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Quotes can pick you up when you are down, give purpose and meaning to those in need, and turn a bad day into a good one. Sometimes discovering the truth can leave you more hopeless than believing the lies…That’s what seventeen-year-old Sky realizes after she meets Dean Holder. From out of the blackness,a€?the physics of clouds,a€?a light is struck,a€?sputters,a€?gaspsa€?for air,a€?finds it,a€?fans it,a€?and settles. Did you know they chained up your half-brother, Cerberus?a€?Even at the Gates of Hell, hea€™s all bronze bark and no bite. Also, a whispered word in your ear, friend:a€?Chirona€™s corrupt.a€?Have you not hearda€?about he and Deianeira? Youa€™ll need a heavy axe and your best knifea€?with which you firsta€?slice off the penis, the testicles,a€?then with said axe, hack off head. For the first, stuff the meat and intestines inside the hide.a€?Cover it with the stomach, splotchy side up. With the other, lay out the white bones, with the choicest (meatiest) on top.a€?Rub them generously with the fat, so they glisten, tempt. His men were a bit wonky in the beginning but after a few tries they looked viable, but vulnerable as fuck. My first thought was a€?go straight to Hera with thisa€™ - dona€™t pussyfoot around: shea€™s poised to really pounce on Zeus this time. When I was bound to that rock, after the third day, I began to realise that this eagle was ceaseless. Ia€™ve heard youa€™re very intelligent, and also hospitable, charitable, civilised, a born teacher who shuns violence -- just like me. Yet my day may still come.a€?Hea€™ll need me, to tell Him howa€?a new conspiracya€?(I see it even now)a€?strips Him of his sceptrea€?and all his privileges. Cindy Freeman moved to Los Angeles from San Diego in 2009 to pursue a career in the film industry. Cindy has worked on a number of independent films as a production assistant and 2nd A.D while in Los Angeles and in July of 2010 she began working at Dreamworks Animation as a production coordinator. Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey.
After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers.
If the kids are around, you might wanna send them out of the room for a minute.  I’ll wait. What people intend to show with a scene like this: That despite his shortcomings, the hero is not a bad guy and this unnaturally attractive woman sees that. The person who gets pounced needs to give the pouncer something that they truly want or need.
What people actually show in a scene like this: That they couldn’t think of something creative or new to show this character trait.
Also, sex isn’t the only way to show that a character doesn’t care about something of value. The scene where the guy really wants to have sex, but the girl doesn’t, so the guy kinda just goes ahead and starts doing sex to her anyway and she eventually comes around and has an amazing time about it. What people intend to show in a scene like this: That the girl really is actually into this guy but that she’s just shy or something.
What people actually show in a scene like this: That the characters are kind of okay with sexual assault. A scene like this can work if it’s clear that the characters really do care about each other and if there’s a clear reason for the woman’s reluctance. What people actually show with a scene like this: That they think men are simple automatons who have no ability to control themselves if they see lady skin. If a sex scene is inserted just to seem edgy or cool, it will feel flat, unnecessary and exploitative. Just like actual sex, when it comes to writing about sex, the tension is often more interesting than the release.
A degenerative illness will feel like a bigger kick in the gut to a competitive athlete than it will be to a homebody. If we haven’t met a character’s extended family in the first 75 minutes of your story, it won’t make us all that upset if we find out that their favorite aunt died in minute 76. Your audience wants to feel bad for your characters; they’re looking forward to empathizing with them. We return to the topic of music in film once again with London based composer Ram Khatabakhsh.
Ram started playing the keyboard at the age of six – just to figure out the melody of his favourite songs and themes. Ram currently directs a music production company (Motion Sound Production) based at Pinewood Studios (UK) where he collaborates with directors and producers and works with a number of talented musicians and engineers. That’s a great question and there are plenty of options for this type of project.  Meaning, you can find another company to co-produce with you who has insurance, purchase short-term coverage or, if you plan to make many of these films within a year, you may consider purchasing an annual policy.
