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Some unsung heroes of pop music get long-overdue recognition in Standing in the Shadows of Motown, a heartfelt documentary directed by Paul Justman. Although they worked in relative anonymity, these studio musicians were responsible for a staggering number of soul and R&B hits. Standing in the Shadows allows the surviving Funk Brothers to tell their own story, and they tell it well, anchored by the sheer charm of keyboardist Joe Hunter and percussionist Jack "Black Jack" Ashford. But even more time is spent profiling those Funk Brothers who are now "here in spirit," notably drummer Benny "Papa Zita" Benjamin, keyboardist Earl "Chunk of Funk" Van Dyke, and, at the center of it all, the legendary bassist James Jamerson. Wikipedia says that it doesn't have anything that exactly matches "the_transformation_of_the_world_into_music". Chulas Fronteras, and check out Chulas Fronteras on Wikipedia, Youtube, Google News, Google Books, and Twitter on Digplanet. Chulas Fronteras is a documentary film from 1976 which tells the story of the norteA±o or conjunto music which is played on both sides of the Mexicoa€“Texas border. In 1993, this film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
A casual listener would be forgiven for not knowing one kind of accordion music from another.


The DVD documents the making of the songs and albums by 50 Cent, especially his Get Rich or Die Tryin' album released that year.
Lil' Joe Wein Music is owned by Joseph Weinberger, a lawyer who formerly represented Campbell. I Want to Destroy America, and check out I Want to Destroy America on Wikipedia, Youtube, Google News, Google Books, and Twitter on Digplanet. The film was shot from 2004 to 2006,[2] and provides a unique insight[citation needed] into the influence of Western popular music on the teenage youth culture of 1960s Japan, as well as an inside look at Shinagawa's struggle to survive as a songwriter after losing his recording contract in the 1980s.
In his review of the DVD release, critic John Wallis notes, "I Want to Destroy America is formatted with Hisao speaking for himself. They called themselves the Funk Brothers, a talented group of a dozen or so musicians who were recruited by Berry Gordy from the jazz and blues clubs of Detroit to record the musical tracks for Gordy's Motown label. The Funk Brothers backed up the Supremes, the Temptations, Smokey Robinson, Marvin Gaye, and a host of other Motown luminaries, only to be all but abandoned when the label moved to L.A. Together, they paint a vivid picture of the close-knit musical collaboration that churned out hit after hit in Motown's Studio A (a basement room known affectionately as "the snake pit"). But where two cultures in particular are concerned, the similarity comes with a century-old backstory involving immigration and imitation.


Dre, Lloyd Banks, Tony Yayo, Obie Trice, D12 and others, distributed by Interscope Records.
Some of the footage featured on The New Breed was from the Get Rich or Die Tryin' documentary that was in the limited release of his first album. Chang which traces the life of the Japanese musician Hisao Shinagawa[1] through his early years as a folk singer in Tokyo to his current occupation as a street performer in Los Angeles. The title of the film comes from an off-hand comment Shinagawa makes about wanting to destroy the U.S. Interview audio and footage is placed over still and stock footage and the modern footage, some of it fly-on-the-wall, some of it atmospherically staged,"[2] and concludes that the film is an "interesting portrait of an outsider artist who has lead [sic] an amazing life.



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