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His music is what some would call a€?adult acoustic rock,a€? full of catchy phrases and big hooks. Recently, Grega€™s new album, Maybe the Sun, drew the attention of WFUVa€™s John Platt, who featured Greg on his a€?Sunday Breakfasta€? radio show and in his monthly a€?On Your Radara€? live show at the revered East Village songwriter mecca, The Living Room. Elements of bold performance, musical chops and clever wordplay in the family lineage hint at what was to come for Greg and his brothers.
Louis Tannen, Grega€™s grandfather, was an influential magician who opened a magic shop in New York City in 1925.
At around 9 or 10 years old, Greg studied clarinet, but said, a€?I was terrible at it.a€? After maybe a year of cacophonic practice, he switched to guitar.
After that, they both left Colorado and together went to North Carolina, where the third Tannen brother, Robert (today a successful screenwriter), was living.
Greg and Steve wrote together quite a bit in Colorado and, in New York, theya€™d hang out together at their respective apartments and at open mics. Greg was visiting Steve at his place and while jamming, the basic riff emerged and by the end of the evening, they had the melody and the chorus. Roam, released in 2000, was about traveling around and it kicks off with a€?I Feel Lucky,a€? a joyous and twangy guitar rocker that matches anything Tom Petty ever wrote. Maybe the Sun, released in late 2010, is a lot less New York-based and wide-ranging in its themes. One time, however, when Greg was in California, he appeared with them during one episode as part of a sub-plot on the TV series Dirty Sexy Money (2007-2009). After eight hours of hanging around, they got all of three seconds of screen time, playing secretly in a hotel room for the Lucy Liu character, who couldna€™t be seen in public attending a concert with her illicit lover (deep-pocketed, since how else are ya gonna afford a private Weepies concert?). Although Greg went on tour in late 2010 for two weeks behind the new album and played some one-off shows, performance plans at present are minimal.
We want to encourage our readers to order Grega€™s CDs online and look for upcoming appearances in our listings pages in the months to come. In high school, he got his first band together called Talking to the Wall, with Greg on vocals and his Fender Telecaster (which he still owns). Returning to the States after one year, he settled in Boulder, Colo., (a€?A fairly good music towna€?) for about two years with older brother Steve. Given Grega€™s uncanny knack for radio-friendly tracks from the first album on, our conversation turned to songwriting. That this twist came just as it looked like Cassie finally had a parental figure back in her life, someone to love and protect her, was a ballsy move. When she’s not watching reruns of The Golden Girls or creating non-sparkling vampires, she’s usually mourning TV shows of the past; mentions of Wonderfalls or The 4400 may make her maudlin.
We began in June of 1999 with a cover story on Steve Tannen, the older brother of this montha€™s featured performer, Greg Tannen. Over the years, while I kept getting distracted by Fast Folk Musical Magazine alumni or someone new whoa€™d catch my ear, Greg just kept getting better and better, winning and placing in songwriting competitions (John Lennon, UNISONG, USA, ISC) and awards in festivals (Sierra Songwriters, Telluride, Rocky Mountain Folks). However, after reacquainting myself with all of Grega€™s albums, I found that ita€™s really a continuation of a body of beautiful and compelling songs. Although Louis died in 1982, there is still a Tannena€™s Magic showroom near Herald Square and a Tannena€™s Magic website where magic products are sold. His family moved to Toronto right after his first birthday and stayed for around six years.


