Seats opened up after each act and the first attendees to dash to freshly vacated chairs near the front became winners. As usual, we arrived at the festival at about 9:00 am and the first show didna€™t begin until 11.
Liz was scheduled to perform 10 days later on July 12 at the Living Room in New York Citya€™s East Village. From the very first notes, it was obvious that we were going to want to see and hear a lot more from this brilliant 23-year-old.
I would not be jumping from tent to tent, looking for the best seats, hoping to find something near the front at the big Custom House tent. For her first eight years her family lived in West Chester, Pa., then they moved a little further west, to Downingtown.
Her mother was an aspiring singer, but lacked the time and opportunity to pursue it as a career. Through her dad, shea€™d gotten exposure to Ella Fitzgerald and Sarah Vaughan and they were her favorites, the ones she focused on.
Other events included the high schoola€™s talent show and the senior prom, with both girls performing in their prom dresses.
Liz said that she entrusted major decisions in the studio to producer Glen Barrett and enlisted feedback from her parents to help her decide what, in the end, would be the right sound for her on each track.
These include a€?Little White House,a€? seemingly a farewell to her childhood, and a€?Unraveling,a€? another farewell of sorts to her grandmother, suffering from Alzheimera€™s. Her dad told her, a€?If youa€™re going to learn to have a career as a musician, youa€™d better start now.a€? Actually, performing after college was a continuation of what shea€™d been doing since high school and during her four years at Berklee.
This means that all dryers have to have a blower to move air and a heat source to warm the air, and that airflow is very important.
Danielle had a Casio keyboard; a frienda€™s father played guitar, so it was assumed that hea€™d show others in the group how to play their instruments.
There were writing courses of every kind, including journalism, childrena€™s writing and poetry. She figured, a€?OK, I can fit into this mixa€¦ I can pull this off.a€? She signed up to play the following week and found that others were very polite, offering encouragement.
It wasna€™t until she got to the open mic of blues master Geoff Bartley at the Cantab Lounge that her mistakes were pointed out. The practice really evolved from using a foot stomp on stage to keep rhythm and provide percussion. It actually took another year for her to digest and learn what Geoff had taught her.A  a€?It was like I got all the food and then I processed it,a€? she told me. When I started taking piano lessons at home at 8 years old, I started studying show tunes, so I could sing along with what I was playing, and I got into musicals. Their families were close friends and theya€™d have various holiday dinners, celebrating a variety of spiritual doctrines together as they saw fit.
During those 3 months, he got a job in a computer store that sold software for digital recording.
During the first few years of pursuing music, I had some questions about how it would pan out and whether this really was a good spot for me. If a fantasy film were to be made about a band of angels who get together to play gospel in a time of need, Ollabelle would fit the part perfectly. So, suddenly we had this every-Sunday-night thing, we had these gospel tunes we had to learn, they were perfect for setting up vocal harmonies. It was really fun and it was good to do music that had nothing to do with the tongue-in-cheek bullshit that we were sick of. Then, one night at a gig for Fiona's band, Amy sat in and, when the two sang some gospel songs, a light went on in Roger's head. As a third grader (8 years old), for a Cub Scout project, he organized a skit where he and his friends made banjoes out of cigar boxes and elastic bands. If a fantasy film were to be made about a band of angels who get together to play gospel in a time of need, OllabelleA  would fit the part perfectly.
Then, with breathtaking suddenness it darted upward, taking the hollow in my chest along with it. The chairs were empty and there were no chair police to prevent us from saving a couple of seats for the first act. Wea€™d see her then, of course, since we never miss WFUV DJ John Platta€™s monthly a€?On Your Radara€? series. Instead, I followed Liz from one stage to the next, seeking the best photos and videos of her that I could get (below). Her earliest memories involve driving around with her father in the family VW convertible with the top down and music blasting from the car stereo.
The lone cover, a€?People Get Ready,a€? demonstrates a command that allows her to take ownership of the song. While it did come up in our interview, her Facebook page states it more succinctly: a€?In high school, I was a marching band nerd. It also means that all dryers must have a way to toss the clothes around a bit, because air won't circulate through them if they're just laying there in a big wet lump.
She credits two older boys, her upstairs neighbors, in helping to add to her musical knowledge.
She went back again and again and found a€?a whole new crew of friends.a€? They were a€?on the same wavelength,a€? she said.
On a gig where she needed to use a box for added height, she found herself rhythmically tapping on the box and liking the sound. Although she told me that her husband Tom hosts it now, shea€™s still listed as the host on The Burren website.
