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Author: admin | 15.03.2016 | Category: Ear Drops For Tinnitus

I admit I'm pretty partial to the Final Fantasy Piano Collections CDs, as the piano also happens to be my favorite instrument. The first point in the collection's favor is 'Yuna's Determination', known better as the Calm Lands theme. Tracks that might be difficult to arrange for the piano could go either very well or very poorly. Even if not all tracks are the most easily recognizable, the Piano Collections album still flows well as always.
I've always been a fan of piano albums, especially those from the SNES Final Fantasy games.
Final Fantasy X's soundtrack was my favorite since VI, and the quality of both composition and sound quality was outstanding.
Fortunately, At Zanarkand and Travel Agency were highly faithful to the originals, as was the Ending Theme, and they were all very well done. There is a healthy mix of upbeat and solemn pieces arranged here, and overall this is a very good album, though between this and the OST, I'd recommend getting the OST.
The Farplane can normally be visited by the living through an entrance at Guadosalam, pyreflies reacting to the visitors' memories to conjure an image of only a dead person.
Yuna, Tidus, Kimahri, Lulu and Wakka enter the Farplane while the party travels through Guadosalam. If the player revisits the Farplane in Guadosalam after Tidus mentions Seymour's departure for Macalania Temple, they can find Wantz and Lulu. If the party returns to Guadosalam after the events in the Cavern of the Stolen Fayth, Lulu will mourn the Lady Ginnem who remained unsent until the party defeated her.
More later, after gaining the airship, Tromell mourns for both Maester Jyscal and Maester Seymour within the Farplane, but only Maester Jyscal appears, as Seymour remains an unsent until Yuna finally sends him inside Sin. The Venus Crest for Lulu's Celestial Weapon, Onion Knight, can be found in a chest at the Farplane. Two years after Yuna's party felled Sin, Shuyin begins his quest to destroy all of Spira and digs tunnels into each of the Yevon temples under the fayth statue that lead into the Farplane where Shuyin had taken Bevelle's ancient machina weapon, Vegnagun. After the party returns from the Farplane for the first time, Shinra hypothesizes there is a boundless energy that could be harnessed to build cities full of light, like the Zanarkand of the past, and Yuna laments on how this would never be accomplished within her lifetime. In a sequel novel by Kazushige Nojima, Yuna and Tidus go on a trip together but end up shipwrecked on an unknown island where Tidus dies.
Vegnagun is controlled by playing an organ-like instrument atop its head, each key emitting a colored glow when pressed. During the Machina War between Zanarkand and Bevelle, Shuyin, in an attempt to save his beloved, Lenne, a summoner sent to the front lines, infiltrated Bevelle's headquarters to hijack Vegnagun and decimate Bevelle's troops. A thousand years later Vegnagun still resided as a forgotten secret among the lower caverns of Bevelle Underground. With Vegnagun situated at the heart of the Farplane the machina could absorb ungodly amounts of energy, the same energy that Shinra describes that if tapped into, would power countless cities of light. As revealed in Final Fantasy X-2 Ultimania, after he left the Gullwings to work for Rin, Shinra received financial support from his new employer to prove his hypothesis on an untapped energy source by modifying Vegnagun to harness the Farplane's energy. The battle against Vegnagun is a multi-stage affair, with YRP fighting its way towards the control center where Shuyin commands the titanic machina.
Defeating the entirety of Vegnagun in the Final Fantasy X-2 HD Remaster version earns the trophy Machine of War. Battles against Vegnagun's parts have a different battle opening than the rest of the game; instead of the screen shattering and the view switching to battle mode, Vegnagun's battles open with a black hole sucking in the screen.


