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In 2002, Better Luck Tomorrow made a splashy buzz at Sundance Film Festival, complete with a rousing defense from the late Roger Ebert. India (Director and screenwriter: Prashant Nair) — When a young village boy discovers that his brother, long believed to be in America, has actually gone missing, he begins to invent letters on his behalf to save their mother from heartbreak, all the while searching for him. China (Director and screenwriter: Flora Lau) — The recent Umbrella Movement, ignited by the youth of Hong Kong, shows how citizens’ passion and desire for a more fair and just future can bring about a peaceful but powerful social movement, despite criticism, defamation and attacks. Possibilia is a multi-layered narrative experience from acclaimed directing duo the Daniels.
Artist: Danfung Dennis Zero Point, a 3-D and 360-degree documentary for the Oculus Rift headset, creates an entirely new digital dimension. Audrey Magazine is an award-winning national publication that covers the Asian experience from the perspective of Asian American women. What do you get when OA dines at the fabulous JJ’s in Monterey Park with the masterminds powering JustKiddingFilms? Bart: Since I’m fat I should watch what I eat, but I’m addicted to Roscoe’s Chicken and Waffles, pasta, milkshakes, root beer, hamburgers, In-N-Out, macaroni, cheese pizza, carne asada, and king tacos. Joe: I think I speak for the whole team when I say, JK really hates people who are not punctual, who don’t keep their word, who are two-faced, opportunists, who aren’t real, who are fakers and – that’s about it.
Bart: One time, I was reading about Samoan culture and it’s really tight because traditionally, you can tell the males apart from the boys. Casey: I think I’m looking for an esotician, a girl who can nurture my fingers and my hands for me after all the grueling hours of editing. OA: Bart and Joe, you have immortalized all these funny characters like Uncle Sam and Parking, so how did each of these characters come about and who is your favorite to play? Joe: For me, all of these characters are just different parts of me and they evolve little by little. OA: You guys like pouring honey everywhere and walking through the Chinese festival and talking to white men that think you’re Chinese, where do you get the courage to go out and do these things? Joe: We use to do crazier things in high school and now, doing these things are nowhere near what we used to do.
OA: You guys are really good about pointing out the little truths in our lives, can you give us an idea of upcoming roles reversals, skits, observations or ideas that you have? OA: There’s that stigma that Asian men aren’t as masculine as every other race so you guys aren’t scared to talk about sex and curse and do all these crazy things, but had you guys ever gotten backlash for it? Joe: No, it actually works really well because there aren’t any Asian men doing what we do.
Joe: When I used to watch TV, up until recently, I thought, “Where do these Asians come from?” These weren’t the Asians I grew up with – these were the Asians who maybe grew up in white neighborhoods, who had the resources, who had the understanding of how to get into film, how to audition. Bart: I watch a lot of foreign films, and what I want to see is the roles that Ken Watanabe and Chow Yun Fat can play in the oversea movies – I want to see those roles here. Joe: It’s not necessarily wrong to have Asians who are feminine – that might be how they grew up, they’re just being them. OA: None of you are sheltered in any way and there are people who cater to a middle school crowd, give us a brief background of where you grew up and where you came to be bad-ass. Geo: I came from first-generation parents and it was like you do as you’re told and you don’t really think. Bart: Instead of being categorized by age, gender, or ethnicity, our demographic is more about the people that require a little more artistic stimulation.
OA: You guys have had the question of “What is your ethnicity?” You do the pretty good job of hiding it – what does it mean to be Asian American to you? Bart: I think to be Asian American… your parents beat you, you take off your shoes before you enter your house sometimes but you leave them on when you rush, you use chopsticks, and you eat rice *laughs*.
Joe: It’s not that we deny our race or are ashamed – we still celebrate it but we want to put an emphasis that we’re Americans first and we want our generation, second-generation to think along the lines that we’re here now and how are we going to build a community. OA: Something that separates you is production quality of videos, how much goes into shooting and planning the shoot?
Casey: On the production end, I would have to say that there’s not that much production in comparison to some of the other projects I’ve worked on or the standards of media.
Joe: What comes first is that we’re friends – and they don’t say do business with your friends but I think friends are the best people to do business with because who else can you trust. Bart: One of the ways we like to think, we try not to say why ideas won’t work – we try to think about how that idea can work, grow it rather than saying it’s a stupid idea. Geo: In the beginning of JK, it was really all comedy – there wasn’t a set uniform branding for them.
Geo: I’ve known them since the beginning of JK – I wasn’t into the whole YouTube thing, I didn’t know about it too much.