Danielle developed a a€?roguea€? mixture of what Geoff taught her and the Grossman transcriptions. We have home videos of me prancing around in my diapers, singing along with the music that he loved. He learned about the software and about producing and, as an employee, was able to purchase the software at an affordable price. The a€?lemonade-from-lemonsa€? character of both accidents might lead one to believe that a certain magic guided them. Not to turn them into saints (they are musicians, after all), but their grasp of hope and redemption, and its evocation in music is so good it's otherworldly. Their first eponymous CD contained virtuosic and innovative versions of traditional material and their second, recently released, Riverside Battle Songs stretches even further with more original material. As she states on her Facebook page: a€?I grew up listening to Joni Mitchell and Karla Bonoff.
James Taylor, Karla Bonoff, Joni Mitchell and Sarah McLachlan were among the names she cited. I was surprised that she hadna€™t sought feedback from anyone at Berklee, but kept to the formula stated above. One is a version of Joni Mitchella€™s a€?Rivera€? in which Liz hits some high notes that Joni herself might not be able to handle anymore. Danielle and another friend, Brenda, who Danielle said, a€?has a twisted sense of humor,a€? would write songs with ridiculous lyrics.
For Danielle, they included John Irving (for his humor as well as his dramatic flair), Tim Oa€™Brien (Vietnam War novelist, not the bluegrass performer), satirist David Sedaris and Lorrie Moore (a€?humorous and poignant short storiesa€? a€” Wikipedia).
There was an epiphany of sorts in that they both realized life is too short to waste on doing things you have no love for. Later, she asked a friend to follow her design to make a hollow device like a footrest that she could attach to her stool. Also, she mentioned that it seemed less desperate than standing when playing in a noisy bar.
For Danielle, they includedA  John Irving (for his humor as well as his dramatic flair), Tim Oa€™Brien (Vietnam War novelist, not the bluegrass performer), satirist David Sedaris and Lorrie Moore (a€?humorous and poignant short storiesa€? a€” Wikipedia). She finds it fundamentally impossible to repeat someone elsea€™s stylings note-for-note a€” shea€™ll develop her own version instead.
Their style is what might be termed a€?jazzy folk.a€? I asked if shea€™d be singing for the DJs and she responded that it had already taken place. In 3 months, Oliver learned everything he needed to know to get into Humber, entering at age 22.
When it came time to re-enroll in school, he was tapped to play for a group that toured all over Canada. Stepping off the stage during a pause, she fell when the overturned plastic bin that was placed as a makeshift step collapsed [too late for a lawsuit at this point, I suppose].
When he came home from work, the children would rush into the bedroom, where her father would play the clarinet. Fiona was the youngest of 3 girls and her older sister played guitar, so they'd go to lessons together.
A man she was romantically involved with moved to New York and Fiona came to visit him here in 1998.
Fiona found this highly amusing in light of the fact that 9C was very divey, a honky-tonk, with flames painted on the wall and vintage 50's pinups (Bettie Page, etc.) everywhere.
But we didna€™t know her, so we figured it would be a good idea to get acquainted before seeing her at the Living Room. The first two use a full studio band, complete with drums, bass, lead guitar backup, pedal steel a€” the works.
The second is Van Morrisona€™s a€?Moondance,a€? which gives Liz a chance to show off her jazz vocal skills.
When I wasna€™t on the field, I was writing music (on piano & guitar) and playing shows. However the world views her as a blues singer, shea€™s well-prepared for original songwriting. Danielle also studied from an instructional DVD of Mississippi John Hurta€™s guitar style by Happy Traum and John Sebastian that combined video and tablature transcription. He learned a lot of theoretical things that allowed him to communicate ideas, rather than hashing them out by demonstrating on the guitar. He chose that and, between playing on the road and producing when he got home, he never went back to school. Even though Ia€™m primarily pursuing music at this point, it enriched my life in such a great way, in terms of being able to help myself and my family and friends and broadening my understanding of the human body.
While she was here, she played some gigs (Sidewalk, Gaslight) and was so well-received that when her tourist visa expired, she returned home but made an immediate u-turn and came right back.
After that, he began transcribing and writing things down, It was through transcribing that he learned how to read music. He noted that Jerry Garcia was influenced by Bill Monroe, Mississippi John Hurt and Skip James. He noted that Jerry Garcia was influenced by Bill Monroe, Mississippi John HurtA  and Skip James. This included a a€?concert night,a€? wherein the school invited students and parents to come to a performance solely by Liz and Sarah. In contrast, her third album, the latest, Hot Loose Wire, completed right after graduation, is stripped down a€” just her, solo, with either guitar or piano a€” pretty much what we see in concert. When she returned home, Danielle began attending open mics, kick-starting what would become her career. I would be putting together help desk manuals, and then Ia€™d write a song about how miserable I was. A couple of other interested presenters showed up, as I suggested we go to my own guerrilla showcase room. Drummer Tony Leone and guitarist Jimi Zhivago joined the group and they functioned as the house band with a lot of people sitting in. Theya€™d bring in a song and other students would dissect it, asking questions like why a word was used in a particular place.