Screenwriter and Development Executive Tom Vaughan joins us to talk about working as a writer in Los Angeles and teaching screenwriting in LA and Houston. Tom Vaughan studied at the University of Houston with Broadway legend Jose Quintero and three-time Pulitzer Prize winner Edward Albee. His productions include BLACKOUT with Jane Seymour for CBS, and CRITICAL ASSEMBLY with Katherine Heigl (Grey’s Anatomy, Knocked up) for NBC.
He has been teaching screenwriting for nine years between Los Angeles and Houston and finds it as gratifying as actually practicing it.
Ellen Coss is a 25 year veteran in computer generated imagery, starting her career at the seminal Digital Productions.
Seeing that overseas production was the wave of the future Ellen headed to Prana Studios, a 325 person animation studio with offices in Mumbai India and Los Angeles.
Ellen then provided producing consulting services for the animated feature Arthur Christmas an Aardman Animation film to be distributed by Sony. You know that as a screenwriter, you will need to put words on the page to tell your story.
Writer types (myself included) often love basking in the glow from their sparkling, perfectly obscure, amazingly profound WORDS.
Without so many words, you get to delight in and focus on all the other ways to tell a story: what characters are wearing, their expressions or what artifacts are in their environments. My two favorite sequences in one of my favorite movies, Children of Men, also have no dialogue.
There are so many moments in our own lives that are made powerful not by the clever turn of phrase someone threw together at just the right second, but by what they didn’t say, by what email didn’t come, by who wasn’t at the party, or who was, or the way they just turned away when you showed up and made eye contact.
Just for fun, try rewriting a scene or two of your latest screenplay without just half the dialogue, or if you’re feeling up to it, no dialogue at all and see how it changes the scene, or the piece entirely. Q: I’m new to LA and everyone is always talking about going to networking parties but I feel uncomfortable. Time is precious in a screenplay, so you want to get as much contextual information (not expositional information) out as quickly as possible.
The wrong way to do this is to have another character provide spoken exposition like the following.
Hey Amanda, since you are too busy and shy to meet anyone since your recent and painful breakup from Mark who works downstairs, I thought I’d invite you to a party tonight. The dialogue above is boring, on the nose and takes all the fun out of discovering who a character is. Following are are five effective ways to introduce your characters to the audience without spelling it out for them. A character’s positive or relaxed reaction to their environment will tell the audience that this is where they belong, that these are the things that make them happy and, per screenplay logic, the world that will be yanked out from under them later in the movie. By showing us what makes a character uncomfortable, we get a different, but equally as informative view on who they are. It’s not always necessary to use other characters or dialogue to help define your character. Almost everyone has an item or two in their possession that defines or illustrates who they are.
The podcast on editing made me think of what’s been happening with on-set digital work-flow and I was wondering if you all had noticed. I have noticed this as well and it can be a dangerous practice to get in to if you haven’t thought it all the way through. If you do decide it’s a good idea to cut dailies together on set, then I suggest having an assistant or 2nd editor who does that while keeping your main editor away from this part of the process. The editor’s only focus should be on telling the story and it is your job as a producer to make sure they are not unduly influenced. For our last episode of Season Four and of 2011 we recap the past season and all we learned about post-production, distribution and marketing. Jason Brubaker is a Hollywood based Independent Motion Picture Producer and an expert in Video On Demand distribution. Jason is a contributing author of The Independent’s Guide to Film Distributors, he is the founder of Filmmaking Stuff, a professional resource for independent filmmakers, and his articles on independent movie marketing, distribution and film production have been featured in The Independent, the New York Film Academy and Movie Maker Magazine. Brubaker has has lectured on these subjects to filmmakers from around the globe through various filmmaking seminars, panel discussions and workshops. We are all imperfect and no one is good at everything, therefore, it is important for you to know your strengths and weaknesses in order to fill in the gaps. There’s a saying that when you make a movie you actually make three movies by 1) writing the screenplay 2) shooting the movie and 3) editing the film. Karl is also a producer of English dubs of foreign-language features.  Credits include Gen (Turkey), Wolfhound (Russia), and the animated features Goat Story (Czech Republic) and Space Dogs 3D (Russia). Karl and his wife Lauren have written three monster movies together, made a short film about hiccups, and are currently producing a series of childrens radio plays.
