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This week on The Secret Circle (Season 1, Episode 10) Diana’s grandmother comes to town and discovers Cassie’s dark magic. In the mid season finale Cassie (Britt Robertson) was nearly captured by witch hunters, but at the last moment Jake switched sides to help save her. Enraged by the idea that Cassie can practice magic and she can’t, Faye finds a voodoo witch doctor online who turns out to be a hot college student (played by Grey Damon).
In the meantime, Diana comes over to Cassie’s house to find her lighting candles for an attraction spell to bring Jake back, which Diana warns against since he was a witch and a witch hunter. Diana convinces Cassie to sleep over at her house, and her grandmother Kate, a powerful elder, is in town.
Diana’s grandmother sniffs out Cassie’s powerful magic right away, and tells her that there’s a way she can her rid herself of the evil magic. If you’ve ever heard the old saying “Be careful what you wish for…you may get it,” then you have something in common with chef and restaurant owner Rene’ Redzepi.  When we first meet him he is beaming from ear to ear as his restaurant, NOMA, is named the number one restaurant in the world for an amazing third straight year.  Where else can you go from there? Sometimes a great actress can make an average movie seem better than it is and that’s the case with JOY. Although the story of Joy is interesting, there was something about the character, her surrounding family support system and the story itself that was a little off-putting. Although it’s admirable how the main character pulled herself up from such a disparate situation and took matters into her own hands in several instances and eventually became a success, the problem is that her journey was more frustrating than uplifting.
Joy, Strength and Perseverance (20:22) An interesting piece featuring some nice interviews with the cast and crew. It’s difficult to be a connoisseur of parody movies when the last memorable one was created over a decade and a half ago. While I could care less about Freidberg and Seltzer’s inevitable decay into obscurity, it’s unfortunate seeing one of the Wayans fail to live up to their potential, especially Marlon who we’ve seen in REQUIEM FOR A DREAM and IN LIVING COLOR.
The post Post Civil War: 10 movies still to look forward to this summer appeared first on Flix 66.
Direct-to-video action flicks do have a lower standard to uphold than wide release movies of the same genre.
The biggest name is this action opus is Dolph Lundgren, AKA Ivan Drago, who specializes in these sorts of films.
Meanwhile Jack left behind incriminating evidence against Balam and many of the city officials.
While working at Life magazine in the 1950s, photographer Robert Drew began to ponder why documentary films were so stale in style. The post The Kennedy Films of Robert Drew & Associates Criterion Collection Blu-ray Review appeared first on Flix 66.
In 1960, Drew launched Drew Associates, with the intent on bringing a certain {ahem} life to the documentary that still images were capturing at the time.
The films compiled for this release are strictly focused on the campaigns, victories and death of John F.
FACES OF NOVEMBER (1964) was never supposed to be made—not four years after Drew and associates first met Kennedy, at least.
Throughout the films, the style and approach is aimed to capture events as they happen, to be in the thick of the thickest. Considering that the films were shot on 16mm more than 50 years ago, it’s expected that the footage would be in fairly rough shape.
Also included with this Criterion Collection release is an essay by documentary film curator and writer Thom Powers. I was not at all prepared for THE DANISH GIRL, an independent film that is, from beginning to end, quite lovely.
While these may be the facts I do not think they were wrong to have been changed for the purposes of this story. Add to that the competent filmmaking of Tom Hooper, no stranger to these types of historical (although I use the term here somewhat loosely given how contemporary this piece is) biopics with his work on THE KING’S SPEECH and ELIZABETH I, though I daresay I enjoyed Redmayne and Vikander’s performances more than the Oscar-nominated performances with his past work. The Making of THE DANISH GIRL (11:29) The only special feature on the blu-ray, it’s a bit disappointing.
The DC animated universe, much like Marvel’s cinematic universe and Fox’s X-Men universe, is always expanding and if you miss any hits along the way, you could be confused about what exactly is going on. I say that because the movie begins with supposed death of Batman (O’Mara), but nothing is ever that simple in the comic book world. While thoroughly enjoying BATMAN: BAD BLOOD, I have to wonder if it’s like watching a THOR sequel or the next AVENGERS movie, how much backstory do you need to know to fully immerse yourself and enjoy the experience?
With all that in mind, it may be time for DC to put our new Bat-family, made up of Kate, Bruce, Damian, Dick, and Luke, to the test against an equally great foe with Gotham or the world at stake.
