Popular woodworking magazine june 2013 xls,dining room table plans woodworking 4 home automation,how to build a house for 80000 - Easy Way

I’m working on an upcoming article for Popular Woodworking Magazine that includes router-bit storage. But before we get into how bits are stored, I’d like to find out how many router bits our blog readers actually own. What I find even more amazing are the dream-like storage solutions designed by my fellow woodworkers. Glen Huey is a former managing editor of Popular Woodworking Magazine, a period furniture maker and author of numerous woodworking books, videos and magazine articles.
I started building a portable router table a while back and had planned on including the two drawers (or, possibly 4 drawers ?? for storing my router bits. I currently have at least 25 router bits (including a set for making tambour doors that don’t require wires, cords, or any backing).
In 1999 when I retired from full time work I made a router table very similar to Bill Hylton’s Floor Standing version.
A Q&A like this belongs in Popular Mechanics, Woodsmith Shopnotes, or the new addition to the PW family, American Woodworker, not in a magazine for more advanced woodworker.
Related to one of the comments: any reference to Norm Abrams should be excised from Popular Woodworking. Eons ago I built my own router table which included 3 drawers on one side and cupboard space below.
Christopher Schwarz has helped many of us solve some pretty frustrating problems over the years. Influenced by Japanese design and inspired by its versatility, I crafted this simple bench using hidden stainless steel hardware for durability in either indoor or outdoor settings. If you know me through my writing, then you likely think that I prefer traditional furniture to the more contemporary forms. These thoughts, which have been stewing in my head for decades, started to boil over this week as I was teaching in Germany. Since the 1970s, Germany has fully rejected its traditional furniture forms, which were heavy, dark, ornate and carved. But as I looked at the furniture all around me it was evident that hand tools would not be much help when building it. This is a design challenge for all of us who are interested in modern forms and the old ways. It is something worth trying to sketch up in a notebook sometime you are waiting in the doctor’s office or at the DMV. Chris is a contributing editor to Popular Woodworking Magazine and the publisher at Lost Art Press. This constant repetitive bemoaning that has been going on since the 80’s is old, silly and an indication of not understanding the furniture industry as stated when you write, “I’m afraid of fashion” That’s the issue in a nut shell, since the late 90’s, the furniture presentation is fashion.
What I don’t understand is why the hobbyist woodworker doesn’t see the advantages he or she has. As for the 80’s reference, in the right setting, there are many interior decorators today that will use the fashionable stacking waterfall table. The real issue for the hobbyist is that furniture design is presented in terms of wood through the hobby magazines when in reality modern furniture design is all about discovering material and how to use it efficiently and effectively. This mind-set that is pounded into the hobbyist woodworker needs to change, who cares what IKEA is doing, it’s not effecting your basement moments and they don’t build 18th century design.
I cannot speak for Mr Schwarz but I believe that he is attempting to make a statement on modern woodworking, not on big box style furniture stores.
I have been assured my my engineering friends that things are most often designed so as to fit a particularly sized box.
By definition contemporary is relative to the time in which you are living, so by definition it is in style at that exact moment. I was quite happy to see this post this morning as I’ve been meaning to ask about your view on contemporary furniture. Bad design, almost by definition, is the failure of an object to meet the purposes for which it was created. But, I seem to remember reading Wharton Eshrick quoted as saying he would use his teeth, if necessary to accomplish his ends with a piece of furniture. Thus, the first cabinet that I designed and built myself will possibly last the millennium as it is grossly overbuilt. My personal experience in engineering and manufacturing is that people do not set out to make crap. YES, I firmly believe that we CAN and SHOULD make contemporary furniture that will look good and last a long time. It’s amazing that this is a discussion we had the last day with Michael Fortune in his desigh class at MASW. Although I am definitely carrying a bias, I love the modern German aesthetic in terms of design. There are indeed some similarities between contemporary and Shaker styles, but the differences in ethos are profound. Choice of process and techniques are driven more by external concerns, such as the size of a production run. While I agree that Americans are pretty cheap and pay too much attention to price above all else, I think the problem here is in some ways worse than just cheapness. And by the way, I think the reason that I find any contemporary style attractive is because it really does remind me of Shaker, which I absolutely love.
I used to subscribe to three other woodworking magazines but now only to PW because the others lack projects of contemporary design. There is a ton of old great equipment and most of us are barging hunters, so new equipment will have to be first class and reasonable. I live in the UK and I to hope that the high price of Oil will see a return to home manufacturing, but no doubt the cost will be pushed on to the consumer somewhere along the road. If the quality is as good or better, I would definitely pay a bit more for goods made in America.
Regarding where something is made and a purchasing decision, I’m in a small minority of Americans that will not set foot in a WalMart- for any reason. The upcoming article will present a detailed look at community workshops, be they makerspaces or wood shops that are operated by local woodworking clubs. Our thanks to Lee and everyone at The Manufactory for giving us the deluxe tour, answering our questions and letting us see things in operation. As ‘Rough Cut’ begins season two, we discover the host’s career path to television success. This Salem secretary was the piece that started Tommy down the homestretch to hosting a woodworking show. Step one of that discovery is to recognize what your life’s calling is when it passes in front of you, and to be able to see yourself in that position. Thomas MacDonald, host of “Rough Cut: Woodworking with Tommy Mac” – the newest woodworking show from WGBH, Boston’s public television station – perfectly fits this description.
As he did so, Tommy accepted advice that led him in the right direction, he was aggressive enough to make things happen as he took advantage of opportunities, and he had the discipline to stay the course – even when others doubted his ability. If you’ve read anything about Tommy, you surely have read that he was injured while working construction on Boston’s massive “Big Dig” project. Tommy reached a settlement for his construction misfortune then began renovating a house near his parent’s home. Inside the workshop at North Bennet, Tommy works diligently on his Salem secretary base in this NBSS archive photo.


