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Last week, Mark Bittman wrote about his favorite lunch place in Manhattan but he didn’t reveal its name.
The point of both stories, which were published around the same time, is that sometimes it’s good to get away from the trendy, the highfalutin, the celebrity and blogger and amuse-bouche-fueled ceremony that makes restaurants cool and expensive and instead enjoy something that’s simple, delicious and welcoming. Bittman’s and Rapoport’s desire to eat well without ceremony and paparazzi is a useful notion for PR folks to consider, not just those in the food business.
To take a lesson from Bittman and Rapoport maybe it’s better to figure out how your brand can make influencers feel as if it is their “regular” spot, their best kept secret. What would your brand be like if it were a best-kept secret for someone who has seen it all, done it all and has an expense account for it all?
Acquea é una pagina iniziale con motore di ricerca per lo shopping per gli italiani.


It was produced and directed by Stanley Kramer and co-produced by George Glass from a screenplay by Ben Maddow and William Rose.
Often, we are asked to figure out how to insert our clients into a conversation where influencers are and our first instinct is to ask how we can make our brands stand out and be cool. A go-to place that offers a cornucopia of pleasures absent from the newest hot-spot but makes them feel that all is right with the world and that they are being taken care of. People, even people who have access to the best of everything, love their best-kept secrets.
In the September issue of bon appetit, editor in chief Adam Rapoport extols the virtues of his favorite dinner place in the West Village, name withheld to keep the place free of foodie riff-raff. It was positioned as a tech brand and executed through a lot of fun tactics but at the end of the day … really?


I’m sure there are numerous brands at Fashion Week right this minute that have no business spending a dime near the tents because they’re trying too hard. It also features Renato Rascel, Giancarlo Giannini, and Eduardo Ciannelli; with Valentina Cortese making an uncredited appearance.
Army Archerd, Regis Philbin and Buddy Hackett interviewed Stanley Kramer, Anthony Quinn, Virna Lisi, and Sergio Franchi from Los Angeles.
The premiere was held to benefit the Reiss-Davis Child Study Center, with Gregory Peck as chairman.



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