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Watch full movies online, Download free movies online, 1080p, Mpeg, Divx, HDQ, HD, Tube, Mp4, Streaming. The new show at Carl Hammer, although ultimately disappointing, is interesting at first because all of the large format images by artist Eric Daigh are made entirely with colored push pins. These portraits couldn't help but reference the impressionists and Chuck Close, but the depth is more in line with what I would expect to come out of a BFA show rather than be in one of the better galleries in Chicago.
The celebration, in conjunction with the Library's "Celebrating Diversity" campaign, is a full program lineup filled with a variety of events honoring women's contributions to the arts.
One of the premiere events for Women's History Month is "Decades of Dresses: 1905-1991," a showcase of the evolution of women's fashion trends, with collectors Chloe Bert and Ruth Thomas modeling their collection of dresses from the 20th century. Other highlights include "Women 'Firsts' in the Performance Arts," a program highlighting women from different ethnic backgrounds who were trailblazers in the arts, and "Birth of a Label," a discussion centered on T'izm Sound Productions, Chicago's first and only urban music record label.
All events are free and open to the public; see full event calendar for library locations, dates and other scheduling details.
The DuSable Museum of African-American History, the South Side museum founded by the late Dr.
Winifred Haun & Dancers will premiere Bento & other dances, a six-performance program that includes two premieres, Bento and Disquiet, both choreographed by Haun. The "other dances" on the program include the audience favorite, Close My Eyes, the quartet Remake, excerpts from Haun's critically acclaimed ballet Promise and The Woman Who Fed Her Diamonds to the Goldfish Bowl, performed by Lindsey Frattare. Bento & other dances runs Thursday and Friday, March 17 and 18 at 7:30pm at the Hamlin Park Theater, 3035 N.
Independent curator and arts administrator Karly Wildenhaus' latest solo exhibition, Twice Removed: a Survey of Take Away Work, has already garnered extensive press coverage for its crafty exploration of an object's meaning and place in contemporary art long after its initial exhibition run.
Local artist book shop Golden Age will launch the publication component of the exhibition today, from 3 to 5 pm.
His latest work uses the same 3D formula with an original story and an overwhelming number of fantastic car chases and wrecks. Portage Park's gorgeous Patio Theater opened in January 1927, what was then a mid-sized movie palace, with a mere 1500 seats. The Patio flourished for decades as a first-run theater, until television started to eat away at the movie business. If you missed the first half of the Congo Square Theatre's "Festival on the Square" series, there is another chance to catch the event. This weekend, the theater company will feature performances from open mic shows to staged readings, including 911's Children: After the Fires, written and directed by company member Anthony Irons and the hip-hop themed Smash Hit, directed by Congo Square member Aaron Todd Douglas.
The "Festival on the Square" runs Friday and Saturday, February 25-26 at the Chicago Center for the Performing Arts, 777 N. Rehearsal floors scuffed by years of wear and tear stood out against the gray skyline of the Chicago loop. Originally an adaptation of Franz Lehar's The Merry Widow, Hynd's choreography (coupled with lush costumes by Roberta Guidi di Bagno and orchestral accompaniment by the Chicago Sinfonietta) showcases a love story between the beautiful widow, Hanna Glawari and the Count Danilo, during the glitz and glamor of 20th century Paris. We know right off the bat that people are out to kill John Smith (Alex Pettyfer), the fourth in a line of special young men and women (I won't say how, but most of you probably know already) with powers that make them stand out. The stretch of 26th Street that makes the heart of Chicago's Little Village neighborhood is vibrant on a Friday night. La Cueva is an LGBTQ historic site -- it is known as the oldest Latino drag bar in the country. The Chicago Tribune has joined forces with Second City to produce Chicago Live!, a weekly stage and radio show. Tickets are $20 and can be purchased through Ticketmaster, over the phone at 1-800-745-3000 or in person at the Chicago Theatre box office (175 N. There is no apparent anarchy in Signal Ensemble's tidy and well-rehearsed version of Dario Fo's Accidental Death of an Anarchist. This clever, faced-paced story pokes fun of police corruption, inspired by the real-life case of anarchist railway worker Giuseppe Pinelli, who fell-- or was thrown-- from the fourth floor window of a Milan police station in 1969.
Stand up comedy proves the notion that revealing your vulnerabilities instead of hiding them is what strength really means.