As Tommy advanced through the NBSS program, he made regular trips to a jobs posting board at the school to find woodworking opportunities for pay. The best thing about these blocks is that they use ordinary sheet paper that costs a lot less than belts or self-stick pressure-sensitive-adhesive or hook-and-loop paper. The Preppin’ Weapon ($20) is well-designed and made in the United States of durable, high-impact ABS plastic. These blocks use either hook-and-loop (H&L) or pressure-sensitive-adhesive (PSA) sandpaper.
For people with specialized sanding needs, like carvers or boat builders, there’s a host of specialized blocks.
American Woodworker magazine was acquired by F+W Media (parent company of Popular Woodworking) in 2014. Years ago I found the holders shown in the opening photo – a quick Internet search tells me these are not available anymore, so I’m glad I inherited my Dad’s holders when we cleared his shop.
Some folks store their bits in compartments that are way upscale – their router bits appear as mini works of art, showcased on elevated platforms for all the world to see. Cut the legs and rails to final length, but leave the slats and stretcher an inch or two longer than the final dimension.
What I really prefer is traditional construction – quality and appropriate and sensible construction.
Contemporary furniture from the 1980s – think: stacking waterfall tables – look ugly to the 2011 eye. Even in the traditional monastery where I was staying, everything was contemporary, from the furniture to the handles to the chairs.
The machines and the furniture are designed to complement one another – to build each other up.
Why not create a style of furniture, it’s been done before and is being done again as I write, but the means to your arrival is like comparing Apples to Orangutans.
There’s a reason we see Kathy Ireland or Cindy Crawford, heck I go back to when fashion designer Donna Karan for example, didn’t realize how difficult it is to develop and maintain a line of furniture, we don’t hear much from Bill Blass unless it’s a reissue.
By the way, there is plenty of what are now considered traditional approaches to fabrication that IKEA has created.
But I really do think that they producing of cheap furniture cheapens woodworking in the worst way possible.
Yes contemporary styles will look dated in a few years because that moment has passed and a new one is there to replace it. I don’t think they have held up like Eames, Bauhaus or the so-called Danish Modern, for example.
I build modern furniture for clients who insist on its survival for the next generation and I do that in the only way that makes feels sensible to me: applying traditional techniques and methods of construction. I certainly subscribe to that way of thinking, having many times arrived a challenge all but impossible for traditional tools to accomplish (at least in my hands). They actually have pieces built of solid wood; and even those use knock-down fasteners, they are quite sturdy. For example, you could easily incorporate handsawn dovetails into an ikea-type piece to aesthetic and structural benefit.
Personally I find that the best of contemporary furniture design (I guess more in the vein of Ross Day than Michael Fortune) borrows clearly from the shaker style without just rehashing it. There is quite a bit of contemporary stuff that I think is impeccably designed and also impeccably executed. Even within a single project, it might make sense to use different techniques at different stages.