The theme of Vegnagun is "Great Existence" (??????, Oori Naru Sonzai?) called "The Colossus" in Luca sphere theater and iTunes. Vegnagun debatably ties for biggest machina in the Final Fantasy X universe as it is roughly the size of, if not bigger than, the two airships featured in the series. Vegnagun is implied to have been at Lake Macalania in the mission "Secure the Agency!", as one of the near-dead Al Bhed inside the travel agency says Fryd fyc ed? Vegnagun's design, particularly its moth-like wings on a locust body, refer to a popular design of the Judeo-Christian demon Beelzebub (one name also used for the Devil) referred to as Lord of Flies, taking the form of a demonic fly or locust. Quite frankly, the original, while nice, was more on the boring side, but here almost sounds like it's more suited for a piano arrangement, and makes for a much more enjoyable listen. And while the arrangement of 'Attack' (this translation says 'Raid') is quite lively, it's sometimes difficult to recognize. The PlayStation versions never really got me going, aside from a few tracks here and there.
That being said, I found the piano album to actually be a step down in terms of the enjoyment I got from it, though not a large step. Personally, I enjoyed the Ending Theme more from the OST, but hearing it played on piano was definitely appreciated.
While not the greatest of the Final Fantasy piano artists (I enjoyed Toshiyuki Mori of FF V Piano collection fame the most) she certainly does a wonderful job bringing Hamauzu's arrangements to life, to the benefit of the listener. However, since you probably won't have to decide between the two, I'd say pick up this album when you get the chance. An underworld of sorts located miles below the surface, the Farplane is a gathering place for the dead. The exact nature of the Farplane was never completely understood by the inhabitants of Spira, but the Guado act as the keepers of the Farplane and have the ability to sense the unsent. Rikku, being an Al Bhed, believes the dead in the Farplane are just an illusion created by pyreflies reacting to the visitors' memories (though she cannot explain how living people cannot appear), and waits outside. When Tidus listens to Wakka speaking with the image of Chappu, the Brotherhood sword is enhanced.
When the group exits the Farplane area, they are met by the spirit of Maester Jyscal Guado that creates a great stir, since only spirits who died unclean deaths can leave the Farplane. Fiends pour into the temples from the Farplane and the aeons, once connected to the fayth statues, are caught up in the wake of Shuyin's hatred. Though she wills Tidus back, finding that he is no longer the man she fell in love with, Yuna learns that the Farplane has been becoming unstable to the point that the dead are being beckoned back to Spira.
It is a powerful and fearsome machina created by the city of Bevelle during the Machina War, 1000 years before Final Fantasy X. Its main weapon, a gargantuan cannon, fires concentrated energy to cause untold amounts of destruction. Shuyin's lingering hatred residing in the Den of Woe possessed the Crimson Squad members when they entered the den. The party must disable Vegnagun's tail, leg, core, and main cannon before Shuyin will confront the girls personally.
That, of course, depends on the quality of the piano arrangements which in turn determines how recognizable and enjoyable the songs are compared to their original counterparts. However, 'Decisive Battle' is very easy to pick out and has one of the best arrangements on the disc, while still managing to sound very energetic.
But if any readers are looking to start a collection of FF piano music, I would recommend the Final Fantasy VI and VII Piano Collections CDs before purchasing this one.


If Final Fantasy X Piano Collections is any indication, though, the series' piano albums are starting to dig themselves out of the pit of mediocrity. The main problem was that the pieces were so highly arranged that some were unrecognizable except for a few sections, and I was often grasping to find the similarity to any of my favorite tracks from the game. The spirits of the dead enter the Farplane either after they have been sent by one like a summoner or a sender, or have long accepted their death.
It is also revealed that the temples also have a route to the Farplane through the chambers of the fayth.
Though he suffered as a result to his distance to her, Auron has Yuna send Jyscal back into the Farplane. The final battle against Vegnagun and Shuyin takes place deep in the Farplane after Yuna, Rikku and Paine jump into the tunnels to follow Nooj, Baralai, and Gippal. The pair was caught before Shuyin's plan could be put into action, and the lovers were shot by Bevelle's guards. The squad members killed each other all but for four who escaped the den, but unbeknown to them, one of them–Nooj–carried Shuyin's spirit inside of him.
Shuyin abandons Nooj's body for Baralai's who is easier for him to control, and takes Baralai to the Farplane to activate Vegnagun.
After being slightly disappointed by the overall music of both Final Fantasy VIII and IX, X's score was a relief and quite enjoyable - finally, a soundtrack I could listen to over and over.
The biggest culprits were Bisaido no Tou (Besaid Island) and Hymn of the Fayth, which is a shame, since I was expecting to readily recognize the Hymn of the Fayth: I had heard it so many times, and I really enjoyed it. Those not sent to the Farplane remain as the unsent or fiends, both types able to send themselves by fulfilling a purpose they have failed to do in life. While Lenne's memories coalesced into the Songstress dressphere, Shuyin's anger and grief along with his despair lived on past his death. Via Nooj's body Shuyin attempted to activate Vegnagun but when the conflicted Nooj tried to approach the weapon it fled to the Farplane.
With the combined teamwork of the Gullwings, Leblanc Syndicate, Nooj, and Gippal Vegnagun is dismantled piece by piece, before they confront Shuyin himself who falls to Yuna, Rikku and Paine and fades once being reunited with Lenne's spirit. The thought of that music arranged for piano had me wasting no time in acquiring Final Fantasy X Piano Collections. The Piano Collections version of To Zanarkand naturally sounds the same as the original but softer with the feel of a real acoustic piano, whereas the sound of the original is more crisp and has a bit less feeling to it. Listening to this album makes me envy Aki Kuroda (the performer's) talent on the piano, as most of these are not simple or plain arrangements.
Furthermore, Lulu will be attempting to speak with a particular woman in her life, but she doesn't respond. Vegnagun was not put in use due to its inability to tell friend from foe; it was considered to be used against Sin, but due to its flaws was never used. The melody simply came alive on a piano, and it's really a moving piece, probably due to the reinforcement of the theme throughout the piece.




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