Pictured is an image from Dated: A Cautionary Tale for Facebook Users, a tragicomic monologue with multimedia projections, written by Ira Gamerman. If you are one of the many people who have heard about Chicago's vibrant independent theater scene, but haven't made it out to see anything because your perception of theater has been tainted by cheesy musicals, you may want to free up a night this month or next to check out Collaboraction's Sketchbook REVERB. Given Barack Obama's historic election as the first African-American President of the United States, it isn't surprising then, that in addition to the numerous books that have already been written about him, that a film wouldn't be too far behind.
Well, there is a film, but it isn't about him, per se; Politics of Love (2010), is a romantic comedy that was inspired "by the slew of publicly documented election love stories" that were said to have developed during Obama's push for the presidency. Since there isn't a whole lot of information about the film, only time will tell if it will ever be released--in any format. To celebrate Black History Month, the Chicago Defender presents "The Journey to Empowerment," a photography exhibit that showcases various images of history-making African-Americans.
This year's exhibit, now in its fifth installment, is comprised of a collection of the newspaper's archived photographs of movers and shakers, who are mostly from Chicago, from the world of business and politics.
The Windy City will be well represented at this year's Pan African Film Festival, thanks to Mark Harris (Black Butterfly), Brian Schodorf (The Wayman Tisdale Story) and Darryl Pitts (Kiss and Tell), three Chicago filmmakers with a mission to further the city's filmmaking landscape. Have any other local filmmakers or industry folks contacted you when they heard about your collaboration?
This one comes a whole lot closer to nailing it than I thought it would, and the one of the key elements that holds it back is that damned PG-13 rating.
In Nicholas Knight's latest solo exhibition, Declaimed, at 65GRAND, the artist subtly re-purposes images or the idea of the image to create one unified whole. We live in a world of "declaimed" images and as Knight reiterates in works such as Double Dramatization (2010) and Screen Images Simulated (Youthful Hercules) (2010), it is a matter of breaking down and rediscovering (perhaps even creating) the truth out of the inauthentic image. In other, non-photographic works, Knight breaks down the idea of the image to its most singular of definitions: forms captured. At six o'clock on a Friday night, there are no lights on at the Vivekananda Vedanta Society temple, a Prairie-style building on a dark crossroads in rural Homer Glen. The Vivekananda Vedanta Society's temple is only two years old, but its roots in Chicago go back over a century, longer than any non-Judeo-Christian religion. Vivekananda's appearance at the Parliament was an important moment for both the United States and India.
Playwright Regina Taylor has made a name for herself in Chicago theater through several productions with Goodman over the past few years. This is the Chicago premiere of Trinity River, which debuted in Dallas, where the play is set, last October. Chicago Dramatists take on the oldest profession head on with their current performance, Bordello, written by Aline Lathrop. The entirety of Bordello takes place in the kitchen of Pussy Willow Ranch, located 60 miles outside of Las Vegas in the great state of Nevada. Time to sit down and take the Creative Chicago Survey, help us find out what we need to make this a better city to create in.
All Jokes Aside, the comedy club that dominated the city's South Loop district in the '90s, was a viable force in Chicago entertainment until it closed in 2000. I worked with John [Davies] on some other projects and we both said this All Jokes Aside story should be on television, which was then our initial idea. You were originally a finance guy, having worked with Chris Gardner--how did you transition into comedy? Friday, February 18 they are bringing the party into the city (lucky us!) and they invite you to come dressed as a famous artist or artwork.


Starting February 8 and continuing through February 28, Chicago will be home to a new comedy open mic. The blizzard that is moving in on us at the moment is causing several cancellations and closures in the art world today and tomorrow.
The Art Institute closed at 2pm today and will be closed tomorrow, so the Peter Fischli artist talk scheduled for tomorrow at 6pm has been canceled.
Goodman Theatre's Wednesday, February 2 Performance of the Trinity River Plays has been cancelled. UIC's Gallery 400 is closed today as of 2pm, and so the Eileen Myles lecture scheduled for 5pm today was postponed. Sign up for our free email newsletter I Star Chi and get a weekly round-up of the best of Gapers Block, plus our picks for must-do events each weekend!
American Pie Presents: The Book of Love movie is a pretty decent movie, that filled with lots of fantastic action. Below is It's A Love Thang Boxset (brown Sugar How Stella Got Her Groove Back Waiting To Exhale) Movie Poster. Although they would often play basketball together, they fought as often as they got along.
Red, blue, yellow, white and black pushpins are used like points in printing or pixels on a computer screen to create portraits. This event will be held Tuesday, March 29 at 6pm, at the Harold Washington Library Center, 400 S. Featuring prints, buttons, posters, and other ephemera, Twice Removed is a unique and expertly constructed exhibition based solely on others' work.
