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Storyline: This time Zucker and Abrams are spoofing, most notably, Elvis films and WWII spy movies. I veri ipocriti sono quelli che cessano di ottenere i loro inganni, mentendo con sincerità. After I saw it, I really thought it was going be a huge movie—but then, I saw the marketing. Nora Ephron wrote this, and it’s clear she had a lot of fun with it and didn’t take it too seriously. Also, it features a lot of shots of blue skies with big white clouds, which is one of my favorite things in film. If you’re ever stuck during the holidays trying to figure out something to watch with a big group of family members with varying tastes, this one is perfect. The sense of humor is a little Kids in the Hall-ish, but really, I think its most close cousin is stuff by members of The State. It’s sad to me that Adam Carolla has this reputation as an insensitive guy by people who don’t know much about him. This is a beautiful little indie film, stuck in a crappy DVD cover that make it seems like a dumb cheap-o bargain bin movie.
This entry was posted in All Posts, Cody's Lists and tagged 10 best comedies, 10 best movies you've never seen, 10 great comedies, 10 most underrated comedies, 10 underrated comedies, 40 year old virgin, adam carolla, adam larson broder, airplane, anthony abrams, best comedies, best comedies you've never seen, best movies you've never seen, big top pee-wee, bob odenkirk, bryan gordon, career opportunities, charles herman-wurmfeld, damsels in distress, dan in real life, david mamet, david steinberg, david wain, david zucker, evan almighty, funniest movies you've never seen, great comedies you've never seen, great movies you've never seen, herbert ross, hot shots, jennifer connelly, jerry zucker, jim abrahams, joe mantegna, john hughes, kids in the hall, little miss sunshine, magnolia, michael showalter, monty python, most underrated comedies, my blue heaven, naked gun, nora ephron, oleanna, paul reubens, paul thomas anderson, pee wee's big adventure, peter hedges, pieces of april, pumpkin, randal kleiser, rick moranis, rotten tomatoes, shel silverstein, smug film, smugfilm, stella, steve carrell, steve martin, team america, ten best movies you've never seen, the 40 year old virgin, the brothers solomon, the hammer, the state, the wrong guy, things change, todd solondz, tomatometer, top secret, underrated comedies, underrated comedy, underrated comedy movies, whit stillman, will arnett, will forte.
That synopsis may sound dull, but this movie is about World War II spy movies in the same way its predecessor is about flight disasters. Everyone in the extended cast has at least one great moment, and even the characters that just show up for one gag don't feel extraneous. I mentioned the visual gags, and they pop up all over the place, but the audio gags are really fantastic. For a movie set during World War II with the Germans as the bad guys, the humor isn't terribly malicious. A problem I have with a lot of modern comedies is that they all seem to have a serious section somewhere in the middle where they focus on character development instead of laughs. The feature animation world is about to get a bit bigger as Paramount Pictures is looking to expand its original animation output.
It's still only 2013, but Disney is already looking for into the future and shuffling around its summer 2015 schedule.
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. I have a friend who claims he only laughed real loud on five occasions during "Top Secret!" I laughed that much in the first ten minutes. Like any ‘genre film’, so many are pumped out each year that it’s almost impossible to keep track of which ones are good.
They’re movies where even if you don’t like them, you have to admit they’re good for what they are. I have a sneaking suspicion Paul Thomas Anderson aped this movie’s blue-sky-and-clouds chapter breaks for Magnolia. A very funny and touching italian mobster comedy starring Joe Mantegna and the late great Don Ameche. I guess people wish it were Pee-Wee’s Big Adventure 2, and were disappointed when Paul Reubens didn’t give them that. It’s kind of the American equivalent to Monty Python in that sense, even though it’s Canadian.
You could replace Dave Foley with Michael Showalter and keep the script the same and it’d feel like a movie David Wain made.
If you like touching sports movies with sprinklings of romance, and also like to laugh, this one is for you. Bob Odenkirk, Will Arnett, and Will Forte all involved, and still people assume this is some throwaway comedy to avoid like the plague? Not all of it holds up (it loses steam during the kung fu sequence) but there are so many great parts throughout.


