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Author: admin | 08.01.2015 | Category: Relieve Tinnitus

What I hate the most is how easy it is to kill or take out trained soldiers or mercenaries who were probably veterans.
When its a military picture or TV show, they always focus on the officers as heroes, never the squad members or NCO’s that most officers give credit for getting the job done.
A Marine engages targets from a UH-1Y Venom with Marine Medium Tiltrotor Squadron 161, 15th Marine Expeditionary Unit, during Composite Training Unit Exercise (COMPTUEX) above San Clemente Island, California, March 20, 2015.
It is not surprising that the earliest earrings extant from ancient civilizations would be from the Sumerian city of Ur in Southern Mesopotamia (modern day Iraq) - the cradle of civilization. Since Sumer was not a gold producing region, artisans cleverly stretched the small amount of gold that was available by pounding it into very thin sheets. The Minoan and Mycenaean civilizations were known to have traded with Egypt and the Middle East. After the fall of the Mycenaean and Minoan civilizations their cultures were assimilated into the new Hellenic culture, which would further evolve to become the Classical Greek civilization.
Egyptians did not embrace the idea of adorning their ears until they had firmly established the custom of wearing other forms of jewelry. Worn by both women and men, Egyptian earrings were quite different from those worn in other parts of the world.
Burial sites also provide evidence of very large metal triangular-section multi-tubed hoop earrings that either required a piercing or squeezed the lobe within a "pressure" gap between the ends.
Ancient Greece introduced the world to the importance of government, philosophy, the arts and science.
Baule Earring Decorated with Granulation and Filigree and a Plethora of International Motifs.
Similar developments were happening in the Etruscan region with crescents and hoops predominant.
Disc style earrings overlapped this period and remained popular for the next four centuries. Rome absorbed and adapted much of Greek knowledge, philosophy and art therefore, the early Roman era did not exhibit any particular "Roman" style. After the fall of the Roman empire in the west, the eastern empire, ruled from Constantinople, was left with a decidedly Roman influence in jewelry, including earrings, but an eastern (more Asian) flavor began to be observed in other Western arts.
In addition, pearl strands were often wound around the head, effectively entrapping the ears, while adorning the pate. In a book by jeweler Arnold Lulls (1585-1621) of the Netherlands (James I of England was a devotee) earrings, after their long absence, were once again featured. Earrings evolved to a more elongated form with the central girandole drop becoming noticeably longer than the other two. Late in the century a simpler style that featured a large faceted gemstone, almost button like and usually oval, suspending a smaller gem or pearl drop made a brief appearance.
In France, a dirth of gold and gemstones and the death of the guild system following the Revolution caused the quality of French jewelry to declined.
After the revolution a classical goddess look of translucent filmy dresses cut with clingy profiles (sometimes worn wet to enhance the look) were accompanied by large but flat, geometric earrings.
A type of repousse earring used thin sheets of stamped gold to create an elaborate embossed earring.
Another type of drop earring popular in England consisted of a drop-shaped frame studded with diamonds swinging a large pearl or other gem within and surmounted by a clustered foliate motif. Victorian Diamond Earrings with Blue Enamel "Ribbon" Motif.Photo Courtesy of Lang Antiques. The latter third of the nineteenth century the hairstyles went up, the earlobes were bare and women once again enjoyed wearing earrings. Victorian Etruscan Revival Urn Form Earrings with Granulation and Wirework Decoration.Photo Courtesy of Lang Antiques. Victorian Etruscan Revival Ball Form Earrings with Granulation and Wirework Decoration.Photo Courtesy of Lang Antiques.
Castellani Victorian Etruscan Revival Disk Form Earrings with Granulation and Wirework Decoration.Photo Courtesy of Lang Antiques. Newly laid railways crisscrossed Europe and a "modern" breed of traveler set off on "The Grand Tour." Returning tourists displayed their new found sophistication by means of souvenir jewelry. Victorian Earrings with Roman Ruins Depicted in Micromosaic Multi-Colored Tesserae.Photo Courtesy of Lang Antiques. A unifying design element of the time was the oft included fringe dangling and swaying below the archaeological and Renaissance designs.
Castellani Victorian Conical Fringe Earrings with Granulation and Wirework Decoration.Photo Courtesy of Lang Antiques.
The use of en tremblant devices on floral and foliate motif earrings provided additional movement to the designs.
Victorian Day and Night "Carriage Cover" Diamond Earrings - Diamonds Concealed Within a Gold Ball for Daytime (and Travel) Worn Without the Cover for Evening.Photo Courtesy of Bonhams.
