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This fascinating observational documentary takes us inside the world of ten four-year-olds as they meet in a nursery.
With their parents watching everything close by on monitors, the ten children encounter one another for the first time in October and they meet again in May.
Overseeing all the action are two leading scientists, Educational Neuroscientist Dr Paul Howard-Jones (Bristol University) and Developmental Psychologist Dr Sam Wass (MCR Cognition & Brain Unit, Cambridge). As the children meet for the very first time, the film documents burgeoning friendships, battles for resources and a face-off between Chaim and Christian, the two alpha boys, as they struggle to establish a pecking order.
When the children meet again six months later much has changed, namely their ability to articulate their needs and desires. This fascinating observational documentary takes viewers inside the world of ten four-year-olds as they meet in a nursery.
Dr Paul Howard Jones from Bristol’s Graduate School of Education will feature in a new Channel 4 documentary [broadcast 10 Feb] providing a unique insight into the secret life of four-year-olds. The observational documentary takes viewers on a journey into this pivotal stage of childhood through the eyes of ten children as they meet in nursery and take their first tentative steps towards independence in a world without parents.
With their parents watching close by on monitors, the film captures the children’s behaviour and emotions while they make and break friendships, struggle to share and stand up for themselves and ultimately find their place in this new social group. These life lessons all take place under the watchful eye of Educational Neuroscientist, Dr Howard-Jones and Developmental Psychologist, Dr Sam Wass from the MCR Cognition & Brain Unit, Cambridge, and two early years teachers. This close observation of children’s play in a nursery setting allows the experts to understand critical events almost from the perspective of the children themselves, as they explore and learn about their new social world.
To see our content at its best we recommend upgrading if you wish to continue using IE or using another browser such as Firefox, Safari or Google Chrome. It seems as if everyone is talking about The Secret Life of 4 Year-olds, Channel 4’s fascinating fly-on-the-wall account of a group of 12 pre-schoolers engaging in friend courtship, conflict resolution, the forming of alliances, the handling of rejection and concealing of disappointment. The John Lewis Christmas ad is now enough to set 40-year-olds off I cry often - at game show wins, song lyrics, old couples holding hands, dogs with jobs, anything involving war veterans, David Attenborough documentaries (especially those featuring polar bears) and yes, even the John Lewis Christmas advert.
Channel 4’s highest-rated single documentary of the year, The Secret Life of Four Year Olds, is back. The series has been supported by The Wellcome Trust, who worked with the production company on its development to help make the science and scientists an integral part of the format.
Their funding support also enabled the production company to spend more time exploring the areas of science of interest to audiences and to include this within a collection of short online films which support the main series. Channel 4’s highest-rated single documentary of the year, The Secret Life of 4 Year Olds is back. Some familiar faces return in this Christmas special as the children from the original Secret Life of 4 Year Olds - Skyla, Jessica, Christian, Cuba and friends - reunite to put on their own version of the Nativity play, joined by some of the children from the new series. In order to deliver a personalised, responsive service and to improve the site, we remember and store information about how you use it. But this nursery is rigged with cameras to capture every glance, ever whisper, every tussle, and all the raw emotion as these children take their first tentative steps towards independence in a world without parents – providing a unique insight into this pivotal stage of childhood.
This close observation of children in a nursery setting mirrors the way that scientists work. It actually has been a fantastic revelation,” says Educational Neuroscientist Dr Paul Howard-Jones. Through these glimpses of their future selves it is easy to identify and recognise our own character traits in these four year-olds.