There isn’t any shortage of villain deaths, but they aren’t played for laughs and the stakes are very real.
Read Kidzworld’s recap of “Darkness”, which aired January 5, 2012, to discover what you missed. Cassie’s grandmother is away trying to figure out why she can’t remember anything, and Cassie is dealing with the knowledge that her real father is John Blackwell and she has dark magical powers that allow her to act outside the circle. Our last glimpse that episode is of him lurking in her back yard and looking up at Cassie’s window! Dawn drops by during dinner and Diana’s dad Charles is worried that Dawn will try to kill his mother by poisoning the wine since Kate seems to be on to their plans and doesn’t trust Dawn (it looks like he’s finally starting to not trust Dawn as well).
Russell and star Jennifer Lawrence follows the story of Joy (Lawrence), a divorced mother of two, who takes care of her kids, her mother and sometimes her father and ex-husband. Make no mistake that Jennifer Lawrence is the reason that JOY is tolerable and her charisma and talent are what holds this film together.
Her mother, father and step-sister were obnoxious which was obviously the point, but it was this thing off in the background that made you pity and even dislike Joy because she couldn’t stand up and take more charge of her life that was being run by outside sources.
Unfortunately, there was nothing terribly stand-out about the film and it leaves the audience feeling less than satisfied.
SCARY MOVIE does have a connection to FIFTY SHADES OF BLACK though, and it’s the obvious one. Of course those were years ago and seemingly so far away, especially with a WHITE CHICKS 2 in the works. I haven’t seen FIFTY SHADES OF GREY so I’m not sure if this is a beat-by-beat follow of the book and movie, but I can piece together that it probably is.
There are a couple of enlightened moments, such as Black being an overt stalker and premature ejaculator, and a white girl that seems OK with saying every horrible racist, sexist thing that comes to mind.


If clearly fake, prosthetic penises, slurpy sexual gestures and jokes you told in middle school to your classmates don’t tickle your funny bone, you’re going to hate every minute of this movie. THE NICE GUYS (May 20) – Ryan Gosling and Russell Crowe as a comedic buddy cop duo set in the 1970’s sounds a bit of a reach but when you factor in the film is directed and written by Shane Black (KISS KISS BANG BANG, IRON MAN 3), it becomes a lot more interesting. He plays a mysterious prisoner named William in a maximum security facility where the guards wear Darth Vader style masks.
Call it cinema verite or direct cinema or observational filmmaking or reality filmmaking or something else entirely. Shot in five days and spanning less than one hour (a shorter version, edited by Leacock, is half of that), the documentary’s finest moments emphasize how different citizens view the candidates and how these candidates treat the citizens. JFK was such a fan of the documentary that he had Drew and associates continue their own trail.
In June of 1963, Governor George Wallace made his Stand in the Schoolhouse Door at the University of Alabama, opposing the desegregation of the school, specifically the admittance of James Hood and Vivian Malone. Without narration, the 12-minute film depicts the funeral of JFK, quietly yet bravely noting the loss found not just in his family, but the country.
Lightweight 16mm cameras slide through crowds and bump open a path just as a person (chiefly Kennedy) would. Some damage remains and there are noticeable scratches throughout, but this transfer has cleaned up much of this, giving the films their finest-looking home video presentation to date. Pennebaker and film critic Gideon Bachmann, this track offers a nice talk about how the film was done. Kennedy and the 48 Hours That Made History, reflects on JFK and discusses some of the footage that was not included in the final cut of CRISIS. Dramas, especially those featuring brilliant acting and writing, acting, art direction, cinematography… they can be so difficult to watch sometimes; I have to get myself in the mood for them, even though I love to watch movies and try to watch everything I can.
This is a fictionalized love story based, somewhat loosely, on the true story and somewhat documented account (thanks to her journals, which were later published as a collected work) of Lili who was asked to write about her experience and feelings as she was in the process of undergoing one of the first sex change operations.
For example, Einar Wegener was married to Gerda Wegener for 22 years before first of six operations occurred for the sex change which would ultimately result in Lili and Einar’s death, when she was 47 years old. THE DANISH GIRL as a historical piece of narrative fiction has connection points for a broader audience and a contextual atmosphere that is established without the need for lengthy exposition. Maybe partly it is the subject matter, feeling like this whole thing is just timely for the world in which we’re living, or maybe it’s just the fact that these are two fine actors giving some absolutely phenomenal performances. Too short to cover everything you maybe hoped it might have, but covering just enough that maybe you feel like it is almost, almost worth it. BATMAN: BAD BLOOD is a payoff for fans of the cinematic universe, but for those who haven’t kept up, it’s an interesting story featuring all of Batman’s immediate companions in crime fighting. A battle with Electrocutioner, Firefly and other foes ends in a fiery explosion, leaving Batman’s existence in question.
