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Closed Circuit (R for profanity and brief violence) Legal thriller about a couple of ex-lover lawyers (Eric Bana and Rebecca Hall) whose lives are threatened when they decide to defend the prime suspect (Dennis Moschitto) in the terrorist bombing of a bustling London market. Getaway (PG-13 for profanity, rude gestures, mayhem and pervasive violence) High-octane action thriller revolving around a retired race car driver (Ethan Hawke) who hijacks a custom-built Mustang and joins forces with a cute computer whiz (Selena Gomez) to rescue his wife (Rebecca Budig) from the clutches of a mysterious kidnapper (Jon Voigt). One Direction: This Is Us (PG for mild epithets) Oscar-nominee Morgan Spurlock (for Super Size Me) directs this concert flick featuring backstage footage and chronicling the British boy band’s meteoric rise to superstardom. American Made Movie (G) Nostalgic factory documentary revisits the glory days of the United States’ manufacturing industry when exports still exceeded imports. I Declare War (Unrated) Coming-of-age dramedy about a group of 12 year-old neighborhood kids whose fantasy game of Capture the Flag turns realistic when jealousy rears its ugly head. King: A Filmed Record… Montgomery to Memphis (Unrated) Re-release of the Oscar-nominated, 1970 documentary chronicling the life and career of Dr.
The Lifeguard (R for drug use, profanity, disturbing images, graphic nudity and explicit sexuality) Kristen Bell stars in the title role of this jailbait drama as a jaded, NYC TV reporter who quits her to move back home to suburban Connecticut to work as a lifeguard only to end up having an affair with a troubled, 16 year-old (David Lambert). Our Nixon (Unrated) Tricky Dick documentary, first aired on CNN, revisiting the events surrounding the Watergate break-in which brought down the Nixon administration.
Passion (R for profanity, sexuality and violence) Brian de Palma directs this English language remake of Crime d’amour, the French thriller about the escalating, cutthroat competition between a corporate executive (Rachel McAdams) and her ambitious protege (Noomi Rapace).
David Hockney was born in Bradford, England in 1937 which means that his formative years were substantially shaped by World War II, from the air raids to the food rationing. Buying a house for the first time is an exhilarating experience, and knowing which potential pitfalls to avoid will ensure that your elation continues for many years.
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Michael Howard is a musician; he has been in the business for over thirty years and he’s that incredible conundrum you want to figure out. The festival is going to be "fantastic and a great community event," according to Lisa Lucas, UD director of development for special projects and festival producer. Festival sponsors include the Courtyard Newark-University of Delaware hotel and the Downtown Newark Partnership.
The opening night feature is the touching and hilarious Sundance Film Festival hit, American Teen, a documentary following the lives of four teenagers through their senior year of high school and how they cope as they face the future and becoming adults. Young at Heart, a documentary featuring a New England senior citizens chorus that has delighted audiences everywhere, as they begin to rehearse their new show. Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common.
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An extraordinary documentary about race, family and education that's at once epic and intimate, "American Promise" took 14 years to complete since its premise is to follow two boys from kindergarten through high school. When we meet them at age five, in the late '90s, Idriss and Seun are as fortunate as they are cute. You are currently viewing the Trail of Tears - A Native American Documentary Collection Movie Poster. Quintet includes Niall Horan, Zayn Malik, Liam Payne, Harry Styles and and Louis Tomlinson.
Ensemble cast includes Siam Yu, Gage Munroe, Michael Friend, Aidan Gouveia and Mackenzie Munro.
Featuring recently-unearthed, Super 8 film footage of White House insiders John Ehrlichman, Dwight Chapin and H.R. He attended both the Bradford College of Art and the Royal College of Art before scraping up just enough money to move to the United States. Unfortunately, most of the 5 million annual visitors to the Grand Canyon drive up to the South Rim, take a few photos, buy a trinket or two, and then leave. Helm Master brings the advantages of digital technology to every facet of operation, from easy maneuvering in the marina to cruising with command on the water. The Red Balloon was the winner of the Palme d'Or at Cannes and the Academy Award for Best Original Screen Play, depicting the adventures of a young boy and his magical balloon in Paris. Actually, co-directors (and spouses) Joe Brewster and Michele Stephenson initially set out to film the scholastic careers of several children, including girls, but when all the subjects dropped out except for their own son, Idriss, and his best friend, Seun Summers, they were left with a film about two African-American boys entering a privileged, predominantly white academic environment – a focus that is essential to the film's provocative fascinations and cultural importance. The eldest sons of stable and motivated black professional couples in Brooklyn, the boys are selected to attend Manhattan's tony, private Dalton School, an opportunity that evidently stems both from the school's new commitment to "diversity" (which involves trying to mirror the city's racial makeup) and their parents' desire to give their sons the best educations possible.
