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Director Michael Bay is taking another one of his periodic vacations from the world of TransformingRobotLand to make a film about the notorious Benghazi attack of 2012. SubscribeEnter your email address below to receive updates each time we publish new content. THEBRITISHPOST – The number of Romanians and Bulgarians employed in Britain between April and June rose nearly 10% compared with the previous three months, official figures have revealed. THEBRITISHPOST – More than 100,000 disabled Scots will lose benefits cash by 2018 as a result of Westminster welfare reforms, Deputy First Minister Nicola Sturgeon has said. This tribute to the defenders of the US outposts shows Michael Bay can make a film about human beings. A blow-by-blow, "you are there" account of the events that took place on September 11, 2012, in Benghazi, Libya, 13 Hours: The Secret Soldiers of Benghazi follows the six-man team of former special forces ops-turned-security contractors as they defend a pair of American installations there from a series of overnight attacks by armed militants. US Ambassador Chris Stevens (The Flash's Matt Letscher), a true believer in winning hearts and minds, arrives later, causing security concerns for the team. Bay's spent much of his career as an imitator of Top Gun director Tony Scott, but 13 Hours offers him a chance to mimic Tony's brother Ridley and his similarly intense account of US personnel under siege, Black Hawk Down. While each of the six men get their moments, Rone and Jack are definitely the two leads and Krasinski and Dale make them relatable. Usually with Michael Bay movies, the breathless pacing and non-stop action make them emotionally numbing, a merely relentless sensory onslaught. Michael Bay succeeds in making a film for grownups with the tautly told and respectful 13 Hours.
A team of six American security operators fought to repel the attackers and protect the Americans stationed there.
Judging from the trailer, it’s typical Bayhem in service of a real-life story, with over-saturated American flags and plenty of wild action.
The movie is set to come out in January, 2016, and if you like what you see below you might want to visit the movie’s official site here.
The group, which is seeing its worst sales performance in four decades, announced Mr Clarke’s departure as it issued a fresh warning on profits.


The six-man security team includes Jack (a bulked up John Krasinski, whose character's real name has not been revealed), Rone (James Badge Dale), Oz (Max Martini), Tanto (Pablo Schreiber), Tig (Dominic Fumusa), and Boon (David Denman). We get some scenes establishing who they have waiting for them back home, moments that lend these otherwise hard-as-nails guys some vulnerability. But this by-the-throat approach works for 13 Hours, as the brief moments of down time in-between shoot 'em-up set-pieces is at least spent with characters this time instead of talking cutouts passed off as humans.
Those men went beyond the call of duty, performing extraordinary acts of courage and heroism, to avert tragedy on a much larger scale. All are former military and combat veterans, several have known or served with each other before.
Protected only by a few State Department agents and some unreliable hired locals, the compound repeatedly calls for help from the CIA outpost. These are actual people and not just sounding boards for CGI robots in disguise or dull action heroes along for the ride. Another character remarks that he's fine when the bullets are flying past him; it's the lull in-between gunfights that he dreads because that's when he thinks of his family. This is their personal account, never before told, of what happened during the thirteen hours of that now-infamous attack. Later in the story we meet Glen Doherty (Toby Stephens), another former military friend who became a Global Response Staff (GRS) officer. Rone and his team are good to go but are repeatedly told to stand down by the CIA station chief, Bob (David Costabile). Visually, however, it was often difficult during the nighttime battle scenes to tell the team members apart.
With 13 Hours, I heard something I'd never heard before at the end of a press screening of a Michael Bay movie: applause, and not because the movie was finally over.
The why of all that, of course, has been hotly debated and investigated in the years since as has the subsequent lack of air support despite desperate calls for help.
If there was even a hint of Bay seeking approval as an artist from film snobs and the industry he's made billions for, he's likely finally won some thanks to 13 Hours.


Director Michael Bay's movie relied on the surviving members of the team for their insights, and they've subsequently said while promoting the film that it's a faithful, detailed account of the lead-up to the attacks, the battles themselves, and, briefly, their aftermath. In the end, four Americans were killed in the Benghazi attacks, several more wounded, and dozens of attackers were also slain. Thankfully, Tig wears glasses so you can at least tell him apart from the rest of the squad. The movie begins with Jack's arrival in Benghazi as the newest member of the security detail working at the (ultimately not very secret) secret CIA outpost.
While there's definitely a political undercurrent and ever-present anger in the film, 13 Hours doesn't become a diatribe, focusing instead on what was happening there in the moment. While Bay gets kudos for furthering his dramatic chops here and keeping the viewer invested in the humanity of the story, the abundance of "shaky-cam" action becomes a bit much at time.
This "just the facts, ma'am" approach will likely irritate those hoping the movie would be a polemic (then-Secretary of State Hillary Clinton is never mentioned to the best of my recollection). The CIA station agent is the closest thing to a non-combatant bad guy here, and the outpost personnel occasionally come across as either incompetent or at least not truly understanding of what the security team requires of them.
There are plenty of explosions and Bay-hem, but unlike in his other films Bay keeps you aware that these are all human beings involved here.
But both Bob and his personnel are given moments to show their competence in other areas so you can see them as people doing their job and not just as suits impeding the tough guys.
There's even a sequence of local women running out after the battle to mourn their dead, an acknowledgment of an opponent's humanity that many other war films don't even try to do.



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