The male of the species got off easy this time, but that doesna€™t mean she hasna€™t been watching. Then Ia€™d tell someone to re-boot their computer, which is usually the solution to every problem. Thus, about six of us got our very own private Layah Jane showcase performance a€” about 3 songs.
It wasna€™t like one day it occurred to me, a€?Oh, I could do this.a€™ It just naturally grew, I think. The school had great musicians and he fell completely into music, the only one in his family to become a musician. In 2000, she had put a band together and Roger, the manager of 9C gave her the first gig with the band.
There were classes where songs by famous writers were analyzed, and Liz loved it all, soaking up every learning opportunity that came her way.
Ignitor systems and holding coils on the gas safety valves have varied slightly over the years, but you can find the diagnosis and repair procedures for all gas burners covered by this manual in section 2-3. A temperature control system keeps the air at the optimum temperature for drying and prevents scorching of your clothes. She tinkered around with some acoustic fingerstyle guitar while in high school, copying selected songs by Randy Rhodes and the band, Heart.
Byron became the bassist in that band, and through Byron, Glenn came aboard as the keyoard player.


His dad was a drummer and had showed him the rudiments -- how to hold the sticks and gave him an old 1961 set of Slingerland drums. After a while his father told him that if he was going to really learn how to play, he'd need lessons. In concert, sometimes she sings solo with just Oliver on guitar and on some songs, she and Oliver both play guitar.
He then went to Indiana University and studied in the jazz program, studying classical music as well.
Finding the thermostats is discussed in the chapter pertaining to your model. There is also a safety system that prevents the heating system from starting at all unless the blower is turning.
I wrote in the following montha€™s NERFA wrap-up issue: a€?Shea€™s like Diana Krall with a guitar. He went to a performing arts high school and then attended the Hartt School of music in Hartford.
When he got to New York in the mid 90's the jazz scene was not exactly what he was looking for. Layah Jane would be the result.a€? On paper, that might not seem like much, but seen live, it packs quite a wallop. We had been talking about doing something with a lot of vocals, so it gave us the perfect excuse to work up a bunch of vocal arrangements. Additionally, it happens that Oliver is a brilliant, seasoned guitarist, having toured Canada with top-of-the-line acts. Over a period of years, enough can build up enough to allow some of the above symptoms to occur. The airflow system is discussed in section 2-5, except for drum seals, which are discussed in the chapter pertaining to your brand of dryer. In most models, the blower is the last component in the airflow system.
They were all 'bop Nazis.' I was into modern acoustic jazz at the time and started playing other stuff. If you have a separate timer and temperature control, consider yourself lucky; the combined units are considerably more difficult to diagnose and generally more expensive to replace. So most repairs stem from just a few common complaints: 1) NOISY OPERATIONA vast majority of these complaints stem from drum supports that have worn out. It usually sounds like a loud, low-pitched rumbling sound that slowly gets worse over a period of several months or even years. This is a very common complaint in Whirlpool or Kenmore brand dryers about 7 to 15 years old.
See the chapter about your brand for specifics about replacing the drum support rollers.   In some models, notably GE, if a belt breaks, the belt tensioner will touch the drive motor shaft and a loud grinding or clattering noise will result.
This can happen in Whirlpool or Kenmore dryers, as well as some other brands, though it is infrequent. To solve the problem, open the top of ther dryer as described in the Whirlpool section, then remove the plastic vane on the inside of the dryer drum by removing the screws on the outside of the dryer drum that hold it in place. In some models, notably Maytag and Frigidaire machines, things can get by the lint screen (like pencils and pens) and get stuck in the blower wheel. Again, it's a loud grinding sound, as if you were sticking something into a moving blower fan.
See the section about your brand for details about how to get to the blower in your machine.2) NOT DRYING WELL(See also NO HEAT below) Usually this is caused by poor airflow. Feel the dryer vent exhaust (usually outside the house.) If there isn't a strong blast of air coming out, check the lint screen and open up any dryer vent you can get to to check for clogging. Also check any flexible dryer vent for pinching. In some machines, if the drum is not turning, there will be no noise or other external symptoms. To diagnose, start the machine empty, open the door and look inside quickly, or depress the door switch to see if the drum is turning. To repair, see the chapter about your brand. You may see similar symptoms if the motor has gone bad, except that you probably will not hear the motor turning.
