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07.04.2014
Turkish Paper marbling is a method of aqueous surface design, which can roduce patterns similar to marble or other stone, hence the name. 2 - 5 Guest ,65 Euro ,6 - more ,45 Euro ,1 Guest ,80 Euro ,Lesson Includes.,These are private events and runs upon request.
Gum Tragacant is obtained from trunk of a thorny plant growing naturally in Anatolian, Persian and Turkestan mountians and called “gaven”. CONTEMPORARY create design fabric marbling paper technique designs on paper, glass or on silk fabrics .hakan hacibekiroglu,Our teacher that is shown in our pictures is Ms. Turkish Paper marbling is a method of aqueous surface design, which can roduce patterns similar to marble or other stone, hence the name. This decorative material has been used to cover a variety of surfaces for several centuries. CONTEMPORARY create design fabric marbling paper technique designs on paper, glass or on silk fabrics . Marbled paper, called ebru in Turkish, was used extensively in the binding of books and within the calligraphic panels in Turkey. Ebru technique consists of sprinkling colours containing a few drops of ox-gall on to the surface of the bath sized with kitre (gum tragacanth) in a trough.
After the 1550's, booklovers in Europe prized ebru, which came to be known as ‘Turkish papers’. Day 8 ,After breakfast 09.00 we start for 2nd day tour, Mustafapasa(old Greek village Sinasos), Keslik monastery, Taskinpasa medresesi,(an Ottoman theological school), Soganli valley(3 km walking in the traditional village, churches and Lunch), Cemil (Greek-orthodox church) ,and Kaymakli underground city. I’m pleased to report that your agency provided a detailed itinerary at a fixed price, and delivered on the services, tours and accommodation in the cities and towns we visited. I enjoyed the introduction to Sufism provided before the Whirling Dervishes visit, and the tour guides made the visits to all the attractions a more profound experience with their local knowledge.
Camlica Hill, the highest point in Istanbul,exposing a panoramic view of Istanbul city and Bosphorus from the best point of view.
1050metre high plateau on the west face of the Gulluk Mountain (Solymos) found in Mt.Gulluk National Park on the northwest of Antalya. Betul is our professional Artist that is graduated from Mimar Sinan University department of fine Arts in Istanbul. The patterns are the result of color floated on either plain water or a viscous solution known as size, and then carefully transferred to a sheet of paper (or other surfaces such as fabric). The sap coming out of scratches made on the branches dries up later and solidifies in bone white colored pieces .
The patterns are the result of color floated on either plain water or a viscous solution known as size, and then carefully transferred to a sheet of paper (or other surfaces such as fabric). It is often employed as a writing surface for calligraphy, and especially book covers and endpapers in bookbinding and stationery. By carefully laying the paper over the bath, the floating picture on top of it is readily transferred to the paper; thus, each ebru is a one of a kind print. Many specimens in their collections and in the several album amicorum books are visible today in various museums.


Apart from the tours in Istanbul, my wife and I visited sites in Cappadocia and near Antalya and all tours were professional, comfortable and informative. She is professional in Ottoman Calligraphy - Tile Design & Turkish Motives - Ottoman Paper Marbling.Turkish Marbling - Ebru Lessons in Istanbul. In bru art, you can draw flower figures that are traditional from the Ottoman period BUT the things that you can capable of by using Ebru art is unlimited. To obtain beautiful ebru results, one needs to have a light hand, refined taste, and an open mind to the unexpected patterns forming on the water.
MARBLING APPLIED TO PAPER PATTERNS,Marbling is similar to cooking; it is impossible to give the exact recipe. Turkish Paper marbling is a method of aqueous surface design, which can produce patterns similar to marble or other stone, hence the name.
She is professional in Ottoman Calligraphy - Tile Design & Turkish Motives - Ottoman Paper Marbling.
This decorative material has been used to cover a variety of surfaces for several centuries. Turkish is a very rich country in respect of such natural dyes.Any kind of earth may be first translated into mud then filtered and crushed to from a dye. It is often employed as a writing surface for calligraphy, and especially book covers and endpapers in bookbinding and stationery. Part of its appeal is that each print is a unique monoprint.hakan hacibekiroglu,Need a break from the hustle and bustle of tourist life in Istanbul?
It is often employed as a writing surface fo calligraphy, and especially book covers and endpapers in bookbinding and stationery. Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions in their work.LEARN the secrets of creating the rich patterns of handmade marble paper . Interestingly, several variations developed in time, giving us types such as gelgit, tarakli, hatip, bulbul yuvasi, cicekli (respectively come-and-go, combed, preacher, nightingale's nest, flowered, etc.) An attempt has been made here to show some of its principal patterns, with samples by the master marblers of this century chosen from our collection. Come take an art class with the remarkable Turkish artist Betul !LEARN the secrets of creating the rich patterns of handmade marble paper . The density of the gummed water and the relationships between the water and the dye, the dye and the tensioning agent (gall), the quantity of gall in the dye are all very important. Part of its appeal is that each print is a unique monoprint.Need a break from the hustle and bustle of tourist life in Istanbul?
EXPERIENCE the sensuous flow of Ottoman Calligraphy,CONTEMPORARY create designs with Turkish patternts on tiles,Our teacher that is shown in the pictures are Mrs. Ottoman - Turkish Calligraphy, also known as Arabic calligraphy, is the art of writing, and by extension, of bookmaking.
In older times rainwater was favorite but because of acide rain in our times it is no longer advisable. Its origin might ultimately hark back to China, where a document from the T'ang dynasty (618-907) mentions a process of coloring paper on water with five hues. Paper: The ideal paper is the one handmade and having a high absorbtion capacity and acid-free.


