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A man who overcame insurmountable odds to become one of the most loved and respected athletes of all time.
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Before David Blaine and David Copperfield, there was one man whose name was synonymous with being the master of illusion and escape – Harry Houdini. If you ever wonder just how thin the veneer of civilization is, Generation War is a testament to the illusion of man's moral evolution. Generation War was made as a television mini-series, commissioned by Germany's public broadcasting organization, ZDF, and entitled Unsere Mutter, unsere Vater (Our mothers, our Fathers). Producer Nico Hofmann, along with Director Philipp Kadelbach and writer Stefan Kolditz, felt that the time was right to address with their parents and grandparents the experience of the Third Reich. Generation War opened in the US this month as a two-part film running 280 minutes, covering five years that feel like a lifetime.
Tom Schilling plays Friedhelm Winter, Wilhelm's younger brother, the conscience of the story. Ongoing combat yields little but enormous losses- the platoon looses 40% of its men- and when the new recruits arrive and introduce themselves, Friedhelm tells them that if they survive the week, he'll call them by name.
Viktor and Greta Muller (Katharina Schuttler) are committed to each other, but when Viktor goes off with the army, Greta turns her focus to her singing career.
Miriam Stein plays Charlotte, a nurse assigned to the Eastern Front who is in love with Wilhelm.
Wilhelm eventually agrees with his brother, "War brings out the worst in us." The film depicts the corrupting influence of desperation, the limits people will exceed in trying to stay alive.
The questions raised by Generation War seem apt right now not just because of the aging population of Germans with a personal memory of the devastation of WWII, but because of the volatile state of global affairs.
Generation War is an exploration of a specific war as well as an indictment against all wars. Studio Exec A: (snorts cocaine off of a $10,000 hooker’s stomach) Hey, you know what?
For his depiction of a not-so-clever policeman, Cage got nominated for a whole pile of Razzie awards, including Worst Actor and Worst Couple (for Cage and his bearsuit, natch.) Try to watch this clip and NOT laugh. He actually said this: So expect another Wicker Man remake in a couple of years with a Sixth Sense twist at the end. Cage plays the ludicrously named Behmen von Bleibruck, a knight who abandons his fellow soldiers during the crusades after witnessing a brutal massacre of innocent townsfolk. Nic Cage as a noble knight is about as believable as Nic Cage as the nephew of Francis Ford Coppola. Sequels are always worse than the originals, but Nic Cage himself is actually worse, which makes no sense.
You’re looking at a prototype of the costume that Cage was going to wear for a mid 1990s Superman flick, to be directed by Tim Burton.

The only good thing about this movie is that Nic Cage kills himself in the end, in a pretty spectacular fashion.
From a starving teenager who fought to feed his family, to a Congressman working tirelessly to improve the lives of his people, Manny is a hard hitting feature length documentary film that explores the many triumphs and tribulations of Filipino boxing sensation Manny Pacquiao. HOUDINI follows the man behind the magic as he finds fame, engages in espionage, battles spiritualists and encounters the greatest names of the era, from U.S. A searing portrayal of society's collapse of respect for human life, of the enormous losses of a war fought just a scant two generations ago, this film should keep viewers from buying any myths promoting the glory of war.
It aired in Germany last spring with a record seven million viewers who, like the filmmakers, continue to grapple with the horrors of the older generation's role in World War II. The saga opens in 1941 with five upbeat friends in their early twenties toasting their end-of-summer parting for wartime occupations. He is his father's son, an upright young officer, a believer in Hitler's goal of a 'final victory'. He understands the danger in remaining in Nazi Germany and pleads with his parents to leave, but his father has blinders on and refuses to recognize the threat. As the war progresses and trainloads of Jews disappear out of the city and return empty, she will do anything to save Viktor. The youthful innocence she starts with turns on her when she reports that her capable Ukrainian assistant, Lilija, is a Jewish physician.
For the most part, personal integrity is lost in the animal savagery of war- Germans, Russians, Poles, Ukranian partisans- all are reduced to beasts in the name of national patriotism.
One character on the eastern front says, in support of urging the troops on, "Do you know what the Russians will do to us if they win?" The photograph of five young faces is folded, torn and mutilated, its individuals corrupted and damaged far beyond anyone's imaginings.
The rash of pro-war movies in American theaters is alarming, with trailers promoting soldiering and the honorable camaraderie of war buddies. With all bets off as to civilized conduct, wartime provides a green light for institutionalized violence, which often intensifies to needless cruelty.
The film is a cautionary tale that makes very clear the high cost of political contests played out on the battlefield.
In addition to probably being a vampire, he’s the most unpredictable talent in Hollywood. In order for you to see this page as it is meant to appear, we ask that you please re-enable your Javascript! Kristen Connolly, Evan Jones, Szofi Berki, Tom Benedict Knight, and Ivan Kamaras also star. The film's tagline reflects the conflict: What happens when the country you love betrays everything you believe?
It fulfills a long-time wish to portray his own family history: the character of Viktor recreates the story of his father, son of a Jewish tailor in Berlin.
They take a photograph, each getting a print of the smiling faces, vowing to reconvene at Christmastime in Berlin.

But in the repeated heat of battle where he must either kill or be killed, he becomes an effective killing machine. Greta is ambitious, and when an SS officer offers to make her the next Marlene Dietrich, she trades this opportunity for Viktor's exit papers. This act, committed in the name of national loyalty, haunts her and she later confesses to sending Lilija to her death. To name a few, we Americans can count the Viet Nam war's My Lai Massacre, the two years of atrocities at Abu Ghraib, or the current rate of rape in the American military which has sky-rocketed with thousands of reports a year. Even though the movie takes place in 14th century Europe, Nic Cage just runs around talking in a very flat, undeniably Californian accent. He had time to reflect on the character, make adjustments to his performance…so why does he look so clueless in every shot of the film where something isn’t on fire? The drama will chronicle the life of a man who can defy death through his stunts, his visions and his mastery of illusion.
Hand-held camera work depicts the savagery of skirmishes in blown-out buildings, the explosive, erratic gunfire, the random fate of who lives and who doesn't, of how many lives are lost in the taking of a telegraph office.
In a twist of fate, Lilija later reappears as an officer of the invading Russian troops and saves Charlotte from rape by a soldier.
And because America is a country where we love mocking the wealthy, we like Nic Cage best when he’s floundering around on screen like a cat chasing a laser pointer.
But once Cage got his hands on the project, the badass hitman became just another stereotypical Hollywood killer. Exceptional acting carries the drama, an arcing story that takes these well-drawn characters from personal hope and happiness to a place of no return.
It represents the percentage of professional critic reviews that are positive for a given film or television show. As they ride their skateboards and go to football practice, they are like millions of other boys coming of age the world over.
But faced with difficult circumstances - isolation, instability, and parental unemployment - adolescence can be a daily struggle just to survive.
With no road map and all evidence to the contrary, they cling to the hope that even they can live the American dream.
Winner of the 2014 Sundance Grand Jury Prize, RICH HILL is an irresistibly moving and inspirational portrait of the challenges, hopes and dreams of rural America's youth.

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