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Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common.
FFC Gerardo Valero reexamines the 2015 James Bond film "Spectre" after the dust has settled. A suspenseful adventure thriller directed by Academy Award winner Kevin Macdonald, centering on a rogue submarine captain (two-time Academy Award nominee Jude Law) who pulls together a misfit crew to go after a sunken treasure rumored to be lost in the depths of the Black Sea. Il capitano di sommergibili Robinson, con un divorzio alle spalle e un figlio adolescente con cui non ha quasi alcun rapporto, viene licenziato dalla sua societa di recupero relitti. We use cookies to enhance your visit to our site and to bring you advertisements that might interest you. In preparation for new film Black Sea, in which he plays a rogue submarine captain who goes in search of hidden Nazi treasure, Jude Law spent several days aboard a nuclear submarine."Jude did go on a submarine for four days.
And like most heist pictures, it's about a group of people who are drawn together by a common cause (personal enrichment—or if you prefer, greed), then splinter into factions during crises and start acting from insecurity, egotism, and fear. You will receive a weekly newsletter full of movie-related tidbits, articles, trailers, even the occasional streamable movie. As greed and desperation take control onboard their claustrophobic vessel, the increasing uncertainty of the mission causes the men to turn on each other to fight for their own survival. I turned it down because I was in the middle of prep and I was too busy," the film's director Kevin Macdonald recalls.
You could retitle the film "Under the Ocean's 11" if it weren't stocked with such misbegotten, miserable people. Law's character, Robinson, is not your typical iron-jawed Navy hunk. He's more of a working-class hero type, as bitterly angry about his lot in life as the protagonist of a 1950s kitchen sink drama. He got picked up somewhere off Gibraltar and then taken for four days – he didn't know where.
When the story begins, he's looking for redemption after losing his wife and child to, well, the sea; he spent the better part of 30 years in submarines, returning home only occasionally, and finally his spouse decided she'd had it. He exercised next to the nuclear missiles and slept in a room with 18 men."Black Sea is the latest addition to the already very long list of "submarine movies". They've all either been phased out of the new economy or never fit into it in the first place, due to personal flaws (alcoholism, socipathy, a tendency to take a wrench to the skull of anyone who crosses them, that kind of thing).


After all, the interiors of submarines are dark, claustrophobic spaces full of sweaty crew members in which there is hardly room to swing a cat, let alone move a camera. Nonetheless, from the silent era onward, submarine movies have been turned out in huge numbers. Big-name directors from Frank Capra (Submarine) to John Ford (Submarine Patrol), from James Cameron (The Abyss) to Kathryn Bigelow (K-19: The Widowmaker) have made submarine films. Robinson's motivational rants against robber-barons might've been delivered on a soapbox in a town square in about 1926, but damned if they don't do the trick.Robinson is a strong leader, but only if you define strength as a mix of scary intensity and a knack for pushing other people's buttons.
His sailors are basically an assortment of giant, walking buttons, and as Robison hammers on them, they hammer on each other.
The Russians (Grigory Dobrygin, Konstantin Khabensky, Sergey Seksler, Sergey Klesnikov, Sergey Puskepalis) are all stereotypically grim, taciturn Slavic types, many of whom have been outfitted with Perfect Storms of facial hair; the way MacDonald frames and lights them, etching their faces in desiccated shades of red, ochre and sea-foam green, they could be unnamed figures on the covers of 18th century fiction anthologies (Joseph Conrad, probably). Like the Russians, they're all variations on familiar adventure-movie types, including the casually murderous psycho (Ben Mendelsohn's Fraser) and the teenaged newbie (Bobby Schofield's Tobin) whose innocence strikes fatherly chords in our otherwise cynical skipper.
They are fictional."Very few humans have been to space but (Macdonald points out) there are plenty who've headed beneath the ocean waves.
There's also a company man named Daniels (Scoot McNairy), who's so much like the glad-handing sleazeball yuppie Burke from James Cameron's "Aliens" that you're not surprised when he replicates some of Burke's more treacherous maneuvers, gesture-for-gesture."Black Sea" looks so gorgeous and moves with such muscular grace that you might forget, or never imagine, that it's a relatively small action movie.
It was shot with digital cameras the size of napkin dispensers, mainly inside a 1967-vintage Soviet "Hunter-Killer" sub owned by a private collector in the Medway River in the town of Rochester, in Kent. Once the characters batten down the hatches, about 90% of the story occurs within the confines of the submarine, with occasional cutaways that show a miniature version of the vessel diving, surfacing, taking on water, or navigating obstacles.
It's going against nature."If something goes wrong on a submarine, the danger is magnified.
MacDonald and his crew seem not only to have studied the classics of the submarine genre (notably "Das Boot," "Run Silent, Run Deep" and "Crimson Tide") but to have borrowed specific camera moves and shots (including tilted angles that convey emotional as well as spatial imbalance). Wolfgang Petersen's Das Boot (1981), which many regard as the greatest submarine movie of all, opens with a chilling intertitle telling us that 40,000 German sailors served on U-boats during the Second World War and "30,000 never returned". Memories of recent, real-life submarine disasters – the sinking of Russian submarine The Kursk in 2000, for example – are still fresh in the mind.Classics of the genre such as Robert Wise's Run Silent, Run Deep (1958) and Dick Powell's The Enemy Below (1957) are both Second World War stories based on novels by ex-navy officers.
Because the script does such a good job of explaining what needs to happen in order for the mission to succeed, your heart starts to race when things don't go as planned.


These guys are, in every sense of the phrase, in over their heads, and under ungodly pressure.
Denys Rayner, author of The Enemy Below fought in the Battle of the Atlantic.More recent submarine movies are always quick to point out the destructive potential of the underwater vessels that they feature.
No wonder they start to crack.The film is a technical triumph, filled with keenly judged performances. Tony Scott's Crimson Tide (1995) begins by telling us that the three most powerful men in the world are "the President of the United States, the President of the Russian Republic… and the captain of a US nuclear missile submarine".Black Sea was partly shot on a real submarine, an ex-Soviet "Foxtrot" class vessel that is kept on the river Medway near Rochester. First among equals is Law, who's managed to pull off a Matthew McConaughey-esque resurgence in recent years, discovering a singular charisma in middle age that he mostly failed to put across in youth.
When it was in full service during the Cold War, this submarine had up to 80 people on it, leaving harbour for up to six months at a time. Law will probably never not be handsome, but in this film, his handsomeness feels lived-in, and strangely tragic; with his receding hairline, pasty skin and near-permanent scowl, he seems less like a Hollywood matinee idol than one of those quietly seething fellows at the end of a bar that you know better than to try to cheer up. His coiled anger pulls the story together, and makes the hero comprehensible and sympathetic when he's behaving horribly. Even when Robinson spirals into "Treasure of the Sierra Madre"-style mania, pushing the crew to its breaking point in pursuit of a fortune that seems increasingly elusive, you don't hate him, because you understand where he's coming from.
Macdonald likens the experience to being inside a computer game – either that or being on board a 19th century whaling ship. On the one hand, it is a tough and dehumanising existence, on the other, it fosters camaraderie."Submariners are different than most other members of the (armed) services," Macdonald declares.
They are living up close with people."Black Sea is different from most other submarine movies that have preceded it.
Its characters are down-on-their-luck types with messed-up private lives who see their trip in search of hidden Nazi treasure as a way of redeeming themselves.



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