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Author: admin | 04.02.2015 | Category: Relieve Tinnitus

This brings us to the very reason why Chess will always be the thing that never dies, even when no definitive producible version has yet to emerge: The score.
The musical presented last Monday at the Alex was yet again different than what I have seen and heard before. Playing Anatoly, Dan Callaway is a paragon of legit Broadway singing; his voice is so rich and sweet that we can forgive his lack of preparation. The melodic Broadway-pop ballad “Someone Else’s Story” was added for the original Broadway run. Some of the inexcusable blocking included actors standing profile or singing upstage to the flags of the U.S. It’s a shame that “Bangkok” was pilfered from Louis Pardo, who ferociously pounced on the role of Ugly-American Freddie. No doubt all of the voices were magnificent, thanks to Musical Director David Lamoreaux, but the unnuanced chorus was heavy-handed with over-amplification. It’s possible that the egregious sound issues may be resolved when MTG reappears next week in Thousand Oaks, but nothing can be done about the tiny ensemble which backed up the powerhouse singers: Because the uncredited musicians consisted of two synthesizers, bass guitar, and drums (and because the musical director was conducting from his drum set), the excellent players may just as well have been a Karaoke machine.
Although Tim Rice hailed Chess in Concert (2008) as the “official version” of his baby, this more than intriguing piece from Broadway history still doesn’t know what it wants to be; is it a book musical, an operetta, an espionage thriller with music? They sound great while handling some very low frequencies,and most of the time can shake my studio so bad that things fall on the floor. Over time with use, I started to notice a weird fluttering noise out of one of the speakers intermittantly. My best advice is to never plug anything into the speakers without going though some type of audio interface that can truely limit the sound. In fact, it remains one of the most brilliant, electrifying, original, juicy, complex and astonishing scores ever written. This version is closer to the original London outing, but contains some changes left over from Broadway. The current world chess champion, American Freddie Trumper, arrives in Merano, Italy with his second and lover, Florence, for a tournament against Russian Anatoly Sergievsky. While the script-holding inherent in an MTG production is not normally an issue, Calloway and most of his castmates had difficulty negotiating their script while connecting to other players (the worst offender was Will Collyer in the tiny role of a secret CIA agent, Walter de Courcey – while reading lines, Collyer bobbed his head up and down to the point of distraction). It was assigned to Florence, but in this production it was sung by Melissa Lyons as Svetlana (you know it’s a troubled book when a song can be conveniently plucked from one character and bestowed on another). The casting of MTG comedic favorite Jason Graae as the Arbiter was so wrong as to be reprehensible. Raw, passionate, and perfectly suited for the symphonic rock sound, Pardo took a role with little background and created a three-dimensional enfant terrible. Assisted by a variety of mics (hand-held, stands and head-pieces), lyrics were sometimes lost even when the chorus didn’t move (although I can’t be too hard on MTG; I have yet to see a production when I understood all of the lyrics to “Merano,” the number which introduces us to the denizens of the Italian city where the first chess match takes place).