Now that you have brought on Skye Rentals as a sponsor, you talk about base camp a lot.  What is it and why is it so important?
I’m glad you asked this question Brandie because I feel like it might be one of those questions that a lot of people don’t know the answer to, but are too afraid to ask.  I didn’t know what base camp was until I had done a couple of films early on in my career as an actor.
Sometimes, base camp is a drive away from where the actual filming is taking place.  An example of this would be if you are shooting on a large ranch and power for base camp is near the house on the ranch but your actually filming the scenes off in the woods somewhere, you would set up base camp near the house and drive people to the location where shooting is occurring. When making a film it’s important to be mindful of adding value to the project in order to sell it later.
A guy with a reputation that rivals her own and an uncanny ability to invoke feelings in her she’s never had before. Your brothers too.a€?With Chimaera, she gave up and squeezed,a€?letting all the bile in her womb gush forth.a€?I see the future!
Not being a mound-lover, I said to Eps, Ia€™ll work with this rock - you make something of these new mounds. If they cana€™t find anything else to say, they say you slept with your mother, killed your father, got ravaged by bird. It appears as if the sun is covered in the storms and when the storm breaks, the sun springs forth. Film Method is the podcast that will take you through the nuts and bolts of independent filmmaking.
Upon her arrival in LA she immediately began working with producer Jenna Edwards to create behind-the-scenes content for Jenna’s feature film April Showers. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. It was while Edwards was working for Ferrar that she developed an interest in the casting process, before long she had moved from talent agencies to working in casting with such industry leaders as Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (Jonas, Pepper Dennis) and Allison Jones (Super Bad, The Office). We all got to Earth thanks to some very special hugs and chances are that at some point in our lives, we’ll do some hugging ourselves. The guy can act like a bit of jerk, but if he displays a genuine soft spot for his cat or grandmother or war orphans—then he might be pounceable. Spending bazillions of dollars on a car, just to wreck it seconds later and not care about the little Honda Fit he destroyed in the process because he’ll just pay everyone off would get the same point across. I’ve watched movies where people use women like playthings and we still kinda want to be like them! A scene where an exhausted Dad reminds an exhausted Mom that they’re going to make more of an effort to make a go of it could be informative and sweet. It should show us new information about the characters and it should directly affect the plot of the film.
While it’s titillating (pun intended) to see nudity on screen, if you’re trying to evoke the kind of emotional reaction that will make a movie really resonate with audiences, not giving it all up is really the way to go. R-rated movies are a harder to monetize because fewer people can go see them and so fewer people pay for tickets to them.


This is not to say that we’re going to laugh when an unknown character gets a bad diagnosis, but without the proper set up and character development, bad news for a character can feel at best, unimpactful and at worst, manipulative. A sudden death of an up and coming star, scholar or leader will hurt more than the passing of a person who hasn’t done much nor aspires to.
While out-of-the blue events happen in real life all the time, these deus ex machinas often fall flat on film if they’re not supported.
If a character has put nothing on hold preparing for a promotion, we won’t bat an eye when we learn that the gig went to their coworker. Losing a job sucks, but it is completely possible to live off unemployment for a while and get a new job, so it’s not the end of the world. But it is possible to get medication, join a support group and have a perfectly normal life. But if a character gets trapped in a storm that’s just like the one that orphaned her when her parents had to drive through it to pick her up from camp because she wouldn’t stop crying…that takes the emotion up several levels.
Ram discusses his passion for composing music for film and working as a composer for independent film. One day shoot with a cast and crew of about 10 people.  I want to make sure my production company, crew and the property are covered.
Tom also shares what it’s like to develop scripts at a small production company and gives some advice to new screenwriters as well. It was his work as a writer and director in Houston theatre that got him recognized by Hollywood. He served as writer as well as Co-Producer on ATOMIC TWISTER with Sharon Lawrence and DEAD IN A HEARTBEAT with Penelope Anne Miller and Judge Reinhold, both for TBS. He is currently the Director of Development for the Los Angeles production company Dirty Robber. The concept of creating a whole world is the same, but in CG animation, every aspect of the production is created in a computer. And yet, despite the fact that we don’t hear crackling wit snapping back and forth between the characters, we always know exactly what’s going on, we’re on board with how characters are feeling and we get to delight in the visual medium that film is.