Art Nouveau 18k Yellow Gold Repousse Tulip Blossom Earrings.Photo Courtesy of Lang Antiques. Art Deco Tutti Frutti Ruby, Sapphire Emerald and Diamond Earrings.Photo Courtesy of Christie's.
The Art Deco era ushered in a myriad innovation; carved materials such as coral, jade and rock crystal were used along side precious gemstones and diamonds. Diamond cutting was also continuing its evolution and many new shapes were created at this time. These swaying and somewhat fragile earrings required a secure grip on the lobe not to mention an invisible mechanism. Screw Back on a Pair of Victorian Garnet and Diamond Earrings.Photo Courtesy of Lang Antiques. Ear Clip on the Reverse of a Pair of Art Deco Diamond Earrings.Photo Courtesy of Lang Antiques. After the war folks were anxious get their lives back to normal, prosperity was the watchword of the 1950s. The latter half of the twentieth century saw a rejection of any rules with regard to jewelry. Although the dictates of fashion, in combination with constantly competing hairstyles, tried in earnest to quell our desire to adorn our lobes, earrings won the day.
MEMBERS OF THE Pana High School boys golf team received awards during the Golf Banquet recently in the Panthers Den of the high school.
Members of the team are, kneeling, from left, Molly Holthaus, Jessi Kasch, Alyssa Waddington, Jenna Harbert, Raven Horsthemke and Head Coach Mary Cothern. In back are assistant coaches Greg Cothern and Shawn Holland; Charley Lett, Marissa Presnell, Allie Schoonover, Nadine Vaughn, Hannah Funneman, Quinn Koontz, Kristina Pollman and assistant coach Roger Cothern.
PANA’S HANNAH FUNNEMAN gets one of her 12 blocks during the championship match with the Nokomis Redskins at the Pana-Shelbyville Invitational Volleyball Tournament on Saturday, Oct.
With the win over the Nokomis Redskins in the championship match, 25-18, 25-22, the Panthers became the fifth volleyball team in school history to reach the 30-win plateau. The win in the championship round was also the second one over the Redskins for Pana during the tournament. Pana also defeated the other two teams in their pool, Neoga, 25-15, 25-22, and Stewardson-Strasburg, 25-13, 25-9.
A realistic depiction of your typical infantry platoon would have audiences wondering why all these kids are running about playing soldiers. Some spy or hero sneaks on base, a few kicks and hits, and the guards with automatic weapons are down for the count. When the heroes get shelled, they just seem to brush off the dirt from the massive explosion 5m next to them and continue fighting. COMPTUEX gives the Marines of VMM-161 the opportunity to practice real-world scenarios and hone their skill sets. We recommend you upgrade to a newer version of Internet Explorer or switch to a browser like Firefox or Chrome.
Gods and goddesses, symbols, talismans and amulets have all been depicted in the designs fastened to or suspended from the ear giving the wearer a feeling of power, safety, kinship and loyalty. Royal Sumerian graves are the source of discovery for vast quantities of ancient Jewelry, including earrings. These paper thin gold foils, when soldered and rolled, created a light weight, hollow centered crescent shaped earrings. Large cylindrical earplugs made of faience or caned glass were grooved to fit snugly within a stretched ear lobe.
The difference being that the pierced version had a longer central tube that passed through an oversized piercing in the lobe.
Much of our documentation for style and fashion comes from the minute detail in the paintings, sculpture, mosaic and other art forms.

Filigree, embossing, opus interrasile and granulation were employed to create the floral and geometric motifs accenting these large discs. The Byzantine period, which extended beyond the fall of Rome for another millennium, saw fashion evolve to the point where it was again nearly devoid of earrings. In the west earrings were becoming more and more scarce and by the Middle Ages, especially between the eleventh and the sixteenth centuries, they had nearly completely vanished. The mores of the period also had an influence, requiring respectable, married women to keep their heads covered and their hair concealed by wearing various elaborate headdresses from turban styles to steeple caps and veils.
The first style was a simple hoop suspending a pearl drop followed shortly by a style that had the pearl drop tied to the earring via a ribbon, usually in a shade to compliment the dress.
With thanks to the burgeoning gem cutting industry, earrings began to feature faceted gemstones. By the mid-seventeenth century earrings were an undisputed element in every jewelry parure.
It is reputed that James I was repulsed by the sight of men wearing earrings but, strangely enough, his courtiers had no fear of any retribution and are depicted in their portraits with earrings.
The seventeenth century enamel and engraved designs were replaced by a plethora of gemstones for evening and paste for day wear thus instituting a divergence between day and night jewelry. Eventually the three drops of the girandole gave way to a singular elaborate drop, the pendeloque. These "gemstone only" earrings did not survive the test of time presumably because the larger more valuable gemstones were re-used or modernized somewhere along the way.