Casey: When I came on board to help out, I sent a link to my dad and I didn’t know what to expect because I’ve done music videos and other random projects that didn’t match the level of intensity that Bart and Joe had of any sort. Bart: For me, if you want to be a producer, writer, director, whatever, the first thing is don’t even think – just do it. Casey: Be fearless and believe in what you’re doing – whether it be poetry, comedy, filmmaking, painting.
Just recently, the OA team met up with JustKiddingFilms at the famous JJ’s Hong Kong Cafe in Monterey Park.
Any person whose name, traits, or likeness is characterized in this story is purely coincidental. Since then, there has been a steady increase of Asian and Asian American representation in films.


In order to achieve that, however, he has to relocate 500,000 residences to make way for the restoration of the ancient city. Cast: Suraj Sharma, Tony Revolori, Smita Tambe, Adil Hussain, Rajesh Tailang, Prateik Babbar. The story of two quarreling lovers splits exponentially into more and more possible worlds as their relationship unravels. From combat training simulations to research labs at Stanford to indie game developers and hackers, this immersive experience highlights the future of virtual reality. Audrey covers the latest talent and trends in entertainment, fashion, beauty and lifestyle. I can eat a whole watermelon to myself, I can’t wait till watermelon season starts because I crave it – it’s so good. First, we were just mimicking people, our friends and close people around us, our classmates. While growing up, we observed a lot of different people’s behaviors and that’s how we combined all the ones we could match in one character. The whole point of role reversal is there’s a slight shock factor to it where the part where people don’t expect, that’s funny.
Or why is it okay for girls to do this but not guys?” It’s funny to point this out to our society today – like if you didn’t [?] something today, it would be considered gay; but 30 years ago, it wouldn’t be.
When people question our intent and we explain what we’re doing, then, all of the sudden, everything clicks. In Korea, Japan, other parts of Asia, there are masculine guys playing masculine roles – versus here, where there aren’t roles like that. I’m number three of four kids – so with my two older siblings, they were like, “OK, we’ll do as we’re told, we’ll follow this path.” And I was like, “Why, why, why?” I was always questioning things and so I was like the black sheep of the family.
At that time, it was literally completely mixed – if you looked through the yearbook, it was like a United Colors of Benetton ad. But it’s surprising when sometime you’ll see white soccer moms from the mid-West adding us on Facebook or dudes on the street who can barely speak English tell us they watch our videos. So someone that can’t go watch a high school musical or someone who can’t sit through a chick flick, those are the people who actually like our stuff – I think it’s a little more out there, more conformational.
But really, what unites us all is that not all Asian American cultures are that different – doesn’t matter if you’re Vietnamese or Laos or Korean or Japanese or whatever; I think what matters is that it’s all very similar – everything has its root in Confucius philosophy, the kind of respect you have for your elders, it’s all very similar.
We’re not going back to our father’s land, this is our land – think forward, instead of waiting two or three generations for that unity, that we just skip forward and fast forward to have that unity happen now. We don’t delve into the production quality- at least, I don’t put too much emphasis on production. But the way they do it, it’s very open door, it’s very welcoming even though, they are the writers and they are the faces.
At the end of the day, when all the money’s gone, we’re still here because we like each other and we try to create a good environment for growth.
It was easier to go out and give them an image but they go out there and brand themselves. At first, it was like, “Hell, no.” Then they started to open up to the concept because we’re teaching good things in a bad way – they understand the lessons to be taught in a non-traditional method. I didn’t know what to expect from my dad and he called me the day after and he was like, “Who are those two clowns?
I think, most people, the natural inclination is to tell themselves why they can’t do it, how they can’t do it, where are they going to find the money to do it, they don’t have the network.
What was thought be a simple interview turned into an evening of endless fun and laughter around the table. We don’t have any shame and we don’t get embarrassed, maybe we’re just weird because we don’t care what people think about us. We feel like a lot of people are stuck on a stereotype or stuck on a certain type of thinking – so, for us, we want to teach something in our skits and help people think outside the box. But us, we‘re just us – we don’t go, “Hey, there’s no masculine Asian men out there.” We’re just being us and we didn’t realize we were being that way.
Yes, stereotypically, most Asian males are cast in a certain way but I think we’re blessed to have YouTube because we have full control over our content. I experienced bullying at a young age so I made a vow growing up to not let anyone ever talk shit to me and, over the years, I’ve grown a thicker skin and a tougher mentality.
It was always because of my curious nature – I never wanted to settle for a verbal answer, I always wanted to seek it out for myself. It was super duper diverse – you would see like white kids with Asian-style bangs and black kids dressed like cholos, you would have Asian kids spinning on their heads with FUBU gear.