Characters in fact, can often come to life much more when they are not resting on the crutch of words. In fact, most of the third act of that movie is, apart from score and sound effects, silent. A point, a smile, a frown, a tear, a step away from you, or a subtle scoot toward you, a kiss, a stumble, a something left behind when they thought they had cleaned up all the evidence…these types of things often speak loudly and clearly without using words at all. In order to understand your story, the audience will need to know a decent amount about each character’s personality almost immediately. You’ll probably freak out at all the people there since you have social anxiety, but I want to help you since I know that deep down, you really do want to connect with someone.
Imagine each example describes the first time we see a character in a movie and notice how much information you can learn without having someone directly say who the character is, what they care about or what they want. Giving these kinds of objects to characters helps define and illustrate them for audiences. Instead of just taking up space in the scene, that first line of dialogue should pull the audience into the character’s point of view immediately. The possibility of on-set dailies is leading towards on-set editing and for some Indie productions and companies who produce small corporate commercials it is already happening. For some forms such as commercials, it might be a great thing.  But, for film, it is not a good idea to have your main editor cutting things together on set. He is focused on helping YOU make, market and sell movies more easily by growing your fan base, building buzz and creating community around your title.
I knew what I liked and what I didn’t like and was very good at pointing out what I didn’t like. The editor of a film can serve as one of the primary storytellers of your movie and therefore is a critical role to cast when hiring your crew. Most people’s lives don’t naturally fit into a three-act structure, so even if you’re basing the story on a personal story, you will have to embellish or even create some details to make a story work. In order to make a story work, you have to understand what the parts of a story are, how they work together, where they should fall and why they’re important. Writing a screenplay, selling a screenplay and producing a screenplay are very different things, so know what your end goal is. Those things, such as actors with names, can be attractive to a distributor who is looking to make a certain profit on your film and will also allow you to pay back your investors.
Ahmed began his career in Ohio working as a production coordinator on various television commercials and indie feature films.
Ahmed worked at New Line Cinema on various productions including Son of the Mask, Freddy vs. He terrifies her and captivates her all in the span of just one encounter, and something about the way he makes her feel sparks buried memories from a past that she wishes could just stay buried.Sky struggles to keep him at a distance knowing he’s nothing but trouble, but Holder insists on learning everything about her.
No?a€?I caught a glimpse of the gruesome slut once.a€?Instead of legs, she had a penis, long and coiled thick. You see ahead, but then if you try and change it, the alternativea€™s not necessarily that great either.
The reality is, the Son is always present, it's the storms that passi»?.A Facing PainWhat is the pain in your life brining to the surface of your heart and mind? In a roundtable discussion format we will meet guests from all walks of filmmaker life who will share their golden nuggets of wisdom about everything from hiring a producer, to finding a composer, to seeking out investors.
Cindy also directed the behind-the-scenes content creation for Jenna’s film In the Darkness.
After two years of rising through the Minnesota film community Edwards made the move to Los Angeles. During this time Edwards was also able to gain valuable production experience working on shows such as Buffy the Vampire Slayer, Malcolm in the Middle, and working with studios like Disney, MTV, FOX and CBS. But when a woman in a movie offers herself as some sort of taming device without getting anything in return, it makes both characters look weak. Flushing diamonds down the toilet or having a house full of amazing gadgets that never get used, children who never get hugged and pets who never get walked could also communicate the same idea. A post-therapy scene where a concerned boyfriend reminds his girlfriend that she doesn’t need to be afraid of closeness anymore can be compelling and transformative.
It should motivate character to new action and they should be changed, if even slightly, by having experienced that scene.