You will receive a weekly newsletter full of movie-related tidbits, articles, trailers, even the occasional streamable movie. But it was time to break in the engine and do a shakedown on the boat, so we hit the road shooting a new season of episodes for Hook The Future. 4-11 at Cinema Center 3 in the Newark Shopping Center and will include films by Delaware and regional independent filmmakers. Although "American Promise" wasn't the project's initial title, it perfectly captures the feeling of hope that both families evince as the boys embark on their big educational adventure. Both the lithe, delicate-featured Idriss and shy, husky Seun, in addition to being very likable kids, are smart and articulate, and their teachers and counselors seem to go out of their way to help them. Yet from early on, they seem unable to match or surpass their classroom peers, mostly kids from well-to-do white families.
Idriss, who slips into hip-hop patois when he goes out to play basketball with boys from the projects lest he be accused of "talking white," also perceives that he's punished at school more readily than the white kids.

By middle school and the onset of adolescence, the challenges have multiplied and the parents' frustrations mounted accordingly.
While Idriss and Seun seem to feel that their folks are pressuring them too relentlessly about schoolwork, the Brewsters and the Summerses say that they don't think they are being tough enough. After arriving late for a martial arts ceremony and being told by his dad that he's screwed up due to being given too much freedom, Seun turns to the camera and smirks, "They think waking up by yourself is freedom." Falling further behind academically toward the end of middle school, he leaves Dalton and moves over to Benjamin Banneker Academy, a distinguished Brooklyn public school with a mostly black student body. The central perplexities here are summed up by a Dalton administrator who says that at their school "African-American girls do okay. But there seems to be a cultural disconnect between independent schools and African-American boys, and we see a high rate of the boys not being successful. What are we doing as a school that is not supporting these guys?" Another angle on that question, meanwhile, comes from a teacher at Benjamin Banneker, who suggests that diversity itself may be a misguided goal, pointing to his school's success rate as an indication that black students often do better academically among their fellows than in situations where they feel isolated and constantly compared to more privileged classmates. While they didn't set out to make a film about what newspaper columnists refer to as the "black male achievement gap," Brewster and Stephenson have done just that, and it's hard to imagine a more penetrating and powerful one.
Since it's filmed in direct-cinema style (Michael Apted's "Up" series was an inspiration) there are no interviews with experts mulling the reasons for this gap.
Rather than pretending to offer any encompassing explanations or solutions for what is obviously a very complex and multi-faceted problem, the filmmakers explore it in the intimate context of two families. Seeing it that up-close and personal provides a vivid and immediate basis for discussion, and indeed, it's easy to believe that "American Promise" will be the basis for many discussions in U.S.
Yet as illuminating as the film is regarding one crucial issue, it is also much more than that. Watching Idriss and Seun from the time they enter school till they set off for college (a happy-enough ending for their arduous academic journeys) is a rich and rewarding experience, one that will surely make most viewers reflect on their own lives and family situations. Hit by unexpected tragedy in the latter stages of filming, the Summerses dropped out of the project for a while, but later returned, perhaps sensing that telling Seun's story in this way might well benefit others. A film of this scope is obviously a monumental undertaking, yet it's one that Brewster and Stephenson managed to complete while negotiating several technological changes that led documentary filmmakers from shooting on tape to digital.
For all that, "American Promise" is beautifully shot (by several camera operators) and assembled. Credited editors Erin Casper, Mary Manhardt and Andrew Siwoff obviously deserve kudos for a film that is eloquently structured and consistently engaging.

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