My main gripe with these speakers is that the power switch is on the rear of the speakers making it difficult to get at.
At first I didnt think much about it and thought that I just had a loose connection on my patchbay somewhere. I got a Frostwave Resonator MS-20 clone filter and decided to try it out though one of the BM15a speakers. Rice’s lyrics – inspired, crafty and pocked with exposition – are combined with beautiful, soaring melodies in an assortment of musical styles which never feel pastiche: Italian Opera (“Merano”), Gilbert and Sullivan (“Embassy Lament”), Rock Ballad (“Pity the Child”), Disco (“One Night in Bangkok”), and Symphonic (“Chess Game”).
It eschews the over-written book by Nelson, but still retains some of the changes he made in 1988 (it came to my attention that this is the licensed version). Lyons simple and strong delivery enthralled up to the near-end when she decided to go for overwrought (something her director should have taken care of). But even though I missed Shannon Warne’s face in key moments, her dexterous display of power and vulnerability within a well-controlled belt was something to see (or half-see) as she attacked the role of Florence. The act two rock ballad “Pity the Child” not only offers much-needed insight into the petulant, self-absorbed Freddie (better late than never), but clarifies what was missing from MTG’s production: memorization and simplicity. And not only was the poor chorus directed to act like a personality-free road company of Godspell, their imbalanced blend often had harmony drowning out the melody (the hardworking but misdirected ensemble consisted of Tomasina Abate, Jill Marie Burke, Kathy Deitch, Trey Ellett, Jeffrey Polk, Alyssa Simmons, Loren Smith and Brad Standley). One day I decided to remove the patchbay and install a new set of speaker cables as I thought they may have been the issue. Since then, Chess has had more variations than moves in a chess game, mainly because there was never a cohesive book to begin with.
People who hear this masterpiece for the first time often respond with incredulity that they had not been introduced to it before.
Regardless of its form, Chess is a perfect choice for Musical Theatre Guild, which does concert staged-readings of rarely-produced musicals. The polished Joshua Finkel combined sexy and sinister as the devious Molokov, and Reed Armstrong brought grace, charm and personality to the role of Florence’s father, Gregor (unhappily, Armstrong’s role came and went in a prologue). Even more astounding was the decision to assign the disco hit “One Night in Bangkok” to Graae, who began to play a clarinet in the middle of the song (!), replacing the fluttering-tongue flute solo made famous by Bjorn Lindh on the ’84 recording with Murray Head as Freddie. Even with inelegant blocking, Pardo clearly had this song down pat, allowing him to get to the depths of the material.
Critic Welton Jones’ review of the Broadway production still rings true: “Chess has one of the lushest, most exciting scores heard in years. I ordered parts for many other electronic projects I had going on and bought a dozen of these relays for future repairs,so i exceeded the $50 minimum. The MS20 filter can make some frequencies well above and below what the BM15a can handle,especially in self oscillation. The original 1986 London production, which stuck fairly closely to the concept album, was taken over (some say rescued) by director Trevor Nunn after Michael Bennett had to bow out at the last minute due to AIDS.

Sadly, Los Angeles’ best musical artists were handed over to the sloppy, uninspired direction of Kirsten Chandler, who would have been much wiser to simply present this as a concert-reading, even as Chandler’s minimal exotic choreography was fun to watch.
And what a lovely performance from Samantha Altounian as Young Florence; her connection to Armstrong was authentic, bittersweet and breathtaking.
The noise can be described as a scratchy type of noise when playing anything with a very low frequency.
Parts delivery was going to take a week or two and I couldnt do any studio work without my monitors,so my 'Temporary fix" was just to solder the contacts together on the relay (as shown in the picture).
To make a long story short,we smelled something burning and then noticed smoke coming out of the front port of the monitor. After a three-year run (even with mixed reviews), Nunn brought in playwright Richard Nelson to create a more straightforward book musical for Broadway, but instead of embellishing the simple story, Nelson completely retooled it and the enterprise became a muddled mess and flopped.
I even replaced one of the woofers thinking it was a speaker issue since i tried everything in the audio path up to that point.
The only issue with doing this is that you will get a loud 'POP' noise each time you turn on the speaker. Since then, productions from Sydney to Stockholm have been worked and reworked, some blending the Broadway and West End versions and others removing entire songs – the very songs that were responsible for the show being producible in the first place. We are left assuming what the second’s role is.) Bad-boy Freddie distrusts the Russian player and his second, Alexander Molokov (who happens to be a KGB informant).
I only had this for a very short time and it didnt seem to hurt the speaker,but if you are unsure of any potential damage then i wouldnt solder the relay contacts together. After Freddie throws a temper tantrum in front of an arbiter, Florence meets with Anatoly and the two quickly develop a love affair.
Anatoly defects and faces Freddie a year later for another tournament in Bangkok, where Anatoly’s wife Svetlana arrives courtesy of the KGB; she is threatened with strife back in Russia lest she convince Anatoly to throw the game. After some tinkering,I found that a relay on the circuit board that can cause a poor connection. More espionage ensues, but suffice it to say that the characters are rarely fleshed-out, and almost act as pawns to the score. To replace the relay you will need a de-soldering iron to remove the solder from the holes that hold the relay in.

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