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06.04.2015
If You Love The Content Provided On The Rational Theorist and You Want To Contribute, then feel free to donate money, which will help get my company "JF Business Ventures" up and running and thereby the goal of bringing future innovation and technology to the masses. Many articles on this site point out the presence of mind control symbolism in popular culture. The works of Kim Noble vividly document the life of a mind control slave through the eyes of 13 alter personas.
Having no formal art training, Kim and 13 of her personalities (alters) became interested in painting in 2004 after spending a short time with an art therapist.
What is remarkable to all is both the quality of their work and the speed of their progress. In the past few years, Kim Noble enjoyed some mainstream exposure and was featured in national newspapers such as The Telegraph, The Guardian, The Independent and several others. Warning: Several of these paintings depict disturbing scenes which might not be suitable for young or sensitive readers.
This kind of imagery is sometimes found in popular culture by acts who exploit mind control imagery.
Another piece made by Bonny, ironically named I-Test, symbolically depicts the reality of a mind control slave. A promotional t-shirt of the movie Sucker Punch (which was all about Monarch Programming – see “Sucker Punch” or How to Make Monarch Mind Control Sexy) featuring a bloodied eye. A cracked face on a promotional poster of Black Swan – another movie with heavy mind control elements. Most of Dawn’s other paintings feature limbless, mannequin-like figures who are subjected to various methods of torture. Judy’s works often give a prominent place to the Masonic checkerboard floor, the surface on which occult rituals and ceremonies take place in secret societies.
The paintings made by Ria Pratt are the most graphic and disturbing but also the most revealing. The symbol of a teared up teddy bear sometimes utilized by mass media in works containing hidden references to mind control.
Children caged up like animals about to be tortured by a handler (who also appears to have dissociated). Partly for this reason, the symbolism used during Monarch programming has spilled over to the mainstream entertainment business. Many of the symbols described on this site directly originate from the shady world of Monarch programming, which uses a complex system of occult images and powerful triggers. She has suffered DID and MPD (dissociative identity disorder and multiple personality disorder) for most of her life, as a result of an extremely traumatic childhood.
Photo shoots, music videos and movies often glamorize and trivialize mind control and its symbolism by associating it with famous stars and trendy happenings. While a few of these alters paint peaceful landscapes and nature scenes, most of them depict horrific aspects of mind control such as physical torture, electroshock, violent abuse, dehumanization and dark occult rituals. These 12 artists each have their own distinctive style, colours and themes, ranging from solitary desert scenes to sea scenes to abstracts, collages, and paintings with traumatic content. Within five years of starting to paint they have already had seventeen successful solo exhibitions and participated in an equal number of group exhibitions.
She even appeared at the Oprah Show, where she was interviewed and was shown switching personas. Many of Noble’s paintings depict terrible scenes of organized, institutionalized and systematic violence, torture, and child abuse combined with elaborate occult symbolism. Regular readers of the Vigilant Citizen might realize that a lot of the symbolism found in Noble’s paintings are also found in popular culture.
Most of her paintings portray humans as mechanical robots – which is one of the ways one could describe a mind control slave.