Bold gold and gemstone jewelry did not fit with the newly espoused principles of egalitarianism so gold was pounded very thin and enamel or glass replaced precious gemstones. These extremely light earrings were meant to flatter the wearer without flaunting any high value gems or precious metals. Luxury was an requisite part of life at court and jewelry was commissioned by all who participated.
Filigree and cannetille, which required less gold to achieve a bold look, were popular techniques. Bold foliate and scroll motifs were possible with much less gold resulting in lighter and less expensive earrings. Oval gemstone earrings suspending a simple collet set pear-shaped gemstone drop were featured until the 1840s. A severe center parted style that covered the ears and terminated in a knot at the back eliminated the need for earrings. Jewelry was ensconced in a novelty phase and earrings were definitely included in this fun and frivolous fad.
The casual observer could chronicle your trip by the motifs and materials used to create the jewels on display in your ears, pinned to your bodice or draped around your neck, wrist and finger. Polychrome enamel was used to great painterly effect decorating these neo-Renaissance designs.
English fringe (often referred to as bearded fringe) was composed of densely grouped strands of chain or tiny rods or cones tapering to a point, while the rest of Europe suspended three to five shaped elements spaced somewhat apart. Another innovation c.1890 was the screwback earring coming to the rescue of earring lovers when the custom of ear piercing came to be regarded as an uncouth practice. Although the piled high Gibson Girl hairstyle left the lobes bare, necklaces gained new heights with the popularity of the collier de chien and together with rising dress and blouse collars the passion for elongated earrings was quashed. This stylistic revolution had a tremendous impact on the decorative arts, including jewelry, but did not produce much in the way of earrings. Vivid colors were combined with geometric design and inspiration came from exotic lands such as Egypt, China, India and Persia. Baguettes, half-moon, triangular and other calibre cuts enabled gems to be fitted together in clever new ways. A cornucopia of inspiration from the past as well as from far flung foreign lands resulted in girandoles, tassels, fringe and chandelier styles in combination with colorful carved hardstones in annular, cabochon and extremely elongated drop shapes suspended from diamond studded, delicate and elongated surmounts.
The screwback was not up to the task so a pierced stud with a hexagonal spring loaded backing was developed to hold the earrings securely.
Platinum was once again a necessary metal for armament production and gold was scarce, and in some cases restricted.
Earrings were more more open and fluid, the still popular ear clip was re-designed to mirror the shape and curve of the earlobe and to dangle articulated fringes of the even more popular diamonds. The concept of what was appropriate for day or night wear was thrown out the window and earrings, like other jewelry, followed the fashion world with regard to forms and colors.
Some of the most complex innovations in jewelry mechanics came from the overriding quest to hang earrings by any means possible. 8, during the Pana-Shelbyville Invitational Tournament, played in Pana this season, and took home first place.
Four other teams have eclipsed the mark, the 2007 team being the leader with 33 wins in a season. They started out the day with a 25-4, 25-21 win over Nokomis in pool play to start the tournament. 11 for a match then wrap up the road portion of the regular season with a match at Hillsboro on Thursday, Oct. Also, one shot takes out a soldier when the hero gets wounded a dozen times and still has strength to defuse the fakest looking bomb ever or save the cute honey trapped in a high security cell. In movies an artillery barrage always seems like a minor annoyance instead of a slaughterfest. Pearls tinkling gently, magnificent gems twinkling below the lobes or the tug of weighty gold ear bobs all create an outward display of success and wealth. The Sumerian Renaissance represented cultural advances in technology and the tools to create great art. Masterful use of filigree and granulation was also evident along with embossing to great decorative effect.
As a result of the extensive trading networks, they had adequate access to gold along with copper, tin and ivory to create jewelry and decorative objects. There were also very large stud-like earplugs with a flat larger front piece and a thick rod on the back that pushed through severely stretched lobes securing the earring. Other 18th Dynasty styles included gold sheet formed over a pre-shaped core resulting in a leech shaped earring with wirework accents that cleverly concealed the seams, and a drop and disk earrings which could suspend an elaborate pendant or pendants. Eventually pendants were added slowly evolving until the discs disappeared and the pendants were all that remained of the style. It became customary to wear decorative ornamental elements at the temple or the side of the face secured in the hair or suspended on a ribbon or chain. These complicated creations often sat atop a broadband covering the ears that tied under the chin.