It doesn’t take long for us to learn that Batman actually isn’t dead, but his death certainly hooks the viewer in automatically. Luke inevitably finds about how his father helps Batman and he inevitably joins the Batman replacement crew.
There’s certainly a lot happening and a lot of explanation needed if you’re not going to automatically assume the reasoning behind the main villain. Despite being a fractured family, with individuals problems and baggage, Bruce Wayne and his closest allies have never been more focused and bonded.
It talks with various animators about on how they pieced together a lot of the fight sequences in the movie.
Cassie and Kate drive out to the woods and perform a spell that Cassie thinks will help, but it’s actually a spell to bury her in the ground and kill her.
Her dreams of going to college and creating things with her hands were put on the backburner while she was taking care of her family, and she feels like she’s stuck in a rut until one day an idea hits her.
Even her supporting cast, which includes Bradley Cooper, Robert De Niro and Virginia Madsen, didn’t do much for the film and they spent most of their time stepping back and letting Lawrence shine. Marlon Wayans, just like Jason Freidberg and Aaron Seltzer, have used SCARY MOVIE as a leaping off point for the rest of their careers, which apparently is half-brained ideas and cheap parody films. While I, along with others, am immensely disappointed with his movie choices of late, you can’t fault him for giving it his all.
Black is interviewed by Hannah (Hawk), a mousy, virgin girl writing an article for her school newspaper. But then the movie seems to turn around and use that same humor in a less flattering, and disgusting fashion.
Sometimes I laughed, but I’m not above saying I’m mature enough to not laugh at something that I should be shamed for.
Shane Black is also the creator of LETHAL WEAPON and will be teaming up with the same producer, so my trust in the material continues to grow.  Lets just hope the actors can pull their weight. Director  John Lee Hancock has had his hands in a few audience pleasing films before (SAVING MR.
William shuffles along at a slow pace and wears glasses to signify that he’s nonthreatening. Reese shows off his considerable karate skills as wave after wave of prisoners and guards take their shot at Jack. What it did, with the necessary aid of names such as Richard Leacock (who had previously worked on MONTEREY POP and a slew of others), Albert Maysles (who, with his brother David, would helm such essentials as SALESMAN, GIMME SHELTER and GREY GARDENS) and D.A. ADVENTURES ON THE NEW FRONTIER picks up in the early days of Kennedy’s time in office, with Humphrey a long-gone concern. In front of Drew’s cameras, the Kennedy administration (including brother Robert and deputy attorney general Nicholas Katzenbach) must decide how to handle the blockade and potential riots as all eyes in America were watching. Sometimes they sit, watching and listening as the President of the United States and his team talk and make decisions that can change the country. I still find myself so emotionally invested as to lose myself completely within the story and while this can be greatly enjoyable in the case of a romantic comedy or a really well-made drama I can find myself emotionally drained. Her journal(s) are one of the centerpieces for the modern transgender-movement and the basis for THE DANISH GIRL.
Had the writers chosen to tell the story directly from the historical context, the emotional message and contextual atmosphere might have been lost and this is one case where I can actually understand the reasoning behind changing the story for the message.
BATMAN: BAD BLOOD has reached an interesting point in Batman’s story though, it’s either time to elevate the ante and exceed viewer’s expectations or implode everything and start all over. Even with short loss of Batman, he is technically decommissioned for the majority of the film, allowing the lesser known heroes to rise to the occasion.


I’m a little hesitant to reveal the true bad guys of the movie, but their entrance is bizarre.
BATMAN: BLOOD doesn’t feel like a stand-alone story, much like the previous two films, but feels more like a tying of the two storylines and a satisfying conclusion to those two previous arcs.
It’s a sad state of affairs when fans would much rather see a reboot than their wildest imaginations met, but that’s been comic books bread and butter since the dawn of comics. As long as the animation remains crisp, the story constantly evolving, and the characters fun and relatable, I’m always ready for another chapter in the Batman saga. The feature incorporates the history of Batman, while having the animators interject their feelings and attitude to the history. While not initially sold on the title, the cast and crew behind it really have my excited for it.
