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Was wishing I could see this in Grant’s hometown and lamenting the fact I am not able to travel at this time. One year into the job this week, Jackson’s background is well known within the documentary community.
But what was notable about today’s speech was the situating of her advocacy within an overall narrative for the Sundance Documentary Fund program. Jackson made clever illustration of her ideas with film and audio clips as well as paintings.
Jackson’s speech ended by pivoting to a broad-strokes discussion of how these values can be implemented within the documentary field by both artists and funders and then a set of actions she’ll be undertaking with her program at Sundance.
Asking herself, “What can Sundance do?” Jackson pledged to “experiment with our fund,” which she dubbed “the gateway into Sundance and the Documentary Film Program.” This experimentation will involve examining both the structure and timeline of that funding.
Jackson wrapped by quoting from a recent speech by her predecessor, Mertes, who “talked of a false dichotomy between art and social issues.” “I agree with that,” Jackson continued, “but at the moment it feels more aspirational than real.
An Industry Talk at IDFA I’ve been asked to give will take up recent trends, including the impact metrics trend.
Is the tide at last turning, can i get away from my computer and start shooting, shooting shooting again? It all sounds beautiful, and it really is when a filmmaker is listened by all those commissioner editors and broadcasters open to understand and maybe even fund voices not known to them, but… the reality is that most commissioners are more comfortable sharing time with each other than with self financed filmmakers struggling to tell unheard, untold or simply beautiful stories. I am a professional filmmaker, and I applaud this site for detailing the ABC's of documentary filmmaking. In 1976 four young men from ruined, post-industrial Manchester went to see the Sex Pistols. Featuring the unprecedented participation of the surviving band members of Joy Division, now known as New Order, the film chronicles a time of great social and political change in England of the mid-70's and tells the untold story of these four men who transcended economic and cultural barriers to produce an enduring and profound legacy, one that resonates fiercely in today's heavily careerist music industry and over mediated pop culture. The band's remarkable story is depicted through atmospheric never-before-seen live performance footage, photographs both iconic and personal, period films and newly unearthed audio tapes; taking us through the band's early years as individuals finding their voices and then later as a band, building their ideas and ideals. This unparalleled visual account of a time and place is coupled with heartfelt and animated, present tense accounts from the surviving members of the band Bernard Sumner, Peter Hook and Stephen Morris, plus other key characters in the story, including friend and similarly isolated musician Genesis P.
There are three short blipvert videos on MySpace to promote the forthcoming official Joy Division documentary. Such was the popularity of the event and the resultant demand for tickets, last night's European premiere of the Grant Gee Joy Division documentary at the Sheffield Doc Fest was shown in two cinemas simultaneously to over 500 delegates, punters and guests - before being shown again shortly afterwards. Among the audience were Richard Kirk, Jon Savage, Peter Hook, Rebecca Boulton and the Lord and Lady Mayoress of Sheffield. Immediately following the 97 minute HD showing of the excellent documentary, Savage and Hooky were joined onstage by members of the production team - Grant Gee, Tom Astor, Jerry Chater and Jacqui Edenbrow - for a short Q&A session.
Hooky pontificated as to how the documentary was the "perfect answer to Control", that the interviewing of the band before Control went into production and marketing had been important, that New Order playing old Joy Division songs was "like being given a new toy", and that as a result of the recent Joy Division activity he had realised how good they actually were. Jacqui Edenbrow revealed that the documentary was to go on cinematic release in early 2008 and had been sold in 15 territories, with The Works distributing in the UK and the Weinsteins in the US.
Many thanks to Hooky and Jacqui for the ticket and Sheffield Doc Fest themselves for hosting the event - the opening night of a programme of screenings that made this contributor wish he had a full delegate pass and five days holiday! Most independent filmmakers do not research and utilize realistic sales projections when developing their Business Plan, or worse, they do not use sales projections at all. When developing your projections, be sure you to include all of the available distribution channels. The sales projections should be done for 3 different levels, starting with a low revenue estimate, a high estimate, and a mid range estimate.
Keep in mind there are many variables which will determine the price distributors will pay for your film at any given time (including, but not limited to: market trends, comparables, genre, subject matter, actors, producers, or directors involved in the project, if it did well at festivals, commercial viability, etc). Get your FREE Business Plan Checklist and easily discover if you are on the right track to quick film financing. Welcome to Filmproposals, the site for Independent Film Makers serious about raising film financing. 80%WOMEN & GIRLS 80% of sex trafficking victims are women and girls and up to 50% are minors.
75%ATTEMPT SUICIDE 75% of prostituted women have attempted suicide (Prostitution: Factsheet on Human Rights Violations).