You cram every member of your extended family onto the couch, a couple of bowls of popcorn to be passed around, and prepare to share a couple of laughs and a heartwarming bonding experience. Several jokes are completely off-screen, without the characters even acknowledging that they're happening, which just makes them that much better. Yes, the government is portrayed as evil, but most of the jokes are centered on cultural references and are mostly just silly.
Sure, character development is nice and all, but it shouldn't be at the expense of the rest of the film. Please report harassment, spam, and hate speech to our community fisters, and flag the user (we will ban users dishing bad karma).
You will receive a weekly newsletter full of movie-related tidbits, articles, trailers, even the occasional streamable movie. While performing in East Germany, he falls in love with a beautiful heroine and becomes involved with the French Resistance. Unless something gets an alarmingly high rating on Rotten Tomatoes, or was made by people you trust no matter what the Tomatometer says, you probably aren’t going to see it.
It’s one of those purely delightful movies that can always put you in a good mood, and doesn’t gets old no matter how many times you’ve seen it. It’s one of those rare ‘suitable for the whole family’ movies that isn’t dumb and doesn’t pander to the lowest common denominator. And it actually feels like a real movie, not just a series of gags—even though it’s got tons of them.
Yet for some reason these same fans haven’t rallied around this film, with Dave Foley wrote and stars in. Our collective sense of humor has evolved—most people these days can recognize the difference between a crappy late 90’s movie and a movie pretending to be a crappy late 90’s movie. Did it ever occur to you comedy nerds that maybe the reason this has a 15% on Rotten Tomatoes is not because it’s unfunny, but because it’s too funny? This certainly happened with my family around holidays with the typical feel-good movies of the season, but it didn't have the same feel as a summer at my grandma's house watching Top Secret! After Leonard Bernstein cancels, the American government sends Rivers to perform at the East German cultural festival, bringing live rock and roll to the country for the first time.
I was (too) young when I saw this for the first time, so about half of them went over my head, but I'm still finding new ones to this day despite owning the DVD and pushing the movie on all of my friends.
My friend claims that I have a cornpone sense of humor, because of my origins deep in central Illinois. This was back when his career was on the up—he’d just had The 40 Year Old Virgin and Little Miss Sunshine back to back. But for some reason, either people have no idea this movie exists (which is bizarre, considering it stars Steve Martin and Rick Moranis) or they saw it once ages ago and barely remember it.
It’s also one of the weirdest mashups ever: Cold war era spy movie meets Elvis movie-musical. It’s not a show I think about often, but anytime I revisit it, it’s clear how much it helped shape my sense of humor as a kid.
It gets really zany as it goes on in the most lovely way possible, much like their stuff does. Nothing promotes familial solidarity quite like Val Kilmer trying to kill himself in front of hundreds of screaming teenagers.
Despite Rivers' cultural insensitivity, things are going swimmingly- until, of course, he meets Hillary Flammond (Lucy Gutteridge), a member of the Resistance. While a lot of the jokes are on the nose, there are plenty of subtle ones, and things are happening in the background in almost every shot. Frank Whaley, one of the most underrated actors of the 90’s, gives a stellar starring performance—his best to date. I’m sure some of that comes from the fact that it’s co-written by Shel Silverstein—a fabulous writer famous for work that both kids and adults can enjoy. And my favorite thing about this movie is that the jokes comes from so many different places.


The movies have a very similar feel to them, and they both hold up incredibly well due to their reliance on slapstick rather than cultural references. The music swells dramatically during very undramatic moments and is wonderfully cheesy the rest of the time.
As a Gemini, however, I contain multitudes, and I also have a highly sophisticated, sharply intellectual sense of humor. I think you can figure that out right away, in the opening sequence, which is devoted to the sport of "skeet surfin" and has beach boys on surfboards firing at clay targets.
Just thing about that for a second: two crowd-pleaser comedies back to back, one a total game changer for the genre, the other an Oscar darling. There’s broad visual stuff, witty stuff, subtle stuff, dry stuff, observational stuff, etc. It's true that we don't get to know the characters as well as we might, but it's more fun to be shallow once in a while. When you check this out (because you have to or else I won't be your friend anymore), see if you can spot the intriguing book, Lesbian Bars of North Carolina.
Instead of a plot, it has a funny young actor named Val Kilmer as the hero, a 1950s-style American rock 'n' roller who is sent on a concert tour behind the Iron Curtain, and manages to reduce East Germany to a shambles while never missing a word of "Tutti Frutti" (he never even stumbles during a wop-bop-a-loo-bop, a lop-bam-boom).The movie is physical humor, sight gags, puns, double meanings, satire, weird choreography, scatalogical outrages, and inanity.
It’s like the person who made the poster didn’t even watch the movie, and simply had a picture of Carrell and a stock image of pancakes lying around. It’s a perfect little John Hughes movie that for some reason just isn’t revered like his other work is. Now, when I say ‘smart comedy’, I don’t mean big words and literary references and whatnot—I’m not talking Whit Stillman. All serious conversations are still full of jokes and portrayed in an absolutely ridiculous manner. That's why I liked "Top Secret!" This movie will cheerfully go for a laugh wherever one is even remotely likely to be found.
One particular sequence, however, is such an original example of specifically cinematic humor that I'd like to discuss it at length. I remember everyone shat on it when it came out, but it actually has some funny parts, and overall it’s genuinely sweet—which is a hard feat for such a dumb premise. I guess what makes it forgettable in peoples minds is that it’s a very succinct, small story about two people in an enclosed environment. It takes a true craftsman with an impeccably rich sense of humor to be able to mine that much depth from such simplicity.
It makes fun of two completely different Hollywood genres: the spy movie and the Elvis Presley musical. I’d see whatever movie he was in next, because his burgeoning movie career was looking pretty damn good. It contains a political refugee who fled America by balloon during the Carter administration, a member of the French underground named Escargot, and Omar Sharif inside a compacted automobile. The scene depends for its inspiration on this observation: People who run tape recorders backward often say that English, played backward, sounds like Swedish (especially, of course, to people who do not speak Swedish).
What "Top Secret!" does is to film an entire scene and play it backward, so that the dialogue sounds Swedish, and then translate it into English subtitles. Also, the guy who did this, Peter Hedges, did an overlooked movie before this one, Pieces of April, which you should definitely check out as well. This is funny enough at the beginning, but it becomes inspired at the end, when the scene finally gives itself away.There are other wonderful moments. The dance sequence in the East Berlin nightclub develops into something Groucho Marx would have been proud of. And how the ballerina makes her exit in Swan Lake will, I feel confident, be discussed for years wherever codpieces are sold.



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