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13.09.2014
I was going to update you on my progress and experience at Enfuse Youth next week, but I wanted to share with you some very interesting statistics and information, as well as the government’s stand on youth development in general.
Can you believe that there has been an increase of a 119,000 people, not in employment, education or training alone this year? I am proud, however, that I work for an organization which realises this significant link, and acts accordingly for the greater benefit of the youth. Following procedure, the library committee members read the book and decided in favor of keeping it in the collection, citing the library’s collection development policy, the awards the book has won, and the author’s reputation. While James is entitled to her opinion, removing this graphic novel from the library’s collection strikes me as wrong. It appears that the director placed her personal opinion above the decision of both her collection development staff and the library’s reconsideration committee. Publiclibrariesonline.org is the companion website to the bi-monthly print publication “Public Libraries,” the official magazine of the Public Library Association.
PL and PLonline are the only industry publications focused entirely on public libraries and public librarians. A motivational speaker and author of 25 books, Zig Ziglar has captured a very important aspect of success in this quote. Michael Jordan, one of the world’s most loved professional basketball players and entrepreneur, makes some relevant points. T-Enami.org - A Welcome, all who like old Photos of Japan !YOU ARE ONE OF OVER 100,000 VISITORS TO THIS SITE. But the most shocking fact is that 48% of young people, not in work, have claimed that unemployment causes a variety of psychological problems and feelings of isolation. Abolishing the Future Jobs Fund, slashing funding to youth centres and children’s services. But the key decision makers need to understand this, as it is their policies, which will have a direct impact on the society we live in today and tomorrow. In a perfect world we’d be able to afford every book published, and be able to make those books available to the public. Due to this, young people are more than likely, according to Richard, to inflict self harm and suffer panic attacks, especially if they have been out of employment for more than a year.
This isn’t a perfect world though, and librarians face tough decisions on how to spend ever-shrinking budgets. The mother ended up filing a request for the material to be reconsidered for inclusion in the collection.


I could understand if the library had chosen not to purchase the graphic novel  in the first place, although one may argue that not including the book in the first place would also be wrong.
On one level this is a really good initiative; pupils across schools and higher education institutions will be able to engage with high quality private organisations, such as Enfuse Youth, who specialise in this area.
We have to take into account reviews, reputation, patron requests, popularity, collection redundancy, and more. The GCL handles reconsideration requests by convening a committee, having committee members read the book, and then voting on keeping the book in the collection or removing it. We weed books to keep the collection fresh; we don’t remove books because we personally don’t like them. Being an average first year Economics student, I can confidently say that an increase in competition to provide services to the schools, would mean an increase in the quality of the services provided by these organisations.
This is why a collection development policy is so important to the library, and it is unfortunate when policy is set aside in favor of personal opinion. If the patron does not agree with the committee’s decision he or she may appeal to an 11-member library board of trustees[1]. However, one thing the government have failed to consider, is that career development complements personal development: they are both, in my opinion, in an equilibrium.
By putting greater emphasis, and employing more resources on one aspect, whilst neglecting the other would simply show no, or very little improvement.
OTHERWISE, BEGIN SCROLLING DOWN FOR A TREASURE-TROVE OF RARE AND BEAUTIFUL PHOTOS OF OLD JAPAN. ENAMI WEARING SAMURAI ARMOR, TAKING A REST BETWEEN POSES IN HIS YOKOHAMA STUDIO, CA.1898-1900. ENAMI, OTHER WELL-KNOWN JAPANESE PHOTOGRAPHERS WHO OPERATED DURING THE MEIJI-ERA (1868-1912) ARE MENTIONED THROUGHOUT THE COMMENTS.I HOPE YOU FIND THE STORY AND DATA BOTH INTERESTING AND HELPFUL. FOR THOSE WHO ARE HERE PRIMARILY TO LOOK AT THE IMAGES, I HOPE THAT YOU EXPERIENCE SOME ENJOYMENT IN GAZING AT A FEW OF ENAMI'S"LOST PICTURES" OF OLD JAPAN. THOSE THAT LIVE FOR DISCOVERING NEW DATA AND CONNECTING THE DOTS WILL NO DOUBT FIND SOME EYE-OPENING REVELATIONS HERE.A OF COURSE, WE ALL LOVE KIMBEI KUSAKABE AND THE REST OF THOSE ILLUSTRIOUS JAPANESE PIONEERS OF PHOTOGRAPHY WHO GOT THEIR START LONG BEFORE ENAMI OPENED HIS OWN MEIJI-ERA STUDIO. THEIR BEST WORK IS ENOUGH TO TAKE YOUR BREATH AWAY.HOWEVER, ENAMI ALSO HAD HIS FANS AND FRIENDS, BOTH AS A PERSON AND AS A PHOTOGRAPHER.
AS YOU SCROLL DOWN THESE PAGES, FOR A FEW MOMENTS YOU MAY STEP INTO ENAMI'S SHOES, AND TAKE A PEAK THROUGH HIS LENS.A LIKE SO MANY OTHERS --- SOME NOW FAMOUS, BUT MOST BEING FORGOTTEN --- ENAMI DEDICATED HIS LIFE TO CAPTURING, AS BOTH ART AND DOCUMENT,A WORLD THAT WAS QUICKLY VANISHING BEFORE HIS EYES. AS THIS SITE IS A PERSONAL HOMAGE TO ENAMI, YOU WILL FIND SOME AMATEUR ELEMENTS, AND THE OCCASIONAL PITFALL.