However, Dawn believes that Aimee is still a baby and does not recognize the teenage girl that lives with her.
They schematize, with near mathematical precision, a process that is described by authors on mind control such as Fritz Springmeier. Essentially, every Illuminati hierarchy victim, has the Cabalistic tree of life placed in them. Duality is an ancient hermetic concept which is traditionally represented with the juxtaposition of the colors black and white, as with the Masonic checkerboard pattern or the symbol of the Ying Yang. She was probably heavily exposed to the concept of duality (good girl vs evil girl – something that is also found in popular culture) and the symbol of the checkered floor was probably physically used during programming. The crying girl, who is dressed in a checkered dress, reflects the checkerboard pattern floor, therefore insinuating that duality is occurring within her.
Two girls (or two personas of the same girl) avoid stepping on the checkerboard floor  due to the presence of a snake. The concept of duality is therefore very present and represented by the juxtaposition of the colors black and white. The alter believes she is a 12 year old girl and has vivid recollections of the trauma she has been subjected to, whether it be physical or dehumanizing.
The trauma causes dissociation, which is represented by the transparent version of the girl. This scene is from a music video from pop singer Jessie J’s (see full article here), which contains several references to Monarch programming.
Strange phrases a written on the wall along with an inverted cross, a symbol that appears to be hardwired into the brains of Monarch slaves.
Although most of us are fortunate enough not to live through the hell endured by these MK slaves, we are still subject to a form of programming using movies, television, music and other forms of mass media.
In the same way religion has distorted peoples perceptions and egos over the millenia, makes me wonder if in future it will be looked upon as the Spanish Inquisition is now. The first hieroglyphics type one does say kill, blood, devil, as well as help me help below me on top, f***, hate, why me, ship or s***… some Hebrew I think too. Each one of her alters paints with a personal and distinctive style but they all have one thing in common: they reveal the dark world of mind control programming, from its horrific techniques to its symbolism. The fact however remains that these references celebrate one of the most abominable practices known to man: trauma based mind control, also called Monarch programming.
The stories told by these paintings are almost too much to bear, yet they likely actually happened to Kim Noble as they precisely reflect  accounts of other Monarch survivors.
The main personality splits into several parts with dissociative or amnesic barriers between them. She has a teenage daughter named Aimee, who was mostly raised by the motherly alter named Bonny. It is obvious that the trauma Noble went through was not caused by a single sadistic father but by an organized entity that held many children. But Kim herself has no memory of being abused as a child; she has been protected over the years by her alters. Before Patricia took over, Bonny held the fort and two years previous to Bonny, it was Hayley. A few of the alters know about the DID but many are unaware – or refuse to accept it. Each one of the overlapping layers contains a set of pictographs representing either traumatic events or occult symbolism.
The outer layer of the work contains the name of each of the ten spheres of the Tree of Life with its associated Hebrew letter. Looking closely however, we see an All-Seeing Eye in the sky, which reminds us that this escape is not true freedom, but a controlled state that has been induced by the handlers.


The shock words and insults on the image recall the violent and abusive process that leads to the fragmentation of the personality. Simply watching these paintings is a difficult experience – it is further disheartening to realize that she actually lived these situations. Young mind control victims are often given Teddy Bears by their handlers to make them develop an emotional attachment to them. This system also appears to literally own humans, mostly children, who are  abused and traumatized to create within them programmable alter personas. The same symbols used in the programming of Monarch slaves is sent to the world through mass media. Those who operate behind the scenes attempt to slowly normalize their existence and their depraved behavior.  Sadly, the reality is sicker than the fiction.
I have DID and am a survivor of monarch mind slave programming and ritual abuse and know how hard it is to survive all this but also very possible. We’ll look at the works of this unique artist who reveals a world that is totally hidden from the masses.
Originating from the secret CIA project called MK-Ultra, Monarch programming subjects its victims to some of the most sadistic tortures conceivable (for more details on Monarch programming see the article entitled Origins and Techniques of Monarch Mind Control).
It is a controversial disorder but Kim has had extensive tests over 2 years by leading psychology professor at UCL, John Morton, who has established there is no memory between the personalities and that she has the misfortune of representing the British gold standard over genuine dissociation.
The true cause of her condition, trauma-based mind control, which is extensively described in her works, is almost never mentioned. The only article I found delving into the mind control aspect of Noble’s work was The Art of Dissociation from the excellent website Pseudo-Occult Media.
It held within its ranks prominent occultists such as Arthur Edward Waite and Aleister Crowley. The outer layer depicts scenes of victims being electrshocked, hung from a tree, being caged, raped (sometimes with animals), caged, buried alive and more. The circles that make up the internal Cabalistic Tree of Life are called rooms or quads by the various survivors.
There are also several caged children, others being electroshocked and others hung upside down. The painting also attests to the great psychic power of the checkerboard pattern on victims, a trait that was probably part of the programming. The fact that no newspapers dared to investigate (or even mention) anything related to MK-Ultra, a program that was proved to use the exact techniques described in the paintings, tells volumes about the power of those operating it.
From this outside layer, arrows point towards the second layer, which contains zodiac signs. Inverted crosses are found all around these two bottom layers, reminding us that these traumatic events are Satanic Ritual Abuse (SRA).
The soulless handlers depicted in Noble’s paintings are not lone psychopaths, but high level officials of the Illuminati system who enjoy media immunity. Some of our favorite entertainers are nothing more than puppets whose strings are pulled by unseen handlers. In occult symbolism, the emphasis on one eye can refer to the Eye of Horus, the All-Seeing Eye, a symbol of the occult elite.
In fact, they are sometimes part of the media as the worlds of the entertainment business and Monarch programming often collude.



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