See section 2-4(d) about motors. 3) NO HEAT, OR LOW HEAT This can be caused by poor airflow in all dryers, but especially in gas dryers.
Check the dryer vent and exhaust as described in NOT DRYING WELL above. This can also be caused by a problem with the air heating system within the dryer. Check the dryer vent and exhaust as described in NOT DRYING WELL above.   2-3 GAS BURNERSTo access the burner assembly, open the gas burner inspection door. If it is glowing, you will hear another click, the gas valve will open and the flame will kick on.
Bring the burner assembly to your parts dealer to make sure you get the right coil assembly, and don't forget to bring the model number of the machine.   IGNITOR GLOWS, BUT FLAME DOES NOT START (GAS VALVE DOES NOT OPEN)(PILOTLESS SYSTEMS ONLY) Either the flame sensor is not working properly or the safety solenoid coils are not opening the gas valve. It is an especially common problem in installations where the dryer exhaust runs a long way before venting to the outside. Test as described in the section above, "IGNITOR DOESN'T GLOW". Occasionally this problem can be caused by a bad thermostat. It's unpleasant, but unless exposure is more than a second or so, the only harm it usually does is to tick you off pretty good. It's not worth dying for. Sometimes you need to read a wiring diagram, to make sure you are not forgetting to check something.
It is ESPECIALLY important in diagnosing a bad timer. If you already know how to read a wiring diagram, you can skip this section. If you're one of those folks who's a bit timid around electricity, all I can say is read on, and don't be too nervous. You learned how to use a VOM in Chapter 1, right? Each component should be labelled clearly on your diagram.
To test a switch with a certain marking, mark and disconnect all the wires from your timer.
For example, in figure G-6, if you want to test the hi-temp selector switch, connect one lead to the M and one to the H terminal. If it does, you know that contact inside the switch is good. Remember that for something to be energized, it must make a complete electrical circuit. You must be able to trace the path that the electricity will take, FROM the wall outlet back TO the wall outlet. Sometimes they will be labelled L1 and N, but they are still 110 volt leads. Let's say you need to check out why the heater is not working. Since a burnt out heater element is the most likely cause of this symptom, first test the heater for continuity.
This switch is located inside of the timer (you know this because it is drawn with thick lines) and it must be closed.
In this example, we have set the temperature on "low." Note that in this machine, on this setting, the electricity flows through both the high-temp and low-temp operating thermostats. The electricity then flows through the high limit thermostat, so it too must be closed and show good continuity. The electricity flows through the heater, which we have already tested and we know is good. Then the electricity flows through the centrifugal switch, which must be closed, before going back out the main power cord (L2).   To test for the break in the circuit, simply isolate each part of the system (remove the wires from the terminals) and test for continuity. For example, to test the thermostats in our example, pull the wires off each thermostat and test continuity across the thermostat terminals as described in section 2-4(c). The Y-DB switch is shown in bold lines, so it is inside the timer. However, if you can identify the proper leads, you can use your alligator jumpers to jump across them. You may need to use jumpers to extend or even bypass the wire; for example, if one end of the wire is in the control console and the other end in underneath the machine. It will then be up to you to figure out exactly where that break is; there is no magic way. In addition to telling the motor when to run, it may also activate the heating circuit or heating control circuits, humidity-sensing circuits, etc. Solid state timers are difficult and expensive to diagnose. If you suspect a timer problem in a solid-state system, you can try replacing it, but remember that it's expensive and non-returnable (being an electrical part.) If you have one of these units that's defective, you can check into the cost of replacing it, but it's been my experience that you usually will end up just replacing the whole dryer or calling a technician. If you do call a technician, make sure you ask up front whether they work on solid-state controls. Most timers are nothing more than a motor that drives a set of cams which open and close switches.
Yet it is one of the most expensive parts in your dryer, so don't be too quick to diagnose it as the problem. Replace the timer or timer drive motor, or have it rebuilt as described below. Timers can be difficult to diagnose. If none of the other components are bad, then it may be the timer. Remember that a timer is simply a set of on-off switches.
Following the shaded circuit in figure G-7, you test the door switch, push-to-start switch and centrifugal switch.
Make sure the timer is in the "on" position and slowly turn the timer all the way through a full cycle. Be patient!) You should see continuity make and break at least once in the cycle; usually several times. If it's a common one, your parts dealer may even have a rebuilt one in stock. For the most part, if your timer is acting up, you need to replace it.