Working nearly seven days a week, four women meeting a daily quota of $500 per night would earn their pimp an estimated $632,000 according to the research of the Polaris Project. Did you know that women and children are being forced, frauded, and coerced into what amounts to sexual slavery? Often insulated from local communities, truck stops and welcome centers are convenient places for transient customers to purchase sex with minimal concerns of detection. Executive produced and narrated by Natalie Grant and released into stores nationwide by Word Films, the feature-length documentary features six modern-day abolitionists as they fight sex trafficking across America. To help fund the work of Hope for Justice and released into stores by Word Records, we have compiled an accompanying music album featuring hymns recorded by well-known artists who turn our attention to the hope and healing needed to overcome this darkness.
Grammy-nominated recording artist, advocate for victims of human trafficking, & co-founder of Hope for Justice.
Documentary filmmaker, speaker, & writer inspiring you to leverage your life for the good of others.

Award-winning filmmaker who travels the world to capture unique stories for performers, corporations, & non-profits.
Executive Producer of Haven Today Radio and Adjunct Professor of Communication Arts at Providence Christian College.
An award-winning artist, writer, producer, & composer who has toured the globe and shared stages with some of music’s biggest hitmakers.
13 years of film, television, photography and design production experience and a Professor of Digital Media at California Baptist University in Southern California. At the same time, I also believe that fans of the documentary film format—and those who generally enjoy being entertained by movies—will find it woefully tedious. Was searching around the internet for info on tonight’s show and stumbled upon this review.
A former Commissioning Editor at Channel Four in London, Jackson has been an executive producer on such formally ambitious docs as 20,000 Days on Earth, The Pervert’s Guide to Ideology and The Imposter. She identified “three pillars” of the program she termed “non-negotiable,” associating each with a different era of its history. She found a sly analog example of the current trend for data-driven, algorithmic “curation” in Komar and Melamid’s satiric “Most Wanted Painting,” a treacly historical landscape whose style, subject matter and even color is derived from focus group findings.
If you are observant, if you look not only with your eyes but also with your heart, then life for sure will present you with some particular discovery. She called on us to “demand more” of the field, and she warned against the “creeping up of budgets” and the protracted fundraising and production schedules of so many documentaries that result in documentary becoming a field that only members of the elite can participate in. Jackson said Sundance was in the midst of identifying potential partners — Cinereach was one possibility she cited — but that this new program would develop itself in the shadows for now. That is one trend that strikes me as missing the documentary-as-art boat quite badly, sometimes.
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A later screening included a Q&A session with Tom Astor, Tom Atencio, Jerry Chater, Jacqui Edenbrow, Grant Gee, Peter Hook and Jon Savage (Wed 07 November 2007 21:45 - Showroom 4). It is important to have a clear idea of where the movie will be released and how it will be released. The high and low extremes are very important as they will form a potential range of possibilities.
These will vary with the level of revenue included in the projections and will be different for each distribution channel. He attended school in North Carolina, where he was active in the arts, performing in numerous theater, dance, and TV productions. In one place, with clear, easy to follow materials and spreadsheets, my questions were answered.
Download our tools immediately to help you ace your business plan, easily crunch your numbers, find and pitch film investors and fund your film. You must demonstrate you take film investors seriously before investors will be serious about you.
Get the latest on Film Investors seeking projects, Film Making Tips, Grant and Festival deadlines and more. Check out 100s of tools, templates, articles, contacts and resources for both new and experienced movie producers. While the term trafficking may conjure images of desperate illegal immigrants being forced into prostitution by human smugglers, over 80 percent of victims in 2011 confirmed sex trafficking cases in this country were American citizens.
While stories of sex trafficking survivors and abolitionists will be interwoven each week, the workbook is designed to be read as a daily devotional and discussion guide – challenging you and your group to cultivate compassion and start taking action in your own community. Not only is this an album that can be enjoyed on your own, we hope you’ll utilize the songs in a time of weekly worship as you gather with your small group (lyrics included in the back of the group study guide). Despite its flaws, Every Everything paints the most complete portrait of Grant Hart to date. I am really not sure what version of this movie you watched but I saw this in New York when it played the CBGB festival.
So, it wasn’t surprising when she said, “So many [documentary] films don’t need to be films. The program’s first director, Diane Weyermann (now at Participant) was known for a focus on human rights subject matter.
And she found a rallying cry for sensitive and artistically compelling documentary practice in the work and words of Latvian filmmaker Herz Frank, whose 10 Minutes Older, an excerpt of which she screened, contained for Jackson “every emotion you might experience in an entire lifetime” in the single shot of a child watching a puppet show.