But this nursery is rigged with cameras to capture every glance, ever whisper, every tussle, and all the raw emotion as these children take their first tentative steps towards independence in a world without parents, providing a unique insight into this pivotal stage of childhood. Interview: Dr Howard Jones speaks to the Wellcome Trust about what we can learn from the secret lives of children? The programme that lifted the lid on the riveting, uncensored drama of life in the nursery returns, this time in the form of a seven part series.
The programme shows how the children cope with the pressures of auditioning in front of their peers, as well as the excitement, nerves and disappointments of the casting process and the challenges of working together in rehearsals as the children try to make sense of the Nativity story. Home-schooled Cuba struggles to cope with working collaboratively with his peers as he explores and tests boundaries. These cookies are completely safe and secure and will never contain any sensitive information.
We see them take their first steps towards independence, learning about friendships and social interaction with all the ups, downs and humour that this entails.Forthright Tia adopts a leading role amongst the group and is not afraid to express her opinion and teach the others right from wrong. That’s the only thing we learn in this documentary that sees the British icon head to Memphis to swoon over the late American icon.
Five-year-olds Emily and Alfie rekindle their fond friendship, and are both due to play sheep. When Emily has serious stage fright, Alfie offers to wipe her tears away and reminds her he'll be by her side. These are simple text files which sit on your computer, and are only used by us and our trusted partners. The programme observes the action minutely as the children make and break friendships, struggle to share and to stand up for themselves, and ultimately find their place in this new social group.
However, Tyler is more interested in buses and numbers than joining in with the group, something he keeps a distance from. Elvin lands the important role of narrator, but the responsibility soon begins to weigh heavily on his shoulders. Overseeing all the action are two leading scientists, educational neuroscientist Dr Paul Howard-Jones (Bristol University) and developmental psychologist Dr Sam Wass (MCR Cognition & Brain Unit, Cambridge). The problem is that after 10 minutes, the fangirling gets tiresome and you find yourself longing for some kind of insight or information.
His reluctance doesn’t deter Theo, who is committed to making Tyler his friend, whatever it takes! As performance day arrives, the week's ups and downs must be put to one side as the children take to the stage in front of family and friends, with just one chance to get it right.
Drawing on this model, these experts have the opportunity to eavesdrop on the children's play on monitors, but also to suggest some interventions to explore the children's various stages of development. Channel 4’s series focusing on 4, 5 and 6 year olds is therefore fascinating, as its group of subjects get older and older. The Secret Life of 6 Year Olds continues the show’s winning blend of cute antics, surprisingly honest observations and amusing conversations. When the group is asked to vote for the best, he starts to understand why the girl he painted is upset. Queuing to get in anywhere is out of the question, and music in bars must be low enough to allow conversation.
One boy, who grew up wearing shiny shirts on stage, testifies loudly to a crowd, while his dad tries to sell DVDs in the car park outside.

The surprising joy of the whole affair, though, is watching this famous broadcaster getting excited by such trivial things as a bed being made in his carriage.
He clambers onto the freshly turned duvet with the grin of someone sure that he’s making classic television. Noisier still is the entirely needless grunt I expel as I hoist myself from a chair after dinner. Obscenely rich people, who pay through the nose for outrageous (and outrageously expensive) food. I now need reading specs which I clean by leaning over an open dishwasher door and waiting for them to cloud up. It’s hard to know whether the programme is meant to be celebrating the audacious cuisine or laughing at the swine on screen. But with Tracy-Ann Oberman’s narration over the top, the parade of excess becomes wonderfully grotesque.
Quite the opposite - you just cull them from your life without dwelling on why you’re not their bag. Adding just enough commentary without overshadowing the natural charm of its subjects, it tracks that subtle shift from a child agreeing to share to discovering they can use that bond to their advantage.
I’m old enough to know and accept that Dubai is not for me, and am cheery in the knowledge that I will never go skiing anywhere.
Otherwise, any week off in which I laugh, eat and watch films somewhere lovely with my partner, constitutes the holiday of a lifetime.
However, this is an independent publication: we take care not to let commercial relationships dictate the editorial stance of content or the writing staff. Having been appalled and dismissive of their abject uncoolness in my teens, I now really, really fancy Take That. Sign up to the UK's only VOD newsletterNever miss a Netflix release: keep up-to-date with the latest news, reviews and what's coming soon.Never display this againSign me up! Death becomes a pre-occupation Not in some nihilistic or maudlin way – I think about death every day simply because I am more accepting of its inevitability.
By contrast, I now collect happy memories obsessively, take time out to enjoy my loved ones and actively plan things I want to do instead of putting them off. Less maturely, I become irrationally furious at all the obnoxious people allowed to live while my loved ones are stolen by cancer. I can digest a week’s worth of junk mail catalogues in one extended sitting, unfathomably intrigued by everything from equestrian wear to mobility aids. Likewise, I can spend five hours on Google, researching exactly the right A?3.29 anti-slam door bumper.
I now keep warranty cards, register appliances, insure everything up the wazoo and will never let my AA cover lapse, because I no longer enjoy the blind optimism of youth. We can say sorry Like bossy 4-year-old Tia in secret Life of 4-year olds, I am able to say I made a mistake.

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