Wildenhaus, who also wrote the publication, will be on hand to discuss both the exhibition and the publication. Halsted), the players in Geek Show will take the stage at 10pm for the second-to-last Friday of their run. While so many other directors making 3D films in the last couple years made a point to say, "We aren't throwing things at the camera," and "We don't want this to be a gimmick," Lussier opted for a different approach. Like Valentine, Drive Angry was shot in 3D, a fact that Lussier makes abundantly clear (in the original posters, the "Shot In 3D" tagline was in the same size font as the film's title). John Mitchell, who took over in 1942 after his brother William died, reluctantly allowed the building to fall into disrepair. The weekend is also highlighted by 1st Impressions, a variety of artistic performances by Deeply Rooted Dance Theater Artistic Director, Kevin Iega Jeff, actress and playwright, Nambi E.
The rehearsals for the Joffrey Ballet's latest production, The Merry Widow, were in contrast to the gorgeous, sumptuous theatrical feast of the live production.
Apparently, these special kids must be killed in the order in which they are numbered, so the film begins with the death of Number 3. The smell of taco stands is warm and inviting in the cold, as people bustle amongst the colorful stores -- joyerias and a chain of boutiques named, curiously, Brazilian Seduction Jeans. Walsh, left), the Commissioner (Eric Paskey, center front), the Madman (Joseph Sterns, back, red tie), Sporty (Anthony Tournis, right, white shirt), and Officer #1 (Elizabeth Bagby, back right) sing a song together. That is not to say it is not in the spirit of anarchy, or that it is not an effective play-- because it is, without a doubt. Stand up is probably the easiest type of performance to do in fact, and one of the hardest to do right (to be fair, ballet is probably harder, their feet are gross). Also contributing of course are lots of pop culture references and somewhat justified fart and dick jokes made to an audience of people at the maturity edge of having to stop making fart and dick jokes in public. One of the highlights of the exhibit includes a photograph of Benjamin Lewis, Chicago's first African-American alderman, who was murdered in 1963. It's tough to get publicity when you go to these film festivals--it always helps when you have other people helping out.
I gave my full support to this collaboration because Chicago, being the major market it is, has not had the kinds of films to come out of it that a market its size warrants or dictates. Let me remind everyone that on Friday, February 11 and Saturday, February 12, I will be moderating Q&A with the legendary Tommy Wiseau after screenings of his cult hit The Room at the Music Box Theatre.
From Jeremy Brock's screenplay based on Rosemary Sutcliff's novel The Eagle of the Ninth, this story of a Roman soldier in 2nd century Britain crossing into British-controlled territory to retrieve a golden eagle emblem of his dead father's legion is practically crying out to let the blood flow, and perhaps the DVD of The Eagle will allow director Kevin Macdonald (Touching the Void, The Last King of Scotland, State of Play) to include a few graphic beheadings and eviscerations to keep his gritty story more lively.
The image become something new and complete, even as it breaks down the context of and the relationship between the audience and the image itself. The questions of authenticity also play a main role in Knight's images: What is true and not true? Each new piece in the exhibition becomes more and more difficult to identify as just prints or as manipulated images from Knight's psyche.
But the door is open, so you go inside, slip off your shoes, and follow the intensifying scent of incense, up the stairs, to the sanctuary, where a little man in an orange robe is sliding blue velvet slipcovers over framed photographs of Hindu mystics, which repose on burnished mahogany thrones. The society traces its origins in the 1893 Parliament of Religions, a sideshow to Chicago's Columbian Exposition. The Hindu monk introduced yoga and meditation to the Americans, who would adopt both practices, although as self-improvement disciplines, not spiritual undertakings. 2009's Magnolia was loosely based on Anton Chekov's The Cherry Orchard, and Taylor's interest in Chekov's style is evident in Goodman's current production, The Trinity River Plays, which closes on February 20th. Through the course of three plays, Jar Fly, Rain and Ghoststory, we learn about Iris Spears (Karen Aldridge) and her family as they try to make the best of the various hardships that life has given them, occasionally letting their true feelings about each other and their shared histories burst forth.
If you want a light viewing experience -- something with a plot and fast-moving action, with characters you don't have to figure out -- then feel free to enjoy it, as I'm sure many people around town, and the nation, will. First of all, I am a man, and any thoughts I have about what I experienced have to be put into perspective.