Now if this basic pattern is handled by parellel lines made by a thin pencil or chip moved back and forth you obtain “the back-and-forth”. Come take an art class with the remarkable Turkish artist Bahar !LEARN the secrets of creating the rich patterns of handmade marble paper . In order to increasethe absorbtion capaticy and to fix the dye on it(more durable) and alumina solution may be applied on the paper surface.
By carefully laying the paper over the bath, the floating picture on top of it is readily transferred to the paper; thus, each ebru is a one of a kind print.
To obtain beautiful ebru results, one needs to have a light hand, refined taste, and an open mind to the unexpected patterns forming on the water.
Patience and a good knowledge of traditional culture are characteristic of ebru masters.After the 1550's, booklovers in Europe prized ebru, which came to be known as ‘Turkish papers’. When a convolute line is applied from the outer circumference towards the centre you obtain a “nightingale nest”.
Many specimens in their collections and in the several album amicorum books are visible today in various museums. In the event small colorfull dots are spotted on the back-and-forth or shawl design you get the “sprinkled marbling”. Also, early texts dealing with ebru, such as “Discourse on decorating paper in the Turkish manner”, published in 1664 by Athanasius Kircher in Rome, helped to disseminate the knowledge of this kind of marbling art. If, instead, you apply larger dots (which means with higher rate of gall contents) you obtain the “prophyry marble” which resemble most to marble.,Nonetheless above patterns may be divesified by selecting one of the above as a basis and making concentric drops of different colors.
There is agreement amongst scholars that the so-called Turkish Papers played a colourful influence on the book arts in Europe.MATERIALS USED IN CLASSICAL TURKISH MARBLING Gum tragacath – Dye – Paintbrush – Basin – Water – Paper - Gall Gum Tragacant is obtained from trunk of a thorny plant growing naturally in Anatolian, Persian and Turkestan mountians and called “gaven”.
Mehmet Efendi (the orator of Saint Sophia, deceased in 1973) first formed flower and other patterns, wich were subsequenly called the “Orator pattern” (Hatip ebrusu). For instance when blue yellow are simultaneously applied and mixed up as much as possible never green comes out. The paper is then careflly lifted off the basin without stripping too much the gum off the surface.
This infinity of colors and shapes quickly formed makes the marbling amazing at and fascinates the spectator (if any). Hikmet BARUTCUGIL,Mimar Sinan University paper marbling, fabric marbling, faux marbling, parrys graining and marbling, marbling paint, contemporary create design fabric marbling paper technique traditional, Turkish Marbling - Ebru Lessons in Istanbul.Turkish Paper marbling is a method of aqueous surface design, which can produce patterns similar to marble or other stone, hence the name.
CONTEMPORARY create design fabric marbling paper technique designs on paper, glass or on silk fabrics .Our teacher that is shown in our pictures is Ms. For instance when blue yellow are simultaneously applied and mixed up as much as possible never green comes out.3.



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