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Blacula was a movie about a Black vampire who was transformed and imprisoned by Dracula for 200 years. American Horror Story Coven is just rolling out all kinds of stuff these days, like photos, trailers, even actual plot points, and today we are getting something new — creepy new ads! October just wouldn't be the same these days without the new wave of Fall Horror TV (that used to also contain Dexter) - which kicked things off tonight with "Bitchcraft," the premiere episode of American Horror Story: Coven. And despite the opening segment, taking place in 1854 New Orleans and featuring Kathy Bates as the soulless Madame LaLaurie (a bit of actual history being injected into the show at the outset), Coven already feels like lighter fare than its predecessor, Asylum. By design, AHS creator Ryan Murphy intends Coven to feature a bit more humor and not be quite as much of a trudge as Asylum was. It just had a few problems with things like aliens and characters running around in circles in a non-stop cycle of escaping and being re-captured.
Evan Peters Talks American Horror Story Again, you can criticize AHS for being nothing more than a mish-mash of other creative endeavors, or you can accept that being a hodge-podge is part of umbrella blueprint for the series. But what you'll get from Coven (at least from this episode) is a sprinkle of Carrie, a few droplets of True Blood, and a couple tablespoons of X-Men. So that's horror, soapy horror with an underlying message of societal oppression, and "witches-as-mutants." In fact, Sarah Paulson and Jessica Lange's witch characters (with Lange playing Paulson's mother this time around) disagree about the way the girls at Mrs.
Robideaux's School for Exceptional Young Ladies should be taught witchcraft - just as Xavier and Magneto would.
Paulson's Delia is all about hiding from the world, using one's powers with restraint and for good while Lange's Fiona would see the girls be taught to fight back - with Fiona arriving at the school to meddle in Delia's business after the news of a misunderstood witch, Misty Day (Lily Rabe), being burned alive by her neighbors serves as a call to arms.


In fact, the way that each young witch in the school has only one specialty power is also evocative of Marvel mutants.
As is the character of Zoe (Tassia Farmiga), who, at some points, acts out beat-for-beat the "Rogue joining the X-Men" story - complete with her physical touch causing her unsuspecting boyfriend irrevocable harm. Though since this is AHS and not Marvel, the two of them actually have sex which causes him to experience a violent and bloody aneurysm.
Not just touching skin though, she actually has to have sexual intercourse to turn a boy into a crimson puddle - something she uses for revenge on a frat boy at the end of the episode. On the authority front, Delia can make potions and Fiona can do, well, pretty much anything. She's known as the "Supreme" - which is sort of a Buffy-esque "each generation there is a woman"-type witch who can possess multiple powers.
And in this first episode we see Fiona use telekinesis, mind control, and something something "suck the life and youth out of a man via long passionate kiss." That last power came about due to the fact that Fiona is somewhat obsessed with reclaiming her youthful vitality and was funding science stem cell research to create a youth serum. A lot of it will probably deal with Fiona's quest for youth (exhuming a surprising alive LaLaurie at the end to probably ask about her secrets) and the mystery behind "Who is the new Supreme?" But with lots of history, as well as voodoo, to explore, the setting itself will surely lend us a lot more self-contained stories, much like the first season of AHS did with the Murder House tales.
AHS-alum Evan Peters, who can't be gone despite having been killed off quickly here, (he's in the opening credits), showed up as a well-meaning popped collar Frat Boy named Kyle - the only non-date rapey member of his horde. But Kyle unfortunately got killed when Madison, who's clearly more powerful than she lets on, flipped their frat bus in a moment of rage. A pretty cool scene - and one that helps illustrate just why Delia chooses to be so cautious with her pupils.


Because that act of public revenge was something out of the Brotherhood of Mutants playbook.
And for New Orleans ghost tale buffs (not a buff, but I have taken a tour by the LaLaurie Mansion), the inclusion of the cruel Madame is a bit of a treat. A nasty one, sure, but without her there would have been very little "horror" to this first installment of Coven. Having only heard about the ungodly experiments she performed on her slaves, I did wonder if it was something that would always be scarier in my own mind, but the images they showed in the premiere (amputations, peeled faces, sewn mouths, etc) were plenty scary enough. Now you might think that the whole "body was never found" part of her story was the part they tweaked for the series, but you'd only be half-right. It might not be as intense or dark as the opening chapter of Asylum (as we haven't even really met an evil witch yet), but I appreciate the break. That's not to say that things can't get dark and heavy on Coven, but if they do I'd rather be eased into them. There's also already a hyper-stylized quality to the season - a lot of fish-eye lenses and overhead shots - that help enhance the flirtatious feel.



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