The problem with Americans is that we want to have stuff, and our desire to possess stuff outstrips our ability to pay for it. I don’t particularly care for contemporary furniture, but wholeheartedly agree that it should be well made. Is “Made in America” an important part of your purchasing decisions (aside from price and quality)? This migration to overseas forced many like my self to reach back in time and find what was at our door step in older used equipment. I have bought Delta and Grizzly equipment for my shop and there is little to no difference except for the price. Back in June we visited two makerspaces in Columbus (read about that visit here) in preparation for an article in an upcoming issue of Popular Woodworking Magazine.
It is divided into discrete areas dedicated to woodworking, machining metal, cutting and welding metal, 3D printing and laser engraving, a bench room, lounge and more. We think this is an idea whose time has come, and we’d like to make it easy for our readers to find an available space in their area, or to spread the word about their friendly neighborhood makerspace. There are rules and training sessions and then they take responsibility for their own well-being – as it should be in any reasonable society.
With that, you need the discipline to stay on course while rising above naysayers, and you have to take advantage of any opportunity that comes your way.
He’s a “go-getter” woodworker who found his calling as he progressed through the woodworking program at North Bennet Street School (NBSS) in Boston.
But the real story of his path to hosting an Emmy-nominated woodworking show, which opens its second season in October 2011, begins much later.
He soon discovered that wasn’t his calling, so he continued his search – but he knew he wanted to stay in construction, or to work with wood in some way. On a walk through of the school, Tommy, a personable fellow, struck up a conversation with an older gentleman – Jock Gifford. Back at NBSS, he was walking on air; he could now call himself a professional furniture maker. They handed Tommy a photograph and suggested that he set his sights beyond a highboy and build a Salem block-front secretary – they wanted Tommy to move beyond his comfort zone.
Huey is a contributing editor to Popular Woodworking, and author of the books “Fine Furniture for a Lifetime,” “Building Fine Furniture,” “Illustrated Guide to Building Period Furniture” and "Building 18th-century American Furniture," plus he's recorded a number of instructional DVDs. They also allow you to use specialized paper, like wet-dry paper, that’s available only in plain-backed paper.
The contoured shape is comfortable whether you’re sanding one-handed or bearing down with two. They come in a variety of shapes and are just the thing for sanding router-molding profiles. I also have a select few bits stored in those fancy anti-theft plastic boxes that come with purchase. My router table is a 4 ft formica laminate from the big box store, which is flat and slippery. These have been the perfect storage solution – compact, easy to access and no dinging of the carbide surfaces. However, the more I considered the challenges of building such a long bench and crafting the joinery so that the bench wouldn’t warp, I opted for two 4′ benches instead. It is a good idea to make an extra slat and an extra leg as you proceed, as tear-out when you machine the curved edges could be a problem. The manufactured contemporary furniture (from Ikea and worse) is made to have a shelf life.
The work of contemporary makers I’ve examined tend to overbuild pieces or radically underbid them.
Or we are now used to ugly and temporary things and cannot conceive of nice furniture that costs more but lasts longer.


