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Robert DeNiro’s comedy chops are unquestionable at this point, partly thanks to his role as the over-protective father who brings out the absolute worst in his son-in-law to be, male nurse Gaylord Focker. Kapadia was already a BAFTA-award-winning narrative director, but there are plenty of narrative directors who haven’t made the transition to documentaries effectively. Vampire stories are plastered all over American pop culture these days (True Blood, Twilight, The Vampire Diaries), but leave it to the Swedes to produce a vampire film that manages to be both sweet and frightening. Set in 8th-Century Ireland, our hero is the 12-year-old apprentice Brendan, who befriends a forest spirit namd Aisling in his quest to protect The Book of Kells from Viking invaders.
If you’re considering bringing a child into this world, we’d recommend staying away from the 1976’s horror classic The Omen. A combination of comedy, romance and high-school spunk, Clueless is a story with true ’90s flair.
Proving that star power isn’t limited to those in front of the camera, Steven Spielberg and J.J.
While hung up with the intricate plotting of Miller’s Crossing, The Coen Brothers took a break to write a script about a blocked screenwriter (Jon Turturro). We may have never gotten a Season 2 of Firefly, the much beloved alien-free space-travel show from Joss Whedon.
Like Rashomon before it, Akira Kurosawa’s Kagemusha proves the director is as much a master of story plotting as he is perfectionist over the smallest technical nuances in his films—though here, he’s painting on a far grander canvas.
Gritty like The Godfather or the work of Martin Scorsese, Gomorrah depicts five microcosmic stories of the brutal underground mafia scene in Naples. Love or hate him, Guy Ritchie has redefined the gangster genre with his hyper-stylized touch. In his black-and-white ode to the Golden Age of Hollywood, Gallic writer-director Michael Hazanavicius honors form as well as content, packaging his romantic melodrama about the rise of a new ingenue and the fall of a silent movie star in 1920s and ’30s Los Angeles in luxurious black, white, and shades of shimmering silver. Most films about disintegrating marriages are grim, gray affairs, and filmmakers often use the device as an excuse to punish their audiences. Italian writer, director, actor and concentrated ball of exuberance Roberto Benigni brought comedy to a story of a Nazi concentration camp without downplaying the tragedy. Chris Farley shot up through the world of improvisational (improv) comedy, and ended up becoming a huge star on Saturday Night Live. One of the classic big man comics, straight man Costello would always be paired with thin joking Abbott, and the pairing made comic gold. Cedric the Entertainer is not only a great big man, but he’s also one of the most popular African-American comics around.
John Belushi was an absolute star when Saturday Night Live was just beginning, and was the inspiration for later comics such as Chris Farley. Iglesias is a young stand up comic who is wildly popular and whose specials have made him famous. The Addams Family is a 1991 American comedy film based on the characters from the cartoon of the same name created by cartoonist Charles Addams. The movie was originally developed at Orion Pictures (which at the time owned the rights to the television series on which the film was based due to its ownership of the Filmways library).
Gomez Addams (Raul Julia) laments the 25-year absence of his brother Fester, who disappeared after the two had a falling-out. Gomez, overjoyed to have Fester back, takes him to the family vault to view home movies from their childhood. Gordon grows closer to the Addams family, particularly the children Wednesday (Christina Ricci) and Pugsley (Jimmy Workman), whom he helps to prepare a swordplay sequence for a school play.
While Abigail, Gordon, and Tully try repeatedly and unsuccessfully to get past the booby trap blocking access to the vault, the Addams family is forced to move into a motel and find jobs. Morticia returns to the Addams home to speak to Fester and is captured by Abigail and Tully, who torture her in an attempt to learn how to access the vault. Seven months later, it is revealed to the viewers that Gordon has been Fester all along, having suffered amnesia after being lost in the Bermuda Triangle and turning up in Miami, where Abigail had taken him in.
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The story of a working class family struggling with life's essential problems: Marriage, Children, Money and Parents in Law.