AT ALL TIMES, PLEASE "EAT THE MEAT, AND SPIT OUT THE BONES" WHILE DIGGING FOR VISUAL TREASURE.DISCOVERING THE OCCASIONAL GEM OF A PICTURE, OR ODD BIT OF INFORMATION, WILL HOPEFULLY MAKE THE SCROLLING WELL WORTH IT. The general wording seen above was fairly common to all photographic self-promotion during the Meiji-era, and actually contains less specifics than some of his studio ads which he placed in various guide books of the time. OGAWA, who was actually a year younger than Enami, was still his "elder" in terms of experience. It was photographed by Enami's friendly competitor and neighbor Kozaburo Tamamura, whose studio was located at No.2 Benten Street. It would be built in 1894 just down the street on the right hand side, and appear in endless views and postcards as the most recognizable landmark of Benten Street. Other images of Enami's studio -- both interior and exterior views -- are shown farther down on this page.A  While offering many of the same services and productions as his contemporaries, he also engaged in other activities that made him unique. Further, while no photographer did "everything", Enami worked and published in more processes and formats than any other Japanese photographer of his time.
A He was one of only a few photographers born during Japan's old Edo-Bakumatsu period, who went on to photograph right through to the Showa period of Emperor Hirohito.Enami was also one of the few to experience, and then successfully outgrow his roots as a traditional maker of the classic, large-format "Yokohama Shashin" albums.
While successfully embracing the smaller stereoview and lantern slide formats, he added to that a portfolio of Taisho-era "street photography" that maintained his own unique and artistic content. Enami and Kimbei Kusakabe are now the only two Japanese photographers known to have a surviving list of their commercial 2-D images.
While Enami's 2-D portfolio contained a sprinkling of older, public domain images, his 3-D images and slides made from them were wholly his own.A THE 3-D CATALOG "S 26.
Girls Looking at Pictures" A Maiko and two Geisha Looking at Stereoviews in Enami's Yokohama Studio. One of over 1000 cataloged 3-D images of old Japan.A THE "CATALOG OF COLORED LANTERN SLIDES AND STEREOSCOPIC VIEWS"A  Not surprisingly, Enami matched his older Catalog of Meiji-era Prints with a separately published catalog of his classic STEREOVIEWS. In the case of the 3-D Catalog, the lantern-slides were all made directly from one half of the stereoview negatives. The Cover and two sample pages of the Stereoview Catalog are shown just below in the Enami Activity List numbers (6) and (9). ENAMI'S ACTIVITIES and CONTRIBUTIONS TO THE WORLD OF JAPANESE PHOTOGRAPHYA A  For the moment, based on a wide range of primary sources, it is now clear that T.



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