And then the reality recorded by you will gain an artistic point of view, become inline with art and always excite people.
If we come together as a community — financially, collegially, communally, experimentally, then we can trust the artist to lead us creatively, morally and socially.
The day we are supported to attend those forums and not them [they already have paid jobs], maybe they will listen to us more attentively and we can start talking about cinema and not grants. Three years later the lead singer, Ian Curtis committed suicide just as they were on the brink of worldwide success.

The final screening will also include a Q&A session with Paul Sturtz, Grant Gee, Tom Astor and Jerry Chater (Fri 09 November 2007 22:15 - Showroom 4). Sales projections for your film project are absolutely necessary so you can properly budget your project, raise the necessary financing, and ensure your chances of paying your investors back. Have other producers located in the area you are planning to film take a look at your budget. You will also need to develop a cash flow projection, a cash break even, and a net profit break even analysis.
Jack received his BS degree in Economics from Excelsior College, and graduated with honors with a Masters in Project Management from the University of Arkansas. I am well on my way, a few months after receiving this information towards producing my FIRST Feature! Or, maybe, you heard about the recent case in Ohio where three girls were kidnapped and kept as sex slaves…and you thought it was just one guy with a serious problem.
Through engaging interviews with numerous victims of sex trafficking, the force, coercion, and deception of the children and women becomes apparent. He’s not simply Grant Hart, the sarcastic and persnickety former member of Husker Du, or Hart, the eternal underdog solo artist, or Hart, the well-read and pensive academic.
She was succeeded by Cara Mertes (now at the Ford Foundation’s JustFilms), who was committed to social justice.
The Documentary Fund was established at Sundance Institute in 2002 with a gift from the Open Society Institute and is supported by grants from the Ford Foundation and Open Society Institute, among others. Together Gee and Savage investigate why Joy Division's collective musical genius and singular vision enjoys a larger audience and influence thirty years on. The performance footage captures perfectly the weird magnetism of the band's live performances. You should have a good idea of what you can sell your movie for before you develop your budget. After graduation from school, Jack entered the US Navy, where he served in various capacities, in particularly as Supply Officer on various nuclear submarines stationed in Charleston, SC.
In the midst of the darkness, stories of hope and freedom emerge as each survivor shares how she was impacted through the work of a sex trafficking aftercare home.
We get all of those sides of his personality and more, plus a revealing glimpse at Hart pacing around the grassy plot where his house once stood and amid boxes of his belongings in a storage garage, attempting to piece his life back together after a fire robbed him of his home and one of his cats.
The third pillar Jackson intends to champion, and which will be just as sacrosanct as the prior two, is artistry and cinematic excellence.
Therefore, art is the only living bridge between people of various generations and time periods. The Sundance Institute Documentary Fund grants $1-2 million per year.Sundance Institute Documentary Fund grants are announced twice a year. Currently the Executive Director of the Carolina Film Factory, a 501c(3) corporation, Jack is also the general partner for Hobo Productions, LLC.
But the film’s director puts the viewer through quite the lengthy trial before serving up those sad, sweet, and profound moments. A committee of human rights experts and film professionals make recommendations from projects submitted by filmmakers from around the world. Grant Hart has a mind that wanders into deep and fascinating areas, and sometimes just letting him wander can yield magnificent results.
The Fund reviews between 1,400 and 2,000 proposals annually, choosing 35-50 for support each year.
In supporting such work, the DFP encourages the diverse exchange of ideas by artists as a critical pathway to developing an open society. The film begins with Husker Du, including some incredible footage of the band being interviewed on Joan Rivers’ Tonight Show, but despite the fact that Husker Du contained three members we only get a chance to hear from Hart.
Hart doesn’t come off nearly as angry or sharp-toothed as Mould did, even saying that he loves Mould at one point, but the conversation feels one-sided and downright lonely.
Entry, sitting in a bright pink alley, and sitting outside and inside the studios where Husker recorded much of their work.
We see him pawing through boxes of old memorabilia and records in his storage space, playing a few drum fills behind a kit, remembering back to his days playing in Nova Mob, and preparing to record the tracks for his new double album, The Argument.
Which seems like the opposite of what such a smart, wry, and sensitive artist like Hart deserves. As it stands, it flows like the rough draft of a memoir that could have used some fine-tuning. Every Everything screens tonight, Wednesday, November 13, at the Landmark Center in downtown St. Grant Hart will perform after the screening at the Amsterdam Bar and Hall, with support from openers the Greycoats.

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