He discovers her dark magic secret, but she asks him not to tell anyone until she knows more.
Adam and Diana peek inside her grandmother’s suitcase and find witch hunting material and run to Cassie’s rescue, only to find her blasting out of the wooden box the spell buried her in.
The film follows Joy as she invents her product and deals with the issues of starting and running a small business.
Russell, but JOY was a misfire and maybe a warning sign that Russell needs someone to keep him in check, even when he manages to assemble such a great cast. While it may seem like FIFTY SHADES OF BLACK has some underlying social commentary, it seems like Wayans and others simply wanted to open an umbrella of offensiveness and hope to get everyone under it.
Also Wayan is a clear believer in his humor and when he sells it as well as he does, you can’t help but admire him for it. BANKS, THE BLIND SIDE, THE ROOKIE), but I think the key to this one will be the casting of Michael Keaton, making the life story of a possibly unlikable character likable. This will never be said in the same breath as “Die Hard”, but it gets the job done in what it is trying to accomplish. He acts like he doesn’t have all his facilities as he works in a janitorial role in the prison.
Everything is well choreographed and the stunt people seem to take great glee in slamming people into bars and tables. We see that Humphrey goes from person to person to shake hands, while Kennedy waits for voters to come to him.
Drew utilized three film crews to simultaneously capture what was occurring in Washington and Alabama.
They often move, held in hands fortunate enough to be involved in movements both political and cinematic. Preservation of the three Academy Film Archive fine-grain positives was done by the Academy of Motion Picture Arts and Science in collaboration with The Film Foundation. And yet, sometimes the story can remind me just how beautiful the human spirit can be – even if it makes me cry repeatedly. The love story at the center of the film also appears to be heavily fictionalized because Gerda and Einar’s marriage was apparently well-known to have been open with Gerda living as a lesbian through much of their marriage and was in another relationship at the time of Lili’s death, allegedly learning of it a decade later.
Nightwing assumes the role of Batman, but isn’t strong or smart enough to fill the massive shoes left behind. For a universe populated with crocodile villains and a man whose life force is sub-zero temperatures, the reasoning behind the caped crusaders capture and imprisonment may seem alien and be a big turn off for those who haven’t watched BATMAN VS.
Even if this is the final Batman movie for DC, which I highly doubt, it’s a satisfying end.
The feature also provides a fascinating look at the evolution of Batman’s fighting style over the years, in the comics, TV and movies.
Unfortunately Diana discovers him reading up on dark magic in the Circle’s clubhouse and figures things out for herself just as Cassie walks in to hear Adam spilling about her powers. Kate then tells Charles that trying to kill Cassie was the only way to find out the extent of her true power, and she is the one they have been waiting for to bridge the gap between good and dark magic. After much trial, error and brazen attitude, her business succeeds and she is able to help other ladies in her position. Russell is a great director, but sometimes his stories drag on too long and don’t really connect the audience with the characters on screen. His Russian accent comes and goes and this basically provides the only humor in this picture.
She experiences some problems when trying to present the material to the district attorney.
It does bug me that bad guys still take on the hero one by one instead of overpowering him or her with overwhelming numbers from all sides. This is one grand old time that would cause major problems for the person who set it in motion.
It’s subtle details like this that Drew and associates could capture to help present just the sort of story and character contrast that voters around the country needed. But perhaps this was the point, as surely not every day in the White House is booming with action.
This provides a thorough account—one of the best—of an iconic moment of the Civil Rights Movement. These fly-on-the-wall manners and this invaluable footage mold one of the most thorough, admirable and authentic accounts of any world leader.
Batwoman has a tendency to resort to more deadly tactics, and firearms, while Robin is literally a stacked boy wonder, only capable of surprising foes with his agility and shocking strength. With JOY, he spent too much time inserting the audience in the daily, boring life of Joy and I spent the first hour of the film feeling like I was watching my neighbors (not a good thing). I only say overshadowed because it took until mid-way or by the end of the parody for me to realize it was a parody, highlighting just how outdated the joke was.
It makes no sense, but it is a time honored tradition in action films that this must be done. The films, now nearing 55-60 years after completion, are demonstrations of how such a series can be completed. The whole circle finds out, and Faye, who is jealous of her power, and Melissa who is still upset over Nick’s death, are angry with Cassie.



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