The makings of a fairly solid, beautifully photographed, suspenseful 3D movie were within their grasp, and they blew it.
The club, which hosted a "who's who" of black comedians including Jamie Foxx, Chris Rock and the late Bernie Mac, is the subject of the film Phunny Business: A Black Comedy, directed by John Davies.
I felt the club didn't end the way I wanted it to and I wanted to tell this story but didn't know how--should it be a feature film?
There was a documentary called When Stand-Up Stood Out, about the Boston comedy club scene during the late '70s through the late '80s. I developed relationships with local comedians and then I went to California to the Improv and saw these "black nights" they'd have. A great outfit is comprised not only of fashionable, quality clothing, but also the personal touches-- a perfectly folded cuff, a slew of gold buttons-- that distinguish one pretty young thing from the rest.
She takes not only full-body shots but also close-ups of the little details that make an outfit pop. If you plan on viewing Kerstin Honeit: Ambiguity is My Weapon or Bless This Mess in the next two days, call them ahead at 312-996-6114 to find out their open hours. Peanut Gallery artists and friends will be participating in a giant midnight snowball fight tonight at Palmer Square, instead. The Great Chicago Blizzard of 2011 may have won the battle this week, but art will win the war. American Pie Presents: The Book of Love movie belongs to Comedy category and was made in 2009. In "The New DuSable," the University of Chicago's Chicago Weekly Online discusses the museum's historical legacy and its ongoing construction and expansion, both designed to improve and preserve the museum's place in the country's cultural landscape. Geek Show is Justin Howard, Jeff Murdock, Tim Reardon and Jo Scott, showcasing their comedic chops in a fast and funny sketch revue. He took a fairly shitty '80s slasher film, spruced it up, and made the absolutely glorious My Bloody Valentine, which came out at the beginning of 2009 and said to its audience, "Hey, we've got about 50 pointy objects we'd like to throw right at your head.


Wolff in the Spanish Renaissance style, its atmospheric canopy is dotted with twinkling "stars" and projected moving clouds, like the 850-seat Music Box's, which opened two years later. Still, the vivacity of the live show -- consistently humorous and a visual treat for the senses -- was evident among the performances by the cast members and the enthusiasm of original choreographer Ronald Hynd. He game out of the gate with a few interesting films, including The Salton Sea, Taking Lives and Two for the Money. John is one of those annoying-as-hell teens who doesn't like to do what he's told and frequently ignore the safety protocols set up by his protector Henri (Olyphant), who is posing as John's father. La Cueva has been around for 30 years, providing a place for trans Latinas to work and gay Latinos to belong. The impeccable craft, attention to detail and obvious investment of countless days memorizing lines only makes a stronger case for this timely (if not timeless), sharp, satirical production.
The play opens with Inspector Bertozzo (Vincent Lonergan) interrogating "The Madman" (Joseph Stearns).
Chicago comic James Fritz' newish* record Deflated, recorded at Chicago Underground Comedy at the Beat Kitchen, is sweetly and aggressively vulnerable and really, really funny. White and Bollywood star Mallika Sherawat as a pair of election volunteers from opposite sides, who, despite those differences, become romantically involved amid the campaign. Another exhibit highlight is the "Wall of Firsts," which features African-American trailblazers, most notably, Mayor Harold Washington and President Barack Obama. Both shows begin at 10pm, and we may even have some surprises in store for those who already bought tickets. However, the Music Box has just added a 7pm show on Saturday, and you should get your tickets now. Are we as cognizant of the false images and ideas that stem from these images as we imagine? Knight responds to the idea of the manipulated image, in turn making something that is "untrue" but still tangible.
The Raja of Khetri provided a wandering monk named Vivekananda with a first-class steamer ticket from Bombay to Vancouver. In Vivekananda's homeland, his journey is remembered as the first time the West seriously acknowledged Indian culture. Jar Fly presents Iris as a nerdy but hopeful 17-year-old, and the latter two plays revisit Iris and her family 17 years later.