The first of the annual Halloween episodes finds Roseanne doing her best to scare Dan who is waiting to hear about an important business deal going through. Roseanne is ecstatic when Darlene is asked to read her poem for her school's recital, but Darlene refuses to do it. IMDb Picks: April "Game of Thrones" Of course "Game of Thrones" is on our radar this month.
Live Facebook Q&A With 'Mother's Day' Director Garry Marshall Join us for a live Facebook Q&A with Mother's Day director Garry Marshall on Monday, April 25, beginning at 4 p.m. When it comes to the best movies you could ever see, there’s really only one criteria for loving a movie (in my book). We’re still trying to figure out how Craig got fired on his day off, but what resulted was absolute hilariousness on the Friday. Seeing Tina Turner’s life played out on screen was heartbreaking, but it made for a great movie.
Harper’s book about his friends was the original subtweet, and look where it got him.
The Alice Walker adapted novel introduced Whoopi Goldberg and the acting chops of Oprah Winfrey to the masses about Southern living in the early 1900s and what happens when Mister marries Celie.
So tell me, what are some of your favorite black movies? Which movies do you think should be on this list? Get WEEKLY LOVE LETTERS to your inboxSign up today and be the first to get notified weekly with my new stories, giveaways and videos. He doubled the degree of difficulty by deciding to use all period footage of his subject, ’80s and ’90s Gran Prix legend Aryton Senna. The film follows an American ambassador Robert Thorn whose adopted son, Damien, slowly unravels himself to be the antichrist, inspiring disturbing scene after scene. Alicia Silverstone stars as the pretty and popular Cher, a privileged valley girl with a penchant for matchmaking.
Reminiscent of Stanley Kubrick and David Lynch at their most darkly satiric, Barton Fink depicts a self-important New York playwright who struggles to write a Hollywood wrestling picture while residing in a rotting hotel.
But Nancy Oliver’s Oscar-nominated script is so gentle, and so melancholic, that it becomes a quietly powerful story of a stunted man who finally comes of age. Not long after the peak of their relevance, George Lucas and Francis Ford Coppola helped secure financing for Kurosawa to finally film this extraordinary, sweeping epic, with both admitting to owing the filmmaker a huge debt as an influence. The cast of largely untrained actors only enhances the film’s grim authenticity, and that authenticity is bolstered by the fact that the film’s source material, the bestselling book of same name, required author Roberto Saviano to get a permanent police escort. Snatch may be a lesser remix of Lock, Stock and Two Smoking Barrels, but it boasts a multifaceted plot, frenzied action and dazzling eye candy.
But Blue Valentine is different—the story is told with such overwhelming tenderness and humanity that although the slow unraveling of Dean’s (Ryan Gosling) and Cindy’s (Michelle Williams) love is still heartbreaking, it feels like the director’s heart is breaking along with yours. Three years after the disappearance of their 13-year-old son, a Texas family receive word he’s been found in Spain.
We all want to give our children their childhood, and his character’s efforts to do just that make the horror all the more relatable. But due to the studio’s financial problems, Paramount Pictures stepped in to complete the film and handled North American distribution, with Orion retaining the international rights (these rights now belong to Metro-Goldwyn-Mayer through their purchase of Orion). Gomez’s lawyer Tully Alford (Dan Hedaya) owes money to loan shark Abigail Craven (Elizabeth Wilson) and notices that her son Gordon (Christopher Lloyd) closely resembles Fester. The Addamses throw a large party with their extended family and friends to celebrate Fester’s return, during which Abigail plans to break into the vault.
Morticia tries at being a preschool teacher, Wednesday and Pugsley sell toxic lemonade, and Thing (Christopher Hart’s hand) becomes a courier.
Thing observes this and informs Gomez, who gathers the family and rushes to Morticia’s rescue.
The lightning strike has restored his memory and he is enthusiastically welcomed back into the Addams household.