Enter a scene (pun intended) just before or just after the act and you’ve got a lot more to work with in terms of exploring character, defining relationships and maintaining momentum. The bad news should feel specific—like something that we definitely don’t want to happen to THIS person. An agoraphobe forced to relocate because a tornado destroyed his house will invoke more of a reaction than the same situation happening to an executive who’s never at home anyway. If we’ve never spent time at a character’s summer home, it’ll barely register when that summer home is wiped out by a late season storm.
However, if the loss of a job means that a character has to move back home with their millionaire, superstar sibling and their controlling parents who never supported them in the first place, that character’s in a much more painful situation. However, if the illness is brought on by the unregulated drug the new patient invented and rushed to market…that really hits home for that person. He continued to play on his keyboard as a hobby after school hours and learned to play his favourite songs by ear.
His feature film debut was UNSTOPPABLE, starring Wesley Snipes.  He just completed his directorial debut, PLAYING HOUSE, based on a script written with Kristy Dobkin. They talk, Talk TALK their way through three acts, telling you not just the plot points you need to know, but also how untouchably brilliant the writer behind that masterpiece is.
Actions, in turn, get to be much more definite, clear and decisive when you don’t have someone in the shot narrating what we’re seeing anyway. If you haven’t seen it, it’s amazingly powerful and nothing any character could say would do those moments justice.
Editor Karl Hirsch joins us to talk about workflow, the technical aspects of editing, and collaboration. He has guest-lectured at Scottsdale Community College in Arizona, Film Independent in Los Angeles, and has spoken on film festival panels in Victoria BC, Austin, and Phoenix. Sure, there are some prodigies who can whip out a perfectly formed first draft, but most professional writers will spend months or even years on a script before they plug every plot hole, smooth every character arc and crystallize every line. Even if you are writing a story based on your life or the life of someone you know, you will need to give your character their own existence. Writing a screenplay is difficult work, but the good news is that lots of people have done it before you. Producer’s Rep Noor Ahmed joins us to give tips on how to increase the value of your project and on working with the MPAA. Before leaving for Los Angeles, he worked on the indie feature Blue Car which premiered at the Sundance film festival and was released by Miramax. After finally caving to his unwavering pursuit, Sky soon finds that Holder isn’t at all who he’s been claiming to be. We all have pain of some kind and it hurts whether we admit such to others or keep it to ourselves.
Season One will focus on the development phase of making a movie starting with the seeds of inspiration and writing a script or finding material with a particular audience in mind. It was while Cindy was working with Jenna that she was inspired to create the Film Method podcast.
But there’s a way to do it so that it makes sense and there’s a way to do it that is creepy, alienating and ineffective. But in movies like that that work, those characters usually balance out their misogyny with many other likeable traits.
That sequence, however, falls into the “we know this couple is really trying to work on their relationship” category. These things are real bummers, but that doesn’t mean they’re going to have the impact you want them to in your script. By age of 11, he was attending private piano and music lessons and exploring multiple musical genres. Join us as we speak to animation producer, Ellen Coss about her experience in the world of CG art and animation. Because I knew my weaknesses, I was able to find producers who were strong in the area of script notes. They shouldn’t do, feel, think or say things simply because you do, feel, think or say those things. Car designers need to understand engine mechanics so they make sure there’s room for one in their latest concept vehicle. If you want to sell your screenplay, finishing the script is only about 50% of the work—because next you’ll have to make and nurture the connections that will lead to a sale.
There are plenty of blogs and websites (like this one) that can give you good, solid advice.
When the secrets he’s been keeping are finally revealed, every single facet of Sky’s life will change forever. He always had something else a€?more importanta€™.) Epimetheus complained but did my bidding. The world is wide and strange, full of good high views and grimmer monstrous sights below board too. When we share in the Rawness of our pain, we deepen intimacy with humanity and create unity, as we become more relatable with each other. But jerky powerful people also do lots of other things that show that they’re unempathetic. Also, yes, there are some filmmakers who tend to be pretty exploitative when it comes to this sort of thing, and if you are Michael Bay, then what on earth are you doing reading this blog?
However, films are not real life and on screen, a guy who coerces sex out of a woman comes across as a creep. If all the woman needed to do was flash some flesh to get whatever McGuffin she’s after, then why are we watching an entire movie?