Hoops with a central (usually circular) element and a pear-shaped drop soon evolved into much more complex triple drops, which morphed into the the girandole style, that swept the fashion world and remained for centuries. A passion for faceted gems, incited in part by the discovery in 1725 of diamonds in Brazil, coincided with an infatuation with candlelit evening soirees which provided a fertile setting for dangling, glittering earrings. Girandole and pendaloque styles grew larger and remained in fashion as time marched onward into the nineteenth century. The popular poissardes style had a hinged back earwire that fastened into a loop on the front of the earring. These lightweight but showy earrings were set with paste and foilbacked semi-precious stones on the continent and with more valuable and robust gems in England. These repousse designs were often decorated with multi-colored applied gold enhancements and gems or enamel.
The only earrings to appear at the Great Exhibition in London, 1851, were small and of a naturalistic motif. Intaglios, coins, and other fragments salvaged at these historic sites were incorporated into newly made jewels of ancient inspiration.
There were sculptural renditions of griffins and dragons, shields, scrolls and ornate frames for cameos and all manner of fanciful designs. Large cabochon garnets and amethysts were often topped with a star motif diamond or pearl inset and the star motif itself was used on simpler earrings and set with opals, turquoise, pearls and diamonds surmounted by archaeological elements and finished with fringe. Single stone or pearl ear studs and diminished "top and drop" styles were replacing the earlier bold pendant designs. The competing guirlande or garland style in France, espoused by Cartier, and the Edwardian era in England were propelled to popularity by the advent of the use of platinum in the jewelry trades. Women went to work and skilled jewelers traded their workbenches for important jobs in war related industries.
Gem cutting and carving techniques from China and India were used to produced elaborately contrived plaques and interesting new shapes for rubies, emeralds and sapphires. As the 1920s gave way to the 1930s a reversal of scale took place and the diminutive dangling surmounts were replaced by larger more encompassing ones that suspended a removable, more delicate, fringe or tassel.

In the early 1930s a clip back lobe gripper was patented and heavy gold combinations with large single gemstones and smaller clusters, gold disks, scrolls, flowers and ribbons could now be clamped securely onto the ear. Lower karat gold and re-cycled gold were used sparingly along with re-purposed gemstones, another scarcity brought on by the war. The predominance of diamonds and pearls ensured the return of platinum in the form of palladium to compliment these "white" gemstones and to provide structure without weight.
The 1960s saw the use of whimsy including fanciful shells and colorful enamel on oversized earclips. It's as if ear lobes were planted on either side of our faces for the sole purpose of personal adornment via the suspension of all manner of gems, precious metals and innovative designs. At times they have been a tool for secret communication as illustrated by Madame de Soubise’s use of a pair of emerald and diamond earrings, a gift from Louis XIV, to signal the king that her husband was away and they could have their tryst. The sexigesimal counting system, which gives us our 60 second minute, 60 minute hour and the division of day and night as 12 hour periods, came out of this enlightened era. There was no longer easy access to gold and other vital jewelry making materials, but in spite of this hardship, goldsmiths continued their work in the Mycenaean tradition enabling the designs and motifs to be rediscovered in Greece in the seventh century B.C. Egyptian art underwent a revolution exchanging strict rules and conventions for more realistic human renderings.
Large scale production of colored glass for jewelry manifested in several varieties of penannular glass hoops. This was a strip of gold worked into a "U" shape and suspended from a gold wire, reminiscent of an open-top bag.
During the second century large bezel-set gemstones suspended gem or pearl pendants from horizontal elements. The earrings that remained reverted to the earlier crescent shaped openwork floral and filigree motifs, often disguising religious symbolism. Between the concealing hairstyles, towering hats and headdresses and fashions that saw collars rising to new heights, earrings became an unnecessary accessory. The Spanish custom was to wear one large ornate jewel and supplement it with a pair of matching earrings. The ribbons used in an earlier time reappeared, this time rendered in metal, as gemset bows and ribbons supporting trios of pear-shaped drops. Hairstyles were fantastically upswept exposing the sides of the face and the ears and, combined with plunging necklines, the stage was set for a resurgence of big bold earrings.
Matched sets of bracelets, earrings, necklaces, tiaras and other elements were all included in the beautifully fitted boxes that accompanied the well heeled to court events. Simpler to make and still utilizing less gold, repousse earrings soon seized the market from the more complicated cannetille designs. Oversized floral tiaras framed the face and provided the decorative element to replace the exiled earrings.
Hammers and saws, buckets and wells, bows and arrows, real bugs, hummingbird feathers, snakes and flowers. Japan's newly opened borders flooded the West with additional inspiration including shibuichi and shakudo sword making metalwork techniques and many other Japanese design elements. Diamonds were plentiful with the South African discoveries and a demand grew for larger diamonds set singly.