We're supposed to believe that the first female police superintendent, played by Jennifer Beals, has paid her dues by toughing it out on the streets to eventually beat out all the guys to reign, but the toughness she shows conveys an adeptness at memorizing her lines rather than reflecting the battles she fought to get there. Having said that, Bordello is not a sexy romp through the lives of some of Nevada's premier sex workers-- not that I thought it would be. Here, owner Raymond Lambert discusses the film, the club, and what caused the laughter to suddenly stop. I thought if that was a defining moment in stand-up, then, humbly speaking, if I look at what we did in the '90s and what we meant to the Chicago comedy scene, we had probably more people than that. I met Steve Harvey and a few others and when I would ask them when they were coming to Chicago, they replied, "We don't play in Chicago because we can't get booked there. On her popular street style blog, Chicago Looks, Brazilian-native Isa Giallorenzo hunts down the stylistically distinguishable Chicagoans roaming the galleries, music festivals, and vintage fashion sales that litter the neighborhoods. Both are playing basketball for the college, and Quincy’s father, a former basketball player for the NBA, lectures him about letting distractions keep him from becoming professional.
Care to join us?" Lussier threw in some tasteful full-frontal nudity, a nice supporting role for the legendary Tom Atkins, and a metric shit-ton of blood and guts, and My Bloody Valentine turned a decent profit because it remembered to be entertaining.
No, the real and true reason you want to see Drive Angry in any dimension is the magnificent William Fichtner as a character known only as The Accountant. I'm not sure why they feel the need to send John to public school in Ohio, but that's where he lands when his original location is compromised. But locals know this is La Cueva, a Spanish speaking-only bar where women with false eyelashes and hair like exotic birds writhe and lip-sync to Mexican pop music. But the bar has recently been the center of controversy: in September, Little Village residents began protesting for La Cueva to close. The Madman, a scam artist with a role-playing fetish, constantly outsmarts the dim-witted police staff-- pretending to be a judge, wreaking havoc, getting them to re-enact incriminating events and eventually completely lose it in front of a suspicious reporter (Simone Roos).
Fritz is palpably intolerant of pretense and stupidity, furious at willful ignorance, and kind of in love with the misery of the human condition. This event marks the one-year anniversary of Wiseau's first appearance in Chicago, and believe me when I say, the best way to see The Room is with an audience during the film and Wiseau in the house after it.
When he arrived in Chicago, without an invitation, he knocked on doors in the Gold Coast until a wealthy society matron gave him breakfast and introduced him to the Parliament's president. The women in the cast dominate the action, but struggle with decisions about men, independence, and family, as well as the long-term results of such decisions made in their youth. I was actually looking forward to seeing her in the show, since she's from Chicago and already has a long acting career, but was surprised that she doesn't have the gravitas that her male coworkers seem to effortlessly possess. It is more like a glimpse into the lives of some people who happen to work in a place that happens to be a bordello.
Then, Reid Brody, a producer, got involved, and we partnered with him because we all brought something different to the table. In 1976, after the death of George Mitchell, the Patio was turned over to outside management.
He also did a handful of really solid episodes of "The Shield," which gives him points in my book. Let's not forget that high school is the land of cell phone cameras and self-created websites where John's image could be posted and scanned for by those pursuing him. Taylor, like Chekov, has an astonishing ability to let her characters speak at length and reveal very deep truths about their world and their emotions without seeming unnatural or didactic. Sanctum is being advertised as being producer James Cameron's post-Avatar 3D adventure story, and I'm sure that director Alister Grierson (who made the Australian war film Kokoda a few years back) is quite alright with that. He leans against a stone wall, hands stuffed within the pockets of loose army green pants as his chest, covered in a salmon pink t-shirt and thick suspenders, is thrust out proudly. The image is a form of storytelling as well as the answer to an abundance of questions: Why does this outfit work when others don't? After John Mitchell passed away in 1981, the Mitchell family put the theater (along with the rest of the building) up for sale. Iris and her family members float from bubbly conversations to scathing arguments and back, but the movement always feels organic. Maybe some people will mistakenly think that Cameron directed the film and take some of the heat off of Grierson for this horribly written and acted mess of a story, which follows a group of underwater cave diver-explorers who get trapped underground and must seek out an escape route via miles of unexplored tunnels, caverns, and waterways. In another snapshot, a twenty-something woman stays warm in a dramatically long blue coat seemingly cut to compliment the white-blonde bangs that nearly cover her eyes. They are certainly well-executed movies, but I felt like they were talking down to the audience, over-explaining the plot, and having the characters jump through hoops that smarter folks might not have felt the need to jump through.
Each photograph is a portrait of Chicago, a moment of time documenting one person in a city of millions.
His latest effort, the sci-fi adventure story I Am Number Four, (based on the novel by "Pittacus Lore") has some great action sequences, and a couple of nice performance (especially by Timothy Olyphant), but I found a tough time connecting with the lead characters or really caring about what happened to the young man at the center of the story.



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