This appreciation for quality goods extends through many parts of the German psyche, from house building to car construction to furniture making to food.
And in many cases during his tenure as editor of The Woodworker, he praised the classic English styles (he even wrote a book about it).
But, I do think that a close connection between craft and modern design has, huge, huge possibilities.
Design moves forward, and I would personally like to see things moving in a direction of sustainability. Some are simply good enough, and at the end of the spring semester, they get dumped on the sidewalk in the mass exodus that Boston experiences every year.
Those are both useful qualities that we can take advantage of if we are smart enough to overcome the drawbacks that come along for the ride. I don’t think we can solve the problem of crappy stuff without getting people to agree to own less stuff. There’s not much more information to tell as of yet, but I can tell you that the controls for raising and tilting the blade are on the front of the saw.
Now we are trained for quality and bargain’s and any thing coming out of the USA will help to swing back the market. I would love to buy Delta machinery, even at a higher price tag if it is made in America and has the latest bells and whistles and strong warantees. If you’re not familiar with the term, a makerspace is a lot like a health club, but with a fully equipped woodworking shop in place of the treadmills and elliptical trainers, and a machine shop where the weight machines are.
I power-sand as much as possible, of course, but I always finish with hand sanding to remove the tiny cross-grain scratches that power sanders leave behind. They require cutting the full sheets of sand-paper into one-half, one-quarter, one-third or one-sixth sheets, which can be a bit of a pain.
The Rockler set includes a comfortable, wedge-shaped foam block plus a flexible sanding pad.
The base can conform itself to molding profiles to create an instant, custom sanding block. And yes, I have router bits stored in the low-budget, plastic pouches straight from the store. Popular Woodworking Magazine is a valuable resource for woodworkers of all abilities from the seasoned professional to the beginning woodworker who just purchased his first tool. And although they are intended for indoor use, I decided to make them suitable for outside as well, because the final design is perfect for a garden bench and who knows what the grandkids will do when they inherit them? Once you pass the expiration date, the furniture will wobble, peel or commit hari-kari on you. I’ve seen pieces that are built to be used by the cockroaches after we have been returned to the primordial ooze.
Two of the cabinetmakers’ personal toolboxes I inspected this week had modern lines but had handles made from branches with the bark still on them. This woodworking snobbery, that only a handful should, or could become real craftsman, will surely end the craft. While his designs would now be last midcentury contemporary at this point, their proportion is quite good. Some are well enough made that they’ve clearly made many pilgrimages to the sidewalk at the end of one college career, and gone back inside, to follow another one. There’s something about building a real object, and seeing it in person that teaches so much more about design than clicking together a 3-D rendering. This is really just the modern equivalent of using three species of wood to build a Windsor chair. They fit parts together so they will look good, without regard to whether they will, or can, stay together. With the classes complete, you can purchase shop time on a daily, recurring monthly or yearly basis.
That page will appear in a little while, but you can fill out a form to let us know about what is available in your town. Tommy met his clients at a museum, walked with them to discuss different pieces on display, then worked out the details for the commissioned piece.
Or do you walk into a woodworking store and as the staff yells your name, the cashier guides you to the wall-size, overly stuffed router bit case as your body begins to quiver? I also – and I’m weary to let this be known – have a box full of older bits sitting in a closet clanking together as their carbide edges dull (head down in shame).
And Norm Abram has introduced woodworking to so many people throughout his career that we should all be thankful. For the craft to survive and be viable so that people like Chris Schwarz and magazines like PW will be there to continue to teach and thrive we need more people to think that they too can make furniture that is well crafted and beautiful and not have the attitude that we should just buy it at Ikea because it’s cheap. And, being that much of those styles were designed at the so called pinnacle of woodworking, they are ultimate culmination of style and function. But the anonymous painters don’t know how to paint furniture, so even more detail gets lost. Back when I was in retail, I had a contractor call in, looking for 700 square feet of walnut burl, to do a floor.
I’m not sure if that feature will remain on the final version, but it would certainly be a change from the standard. Fees are reasonable, and there are discounts for family members, students and active military personnel.
We also have an online directory of woodworking schools in the works, and that will appear as soon as our fact-checking managing editor makes it through the last of the list. He is a furniture maker, an accomplished jewelry artist and, to most woodworkers, he’s best-known as the architect of Norm Abram’s old digs at “The New Yankee Workshop” and for his numerous appearances on “This Old House” (shows that are both produced by WGBH). Not like many modern designs, many of which either look cool but are about as useful as a wire reel, or look like real furniture but are about as sturdy as Legos. The parts were particleboard, and the joints were dadoes with a narrowest possible bead of hot-melt glue, sparsely pinned with brads.
Could this be the beginning of a swing back to “good ole US of A” manufacturing?
Also, I’ve been told the new saw will have a look similar to the new Delta dust collector design, a bit higher price point (which is to be expected when you upgrade the trunnions to be beefier), and, of course, a riving knife. Today that number is closer to $8,000 (depending on where oil prices are when you read this). Since I like to make boxes, I purchased a block of foam from Rockler and fitted a box around it. I have no idea if the new stuff is as good as the old stuff, but if you do come across the older stuff, it’s very nicely made.
Other features I like include tapered edges that allow the block to get right into corners and a tough rubber pad that’s firm, not mushy. Yeah, I guess veneer prices and lumber could effect the hobby’s cost but why should the industry effect what the hobbyist creates. I have discussed the idea with various folks and everyone loves the idea they are just concerned about the liability.



Free plans for outdoor storage bench
Building plans for doll furniture

popular woodworking magazine june 2013 xls



Comments to «Popular woodworking magazine june 2013 xls»

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