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Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. FFC Gerardo Valero reexamines the 2015 James Bond film "Spectre" after the dust has settled.
On a TV news show, the grief-stricken Derek blames his father's death on a laundry list of far-right targets. The scariest and most convincing scenes are the ones in which we see the skinheads bonding.
Former skinhead Derek (Norton) is released from prison after a three-year stint for killing two black teens.
In honor of Black History Month, the Chicago Urban League and the Gary Comer Youth Center are both hosting Black history film festivals. Since 2012, the Chicago Urban League (CUL), has presented a Black History Film Festival galvanizing the community by showing inspiring, entertaining motion pictures at its headquarters at 4510 S Michigan Ave. CUL organizes a committee that selects the films each year with the goal of enlightening the community not only by presenting the films, but also by hosting a panel discussion at the end of each show. Later we learn it wasn't just his father's death that shaped him, but his father's dinner table conversation; his father tutors him in racism, but the scene feels like tacked-on motivation, and the movie never convincingly charts Derek's path to race hatred. They're led by Derek's brilliant speechmaking and fueled by drugs, beer, tattoos, heavy metal and the need all insecure people feel to belong to a movement greater than themselves.


You will receive a weekly newsletter full of movie-related tidbits, articles, trailers, even the occasional streamable movie. He returns home having renounced his neo-Nazi ideology and lifestyle, only to find his younger brother Danny (Furlong) involved in a skinhead gang. Controversial not only due to its touchy subject matter and startling violence, but also because director Kaye waged a public war with New Line to remove his name from the film, believing his vision had been compromised by the studio. Hostile tribalism is an epidemic here.The film, written by David McKenna and directed by Tony Kaye, uses black and white to show the recent past, and color to show the 24-hour period after Derek is released from prison. In prison, we learn, Derek underwent a slow transition from a white zealot to a loner--a brutal rape helped speed the process. The story is predictable and rather simplistic, the script uneven and sometimes preachy, and most of the characters are wafer-thin.
Meanwhile, young Danny and his friends (including a massive guy named Seth, played by Ethan Suplee) wreck a grocery run by immigrants. Only Norton's mesmerizing, forceful performance and a commendable job by Furlong as the impressionable younger brother lend credibility. I kept hoping it would be more--that it would lift off and fly, as it might have with a director like Oliver Stone, Martin Scorsese or Spike Lee. Its underlying structure is too apparent, and there are scenes where we sense the movie hurrying to touch its bases.One crucially underdeveloped area is Derek's prison experience.


With a swastika tattooed on his chest, he fits in at first with the white power faction, but is disillusioned to find that all the major groups in prison (black, Hispanics, white) have a working agreement; that's too much cooperation for him.
Not clear.He's assigned to the laundry, where his black co-worker (Guy Torry, in a wonderful performance) gradually--well, begins to seem human to him. The movie's right-wing ideas are clearly articulated by Derek in forceful rhetoric, but are never answered except in weak liberal mumbles (by a Jewish teacher played by Elliott Gould, among others).
And then the black laundry worker's big speech is not about ideas and feelings, but about sex and how much he misses it. There is no effective spokesman for what we might still hopefully describe as American ideals. Well, maybe Derek wouldn't find one in his circles.What we get, finally, is a series of well-drawn sketches and powerful scenes, in search of an organizing principle.
And Norton, effective as he is, comes across more as a bright kid with bad ideas than as a racist burning with hate.



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