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The documentary film and history program offers a unique blend of practical filmmaking skills and graduate education in history.
Documentary film and history (DFH), a joint degree program between Newhouse and the Maxwell School of Citizenship and Public Affairs, is the only program in the country designed for students seeking the skills and knowledge to produce documentary films on historical subject matter.
Working with filmmakers in Newhouse and historians in Maxwell, you will have the opportunity to acquire the practical skills of the filmmaker’s craft as you deepen your understanding of history. Many DFH students have an undergraduate major or minor in history, but students from other liberal arts backgrounds—including African American studies, American studies, women’s studies, sociology, anthropology, art history and religion—are also welcomed.
Our graduates work at independent production companies and organizations like The History Channel, The Learning Channel, National Geographic and PBS. Actress Sasha Grey attends the premiere of HBO Documentary Films' "Teenage Paparazzo" at the Pacific Design Center on September 21, 2010 in West Hollywood, California. Cambridge Documentary Films is a non profit organization established in Massachusetts in 1974, founded by Margaret Lazarus and Renner Wunderlich.
We believe in making documentaries that foster discussion and the exchange of ideas among viewers.
Margaret Lazarus is a member of the Academy of Motion Picture Arts and Sciences, and has lectured at colleges, universities and conferences throughout the United States. Renner Wunderlich is an independent licensed social worker with a specialty in the mental health needs of creative clients in the arts and those of veterans. The purpose of the organization is to create new perspectives on important social issues and give voice to groups and individuals whose perspectives are ignored by mainstream media.


We are convinced that this is how people integrate the ideas they are seeing and hearing into action. She has written editorials on film, media and violence in society syndicated through the Scripps-Howard and Knight--Rudder services to over thirty major newspapers.
He has produced and directed many films about social justice and women's issues, including films on rape, body image, and media culture.
He has worked with homeless veterans, returning veterans from the Iran and Afghanistan wars, wounded veterans including those with post traumatic stress and substance abuse. It’s also important to have an Internet connection that can download data at or above 1 Mbps. Cambridge Documentary Films produces and distributes award winning documentaries to thousands of universities, community organizations, schools, libraries and public interest organizations throughout the United States and the world. They bring what is important to them to the ideas in a film and that powerful synergy motivates activism. Her documentary film Defending Our Lives, won the Academy Award for Best Short Documentary Film. In addition to the Academy Award, his films have won numerous awards and prizes, and have been screened at many of the major film festivals around the world and in the United Nations General Assembly, the White House, the Office of the Vice President, the US Senate and House of Representatives.
He worked at the Veterans Administration and US Army Wounded Warrior Program, and was a member of the Massachusetts Governors Council on Veterans Affairs.
These films have won numerous awards, including an Academy Award and have been screened at the UN General Assembly, The White House, the Office of the Vice President, the US Congress and numerous state houses.


That is why we provide discussion and study guides for our films, so that anyone committed to the subjects can lead a productive session after the screening.
He worked for twenty years as a freelance editor, sound and cameraman for the majors networks, public television and educational institutions. The subjects include: advertising's image of women, domestic violence, trauma, rape, eating disorders, self-esteem, media literacy, homophobia, the labor movement, gender roles, career counseling, nuclear war, reproductive health hazards, the women's health movement, gay and lesbian parenting and other social issues. All of our film prices include public performance rights because that is the way we believe they should be used. Community activists and educators tell us that often they only have an hour or an hour and a half to present a film. We think that the most important role a film can play in social change is to provoke critical thinking and discussion. That time is as, if not more important, than the film itself and we don't want to cut that time off.



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