First, I think the boobs in that movie are totally unnecessary, but here’s why they’re not a total turn off.
It is necessary for less-than-ideal things to happen to your characters, but not all downer events are created equal. Most recently they wrote HALLELUJAH together for acclaimed Japanese director Kazuika Kiriya (Casshern, Goemon). Through surrounding myself with others who had that skill set, I was able to learn and develop my own skills at giving script notes.
Architects need to understand structural principals so that their buildings don’t fall down.


If you want to produce your screenplay, you should make sure that what you’re writing is within your production capabilities—i.e.
Ahmed worked as an Associate Producer on the PBS documentary, California and the American Dream, a four part series that received a national broadcast in the U.S. When we avoid the reality of the pain we suffer and stuff it away, we become more isolated and in turn, create separation. And while we may hold each other to flexible standards, audiences generally do not give such lenience to characters in film. Ebeneezer Scrooge was the quintessential mean ol’ rich guy and there’s nothing sexy about his story. If you’re not Michael Bay and can’t write your own ticket, then you should be trying to impress readers, studio execs and producers with substance over style. And the woman who can’t stick to her point of view long enough to get to sleep comes across as weak.
Why doesn’t she just prance through life in a bikini taking money from stunned bystanders’ wallets, walking out of stores with unpaid merch, and slowly but surely rising to the rank of Supreme Ruler of all the World! If someone were to come up to me right now and ask me what my weaknesses were, I would be able to list them right now.  But, then I would also be able to tell them who I have surrounded myself with to balance those weaknesses out. Surgeons need to understand how cells interact with each other so they don’t kill their patients. By letting sex or sexuality be the secret weapon, characters don’t have to think, plan or grow. They have a silly game of crashing weddings, but they don’t do it to be malicious and they help everyone have a fun time when they’re there.
He attended Kingston University in London where he obtained his degree in music composition.
In November 2008 Ram was commissioned to write orchestral music and had his music performed by Kingston Chamber Orchestra in public concert. Ahmed worked for the distribution company Roadside Attractions traveling to various film festivals as their Acquisitions Coordinator.
Yes, they help them ultimately so that they can get off of work for the day, but their help is sincere.
During his time at Roadside Attractions the company acquired several high level indie films including Supersize Me and What the Bleep Do You Know. One day, you will inevitably be in the position of the one you so harshly judge, as we are all human, we all make mistakes, we all meet pressure in our lives at one time or another that we can't possibly handle on our own, especially when the pressure is compounded, relentless, and in long durations with no break or no help. Because they are well-intentioned guys, their playtime with the girls feels fun and playful, not manipulative, gross or creepy.
In November 2007 Ram’s music was performed in the South Bank Centre as part of the PLG Group season.
Ram’s music is highly motivated by film music, as this is the greatest goal in his career. Ahmed left Roadside Attractions to join Reder & Feig where he worked with the firm as a paralegal on films including, Brick, Thank You for Smoking, La Misma Luna, Southland Tales, and other indie features (full list on IMDb) before becoming the firms in-house Producer Rep. Have your choices always been ones that if captured on video or photo, would paint you in a positive light? He has been working as a freelance composer for several feature film projects and has written music for number of online advertisements and commercials and short films. We are all human, we make mistakes, we make bad choices, we make good choices - we have moments that we are proud of the world knowing about and ones we wish that even God could not see.
How about we send loving energy, prayers, mercy to each other rather than judgment and criticisms? Lets pray for each other, whether it's people we see in the media or our best friends, or those who are our families, even for those who are our enemies. Release a€?ita€? to Him and He will go to work on our behalf in greater and more awesome ways than we could ever do in our own human strength and with our own human intelligence and limited power. When we let a€?ita€? go, it doesna€™t mean its not going to happen a€“ it simply means we are trusting God to work ALL out for our best, and in His perfect timing. However, if your heart is humble, you win every time in the only way that matters.A BlessedAre you blessed?
ELCi»? Elizabeth L.Chalker, Author The things you can accomplish and overcome with your mind far and away exceed the greatest capabilities of your physical body. The reality is, the Son is always present, it's the storms that passi»?.A Facing PainWhat is the pain in your life brining to the surface of your heart and mind?