For us, we don’t want to reveal our ethnicity because we want to unite all the Asians so we can be recognized as one strong group and have more voting power. All of us have grown up through negative reinforcement and that’s not the kind of place that we want to create.
Bart and Joe are really easy to do them – what you see is what you get, they keep it real. I graduated college and did the whole corporate America thing and, cut to 2010, I just hated my job. My dad’s a card dealer at a casino and he said that, at the casino, the card dealers and the foremen don’t really talk because there’s like this hierarchy. I was tripping out because I was like, “Really?” They watch it like a show, they don’t miss an episode. You know, those two Stephen Chow’s.” He loves it and I went back home not too long after and one night, we stayed up and I showed him the YouTube channel and he watched every single video, staying up until 4am.


People have misconceptions about what art is and what entertainment is; what they see is the fame, the end result. But never fear, aside from an entertaining interview, these talented individuals shared deep stories regarding their upbringing and the underlying message behind their videos. Your grandpa would take you to the beach, tattoo your family pedigree to your thigh, and then throw you into the ocean. With these back stories, they started building on different characteristics and they turned into a real life character.
That’s how we came up with the Uncle characters – most fobs are quiet or shy, so we created our fob characters to be crazy and outgoing with the most confidence ever, kind of to flip the script. It’s just that, when we became exposed to the entertainment world, we realized that the Asians represented in entertainment are the more feminine, suburban, and less aggressive types. Even in entertainment, you might have a masculine, outgoing guy off set but, because of the roles that are available now, they have to play this other guy. I definitely had a more vocal and rough around the edges type of personality than my fellow Asian mates. In my elementary school, kids that come from a bad home – they could be crazy, violent, mean sometimes. Being Asian American, it’s a vehicle for change, for cultural awareness, letting Asian Americans feel confident, comfortable, and cool to be Asian American.
I never wanted to get involved in JK because of the whole friendship thing but I saw what they were doing and thought I really wanted to be a part of it.
The reason people are so successful and they get real fans is because they produce good art. Read on as OA shares one of their funnest interviews, as well as pictures from the silly photo-shoot they had after! I guess I don’t have a favorite because I can use each to convey a different emotion – like Parking can be the crazy, aggressive man; Uncle Sam could be Rico suave totally unaware of his fobness, but he’s super confident at the same time – that confidence gets the ladies. Most Asian dudes that are aggressive or are more masculine become military cops, gangsters, sports, other things – they don’t go into entertainment. I guess that’s why I’m not conventional – speaking my mind all the time and having people know where I come from. Good art is when you’re able to package your art through a medium and that medium is the in-between to connect with people. I thought it was really cool because it’s a rite of passage and you get to have your family pedigree passed down. She was like this super OCD type of parent, didn’t want me to get in trouble and so she thought the best thing to do was to lock me up at home every single day.
You’ll have a lot of people on board but, aside from Bart and Joe, our production crew is literally like three people – it would be me, Gio, and Nina. To someone who’s first starting out, think about first, why you want to do – to be famous and have people clap at you. We just kind of take in everything that we observe, the environments they grow up in – I’m kind of like Joe that I don’t choose one character over the other one.
Kids would say, “Can I borrow this?” and not bring it back – you learned not to trust people very fast.
We’re operating pretty much grassroots; I think that we do a good job though in replicating a look and replicating a production value for our videos.
When we write stories, we think of the story we want to write, then we pick the character that will best lift the story. When you start deviating, you start hanging out with the wannabes in junior high who become the gangsters in high school.
It would surprise people how primitive our production crew is after they see the final product on YouTube. That lifestyle can lead to something bad – and, from 14 to 17, I did end up with a life of drugs, the party scene, the whole downward spiral into the gangs. When I got expelled from high school, I went to go live in El Monte with my dad and, over there; I knew I wasn’t one of those kids who had evil intent. I was more into the drug dealing lifestyle which got me to stop doing drugs and then from there, some of my friends said if I went to college I would get free money –financial aid.
I wasn’t able to go to my junior high or high school graduations, but I still cared about my parents. After that [graduated from the marines], I knew I had some discipline in my life, and that I could actually achieve goals that I have set for myself.
With comedy, it’s cool to teach people about the past, what you’ve gone through without directly scolding someone and to share my experience with other people in a positive light. I didn’t really have any adult figure because my mother was under depression; she didn’t have that energy to take charge as a parent.
I guess I was running wild, I did whatever I could – that part of my childhood, it made me the person I am today. If you grow up with no rules, then you become a person who does not care about rules or what people think.
The whole introduction to college has made me more able to articulate myself to where normal people can understand me. The transition I made from past to now, that is why I am the way I am and have no shame in what I do.



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