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Marjorie Perloff has been a frequent reviewer for periodicals from TLS and The Washington Post to all the major scholarly journals, and she has lectured at most major universities in the U.S. Tzevetan Todorov first distinguished himself by applying structuralist methods to literature and literary criticism. Atuou como conferencista convidado em diversas Universidades do Brasil, da Europa e dos Estados Unidos, e como professor visitante na Universidade da California, em Berkeley. As an interpreter of his own songs, his first album, released in 1993, has his name for a title. In 1978 he received the PrA?mio Jabuti from the CA?mara Brasileira do Livro (Brazilian Book Chamber) as best revelation author, and again in 2009, as an essayist. He has been active as a lecturer in serveral universities in Brazil, in Europa and in the United States, and as Visiting Professor at the University of California, Berkeley.
Born in East Germany and having lived for most of his life in the USSR, art critic Boris Groys challenges common places about both avant-garde and contemporary art. Belgian historian, theorist and critic Belgian Thierry de Duve has made important contributions to the reassessment of the modernist legacy.
In the late 1950a€™s and early 1960a€™s, poet Ferreira Gullar proved one of the most prolific and original theorists of the Brazilian avant-garde in the plastic arts, launching his Manifesto Neoconcretoa€? and publishing his a€?Theory of the Non-Objecta€?.
German philosopher Peter Sloterdijk is certainly one of the most original contemporary thinkers.
Os escritos do filA?sofo norte-americano John Searle sA?o imensamente influentes nos campos da filosofia da mente, da filosofia da linguagem e da filosofia da sociedade. The works of American philosopher John Searle are hugely influential in the domains of philosophy of mind, philosophy of language and philosophy of society.
A A A  Atuou como conferencista convidado em diversas Universidades do Brasil, da Europa e dos Estados Unidos, e como professor visitante na Universidade da California, em Berkeley. Sua obra se dedica principalmente a discutir, defender e elucidar a poesia experimental e vanguardista.
Her work is mainly dedicated to discuss, defend and elucidate experimental and avant-garde poetry, as well as showing its relationship to the modernist and post-modernist visual arts.
Patek Professor Emerita of Humanities at Stanford University and currently Florence Scott Professor Emerita at the University of Southern California.
Since then, he has published several works in cultural analysis and the history of ideas, including an important call for a reappraisal of the Enlightenment.


Dicionario das ciencias da linguagem, Lisboa, Don Quixote, 1973 ; Sao Paulo, Perspectiva, 1977.
The ability to bring together poetic practice and theoretical reflection turned Michel Deguy into a major figure on the French intellectual scene since the 1970s. Em suas influentes obras sobre o pA?s-modernismo, ele o considera como um movimento de neo-vanguarda, porquanto tentava ultrapassar as formas e disciplinas convencionais.
In his influential works on postmodernism, he considered it as a neo-avant-garde movement, in as far as it attempted to reach out beyond given forms and disciplines.
His essays expose the simplistic and moralistic assumptions of contemporary conceptions of art.
Rejeitando a realidade dos dualismos tradicionais de corpo e alma, sujeito e objeto, cultura e natureza etc., ele afirma o carA?ter hA­brido do mundo real.
Rejecting the reality of the traditional dualisms of body and soul, subject and object, culture and nature, etc., he asserts the hybrid character of the real world.
In doing so, she invites us to resume the Wittgensteinian insight that imagining a language a€“ which is imagining a form of life.
She teaches courses and writes on twentietha€”and now twenty-firsta€”century poetry and poetics, both Anglo-American and from a Comparatist perspective, as well as on intermedia and the visual arts.
In recent years he has developed the genre a€?aula-recitala€? (a€?recital-lessona€?), having as a partner violin-player Arthur Nestrovski.
Michel Deguy is currently a professor of French literature at the Universite de Paris VII (Saint-Denis), the founder and editor-in-chief of Po&sie since 1972 (Editions Belin), and the editor of Les Temps Modernes, the journal founded by Jean-Paul Sartre. De Duvea€™s investigations have led him to dispute the substantiality of the distinction between modern, post-modern and contemporary art.
In the 1960a€™s, Gullar abandoned the avant-garde, joined the Communist Party and proceeded to write politically engaged poetry and drama.
His anti-linear intelligence has been able to discover impressive and surprising connections among, for instance,A  Diogenes and Hitler, Stalin and Dada, the Weimar Republic and the Grand Inquisitor, Kafka and Brecht, Zen Buddhism and Eurotaoism. Among other things, Perloff has called international attention to the Language Poetry movement, to the Objectivist Poets and, of course, to Brazilian concrete poetry. In doing so, literature loses, according to him, the faculty of spurring us into fresher, richer and deeper ways of thinking about the world and ourselves. Nos A?ltimos anos tem desenvolvido o gA?nero a€?aula-recitala€?, em parceria com o violonista e ensaA­sta Arthur Nestrovski.


Foster argues that the tension between social embeddedness of art and artistic autonomy a€“ even if it is always only semi-autonomy a€“ should persist. For example, against the common sense view that sees a contradiction between the first soviet avant-garde, on the one hand, andA  Stalinist socialist realism, on the other, he holds that the latter can be taken as the culmination of the formera€™s experiments. He recently claimed that although the liberalism of a€?anything is alloweda€? has exacerbated artistic idiosyncrasies, it has not favored the appearance of the singularities that one should expect from true works of art.
This commitment lasted until, in 1975, while exiled by the Brazilian dictatorship, he wrote the a€?Poema sujoa€? (a€?Dirty poema€?), which marked the beginning of a new phase in his poetry. Peter Sloterdijk, born in 1947, is Professor of Philosophy and Media Theory at the University of Art and Design in Karlsruhe.
His controversy with the French philosopher Jacques Derrida is one of the most famous of the late twentieth century.
Born in 1931, Perloff is professor emerita of English at Stanford University and currently Scholar-in-Residence at the University of Southern California. He has recently assumed a critical stance regarding contemporary art, questioning its pretence of floating free of historical determination, conceptual definition and critical judgment. Thierry de Duve is currently Professor of Art History and Aesthetics at the University of Lille III. In 1993, he again caused controversy with his book The Case Against the Death of Art, in which he attacked the contemporary soi-disante avant-garde.
Ultimamente, seus escritos tA?m posto seriamente em questA?o a moda intelectual do relativismo. Lately, his writings have seriously impugned the contemporary intellectual fashion of relativism.A John Searle, born in 1932, is Professor of Philosophy at the University of California, Berkeley.
Born in 1955, Hal Foster is, among other things, Professor of Art and Archaeology at Princeton University and one of the editors of October.
Born in 1947, Boris Groys is Professor of Aesthetics, History of Art and Media Theory in the Karlsruhe Center for Art and Media.
Perloff has recently published her cultural memoir The Vienna Paradox (2004), which has been widely discussed.



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