One day, you will inevitably be in the position of the one you so harshly judge, as we are all human, we all make mistakes, we all meet pressure in our lives at one time or another that we can't possibly handle on our own, especially when the pressure is compounded, relentless, and in long durations with no break or no help. Lets pray for each other, whether it's people we see in the media or our best friends, or those who are our families, even for those who are our enemies. Shift your meditations and the words you speak out-loud to ones of thanks to Him for all He has done and continues to do for you and in you; and, all around you on a daily basis. ELCi»?i»?__________________________________________________________________________________________________________________LoveWe as humans need to stop tearing each other down.
If relationships are too volatile or painful to do so directly, then do so in your heart and in prayer.
We simply need to choose to see and acknowledge the blessings from within us and those that are all around us - everyday - all the time.
Choose your spoken words with utmost care.We are each in a continual process of becoming everything we were Created to be.
Until we reach the end of this human journey and our final destination, heaven (for those belonging to God), we will be in a process of growth. As an individual, you can choose to live defeated and speak out about all of your flaws, weaknesses, unfair situations, rejections, lacka€¦or, you can choose to confess out loud all of who and what you desire to become.
It is not enough to think what you want to become, you must decide to speak it as if you already are.As you speak out loud what you desire to become, something changes on the inside. We begin to change the frequencies within our cells and break generational curses, negative mind-sets, defeated attitudes that were passed down our family line and even those we created ourselves.No matter what obstacles, challenges, limitations, sin, weaknesses, lacka€¦you are living today, you have the power within to create a life of Love.
As an echo sends back exactly what you speak out, decide today that from this moment on, you will speak only Love out into the universe. We each hold the responsibility for what we bring to ourselves, and what we bring and leave to this world.
Jesus faced temptations we will never meet in our life-time, and He stood, not giving into them.
If we do not have temptations, meaning, if we just do as we please, giving into whatever blissful moment that comes our way or that we seek, we are not tempted a€“ we are not tempted because we are numb to there being a temptation when we do as we please.
When we start to feel convicted in our hearts regarding the choices we make, the behaviors we choose, our weaknesses, our sin, then our inherent a€?bada€™ that lurks within each human, is brought to the surface. When we do not see anything wrong with the choices we make or the behaviors we choose a€“ we are blind to the areas we need to improve a€“ and blind to there even being a temptation. Jesus faced temptations of every kind; He knew they were temptations, as He was without sin. We can change this world to love; we can cultivate a humanity of compassion, strength, faith, and unity. And, we must feed what is of love and love only if we are to change the climate of this world and of humanity - to love.A As one person we may think it impossible to change this world. In doing so, we change the world.What will your choice be today?A To all who mourn, may the God of all comfort be your peace, healing and strength. If we dona€™t look at this life in the context of what is to come, the sadness and emptiness of this life will consume us to true non-existence. This life is a transition a€“ a passing into the next a€“ higher existence that we journey on towards.
As we pass through each life, we choose to live and step higher and higher to reach what goes beyond the dream of surreal, transitory life to True life with Him, where the power and Love of the Spirit within us come forth in all of the realness of what is the only Truth. For until we reach such oneness with and in Him, we continue in this dream of life that carries us ever upward where we reach the one True and pure hearts desire we were created with and for a€“ to desire him only.
Belonging to God, A Divine Destiny to Fulfill.I heard a sermon preached about rockets taking off relating to our life of faith. This sparked thought from my heart about my own life and the things I use my energy for and where my focus tends to go. God uses the circumstances of life to serve as a training ground to equip us with all that is necessary to fulfill our divine purpose.There are key moments in our lives where God wants to take us to a new level of greatness, for His glory. However, many times we are the hindrance to receiving the blessings He has in store to give.