There may be several different thermostats side by side; for example 135 degrees for low temperature, 165 for high temperature, etc. Naturally, it is a bit more expensive than regular thermostats, and difficult to test. You can test a thermostat as described in section 1-4(b) by testing for continuity across its terminals. A cold cool-down stat should show no continuity. If a thermostat fails into a closed position, there is a danger that the heating system will continue operating until something catches fire. Replace it. THERMISTORSA thermistor is a "variable resistor" whose resistance varies with temperature. Rather than just turning the heating circuit on and off as thermostats do, dryers with solid-state (computer logic board) controls can use a thermistor's input to control the drum temperature more closely. This can result in lower energy usage. Thermistors are tested by measuring resistance across them with a VOM. This is done in one of two ways. When the air in the drum is moist, the water in it absorbs heat to evaporate.
This keeps the air temperature lower, and it takes longer to heat up.   The thermostat on the drum exhaust will keep the heating system on longer.
In these systems, that same thermostat controls the timer motor; while the heating system is on, the timer motor is not running, and vice-versa. So when the clothes get drier, the exhaust air temperature gets higher more quickly, the heating system doesn't stay on for as long and the timer motor runs more, ending the cycle sooner. The thermostats in these machines have three leads. If the symptoms lead you to suspect that yours is defective, just replace it. Besides heating more slowly, moist air also conducts electricity better than dry air. So another way the engineers design a humidity sensor is to put two electrical contacts inside the dryer drum. The electrical currents conducted by the air are so low that an electronic circuit is needed to sense when the air is moist, but essentially the same thing happens in this system as in the other. When the air is dry, the timer motor runs longer and times out sooner. The sensors in these machines tend to get coated with gummy stuff, especially if you use a lot of fabric softener in the wash or starch in ironing. The circuit board could have gone bad, too; there is no good way to test it with out a lot of expensive equipment.
The problem is that the heater operates on 220 volts, but the timer motor runs on 110 volts. There is a resistor in the system to cut down the voltage (see figure G-6(a) and if this resistor is bad, you will see the same symptoms as if the thermostat was bad: the timer motor will not run in the automatic cycle.
If you have one of these dryers, make sure you test the resistor for continuity, in addition to the thermostat. OTHER TEMPERATURE CONTROLS Selecting which thermostat is used may be done inside the timer, or there may be a separate multi-switch that accomplishes this.
So much, in fact, that if it is allowed to continue being energized in a stalled state, it will start burning wires. To prevent this, an overload switch is installed on motors to cut power to them if they don't start within a certain amount of time. If the motor is trying to start, but can't, you will hear certain things. In some extreme cases, you may even smell burning. If you hear the motor doing this, but it won't start, disconnect power and take all the load off it. If you have an ammeter, the stalled motor will be drawing 10 to 20 amps or more. STARTING SWITCH Dryers have a centrifugal starting switch mounted piggyback on the motor. There are many sets of contacts inside the switch, and each design is different, even among dryers of the same brand.
Testing the switch is most easily accomplished by replacing it. Remember that starting switches are electrical parts, which are generally not returnable.
If you test the switch by replacing it, and the problem turns out to be the motor itself, you will probably not be able to return the starting switch for a refund. When buying a new motor, make sure that the pulley can be changed over, or else get a new pulley with the new motor.
It may save you a second trip to the parts dealer.   2-4(e) IGNITORSYou can test the ignitor by testing for resistance across the element. Like ignitors, they should show quite a bit of resistance, and defective heaters will usually show no continuity at all.2-4(g) TERMINAL BLOCKIn most electric dryer installations, there is a 220 volt wall plug. If the dryer does not seem to be getting power, but you do have power at the wall outlet, you also need to check the terminal block for problems as shown below. Replace it if there is any sign of problems. Make sure all wiring is clear and make sure you don't touch any bare wires or terminals, plug the dryer back in briefly, and check the terminal block for power across all three legs as described in sections 1-4(a) and 2-4. Then remove power again at the breaker or fuse.2-5 AIRFLOWAirflow is EXTREMELY important in EVERY dryer.
It can come on suddenly (like if something happens to the dryer vent outside the house) or it can show up as a progressive problem, as lint slowly builds up in the dryer exhaust system.First, check the lint screen. I think it's a tribute to Whirlpool engineering that the thing was still running at all with that much lint in it. If the lint screen is clean, check the exhaust system between the dryer and the house outlet. A really easy way is to disconnect the exhaust system and run the dryer for a few minutes with it venting directly into the house. If the dryer functions normally, the exhaust system is clogged. If none of the above works, the internal ducting or blower fan is clogged or malfunctioning.
Again, it's a loud grinding sound, as if you were sticking something into a moving blower fan.



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