The first names to come tumbling out of Greg were: a€?a lot of Duke Ellington, Thelonious Monk and Bill Evansa€? (Pete is a huge Bill Evans fan). The band played covers of the Rolling Stones and REO Speedwagon, among others, and some of Grega€™s original songs.
At home, in more private moments, he was writing on acoustic guitar, focusing on songwriting, under the influence of acoustic-based songwriters such as Bob Dylan and those in Dylana€™s lineage.
Taking his acoustic guitar and travel bag, he went to Australia, a€?doing the vagabond thing,a€? staying in youth hostels part of the time.
They played gigs together as a duo called The Kahluas (named after the familya€™s dog) and made a recording.
Then, as Greg tells it, during their respective a€?crap part-time jobs,a€? at their computers, they started emailing lyrics back and forth to each other.
This is followed up with the gorgeous a€?Everything I Said,a€? a haunting reverie about a girl named Vanessa who stands by the clock in Grand Central Station with her hair up. An attempt to do an extended riff turned into a laugher and is tacked on as a short bonus track.
The title track is another soulful rendering of a breakup that somehow seems a bit more sharply rendered than its predecessors.
I posed the idea that brother Roberta€™s screenwriting connection had something to do with it.
He said, a€?Ia€™ve made a bunch of trips down there, written with some great people, had some great meetings, buta€¦ they want me in Nashville, and Ia€™m just not ready to live there.a€? Thata€™s good luck for us. Which was slightly disappointing after a week speculating about who it might be, but that storyline ended up being fantastic.
Turns out the dying member of the circle was Jake, and the trio spent most of the episode traipsing around the woods looking for an ingredient for an elixir that would save his life. Even when Cassie remembered, a brutal twist, I thought it would be painful to watch for weeks to come (and who knows, it still might be).
Faye snooped around to find the missing Lee, Eva used her accidental magic to intimidate Faye, and then it was over.
Since wea€™re only now getting around to younger sibling Greg, you might say wea€™re running a little bit late.
Ia€™d run into Greg often over the years and hea€™d greet me warmly, seemingly knowing it was only a matter of time before Ia€™d recognize his mastery of the songwritera€™s craft. Pete had been admitted to the Berklee School of Music for jazz, but his parents told him, a€?Therea€™s no money in music,a€? so he didna€™t attend. He picked that up and started playing it, saying he didna€™t want to study clarinet any more, and began taking guitar lessons from a female jazz guitarist. When Greg was 17, the band came into New York City and recorded its first (and only) album a€” material that a€?will never see the light of day,a€? he wryly states. Toward the end of high school, accompanying himself on acoustic guitar, he performed his original work at open mics and at the end-of-the-year senior talent show. While at Oberlin, Greg did more performing on acoustic guitar, doing small gigs and open mics. He always had his guitar out and busked in Sydney and Cairns (up the coast from Sydney near the Great Barrier Reef). After less than a year, Greg moved to New York City, and Steve followed a few months later.


Rosanne has been very supportive of Greg, twittering to her fans about him during his opening sets, and generating lots of CD sales.
His take is that when you collaborate with someone, a different style emerges, a hybrid of two people. Grega€™s in the middle of a writing spurt and hopes to have enough material for a new album next year. When Greg was 17, the band came into New York City and recorded its firstA  (and only) album a€” material that a€?will never see the light of day,a€? he wryly states.
They find it, but not before an hallucinating Jake inadvertently admits to killing Calvin, the witchy good supplier who was attempting to help Cassie earlier this season. It was even more annoying that Faye and the circle didn’t even try to revive Lee, or ask John for help. With any luck, the first season will build on the former storyline and steer well clear of side stories like the latter (unless the show plans to make them interesting). Listening to his father play and hearing the melody digressions in jazz were a big part of Grega€™s formative experience (still a€?a€¦my favorite thing to listen toa€?). His most rewarding experience was working as a first mate, cooking and playing guitar on an 80-foot charter sailboat that was also an Americaa€™s Cup challenger.
Stevea€™s song a€?Brother Uptowna€? on his debut CD Big Senorita describes him coming in late and crashing at Grega€™s apartment. Although free of drug references and busts, to these ears, stylewise, ita€™s a cousin to the Grateful Dead hit, a€?Truckina€? with some a€?Friend of the Devila€? thrown in.
Two tracks later, wea€™re treated to the award-winning a€?Mary,a€? in which wea€™re young again and transported to a summer night car ride with a girl in a white dress.
They think that the head of the show was a big Deb Talan fan and wanted her on the show, so The Weepies were written into the script. He good-naturedly referred to the results of the combination of his efforts with others as a€?Frankensteina€? in nature. A never-opened wooden a€?mystery boxa€? Abrams got as a boy at Tannena€™s Magic Shop played a seminal role in shaping his suspense-heavy career vision. Over a throbbing bass line we hurtle down the road and, the dash board lights set our sights way up higha€¦ hold on tight to mea€¦ Mary. About that magic booka€¦ it sits on a shelf and, when pulled, it opens the door to Abramsa€™ secret bathroom (really).
When faced with enormous expenses for his kidsa€™ college tuition, he spent years as Creative Director of various advertising agencies in New York City, Sydney, Australia, and Toronto, Canada. To many of their fans, ita€™s their most popular song and they still perform it together when touring schedules coincide.
It centered around relationships and darker themes crept in, albeit always with beautiful melodies.




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