Such consumes our energy, our time, our resources and therefore, our ability to receive the blessings He is waiting to shower in and through us. When we choose to allow the distractions of life to take center stage, our divine purpose and destiny is put on pause.When sitting in a rocket that is getting ready to launcha€¦ ones focus is on the task at hand, on the mission. With no measure or testing of faith for whatever may come as you lift off or as you go through the mission to completion? No, you would no more get in a rocket, or be allowed to for that matter, without the properA  training, practice, clearance, approval, for such a mission. Nor would you be permitted to get into that rocket and launch without eliminating all of the distractions, or with no support.
Furthermore, you would not get in a rocket that wasna€™t properly built, inspected, checked and re-checked for safety and proper functiona€¦nor would you go without a safety plan for mishaps that may be encountered on your missiona€¦nor would you go alone.You would not go through all of the prep, education, pruning, refining, grind, hard work, sacrificesa€¦to get in the seat with the countdown going and then be pondering all of the hurt in your life, all of the things you do not have, all of the people who did you wrong, all of the things that were taken from you, all of the pain you may be suffering. Such would be ludicrous in light of sitting in the seat of a rocket, clothed in the equipment to take off, armed with the knowledge, wisdom and expertise to guide the rocket on the mission you trained for, alongside your team.
No, your focus would be on the mission onlya€¦on last checks of your equipment, on the navigation of where you are headed and the reasons, on your team and all of the functions working together for the purpose of the mission, of the call.
None of the other stuff of life would even be on the radar of your thoughts, actions or feelings.
Your mission too important, the focus needed too vital to your very life and to that of your team and many others.Such is a parallel to life. Your divine destiny, your mission that you were created for, is in your heart, it is in your power to fulfill, with Goda€™s help. Everything you have been through up until this very moment, even your own mistakes, are all God preparing you to step into your divine destiny and to fulfill the purposes He created you for. Or are you going to choose to remain on the launch pad, engines rumbling, at a standstill, wasting fuel and time on distractions while your divine destiny awaits? Delaying blessings waiting to be delivered to you, and therefore many others as the ripple effect goes?
A Leave the critics, the lack, the pain of losses, the disappointments, the suffering and all you could focus on that will keep you tied downa€¦behind you, as you take off into another realm, into the land of divine power, energy, fulfilled purpose, abundant blessings and love.Like a rocket taking off into space, the earth becomes a pin dot in view and eventually, not seen at alla€¦the focus becomes new, onto where the rocket takes youa€¦ and your heart is filled with all of the things you encounter on your mission. Leave all behind and move into 2013 in a self-choice to take only the training, growth, wisdom, humility, perspective, strength, love and those vital to your divine destiny with you into the New Year. Do not choose to stay on the launch pad with your engines rumbling, blessings delayed, divine destiny halteda€¦ any longer.
Choose instead, to take off and soar, as you were created to do.Your future, from this moment forward, is in your hands to determine.
As Your timing for him to return to You in heaven for eternity has come, we trust that You have ushered him home with You safely and that he is now in full glory, breathing effortlessly. He pray and trust that he is safe in the arms of Jesus Christ, forevermore.Uncle Franklin, we will see you once again, when Goda€™s timing for each of us comes and we are ushered Home. I will cherish those memories until I see you again.May we each focus on the love shared, and honor you by continuing on in life with kindness, service, and love. May we also incline our hearts and thoughts heavenward and be ever mindful that this life is not the end.
May we continue on our journeys keeping the things of eternity at the core of our choices and rejoice knowing that we will one day be reunited with you, and forever with Him.I pray and trust that as you passed from this life to your eternal one, the Lord came with His angels to safely bring you on home to your heavenly mansion, created just for you. May you release any ties holding you here to this earth, and flow in the full and absolute freedom of heaven. He recalls your work on earth, for His glory, He remembers even the secret things you did in love that none other knows of. May you be crowned with every good gift the Father has for you and may you know *the peace that surpasses all understanding, in which He is.There is no more struggle, sorrow or pain.
As long as there is breath going in and out of our lungs, we have something that someone else needs. We can nurture a pity party - or - we can do all we know to help ourselves, leaving the details of the outcome to God and at the same time, show love to another. Everything you have been through is a test of your faith and is necessary training for you to receive the incredible, hugely magnificent moments, blessings, favor.




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