Ear clips were the most sought after with large citrines, amethysts, topaz and aquamarines paired with very small rubies and sapphires, often of synthetic origin. Pierced ears were just "not done" by the newly well-to-do and ear clips and screwbacks ruled the marketplace. In the 1970s pierced earrings were acceptable again facilitating the popularity of stud earrings and various hooped styles.
While shapes, styles, materials and symbolism may have fluctuated endlessly, earrings have, with a few exceptions, been popular since we began to adorn ourselves.
Sumerians conceived the concept of a 'work day' with holidays and resting days and too many other "firsts" to enumerate here. One style had a narrow opening between the ends of the hoop in which an ear lobe could be squeezed, using pressure and tension to hold the hoop in place.
Extraordinarily excessive amounts of granulation and wire work, forming natural elements, decorated the earrings, punctuated by enamel and glass inlay with amber and other gems contributing to the cluttered designs. Pendants were hung in duplicate or triplicate to employ the concept of Crotalia, literally defined as ear-rings from the "ringing" sound made as suspended pendants clicked together with movement. By 1300 the hair was firmly netted and confined by an ethereal veil or gem-set net glamorously ensnaring the hair, often containing additional "false" hair and curls.
It was also popular among the Spanish for Men and women to wear a gold pierced hoop through the ear on which to suspend a pearl or gemstone pendant. There was also a brief fashion for threading black cord, tied to create eye-catching loops and bows, through earlobe to support a small pendant and an equally brief penchant for mis-matched or single earrings.
Charles famously followed the masculine fashion for one earring in direct opposition of his father's immense dislike of the custom. Another style was composed of extremely thin gold elements, sometimes decorated by grisaille enamel portraits or other images, connected by an elaborate system of delicate chains. Enamored of the cameos he saw on the Italian campaign of 1796, Napoleon returned to France and opened a Parisian gem engraving school and cameos rapidly became the overwhelming fashion of the day. Aquamarine, amethyst, topaz and citrine gemstones were the preferred accompaniment except in England were agate drops were popular. The only regularly worn earring during this period was the dormeuse (sleeper) which usually consisted of a single stone, much like a modern ear stud.
Fans, cranes, bamboo and insects rendered in intricate detail became unique and exciting earrings.
Colored gems were arranged in clusters with pearls to compliment the muted fabric tones of daytime wear.
The harsh lines of the 1920s and 1930s gave way to a softer natural themes, floral, foliate and flowing ribbons and bows were the predominate motifs. Yellow gold was relegated to daytime wear with fantastic tassels, and twisted wire motifs manipulated in fun and fanciful ways. Earrings for men were enjoying an encore after a very long period of the practice being taboo.
The introduction of a conical pendant with twisted and braided wirework begins a new style of earring, no longer just composed of just a hoop but having a suspended, moving ornament. A very similar glass hoop with additional holes at either end allowed for the passage of a wire hoop through the earring and through the lobe. The gold being supplied from the East inspired Greek goldsmiths to create more elaborate, larger and more three dimensional earrings than were ever possible before.
By the 5th century a longer lasting style had evolved which consisted of a tubular hoop with figural designs. The fate of his iconic single pear-shaped pearl earring, after his infamous beheading, is the source of some conflict.
Enamel plaques were used in place of gemstones in Italy and Switzerland giving an entirely different aesthetic to the same technique. These were worn overnight to keep the pierced hole open awaiting the return of bolder earring styles. Classical themes of ram's heads, amphorae, blackamoors, all with granulation and wirework enhanced by enamel, were the popular themes resurrected from the distant past.
Articulated ethereal floral and foliate earrings, accented by ribbons and bows, with millegrained details sparkled and glimmered with new fire. Pendant earrings were a variation of the clip earring created by adding a tassel or chains with small terminal elements. Styling for earrings had come full circle and bold archaeological motifs were once again in vogue and, during the 1980s and 90s, a virtual rainbow of colored gems were employed in increasingly intrepid designs.
Both men and women at the Court of Queen Elizabeth are depicted as wearing earrings usually with large pearl drops dangling from modest hoops, other gems also hung singly or in triplicate from either one or both ears.
One version of the story has him handing it off to a friend as he ascends the scaffold steps and another version features him wearing it until the end, the earring removed after death and given to Mary, the Princess Royal. The longer earring styles and the increasing geometric details in their designs fortold the coming of the Art Deco Period. Also during this period gemstones began to appear as decorative elements on earrings and soon they became a featured motif.

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