You will get a full refund as long as the goods are unused, with all original material and tags. If you can practically quote the entire script and apply it to different areas in your everyday life, you’ve got a great movie on your hands. This Spike Lee classic takes you through it, complete with racial tensions in the Bed-Stuy neighborhood.

Director Richard Donner brings us memorable, creepy imagery, including a nanny who kills herself in front of a birthday party (“I did it for you, Damien. And doing impressions of Michael Caine, Woody Allen, and Liam Neeson, as well as British personalities an American audience might not recognize. While she cruises potential boyfriends for her girlfriends, she struggles to figure out her relationships.
The film is as much a celebration of filmmaking and a coming-of-age story as it is an action alien-invasion flick. At times, it can be so light-hearted and hilarious that it undercuts the dark, perverse sadness that underlies the story as a whole—specifically the ending of the film, which in a matter of minutes manages to undo a good portion of the profundity and insightfulness that had been built up to that point. A jaundiced metaphor for the compromised creative process of show business, Barton Fink delivers the deadpan comedy and quirky performances of the Coens’ trademark, including Oscar nominee Michael Lerner as a bombastic studio chief, John Mahoney as a boozing, Faulkner-esque novelist, and John Goodman as a cheerful salesman with a dark secret.
In Serenity, River Tam (Summer Glau) got to really stretch her legs, kicking the asses of all kinds of Alliance baddies. Harrowing in its matter-of-factness, the Academy criminally overlooked one of 2008’s best by not nominating it for Best Foreign Film.
When they go to pick him up, they’re so desperate to believe he’s alive that they don’t even notice that the “boy” is actually a French man in his mid-twenties. The film tugs at heartstrings, but Benigni plays them so well, you’ll forgive any hint of emotional manipulation.
Tully proposes that Gordon pose as Fester to infiltrate the Addams household and find the hidden vault where they keep their vast riches. Wednesday overhears Abigail and Gordon discussing their scheme, and escapes them by hiding in the family cemetery. Let’s take a look at the top 10 black movies you must watch (at some point in your life). Prince Akeem’s travels from Zamunda to Queens, New York to find his queen was funny all the way through. Anyway, the crack era was a tough one, and seeing Nino Brown and company build their empire was a fascinating one.
Look at me!” is by far the most stirring line in the movie), vicious rottweilers, and ultimately, the big unveiling of the number of the beast under Damien’s hair.
The film is a charming, modern take on Jane Austen’s 1815 novel Emma, and with performances by a youthful Paul Rudd and Brittany Murphy, it’s anything but an airhead. It doesn’t hurt that Gosling is in top form, or that Williams gives the finest performance of her career. Is it a monumental case of grief and hope blinding sense, or is there a darker explanation? Tully and his wife Margaret (Dana Ivey) attend a seance at the Addams home led by Grandmama (Judith Malina) in which the family tries to contact Fester’s spirit.
Tully learns that Fester, as the eldest brother, is the executor of the Addams estate and therefore technically owns the entire property. Fed up with his mother’s behavior and constant berating, Gordon turns against Abigail. Throughout the film, as it starts to reach a fever pitch of weirdness or despondency, a well-timed joke will pull the audience back in and keep them firmly on Monsieur Oscar’s side. The script was promising enough to win the Chrysler Film Project even before those performances were turned in, and indie favorites Grizzly Bear contributed a haunting soundtrack.
Director Bart Layton mixes elements of documentary and narrative filmmaking seamlessly in ways I’ve never seen done before. He began to drink, smoke, and eat excessively, feeling that his shaven head robbed him of his sex appeal.
With the help of Judge Womack, Tully procures a restraining order against the family banning them from the estate and ordering them to move out. Using a magical book which projects its contents into reality, he unleashes a hurricane in the house, which strikes his own head with lightning and launches Tully and Abigail out a window and into open graves dug for them by Wednesday and Pugsley. Pinder-Schloss and tells the family that Fester had been lost in theBermuda Triangle for the past 25 years.
Gomez attempts to fight the order in court, but Judge Womack rules against him out of spite (though he does give Gomez his golf balls back).

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